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LD3928-A23-1962-1963.Pdf
MUSICAL PROGRAM of William Neal Reynolds Coliseum June 1. 1963 CARILLON CONCERT: 9:30 A.M. The Memorial Tower Ralph W. Daniel, Carillonneur NORTH CAROLINA STATE COLLEGE BAND CONCERT: 9:45 A.M. March King Cotton Sousa Orlando Palandrino t ___________ Haydn Farandole, from L‘Arlcsiennc Suite __________________________________________________ ................... Bizet Zueignung ‘‘‘‘‘‘ _________ R. Strauss Pictures at an Exhibition ................................................. ................ Moussorgsky The Hut of Baba-Yaga Great Gate of Kiev 10:15 AM. MarchPROCESSIONAL:Processional . Grundman RECESSIONAL: University Grand March Goldman NORTH CAROLINA STATE COLLEGE BAND J. Perry Watson, Director of Music Donald B. Adcock, Assistant Director of Music COMMENCEMENT PROGRAM Exercises of William Neal Reynolds Coliseum June 1, 1965 PROCESSIONAL 10:15 A.M. Donald B. Adcock Conductor, Carolina State College Band seatedThe audienceduring istherequestedprocessionalto remain PRESIDING John T. Caldwell Chancellor, North Carolina College WELCOME INVOCATION ...................................................................... Oscar B. Wooldridge Coordinator of Religious Aflairs North Carolina College ADDRESS David E. Bell Director, Agency for International Development United States Department of State CONFERRING OF DEGREES John T. Caldwell Chancellor, North Carolina State College Harry C. Kelly Dean of the Faculty Candidata for baccalaureate degrees presented bydegreesDeanspresentedof Schools.by theCandidatesDean of forthe advancedGraduate sentedSchool. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
Building the Future One Play at a Time
College of Arts & Sciences Alumni Association · Winter 2008-09 IU Department of Theatre and Drama Lee Norvelle Theatre and Drama Center Membership matters. This publication is paid for in part by dues-paying members of the Indiana University Alumni Association. Building the future one play at a time his year, Indiana University celebrates its 75th season of plays, Ttracing its formal commitment to artistic and academic excellence back to Oct. 10, 1933, when, under the direction of Professor Lee Norvelle, the University Theatre presented The First Mrs. Frazer. Theatre has been part of campus life since the 1880s, when various student groups were performing plays on the Bloomington campus. During that period, and for years to come, theatre on the IU campus varied wildly in performance quality and produc- tion standards. In 1915, the Department of English offered the first theatre course, The Staging of The first production of the first season, The First Mrs. Fraser, opened in 1933 and Plays. featured Catherine Feltus, who went on to a professional acting career as Catherine (continued on page 2) Craig. In 1940, she married actor Robert Preston. WANTED: Your stories! Did one professor or mentor have a lasting impact on you? Did you fall into the pit at the University Theatre? Did you make it to Broadway (not just to see a show)? Did your theatre training play a part in help- ing to achieve your career goals? Got GREAT IU photos? The Department of Theatre and Drama is collecting stories and pictures from alumni, faculty, and staff. Your story will be compiled in our research archives to be treasured by students, alumni, and anyone who loves IU theatre for generations to come. -
Thank You Leadership Givers in the Spirit of Kaw Valley
THANK YOU LEADERSHIP GIVERS IN THE SPIRIT OF KAW VALLEY ASSOCIATION 2014 CAMPAIGN FOR INVESTING IN OUR COMMUNITY AND MAKING A PERSONAL COMMITMENT TO ADVANCE THE COMMON GOOD IN DOUGLAS COUNTY. This list of Leadership Givers Represents pledges received as of February 24, 2015. United Way of Douglas County THE ALEXIS DE TOCQUEVILLE SOCIETY $10,000 or more United Way’s Tocqueville Society, created in 1984, Ethel & Raymond F. Rice Foundation is one of the world’s most prestigious institutions for Val & Beth Stella Membership is granted to individuals who contribute individuals who are passionate about improving $10,000 or more in special gifts annually. Larry & Peggy Johnson Thank you to these generous donors. peoples’ lives and strengthening communities. Plus 2 Anonymous Donors PATRIOT $5,000 HOMESTEADER $1,000 L. Susan Hadl Michael & Karen Roberts PIONEER $750 Bill & Jeanine Lienhard Virgil & Elaine Brady Dave & June Adams Kathleen Hall Phyllis & Stan Rolfe Mike & Tana Ahlen Mary Loveland Scott T. Coons David & Helen Alexander Nancy & Jeff Hambleton, DDS Marlesa A. Roney, PH.D. Lon & Lynn Akerberg Linda & Peter Luckey Monica Biernat David & Mary Kate Ambler Jerry & Michele Hammann Dr. & Mrs. Jan Roskam Mark & Susan Andersen Frank & Kallie Male Brian & Vickie Anderson Kelly & Tanja Harrison Robert & Ann Russell Pat & Debra McCandless & Chris Crandall Danny & Kimberly Anderson Katie & Ken Armitage Mike & Barbara Hartnett Richard & Phyllis Sapp Janet Perkins & Jeff Aube Kirk & Jeannie McClure Chris & Kaye Drahozal Larry R. Bakerink Bishop John Haslam Cathy Schneider Ken & Cheryl Audus Terry D. McEwen Mary Ruth Petefish Albert & Barbara Ballard Don & Carol Hatton James & Bonnie Schwartzburg Bill & Beverly Bartscher Michael & Christine McGrew Charitable Lead Trust Gene & Judy Bauer Adina M. -
Mousical Trivia
Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw. -
Proclamation Artwork Submission Guidelines
PROCLAMATION ARTWORK SUBMISSION GUIDELINES Prepared by Jade Muratore Project Coordinator, Proclamation [email protected] PROJECT INFORMATION Concept Proclamation Barangaroo Reserve (Sydney Harbour Foreshore) Sydney Festival | 8 – 26 January 2020. Proclamation is an observational body of work linking the community and their idea or association of belonging to the land and country, and more specifically the interpretation of land ownership. Community members of all ages are invited to respond to this theme by painting, drawing, paper collaging, digital imaging, photographing, or any other form of 2-dimensional image making. The aim is to create a picture that reflects their idea of connection to land or place. Examples include: their favourite beach, their house, a memory of the place they grew up, and even an imaginary place or their favourite plant or animal. Works addressing ongoing conversations around Aboriginal land rights, diaspora and migration are also highly encouraged. For those artists whose works are selected, they will be provided with the coordinates and dates their flag will fly at Barangaroo Reserve so they can go visit with their friends and family. Once the festival finishes, artists will have their flag returned to them to keep as a memento. About Sydney Festival… Every January, Sydney Festival starts the new year with a bang, transforming the city with a bold cultural celebration based on critical ideas and cutting-edge art and performance. More than any other cultural event, Sydney Festival defines Sydney's personality. For over four decades we have presented international artists who guarantee headlines, and whose presence in Sydney adds to the Festival's buzz and prestige, including names like Björk, Brian Wilson, Grace Jones, Manu Chao, Elvis Costello, AR Rahman, Cate Blanchett, Ralph Fiennes, Robert Lepage, The Flaming Lips, Nick Cave, PJ Harvey, Peter Sellars, Sir Ian McKellen and David Byrne & St. -
In Appreciation
IN APPRECIATION MAY 2021 Jean & Barry Bingham + Carol & Lawrence Brecker + In Appreciation Connie & Jim Binns + Robert Bulla + Kendra & John Burnside + Joy Bunt & Linda Turley + DESERT BOTANICAL Jan & Tom Lewis + Mesha Davis & Doug Carter + Margie & Jim Burke + GARDEN DONORS Tammy McLeod & John Roberta Denning Thomas Caldwell Desert Botanical Garden is grateful to all Hamilton + Shelly & Timm Esque ^ Dorothy Cholnoky + 31,953 members and donors for your gen- David & Lisa^ Miller Teny & Charles Fisher + Anne & Fred Christensen + erosity. You are the inspiration to Garden Barbara & Donald Ottosen + Ursula & Ram Gangadean + Karen & William Clements + staff who continued to maintain critical Ken Schutz & Craig Thatcher + Judy & Stan Getch + Pamela & Dale Collie + mission work during a challenging year and temporary closure. Today, you con- Virginia & Rex Short Dawn & Don Goldman + Elva & Lattie Coor + tinue to invest in the Garden’s future as a Lynn & Edward Villanueva + Mike & Sue Gregg + Barbara Crisp & Mark Nemschoff + place of beauty, wellness and science. $10,000 - $24,999 Elaine & Daniel Gruber Leslie Dashew & Jack Salisbury + Anonymous (2) + Mary Heiss & Harold Dorenbecher + Pam Del Duca + On these pages, we recognize individual, Tom & Ruth Ann Hornaday + Dianne Dunn + company and foundation donors who made Rebecca Ailes-Fine & Peter Fine + single or multiple contributions and pledges Kate Baker + Amy Hillman-Keim & Gerry Keim + Beverly & Paul Duzik + totaling $500 and more over the year, from Ann & Brian Balusek + Diane & Michael Kulow + Linda Elliott & Carolyn Lane + Feb. 1, 2020 to Feb. 28, 2021. Included are Jane & Jason Barlow + Sue & Mark Landy + Dirk Ellsworth & William Schmidt + memberships, special gifts and unrestricted Oonagh & John Boppart + Bob & Shari Levitan + Mark Fairhead & Linda Bailey + support of the Garden’s annual programs Barbara & Ron Lieberson + Sally Falkner and services. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
The Music Man the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival The Music Man The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Brian Vaughn as Professor Harold Hill in The Music Man, 2011. Contents Information on the Play Synopsis 4 CharactersThe Music Man 5 About the Playwrights 6 Scholarly Articles on the Play Making Yesterday Worth Remembering 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Music Man In July 1912, fast-talking traveling salesman “Professor” Harold Hill comes to River City, Iowa, a town hesitant of letting strangers in, especially ones trying to sell something. Harold calls himself a music professor, selling band instruments, uniforms, and the idea of starting a boy’s band with the local youth. -
East Side West Side
WRITINGS OF JOHN MAUCERI JOHNMAUCERI.COM Prologue to Mr. Mauceri's book, "Celebrating West Side East Side, West Side – Story" published by the University of North Carolina School of the Arts 50 Years On How can one measure West Side Story? Do we compare it to the other Broadway shows of 1957? Do we value it because of its influence on music theater? Can we speak of it in terms of other musical versions of Romeo and Juliet? Do we quantify it in terms of the social history of its time? And, most of all, fifty years after its opening night on Broadway, does it mean something important to us today? The answer to all those questions is yes, of course. The fiftieth anniversary of a work of performing art is most telling and significant. That is because after a half century the work has passed out of its contemporary phase and is either becoming a classic or has been forgotten altogether. Fifty years on, members of the original creative team are generally still able to pass on what they experienced once upon a time, and yet, for many, it is an opportunity to experience and judge it for the very first time. Rereading an original Playbill magazine from the week of February 3, 1958 (I was twelve years old when I saw the show), is indeed a cause for multiple surprises and discoveries. Consider the musicals playing on Broadway that week: Bells are Ringing, about a telephone operator; Jamaica, a new Harold Arlen musical with Lena Horne; Li’l Abner, based on a popular comic strip; My Fair Lady with Julie Andrews, New Girl in Town, based on O’Neil’s Anna Christie; Tony Randall starring in Oh, Captain!, based on the Alec Guinness film The Captain’s Paradise; The Music Man with Robert Preston and Barbara Cook. -
Hello, Dolly! Carolee Carmello
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 7 Hello, Dolly! 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts 27 Honickman Family Society 31 Kimmel Center Staff Carolee Carmello and John Bolton in Hello, Dolly! National Tour. Photograph by Julieta Cervantes 2019 The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Proud Kimmel Center Season Sponsor Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com Official Airline of Broadway Philadelphia @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Jeffrey Brown Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Robert J. Delany Sr. Cultural Campus, the two-week home of this stunning revival James F. Dever, Jr. of Hello, Dolly!. Part of our 2019-20 season, boasting 44 Frances R. -
Philp Galdston-PAF-CV.Pdf
Philip Galdston Professional Activities Form Clinical Associate Professor [email protected] Faculty Identification Information: Additional Academic Appointments Joint Appointment, Steinhardt, Music Associate Professor of Music Business, Fall 2012, Ongoing Significant Activities (Optional Section) In addition to continuing and expanding all of the activities listed, previously, the most important activity in which I was engaged in 2018-2019 was the development/revision of the Music Composition and, by extension, a good deal of MPAP curriculum. I performed this work as part of an ad hoc task force, appointed by Dr. Ron Sadoff and with my colleagues Sergi Cassanelles and Robert Honstein. Our task force considered all aspects of the curriculum that touches upon concentrations whose students are required to take History, Thoery, Aural Training, and Keyboard Skills. In addition, in consultation with all relevant MPAP Program Directors and select faculty, we examined the entire curriculum. We learned that most students and faculty were interested in increased academic flexibility and the expansion of electives. We prepared a report, which led Dr. Sadoff to appoint an hoc Committee, under the leadership of Dr. Lawrence Ferrara. This Committee, of which I was a member, reviewing the task force's report and made curricular receommendation to the MPAP faculty. These were endorsed in the Spring of 2019. Winter 2018 In 2017, I continued to be deeply engaged in all curricular planning for and development of Songwriting and efforts to coordinate same across