Lesley Barber Composer

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LESLEY BARBER COMPOSER AWARDS ASCAP FILM AND TELEVISION MUSIC AWARDS Manchester by the Sea Nomination, ASCAP Composers’ Choice Award Film Score of the Year SATELLITE AWARDS Nominated, Satellite Award Manchester by the Sea Best Original Score MOTION PICTURES AMERICAN WOMAN Semi Chellas, dir. Killer Films LATE NIGHT Nisha Ganatra, dir. Scott Rudin Productions NAPPILY EVER AFTER Haifaa Al-Mansour, dir. Netflix BOARDING SCHOOL Boaz Yakin, dir. Farcaster Pictures IRREPLACEABLE YOU Stephanie Laing, dir. Netflix A BETTER MAN Lawrence Jackman & Attiya Khan, dir. Intervention Prod. MANCHESTER BY THE SEA Kenneth Lonergan, dir. Amazon Studios YOU CAN COUNT ON ME Kenneth Lonergan, dir. Paramount THE APOLOGY Tiffany Hsiung, dir. Icarus Films HOW TO CHANGE THE WORLD Jerry Rothwell, dir. Met Film Production 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Barber Page 1 of 3 LESLEY BARBER COMPOSER MOTION PICTURES (continued) DIRTY SINGLES Alex Pugsley, dir. Dirty Singles Productions THE MOTH DIARIES Mary Harron, dir. Edward R. Pressman Film GIRLS ON TOP Cassandra Nicolaou, dir. Fighting Fish Productions VICTORIA DAY David Bezmozgis, dir. Markham Street Films DEATH IN LOVE Boaz Yakin, dir. Screen Media Films KIT KITTREDGE Patricia Rozema, dir. Picturehouse A THOUSAND YEARS OF GOOD PRAYERS Wayne Wang, dir. Boram Entertainment COMEBACK SEASON Bruce McCulloch, dir. Myriad Pictures MARION BRIDGE Wiebke Von Carolsfeld, dir. Mongrel Media THE LITTLE BEAR MOVIE Raymond Jafelice, dir. Paramount Home Video YOU CAN COUNT ON ME Kenneth Lonergan, dir. Paramount Classics MANSFIELD PARK Patricia Rozema, dir. Miramax LUMINOUS MOTION Bette Gordon, dir. Fiona Films 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Barber Page 2 of 3 LESLEY BARBER COMPOSER MOTION PICTURES (continued) A PRICE ABOVE RUBIES Boaz Yakin, dir. Miramax LOS LOCOS Jean-Marc Vallée, dir. Volcanic Films BACH CELLO SUITE #6: SIX GESTURES Patricia Rozema, dir. Rhombus Media TURNING APRIL Geoff Bennet (II), dir. Alliance Productions WHEN NIGHT IS FALLING Patricia Rozema, dir. Evergreen Entertainment TELEVISION FOUR WEDDINGS AND A FUNERAL Mindy Kaling & Matt Warburton, creators Hulu BEACHES Allison Anders, dir. A&E Studios LITTLE BEAR. Else Minarik & Maurice Sendak, creators Nickelodeon SEVEN LITTLE MONSTERS Maurice Sendak, creators PBS THE REAL JANE AUSTEN Nicky Pattison, dir. HYSTERICAL BLINDNESS Mira Nair, dir. HBO YO-YO MA INSPIRED BY BACH Niv Fichman, dir. Rhombus Media 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Barber Page 3 of 3 LESLEY BARBER COMPOSER 15233 Ventura Boulevard, Suite 200, Sherman Oaks, California 91403 Tel. 818-380-1918 Fax 818-380-2609 Barber Page 4 of 3 .

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CSA Interview MASTER
Amin Bhatia & Ari Posner – Canadian Screen Award Nominees Best Original Music for a Series – X-Company: Black Flag SCGC member Janal Bechthold catches up with the Canadian Screen Award nominees Amin Bhatia and Ari Posner to give you a little look into their process of scoring for the TV series, X-Company. This is their second nomination, having received a Best Original Score nomination for the series in 2016. X-Company is an “emotionally-driven character drama, set in the thrilling and dangerous world of WWII espionage and covert operations. It follows the stories of five highly skilled young recruits.” ~CBC.ca SCGC: How is the premise of X-Company meaningful to you? AB & AP: As a Canadian, to learn about how Camp X in Whitby Ontario and our intelligence forces helped to defeat the Nazi regime was very inspiring. It needs to be said that especially this year we've become acutely aware of world events in the US and how this story is an uncomfortable foreshadowing of what could repeat itself if we do not pay attention. SCGC: What was the biggest challenge you faced during this project? AB & AP: For this particular episode ,"Black Flag", our heroes had to assassinate a high-ranking German general during a night at the Opera. So it created many musical challenges, ranging from ritzy jazz themes and remixes, operatic rearrangements of Gabriel Fauré, ambient terror, orchestral action, and pure tragedy with a Nazi reprisal attack on innocent citizens. Thanks to the co-ordination of the cast and crew we actually wrote the source music months before to be used as playback on set as well as helping the picture editors set the pace and feel of the show.
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