Mongrel Media Presents
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CSA Interview MASTER
Amin Bhatia & Ari Posner – Canadian Screen Award Nominees Best Original Music for a Series – X-Company: Black Flag SCGC member Janal Bechthold catches up with the Canadian Screen Award nominees Amin Bhatia and Ari Posner to give you a little look into their process of scoring for the TV series, X-Company. This is their second nomination, having received a Best Original Score nomination for the series in 2016. X-Company is an “emotionally-driven character drama, set in the thrilling and dangerous world of WWII espionage and covert operations. It follows the stories of five highly skilled young recruits.” ~CBC.ca SCGC: How is the premise of X-Company meaningful to you? AB & AP: As a Canadian, to learn about how Camp X in Whitby Ontario and our intelligence forces helped to defeat the Nazi regime was very inspiring. It needs to be said that especially this year we've become acutely aware of world events in the US and how this story is an uncomfortable foreshadowing of what could repeat itself if we do not pay attention. SCGC: What was the biggest challenge you faced during this project? AB & AP: For this particular episode ,"Black Flag", our heroes had to assassinate a high-ranking German general during a night at the Opera. So it created many musical challenges, ranging from ritzy jazz themes and remixes, operatic rearrangements of Gabriel Fauré, ambient terror, orchestral action, and pure tragedy with a Nazi reprisal attack on innocent citizens. Thanks to the co-ordination of the cast and crew we actually wrote the source music months before to be used as playback on set as well as helping the picture editors set the pace and feel of the show. -
Schreef Score Voor Alberta NUMMER
FILMMUZIEKMAGAZINE DANIËL LOHUES – Schreef score voor Alberta NUMMER 191 – 46ste JAARGANG – MAART 2017 1 Score 191 Maart 2017 46ste jaargang ISSN-nummer: 0921- 2612 Het e-zine Score is een uitgave van de stichting FILMMUZIEKMAGAZINE Cinemusica, het Nederlands Centrum voor Filmmuziek REDACTIONEEL Informatienummer: +31 050-5251991 Filmcomponisten hebben allen hun eigen muzikale achter- grond. Meestal gaat een opleiding in de klassieke muziek E-mail: vooraf aan het bestaan van een filmcomponist, althans zo [email protected] denkt het grote publiek nog maar al te vaak. Een treffend voorbeeld is de Amerikaan Aaron Copland die een dergelijke opleiding genoot en naar Hollywood reisde om daar enkele Kernredactie: Paul memorabele scores te schrijven. Dat de werkelijkheid anders Stevelmans en Sijbold kan zijn, bewijzen enkele van de componisten die werden Tonkens genomineerd voor een Oscar dit jaar. De een komt uit de Aan Score 191 werkten avant-gardistische muziekwereld, een ander uit de alternatie- mee: Paul Stevelmans ve popwereld en weer een ander heeft een opleiding in de en Sijbold Tonkens klassieke muziek achter de rug. Dichterbij huis zien we dat Daniël Lohues zijn eigen muzikale Eindredactie: Paul ontwikkeling kent: de singer-songwriter heeft de laatste jaren Stevelmans voorzichtig aan de weg getimmerd als componist voor film. Deze Score begint met een interview met Lohues. Filmmu- ziek betekent niet per definitie een symfonische score, maar Vormgeving: Paul kent vele verschillende stijlen en daar mogen we heel blij mee Stevelmans zijn. Met dank aan: Daniël Lohues, Coen ter Wol- INHOUDSOPGAVE beek, Reyer Boxem (fo- to’s Daniël Lohues), 3 Daniël Lohues - Interview Marco Beltrami, Costa Communications, AMPAS 7 Marco Beltrami - Interview 10 In memoriam: Jan Stoeckart 13 Aaron Copland - Portret 17 Oscar 2017 23 Boekbespreking 24 Recensies 2 VAN IMPROVISATIE NAAR FILMSCORE Daniël Lohues over zijn muziek voor Alberta Als zanger en liedjesschrijver heeft Daniël Lohues al meer dan twee decennia zijn sporen ruimschoots verdiend. -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Press Kit Falling Angels
Falling Angels A film by Scott Smith Based on the novel by Barbara Gowdy With Miranda Richardson Callum Keith Rennie Katherine Isabelle RT : 101 minutes 1 Short Synopsis It is 1969 and seventeen year old Lou Field and her sisters are ready for change. Tired of enduring kiddie games to humour a Dad desperate for the occasional shred of family normalcy, the Field house is a place where their Mom’s semi-catatonic state is the result of a tragic event years before they were born. But as the autumn unfolds, life is about to take a turn. This is the year that Lou and her sisters are torn between the lure of the world outside and the claustrophobic world of the Field house that can no longer contain the girls’ restless adolescence. A story of a calamitous family trying to function, Falling Angels is a story populated by beautiful youthful rebels and ill-equipped parents coping with the draw of a world in turmoil beyond the boundaries of home and a manicured lawn. 2 Long Synopsis Treading the fine line between adolescence and adulthood, the Field sisters have all but declared war on their domineering father. Though Jim Field (Genie and Gemini winner Callum Keith Rennie ) runs the family house like a military camp, it’s the three teenaged daughters who really run the show and baby-sit their fragile mother Mary, (Two-time Oscar ® nominee Miranda Richardson) as she quietly sits on the couch and quells her anxiety with whiskey. It’s 1969 and beneath suburbia’s veneer of manicured lawns and rows of bungalows, the world faces explosive social change. -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
1. Managing-Director's Report BOD Feb 26 2019
Managing Director’s Report Board of Directors meeting February 26th 2019 Presented/Submitted by Tonya Dedrick Advocacy DM@X Conference • SCGC Board Members Paul Novotny, Amin Bhatia, Ryner Stoetzer, and President John Welsman attended the DM@X conference at the University of Toronto. • Much was presented and discussed about the state of digital media, with a strong sense of urgency about the need for legislative changes around Copyright, the Broadcast Act, streaming services, and dealing with the new realities in a coordinated effort internationally. Programs Orchestral Reading Session (ORS) • The ORS Masterclass took place on December 10th at Hugh’s Room and was a great success. Panelists included: Composers John Welsman, and Rob Carli, Director Don McBrearty and Filmmaker Larry Weinstein. • Once again, tremendous thanks to John Herberman for his dedicated leadership given to this popular program! Programs Interviewing 1010 for Composers #Womeninfilm #ComposeHer Janal Bechthold Chair of our Women Composer Advisory Council, hosted 'Interviewing 101 for Composers'. At this event, Jen Gorman (from GormanPR) walked through PR tips for composers. Educational Outreach • We will be presenting to students at York University on February 28th 2019. • With much appreciation we have Charlie Finlay and Elizabeth Hannan who continue to an outstanding job representing the SCGC and providing students with a basic overview of benefits of membership with the SCGC and how joining the guild can assist them with the next steps of their education and career path. • Many thanks to Nicholas Stirling who administrates the Educational Outreach program. Industry Outreach Whistler Film Festival This year we began a new partnership with the Whistler Film Festival. -
Founders Paul Bettis Luter Hansraj Kirsten Johnson Sherrie Johnson Jacoba Knaapen Daniel Macivor Don Mckellar Darren O'donnell
Barbara Fingerote Founders Paul Bettis Luter Hansraj Kirsten Johnson Sherrie Johnson Jacoba Knaapen Daniel MacIvor Don McKellar Darren O’Donnell Alex Poch-Goldin Nadia Ross Lisa Ryder Sarah Stanley Deanne Taylor Ken McDougall Award Award 1995 Richard Feren Bianca Jacobs Peter Lynch Bob Wallace Leslie Lester David Duclos Sky Gilbert Asher Turin Robin Fulford Veronika Hurnik Josie Le Grice Eileen O’Toole Jim Jones 1996 Daniel Brooks Kim Roberts Richard Vaughan Gwen Bartleman Alisa Palmer Bryan James Hillar Liitoja The Founders Andrew Scorer Joey Meyer Ron Kennell Jim Warren Rose Jacobson Franco Boni 1997 Tracy Wright Ahdri Zhina Mandiela Jonathan DaSilva Fiona Jones Alex Bulmer Maxine Bailey Sigrid Johnson --- David Anderson Ruthe Whiston Maria Costa Leah Cherniak Lynda Hill Cathy Gordon in memory of Mark 1998 Clare Coulter M. Nourbese Philips Ed Roy Rex Buckle Eryn Dace Trudell Jean Yoon Rebecca Picherak Ida Carnevale Andrea Lundy David Baile Jennifer Brewin Viv Moore Michael Waller Shields 1999 Winston Morgan Diane Roberts Elley-Ray Hennessy Will Sutton Sharon Di Genova Marion de Vries Peter Freund Toronto Arts Council Arturo Fresolone Derek Bruce Sally Szuster --- Keith Cole Chris Abraham Marcus Magdalena & Christine Moynihan / 2000 Sandra Hodnett Sally Han Roger West Jennifer Watkins Rose Stella Kimberly Purtell Michael Hollingsworth Peter Nikolic Natasha Parsons Wendy Krekeler Gregory Nixon Simon Heath Chris Prideaux Mira Friedlander 2001 Nancy Webster Naomi Campbell Adrien Whan David Hoekstra Jane Marsland Daniel David Moses Michelle -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Rossi Laura Rossi's War Musics Kendra Preston Leonard of The
rossi Laura Rossi’s War Musics Kendra Preston Leonard Of the many eminent and acclaimed composers writing today for both film and the concert hall, not just men but also such women as Laura Karpman, Anne Dudley, Lolita Ritmanis, Lesley Barber, and Debbie Wiseman, it is Laura Rossi who is perhaps best known for the intimate connections between her works for the cinema and the stage. Rossi, nominated for an Academy Award for her music for Unfinished Song (2012), was commissioned by the Imperial War Museum (IWM) to compose original scores for films from the period of the Great War, including the 1916 The Battle of the Somme (2008) and 1917 The Battle of the Ancre (2002).i Rossi has also been heralded for her concert works, and in 2014 her work in these two spheres overlapped with the creation of her Voices of Remembrance for orchestra, choir, and spoken voices.ii Voices was composed for the centenary of the First World War, and includes spoken recitations of ten World War I poems, musical settings of three of the poems for voice and orchestra, and seven instrumental movements based on the remaining poems. In reading Rossi’s Voices in the context of her scores for World War I films and analyzing Rossi’s approaches to scoring texts and testimonies of various natures documenting the war, I theorize that Rossi’s Voices of Remembrance differs in approach from her film scores in that it does not function just as music to help audiences understand the context of wartime artistic creations but also seeks to serve as a musical autobiography-by-proxy for the poets upon whose works the work is based. -
Jacoba Barber-Rozema Soprano
JACOBA BARBER-ROZEMA SOPRAN Geburtsdatum und Ort: 22.02.1996, Toronto (Kanada) E-Mail: [email protected] Webseite: jacobabarberrozema.com ROLLEN 2020 Bechdel Opera Die junge Sängerin Theaterakademie August Everding 2019 Jacobs, Fall On Your Knees Kathleen Citadel Theatre & Vita Brevis Arts 2017 Händel, Ariodante Dalinda Opera McGill Mozart, The Impressario Anna Gottlieb Opera McGill Strauss,J. Die Fledermaus Ida Opera McGill Garner, Much Ado About Nothing Beatrice Guildhall School (London) & Opera McGill 2014 Palej, East o’ the Sun and Rose Canadian Children’s Opera Company West o’ the Moon 2012 Gay/Albano, Laura’s Cow Emma Canadian Children’s Opera Company Puccini, Tosca Un pastore Canadian Opera Company 2011 Mozart, Die Zauberflöte Dritter Knabe Canadian Opera Company 2010 Burry, The Secret World of Og Pamela Canadian Children’s Opera Company KONZERTE 2019 Seria: Händel-Impuls-Hasse Konzert Solistin Accademia di Monaco Orchester 2016 Laborintus II, Luciano Berio Narrator McGill Contemporary Music Ensemble 2014 Weihnachtsoratorium, J. S. Bach Solistin Toronto Bach Consort FILME/AUFNAHMEN 2017 Asgari/Livingston, Listen to the Chorus Solistin Madeleine Co. (Nuit Blanche Toronto) 2016 Lesley Barber, Manchester by the Sea Solistin Kenneth Lonergan, Regisseur 2015 Max Richter, Into the Forest Solistin Patricia Rozema, Regisseurin 2005 The Peace Tree Kylie Mitra Sen, Regisseurin REGIE 2017 Offenbach, Une demoiselle en loterie Regisseurin Opera McGill AUSZEICHNUNGEN 2018 Classical Singer Wettbewerb Dritter Preis Gewinnerin McGill -
Starry 'Sousatzka' Team on Garth Drabinsky's Comeback Musical
SATURDAY, DECEMBER 17, 2016 Women composers US rapper Common on look to even up the movie score teaming up with 13TH s the movie business struggles with diversity and gen- merican rapper Common said it was “very special” to der equality issues, there are signs of progress on the team up again with director Ava DuVernay on her latest Amusic front: At least four features being released Adocumentary “13TH”, which deals with issues of race between now and year’s end have been scored by women, and the US criminal justice system. The Chicago native, who and at least two are expected to be major awards contenders. won a 2015 Academy Award for best song “Glory” from That may not sound like much. But consider this: No female DuVernay’s 1960s civil rights drama “Selma,” said it was impor- composer has been nominated for an original-score Oscar in tant for him to work on her latest project. “I think it’s very, very the past 15 years, and only four women have been nominated special. She is like one of those creative, passionate, intelligent in the entire 81-year history of the category. Two have won: beings and visionaries and is committed. So I’m like always British composers Rachel Portman, for “Emma,” and Anne saying, ok, what can we do?,” Common said in an interview. Dudley, for “The Full Monty.” The documentary argues that although slavery was official- “Rainbow Time,” scored by Heather McIntosh, opened Nov. ly abolished in the United States 150 years ago, it is still alive in 4. -
Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-20-2012 12:00 AM Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century Sean C. Fitzpatrick The University of Western Ontario Supervisor Dr. Christopher E. Gittings The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sean C. Fitzpatrick 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Fitzpatrick, Sean C., "Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century" (2012). Electronic Thesis and Dissertation Repository. 784. https://ir.lib.uwo.ca/etd/784 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FIGHTING, SCREAMING, AND LAUGHING FOR AN AUDIENCE: STARS, GENRE, AND THE QUESTION OF CONSTRUCTING A POPULAR ANGLOPHONE CANADIAN CINEMA IN THE TWENTY-FIRST CENTURY (Spine title: Fighting, Screaming, and Laughing for an Audience) (Thesis format: Monograph OR Integrated-Article) by Sean Fitzpatrick Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sean Fitzpatrick 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ ______________________________ Dr.