A Musical Interpretation of Sherlock Holmes's Friendship with Dr. John
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The Speckled Band and Other Stories
14767_The Speckled.qxd 27/08/1956 19:18 Page 1 MACMILLAN GUIDED READERS INTERMEDIATE LEVEL SIR ARTHUR CONAN DOYLE The Speckled Band and Other Stories Retold by Anne Collins MACMILLAN CLASSICS 14767_The Speckled.qxd 27/08/1956 19:18 Page 3 Contents THE SPECKLED BAND 1 An Early Morning Visitor for Holmes 4 2 Miss Stoner Begins Her Story 5 3 The Death of Julia 7 4 A Dangerous Enemy 11 5 A Visit to Stoke Moran 14 6 Dr Roylott Returns 18 7 Night of Terror 19 8 The Speckled Band 21 THE DANCING MEN 1 A Strange Drawing 24 2 Mr Cubitt’s Story 25 3 Mr Cubitt’s Second Visit 28 4 Terrible News 31 5 The Investigation Begins 33 6 Holmes Sends a Note 36 7 Holmes Explains the Mystery 38 8 The Murderer is Caught 42 THE RED-HEADED LEAGUE 1 A Strange Advertisement 46 2 The Red-Headed League 47 3 An Unusual Job 49 4 Who is Vincent Spaulding? 52 5 A Visit to Saxe-Coburg Square 54 6 Everything is Ready 58 7 The Capture of John Clay 61 8 The Mystery Explained 63 Points for Understanding 65 Glossary 75 List of titles at Intermediate Level 79 14767_The Speckled.qxd 27/08/1956 19:18 Page 4 THE SPECKLED BAND 1 An Early Morning Visitor for Holmes or many years, I was a good friend of Sherlock Holmes, the Ffamous private detective1. During this time, Holmes solved many unusual mysteries. But perhaps one of the most unusual was the mystery of the Speckled Band. -
The Red-Headed League (The Adventures of Sherlock Holmes) by Sir Arthur Conan Doyle
The Red-Headed League (The Adventures of Sherlock Holmes) by Sir Arthur Conan Doyle I had called upon my friend, Mr. Sherlock Holmes, one day in the autumn of last year and found him in deep conversation with a very stout, florid-faced, elderly gentleman with fiery red hair. With an apology for my intrusion, I was about to withdraw when Holmes pulled me abruptly into the room and closed the door behind me. "You could not possibly have come at a better time, my dear Watson," he said cordially. "I was afraid that you were engaged." "So I am. Very much so." "Then I can wait in the next room." "Not at all. This gentleman, Mr. Wilson, has been my partner and helper in many of my most successful cases, and I have no doubt that he will be of the utmost use to me in yours also." The stout gentleman half rose from his chair and gave a bob of greeting, with a quick little questioning glance from his small fat-encircled eyes. "Try the settee," said Holmes, relapsing into his armchair and putting his fingertips together, as was his custom when in judicial moods. "I know, my dear Watson, that you share my love of all that is bizarre and outside the conventions and humdrum routine of everyday life. You have shown your relish for it by the enthusiasm which has prompted you to chronicle, and, if you will excuse my saying so, somewhat to embellish so many of my own little adventures." "Your cases have indeed been of the greatest interest to me," I observed. -
Sherlock Holmes: the Final Adventure the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Sherlock Holmes: The Final Adventure The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2014, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Brian Vaughn (left) and J. Todd Adams in Sherlock Holmes: The Final Adventure, 2015. Contents Sherlock InformationHolmes: on the PlayThe Final Synopsis 4 Characters 5 About the AdventurePlaywright 6 Scholarly Articles on the Play The Final Adventures of Sherlock Holmes? 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Sherlock Holmes: The Final Adventure The play begins with the announcement of the death of Sherlock Holmes. It is 1891 London; and Dr. Watson, Holmes’s trusty colleague and loyal friend, tells the story of the famous detective’s last adventure. -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943
Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Smith, C Author post-print (accepted) deposited by Coventry University’s Repository Original citation & hyperlink: Smith, C 2018, 'Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943' Journal of British Cinema and Television, vol 15, no. 3, pp. 308-327. https://dx.doi.org/10.3366/jbctv.2018.0425 DOI 10.3366/jbctv.2018.0425 ISSN 1743-4521 ESSN 1755-1714 Publisher: Edinburgh University Press This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0425. Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Christopher Smith This article has been accepted for publication in the Journal of British Film and Television, 15(3), 2018. -
The Mysterious Moor
The Hound of the Baskervilles The Mysterious Moor The Lure of the Moor We often think of the English countryside as a pleasant land of forest and pasture, curbed by neat hedgerows and orderly gardens. But at higher elevations, a wilder landscape rears its head: the moor. Little thrives in any moor’s windy, rainy climate, leaving a rolling expanse of infertile wetlands dominated by tenacious gorse and grasses. Its harsh, chaotic weather, so inhospitable to human life, has nonetheless proved fertile ground for the many writers who’ve set their stories on its gloomy plain. A native of nearby Dorchester, Thomas Hardy set The Return of the Native, Tess of the D’Urbervilles, and other novels on the wild, haunted moor that D.H. Lawrence called “the real stuff of tragedy.” In Emily Brontë’s Wuthering Heights, the violent, passionate Catherine and Heathcliff seem to echo the moors that surround them. Dame Agatha Christie booked herself into the “large, dreary” Moorland Hotel to finish work on The Mysterious Affair at Styles, while Dartmoor is the setting for The Sittaford Mystery (1931). The moor’s atmospheric weather and desolate landscape lend an air of tragedy and mystery to all of these tales, as they do to The Hound of the Baskervilles. On Dartmoor’s windswept plain, Sir Arthur Conan Doyle found the legendary roots and the creepy backdrop of his most famous story. He took many liberties, changing the names of geographic localities and altering distances to suit his story, but even today, Sherlock Holmes fans are known to set out across the moor in search of the real counterparts of the fictional locale where the story took place. -
Book Reviews 203 1472 and 1475. the Final Chapter Considers the Production Process Spierinc and Van Lathem Followed in Creating
Book Reviews 203 1472 and 1475. The final chapter considers Thoroughly researched and extremely the production process Spierinc and van readable, this book nevertheless suffers Lathem followed in creating the prayer from a number of editorial lapses. The book’s “documented core,” with discus- majority are simply errors in spelling, sions of the text’s elaborate mise-en-page, although occasionally words are omitted or layout; the patterns of rubrication, line or transposed; and, in one particularly fillers, and partial borders; and the the- important case at the beginning of the matic interplay between illustration and codicological description in Appendix 2, text. Throughout the chapter, de Schryver a mistake in numbering the manuscript’s addresses the uncertainties involved folios introduces unnecessary confusion. in definitively assigning responsibility Most of these errors are likely the result for the execution of calligraphic and il- of the author’s failing health and unfortu- lustrative elements in a work that was nate death during the final preparation of the product of multiple craftsmen. In the the text and the publisher’s rush to get the end, however, he succeeds in supporting book into print “as quickly as possible,” his original attribution of the illumina- and, although bothersome, do not detract tion and scribal work to van Lathem and from the overall quality of de Schryver’s Spierinc, respectively, along with associ- scholarship. ates from their ateliers working in similar Whether addressing specifi c questions and complementary styles. about the prayer book’s creators and Rounding out the book are fi ve ap- contents or more general issues related to pendices. -
Sherlock Holmes: “The Speckled Band” Rfqs Directions
Sherlock Holmes: “The Speckled Band” RFQs Directions: Please answer the following in complete sentences in your reading composition book. You must provide evidence and the PPL (page, paragraph, and line) along with your answer. 1. How does the narrator’s relationship to the protagonist affect his perspective? 2. State the observations that Holmes makes to know that Miss Stoner is agitated? Why does Holmes then offer Miss Stoner coffee? 3. What evidence supports Miss Stoner’s fear that her sister was murdered? 4. Choose the best word to describe Dr. Roylott’s behavior when he came to visit Sherlock Holmes at 221B Baker Street. And explain why that is the best word to describe Dr. Roylott. bullish [boo l-ish] adj. – 1. like a bull to obstinate furious [fyoo r-ee-uh s] adj. – 1. extremely angry taciturn [tas-i-turn] adj. – 1. dour, stern to silent in expression throttle [throt-l] v. – 1. to choke or suffocate in any way 2. to silence 5. Why does Sherlock Holmes obtain a copy of Helen Stoner’s mother’s will? 6. List at least two clues that Holmes and Watson find at Stoke Moran to support Miss Stoner’s claim, and explain how they help to support Miss Stoner’s claim that her sister’s death was not accidental. 7. List at least two elements in the story that help to create Suspense as Holmes and Watson wait to hear the whistle? 8. What is the “Speckled Band,” and how does it resolve the crime? Sherlock Holmes: Vocabulary & Idioms Lesson 1 “The Speckled Band” Part I. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Exsherlockholmesthebakerstre
WRITTEN BY ERIC COBLE ADAPTED FROM THE GRAPHIC NOVELS BY TONY LEE AND DAN BOULTWOOD © Dramatic Publishing Company Drama/Comedy. Adapted by Eric Coble. From the graphic novels by Tony Lee and Dan Boultwood. Cast: 5 to 10m., 5 to 10w., up to 10 either gender. Sherlock Holmes is missing, and the streets of London are awash with crime. Who will save the day? The Baker Street Irregulars—a gang of street kids hired by Sherlock himself to help solve cases. Now they must band together to prove not only that Sherlock is not dead but also to find the mayor’s missing daughter, untangle a murder mystery from their own past, and face the masked criminal mastermind behind it all—a bandit who just may be the brilliant evil Moriarty, the man who killed Sherlock himself! Can a group of orphans, pickpockets, inventors and artists rescue the people of London? The game is afoot! Unit set. Approximate running time: 80 minutes. Code: S2E. “A reminder anyone can rise above their backgrounds and past, especially when someone else respectable also respects and trusts them.” —www.broadwayworld.com “A classic detective story with villains, cops, mistaken identities, subterfuge, heroic acts, dangerous situations, budding love stories and twists and turns galore.” —www.onmilwaukee.com Cover design: Cristian Pacheco. ISBN: 978-1-61959-056-4 Dramatic Publishing Your Source for Plays and Musicals Since 1885 311 Washington Street Woodstock, IL 60098 www.dramaticpublishing.com 800-448-7469 © Dramatic Publishing Company Sherlock Holmes: The Baker Street Irregulars By ERIC COBLE Based on the graphic novel series by TONY LEE and DAN BOULTWOOD Dramatic Publishing Company Woodstock, Illinois • Australia • New Zealand • South Africa © Dramatic Publishing Company *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. -
Sherlock Holmes Jazz Age Parodies and Pastiches I : 1920-1924 Pdf, Epub, Ebook
SHERLOCK HOLMES JAZZ AGE PARODIES AND PASTICHES I : 1920-1924 PDF, EPUB, EBOOK Bill Peschel | 368 pages | 04 May 2018 | Createspace Independent Publishing Platform | 9781717112972 | English | none Sherlock Holmes Jazz Age Parodies and Pastiches I : 1920-1924 PDF Book While Holmes and Watson, and their non-copyrightable counterparts, have appeared in numerous comic strips, this was the first full-length case to appear The magazine published so many Foster; Joseph D. Lucas Why Read at All? July 30, This biography, published in , draws on George Fletcher's lifetime of research, including interviews with many of witnesses and residents of Rugeley, England. Visiting the Alistair house, she is told that Cecily's mother is not receiving, and that Cecily has moved away. Watson begins to suspect that Holmes is alive. They pay a visit to the Hall's former residents, the Pringles, and Holmes is interested in learning of periods of time when they were away from the house. Sayers and her amateur detective, Lord Peter Wimsey. Bailey takes him home to meet a friend who never arrives. Peschel Press' tag cloud. April 12, Milne, P. In addition, this book contains several pieces relating to Conan Doyle without reference to Holmes. Barrie The Sleuths - O. Experience Christie in a new way. Permitted to enter heaven, he deduces the nature of the deaths of Watson and his wife, and inquires into the colour-coding of haloes. Holmes prevents a human sacrifice and Vernier gives a lesson on Onanism. When she learns that Spock, too, has been dreaming, she questions him, and learns of his dark side. -
Speckled Band -- FINAL P
The Speckled Band -- FINAL p. 1 c. 2002 One Act Audio Theatre THE SPECKLED BAND by Sir Arthur Conan Doyle Adaptation by Glenn Carlson and Scot Crisp for One Act Audio Theatre 1 INT. NARRATION 1 SFX: MUSIC UP WATSON: When reflecting upon the many cases in which I shared the confidence of my friend Sherlock Holmes, I can recall none more disturbing than the one that began on an early April morning back in '83. WATSON: Holmes was a late riser as a rule, so imagine my surprise when I awoke to find him standing, fully dressed, at the foot of my bed in the rooms we shared then on Baker Street, at only a quarter past seven. SFX: MUSIC OUT 2 INT. WATSON'S BEDCHAMBER -- MORNING 2 HOLMES: Watson ... Watson! WATSON: Holmes! What is it then? A fire? HOLMES: No, a client. It seems that a young lady has arrived in a considerable state of excitement insisting upon a consultation. I presume you wish to dress and follow this from the outset? WATSON: Most certainly. BED CLOTHES TOSSED w/ SOUNDS OF DRESSING UNDER WATSON: What do you know of this young lady? HOLMES: Nothing particular as of this moment, but when young ladies wander about the metropolis at this hour of the morning, and knock sleepy people up out of their beds, I gather something very pressing is at hand. (CONTINUED) The Speckled Band -- FINAL p. 2 c. 2002 One Act Audio Theatre 2 CONTINUED: 2 WATSON: Indeed. HOLMES: Mrs. Hudson described her as a young woman, dressed in black, heavily veiled, and at this moment waiting for us in the sitting room.