THE 15 Th DAY of the MONTH of AUGUST at LITTLE VESPERS On
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District
November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District November 2 - 4: Panels, Registration and Book Exhibits will take place at Hellenic College Holy Cross campus November 2 - 3: Coaches to Hellenic College Holy Cross campus depart each morning at 8:00 a.m. from the Hilton Downtown Financial District only. Coaches for the return trip to the Hilton Downtown Financial District will depart in front of the Archbishop Iakovos Library Building after the end of the receptions. On Saturday, coaches to take participants to the Cathedral Center will depart at 1:00 p.m., also from the Archbishop Iakovos Library Building. November 2 - 4: A small exhibition of Greek, Roman and Byzantine objects from the Archbishop Iakovos Collection, curated by the Very Reverend Dr. Joachim (John) Cotsonis and Dr. Maria Kouroumali, will be on display in the Archbishop Iakovos Museum, Third Floor, Archbishop Iakovos Library Building. Opening hours of exhibition: 10:00 a.m. - 6:00 p.m. (Fri - Sat.); 10:00 a.m. - 4:00 p.m. (Sun) Thursday, November 1, 2012 Hilton Hotel Boston Downtown Financial District 5:00 p.m. - 8.00 p.m. Registration Hilton Lobby 6:30 p.m. - 7:30 p.m. The Mary Jaharis Center for Byzantine Art and Culture Informal Welcome Reception Kellogg Ballroom 8:00 - 10:00 p.m. BSANA Governing Board Meeting William Fly Room Friday, November 2, 2012 Hellenic College Holy Cross campus Continental Breakfast: 8:00 a.m. - 9.00 a.m. Maliotis Cultural Center Lobby Registration and Book Exhibits (all day) Maliotis Cultural Center Upper Wing 9:00 a.m. -
OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
"Lord, I Have Cried ...", 6 Stichera: 3 for the Apostle, in Tone IV: Spec
THE 1st DAY OF THE MONTH OF OCTOBER COMMEMORATION OF THE HOLY APOSTLE ANANIAS OF THE SEVENTY COMMEMORATION OF OUR VENERABLE FATHER ROMANUS THE MELODIST AT VESPERS On "Lord, I have cried ...", 6 stichera: 3 for the apostle, in Tone IV: Spec. Mel.: "Called from on high ...": When, at the behest of the Most High, Saul was blinded * and held fast in darkness, * he came unto thee, * begging divine cleansing, * O thou who hadst received divine illumination; * then, as a wise hierarch, O most blessed one, * thou didst make him a son by adoption through baptism, * and he later adopted the whole world. * Wherefore, we bless thee with him * as an apostle of Christ, * O divinely wise Ananias: * Pray ye, that we be saved! Having all-gloriously learned things divine, * thundering forth, O blessed one, * thou didst rouse those sleeping in the graves of vanity, * who cast off mortality; * and thou didst sound the clarion * of the saving Word of God, * Who dwelt among mortals * and hath transformed those held fast in Hades, * whom thou hast made precious vessels * of Jesus the Master * and Savior of our souls, * Who hath slain death. As a bearer of light, * as preacher of God, * as a divinely chosen witness * to the sufferings of Christ * and a fellow heir and partaker * of the glory which is to come, * in that thou art with the Master, * ever delighting in the effulgence which floweth forth * from the never-waning Light, * O divinely eloquent Ananias, * by thy supplications deliver from dark misfortunes * those who now celebrate thy splendid feast. -
The Chalcedonian Christology of St John Damascene : Philosophical Terminology and Theological Arguments
Durham E-Theses The Chalcedonian Christology of St John Damascene : philosophical terminology and theological arguments Metallidis, George How to cite: Metallidis, George (2003) The Chalcedonian Christology of St John Damascene : philosophical terminology and theological arguments, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1085/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 UNIVERSITY OF DURHAM DEPARTMENT OF THEOLOGY GEORGE METALLIDIS The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consentand information derived from it should be acknowledged. The Chalcedonian Christology of St John Damascene: Philosophical Terminology and Theological Arguments PhD Thesis/FourthYear Supervisor: Prof. ANDREW LOUTH 0-I OCT2003 Durham 2003 The ChalcedonianChristology of St John Damascene To my Mother Despoina The ChalcedonianChristology of St John Damascene CONTENTS Page ABBREVIATIONS 7 ACKNOWLEDGMENT 12 INTRODUCTION 14 CHAPTER ONE TheLife of St John Damascene 1. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Aposticha Stichera (Tone 6)
6 October: Glorification of St. Innocent of Moscow, Apostle to Alaska The Aposticha at Great Vespers Kuskokwim Chant ‐ Tone 6 Sticheron 1 arr. from Abb. Kievan Chant Soprano Alto Called to the New World by the grace of God as a skilled helmsman Tenor Bass of the ship of Christ, you en‐‐ dured dan gers on the sea, as you led those adrift in darkness, delusion, and the storms of pas‐‐‐ sions to the calm harbor of sal va tion. Pray for us now, Ho‐‐‐‐‐‐‐ ly Fa‐ ther In no cent, // be fore the Ho ly Trin i ty! Musical setting © 2020 Fr. Simeon and Mat. Beth Johnson | Text © 2020, Orthodox Church in America Permission to Copy for Liturgical use only. All other rights reserved. Kuskokwim River Chant Oct 6: St. Innocent of Moscow Tone 6 Aposticha | Great Vespers Cantor: Choir: The steps of a good man are or‐ dered by the Lord. Sticheron 2 A prophet raised up from a‐‐‐ mong the Al e uts heard from an angel that you would jour‐‐ ney a far, leav ‐ ing your family to speak with a great man. Once his words had been ful‐ filled, by the infinite wis‐‐ dom and mer cy of God we re ‐ ceived you again as the first bishop to rule our land. // ~ pg 2 ~ Kuskokwim River Chant Oct 6: St. Innocent of Moscow Tone 6 Aposticha | Great Vespers bish‐ op to rule our land. // Intercede now for the flock you have gath‐ ered! Cantor: Choir: The Lord knows the way of the up‐ right, and their in‐‐‐ her it ance Sticheron 3 shall be for‐‐ ev er. -
I – the Triodion
I – The Triodion ON THE ISLAND OF ZAKYNTHOS a unique ceremony takes place at the beginning of the Triodion. The book of the Triodion is placed on a stand before the icon of Christ. Before the first hymn from this book is chanted, the volume is presented to the bishop. He venerates it as if it were an icon, followed by all the clergy. Then the book is presented to the chanter who intones the first hymn. The time of the Triodion has begun. The term Triodion refers to the ten weeks leading up to Pascha as well as to the book which contains the hymns, readings and prayers proper to this season. Triodion literally means “three odes” and refers to the canons at daily Orthros which contain three rather than the usual nine odes. The Triodion as we have it today was organized by Studite monks in ninth-century Constantinople. They drew chiefly on texts from the Patriarchate of Jerusalem by a number of outstanding hymnographers, including Andrew of Crete, Cosmas of Maiuma and John of Damascus – some twenty composers in all. In general the prayers and services of the Triodion may be considered a great catechesis for the faithful, setting forth the entire scope of divine revelation through the reading of several books from the Old Testament and allusions to many others in the Great Canon and other hymns as well as patristic homilies and chants based on still other sacred texts. This catechesis is not about imparting information but about motivating us to embrace the great task of the season: repentance and the renewal of our life in Christ. -
Sunday Vespers Be for the Glorification of the Triune God and for the Edification of the Faithful of the Byzantine Catholic Church
The Order of Vespers for Sundays after Pentecost Metropolitan Cantor Institute, Archeparchy of Pittsburgh Byzantine Catholic Seminary Pittsburgh, Pennsylvania second revised edition, July 2005; 2006 © 2005 Byzantine Catholic Seminary Pittsburgh, Pennsylvania. All rights reserved. Table of Contents Foreword The Office of Vespers: Ordinary 1. Introduction and Beginning Prayers 1 2. Call to Worship 2 3. Psalm 103 (chanted version) 2 4. Psalm 103 (melodic version) 4 5. Litany of Peace 8 6. The First Kathisma 10 7. The Festive Entrance 12 8. The Hymn of the Evening 12 9. The Saturday Prokeimenon 13 10. The Litany of Fervent Supplication 13 11. The Hymn of Glorification 14 12. The Litany of Supplication 16 13. The Prayer over Bowed Heads 18 14. The Prayer of the Holy Prophet Simeon 19 15. The Trisagion Prayers 19 16. The Dismissal 21 The Order of Vespers: Saturday Octoechos 1.Tone One, Lamplighting Psalms 24 2.Tone One, Aposticha 31 3.Tone One, Troparia 34 4.Tone Two, Lamplighting Psalms 36 5.Tone Two, Aposticha 43 6.Tone Two, Troparia 47 7.Tone Three, Lamplighting Psalms 48 8.Tone Three, Aposticha 54 9.Tone Three, Troparia 57 10.Tone Four, Lamplighting Psalms 58 11.Tone Four, Aposticha 65 12.Tone Four, Troparia 68 13.Tone Five, Lamplighting Psalms 69 14.Tone Five, Aposticha 77 15.Tone Five, Troparia 80 16.Tone Six, Lamplighting Psalms 82 17.Tone Six, Aposticha 88 18.Tone Six, Troparia 91 19.Tone Seven, Lamplighting Psalms 92 20.Tone Seven, Aposticha 99 21.Tone Seven, Troparia 101 22.Tone Eight, Lamplighting Psalms 102 23.Tone Eight, Aposticha 108 24.Tone Eight, Troparia 111 Appendix: Additional Material for Feasts 1. -
The Last Judgment Is Coming!
Saint Joseph Melkite Greek Catholic Church 130 North Saint Francis Cabrini Avenue Scranton, PA 18504 Rev. Father Michael Jolly— Pastor E-Mail: [email protected] 570-213-9344 Web: http://melkitescranton.org Webmaster: Sal Zaydon Parish Office 570-343-6092 February 8, 2015 Meat Fare – The Last Judgment Tone 2 and Orthros Gospel 2 Liturgy Schedule: Sunday Orthros 8:55 am Saturday Vesper Liturgy 4 pm Sunday Divine Liturgy 10:00 am Compline Weds. 8:30PM Holy Confession—before Saturday Liturgy, after Compline and by appointment Parish Notes: Liturgy Intentions The Qurban consecrated at this weekend's liturgies was baked by Joanna Simon. Thank you Joanna. February 8, 2015 Whenever bread you bake is offered at the Divine Genevieve (Boots) Zaydon Liturgy, you and your intentions are specially remembered in the Prosthesis and the Liturgy itself. Yolande Haddad 2014 Contribution recognition letters have been sent to our contributors. Contact the parish office if you have February 15, 2015 any questions. Genevieve (Boots) Zaydon Fr. Michael will commemorate the newly deceased at all Yolande Haddad Liturgies until their 40 Day Memorial. At that point we will commemorate them according to liturgy requests. Next Sunday is Cheesefare Sunday. Today is the last day Today’s Icon: Today’s Gospel reading is Matthew that you can eat meat if you are 25:31-46, the parable of the Last Judgment. It observing the full Lenten fast. reminds us that while trusting in Christ’s love and We will have an Ice Cream mercy, we must not forget His righteous judgment when He comes again in glory. -
The First Stasis of the Salutations to the Most Holy Theotokos at the Patriarchate
THE FIRST STASIS OF THE SALUTATIONS TO THE MOST HOLY THEOTOKOS AT THE PATRIARCHATE On Friday evening of the First Week of Lent, the First Stasis of the Salutations to the Most Holy Theotokos was read at the Church of the Holy Sepulchre, as part of the Service of the Small Compline and the Canon of the Akathist. This contrite service was officiated by H.H.B. our Father and Patriarch of Jerusalem Theophilos, who entered the Church of the Holy Sepulchre accompanied by Hagiotaphite Fathers. After the Contakion of the Akathist and the incense offering, according to the Typikon order, His Beatitude read the First Stasis of the Salutations to the Most Holy Theotokos and before the end of the service delivered the following sermon to the congregation; “When the bodiless one learned the secret command, in haste he came and stood before Joseph’s dwelling, and spake unto the Maiden who knew not wedlock: The One Who hath bowed the Heavens by His descent is held and contained unchanging wholly in thee. Seeing Him receiving the form of a servant in thy womb, I stand in awe and cry to thee: Rejoice, thou Bride unwedded”; our Holy Church narrates in melody. Beloved Brothers and Sisters in Christ, Noble Christians and pilgrims Behold, “fasting has come, mother of chastity, accuser of sins, advocate of repentance, life of the angels and salvation of men” St. Theodore of the Studion says (Triodion, Monday of first week, Aposticha of Praises). Indeed, the salvation of us people is inseparable to the bodily and spiritual fasting.