ACTRA and USW Pitch Parliament! Gabrielle Miller – See Page 7 42093 Interactra 1/7/06 8:45 AM Page 2

Total Page:16

File Type:pdf, Size:1020Kb

ACTRA and USW Pitch Parliament! Gabrielle Miller – See Page 7 42093 Interactra 1/7/06 8:45 AM Page 2 42093 Interactra 1/7/06 8:45 AM Page 1 Winter 2006 The Alliance of Canadian Cinema, Television and Radio Artists ACTRA and USW pitch Parliament! Gabrielle Miller – see page 7 42093 Interactra 1/7/06 8:45 AM Page 2 The strength of a unified voice by Richard Hardacre With this first issue of our magazine have been joining our cause. ACTRA has we have the united will to move together for 2006, I offer wishes for a fine New Year taken the lead in a coalition of the unions in one direction – that of solidarity. full of prospects for good health and well and guilds working in film and television. Building trust and respect has been an being to all the members of ACTRA. In We have told all the federal parties com- enormous challenge for the leaders of both our challenging industry it always merits peting for Parliament that they have this national union and our autonomous focusing on a clear perspective and on posi- an obligation to inform the voters how second-largest branch throughout a decade. tive movement. A new year, as everyone they plan to encourage and protect our Many elected performers and senior staff knows, offers many opportunities ahead and autonomous culture. have devoted untold months of their lives the chance to reflect on what was learned Our growth takes us as well into the toward that goal. I believe that at this in the year past. For ACTRA, 2006 has the winter and springtime bargaining of moment a delicate balance is being tried. promise of renewal on several fronts and the National IPA and the B.C. Master We have begun the shift towards a new maybe even a glance into a frontier or two. Agreement, the two big contracts driving direction – that of all English-speaking What we start with is a freshly chosen the engines of film and television in performers in recorded media in Canada National Council, elected by the members Canada. In those we must make fair gains. working together on the same ambition. to serve in their interest for the next two We must strengthen our rights commensu- That objective is admirable, and attain- years. There’s an infusion of different ener- rate with what was just achieved for all the able. We will create the best industry gies and viewpoints coming in to work with creative and technical guilds of our broth- possible for our culture and our members. the seasoned councillors that were re-elected ers and sisters working in the same industry, We will build the environment in which from across the country. This is a display of for many of the same employers represent- we can prosper equally. We will get the organic and invigorating growth; and growth ing the major global media corporations. best deal achievable for all our performers. in many ways is what ACTRA is about. We, the performers of ACTRA, know we And we will do it by being unified. We have been growing steadily over a have earned the right to the same respect In our own house we’ve had more than very brief history into the foremost voice as these, our American comrades. a taste now of what strength and impact a in our country speaking out for a strong When we think of renewal our greatest unified voice can have. We have watched industry and a vibrant culture for English- opportunity is certainly upon us. For the the federal party leaders sit up and take speaking Canada. A growing number of first time since the 1996 Settlement notice of our efforts to put culture and the our members from St. John’s to Victoria Agreement between UBCP and ACTRA, rights of cultural workers on their agendas. We have been to Parliament Hill to tell ACTRA/USW Lobby Day reception in Ottawa: CLC President Ken Georgetti, ACTRA them, and we will keep on doing that until National President Richard Hardacre and USW National Director Ken Neumann. it works. This is a tough business we have chosen in this beautiful country. It can be as harsh as an eastern January, but as full of promise and life as maple buds struggling to survive the frost. In a world where you can depend on so little, you can depend on this: ACTRA, with the strength of all of us will maintain and tighten its course to reach the best results we possibly can. The operative word is ‘we’. We have a place to take as ours. Let’s stick together and take it. With strong wishes for a successful year, I remain committed to the job at hand. In solidarity, Richard Hardacre, ACTRA National President 2 InterACTRA WINTER 2006 42093 Interactra 1/7/06 8:45 AM Page 3 page 16 The Stage Mom In this issue of InterACTRA... Survival Guide PRESIDENT’SMESSAGEby Richard Hardacre ........ 2 LETTERS ...................................................................................... 4 for parents of young performers in the Canadian film and television page 17 NEWS industry, by Robyne Ropell-Baruchel, Wonderland challenge, Victory for Culture, published by ACTRA. Standing by Australian workers, Protesting the CBC lockout .................................................. 4 The guide is free to ACTRA members (under 18), or $15 (incl. GST) for COVER STORY by David Sparrow adult members and non-members. ACTRA and USW Lobby Days: Mr. Dave Goes to Ottawa .................................................... 7 The Stage Mom Survival Guide FEATURE by Karen Nicole Smith 20 is available at page Star Search: building our own star system .............. 11 ACTRA branches across Canada INTERVIEW by Wayne Nicklas or call 1-800- Border Crossing: 387-3516 for A chat with AFTRA Pres John P. Connolly .................... 12 more info. BARGAINING NEWS by Marit Stiles ............................ 14 AFBS UPDATE by Ferne Downey ...................................... 15 ACTRA AWARD OF EXCELLENCE page 21 Tonya Lee Williams ................................................................ 16 Do we have APPLAUSE ACTRA members in the spotlight .................................... 18 $$ for you? FAREWELL Remembering Lorraine Ansell and Lloyd Bochner .... 20 Attention all performers who have earned royalties, residuals BRANCH NEWS and use fees under an ACTRA Maritimes, UBCP, Newfoundland & Labrador, 24 21 agreement (film, TV, documentary page Montreal .................................................................................... or commercial productions): MEMBER SERVICES Have you moved and not kept Member discounts, Contact ACTRA .............................. 23 a current address with ACTRA? BACK COVER Are you holding on to an ACTRA in L.A. .......................................................................... 24 uncashed cheque from ACTRA Performers’ Rights Society (ACTRA PRS)? If you answered “Yes” to either Cover Photo: Jonathan Hayward. of these questions, ACTRA PRS Design: Joss Maclennan Design may be holding an unclaimed Printed in Canada by union labour at Thistle Printing. Winter 2006 Volume 13, Issue 1 residual payment for you. All contents are copyright ©2006 ACTRA. All rights are reserved and contents, in whole or in part, may not InterACTRA is the official publication of ACTRA be reprinted without permission. The points of view For info, please visit www.actra.ca, (Alliance of Canadian Cinema, Television and Radio expressed do not necessarily represent those of ACTRA. and locate the ACTRA PRS section to Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Please return any undelivered mail to: see a list of performer names under Federation of Actors. InterACTRA is free of charge to ACTRA, 300 – 625 Church Street, “ACTRA PRS NKA Payments” to see if all ACTRA members. Toronto, Ontario M4Y 2G1 PHONE 1-800-387-3516 or (416) 489-1311 Editorial Advisory Committee: Richard Hardacre, your name or a performer you know FAX (416) 489-8076 Thor Bishopric, Joanne Deer, Ferne Downey, Brian Gromoff, is listed. If it is, contact ACTRA PRS David Macniven, Ken Thompson, Stephen Waddell. EMAIL [email protected] (contact details are on page 23). We’d Contributors: Barry Blake, Mike Burns, Joy Corion, WEB www.actra.ca be happy to hear from you and Randy Duniz, Monty Hall, Matt Holland, Kim Hume, Ruth Lawrence, Wayne Nicklas, Karen Nicole Smith, Publications Mail Agreement #40069134 arrange for payment! David Sparrow, Marit Stiles, Carol Taverner, Gary Vermeir. ISSN 1705-9496 C WINTER 2006 InterACTRA 3 42093 Interactra 1/7/06 8:45 AM Page 4 Dear Editor: InterACTRA is looking great. But I do wish Exciting positions available Correction there was some accurate acknowledgement for dynamic goddesses! Brittney Wilson was nominated for two Young Artists Awards, not one as noted of past contributions to ACTRA. On page ACTRA is committed to equal in the Fall 2005 InterACTRA: one for her 5 (Fall 2005) you have a pic of ‘ACTRA’s opportunity and treatment for all role on the TV series Romeo, and one National Presidents’. Not ‘some’ of them – members. The National Women’s for her voice work on Polly and the or the ones who happened to be around Committee is a standing committee Pockets. Congratulations Brittney! when pictures were being taken. that is available to all members of Last spring I spoke to the two excellent ACTRA and serves as an advocate for editors of the Anniversary Edition (Dan the concerns of women performers. MacDonald, Editor and Ferne Downey, If you would like to serve on this Want to receive Editorial Board member) of InterACTRA committee, or if you have experiences InterACTRA by email? to point out that there was no mention of and concerns that you want addressed the Women’s Committee and its terrific or voiced, please contact Joanne Deer If you’d like InterACTRA in your contribution to ACTRA – and no at [email protected] e-mailbox instead of by mail, email acknowledgement of the wonderful women us at [email protected] with your who struggled to make our association gen- membership number. der balanced. It’s great if we don’t need to Letters push that button now but we should at least acknowledge that it was a significant InterACTRA welcomes letters and Calling all scribes! development in our history.
Recommended publications
  • Pdf Only Link Here
    APRIL 15–APRIL 28, 2021 ISSUE #380 THE INKWELL Bryce Parks Publisher & Everything Else [email protected] Kristina Nesteby Design & Layout [email protected] Mike Ironside Nightlife [email protected] Lisa Stevenson Advertising [email protected] 563-580-1691 CONTRIBUTING WRITERS COVER Gwen Beatty 14 Julien Dubuque International Good Advice Film Festival [email protected] Celebrating JDIFF’s 10-year anniversary on April 18–25 in Dubuque Matt Booth 18 Vintage Torque Fest Mattitude Dubuque’s largest live music festival [email protected] disguised as a car show on April 30 and May 1 at the Dubuque County Fairgrounds Sara Carpenter DIY Advice Photo: General Bob Felderman [email protected] Models: Liz Smith and Tim Buchholtz Truck: Owned by Mackenzie Miles Danny Fairchild Dining & Horoscopes FEATURES [email protected] 11 DuMA: A Place for Friends Bob Gelms Old and New Bob’s Book Reviews 12 Virtual Events at Heritage Center [email protected] 13 Kids’ Summer Camps & Activities Pam Kress-Dunn 17 Upcoming Events at Five Flags Columnist [email protected] SECTIONS Sunil Malapati 4 Events Dining [email protected] 11 Arts 20 Nightlife Sara Eliot Steuer Feature Writer 24 Columnists [email protected] WHERE’S WANDO? SPECIAL THANKS We’ve hidden Wando somewhere in this issue of Christy Monk, Gina Siegert, Julien’s Journal, 365ink. Can you fi nd him? Fran Parks, Gen. Bob Felderman, Ron & Jennifer Tigges, Dave Haas, Rich Belmont & Margie Blair, Mike Damaso, Paul Gilligan, 365ink Magazine Paul & Sandy Meyer, Coco the offi ce dog, 432 Bluff St, Dubuque, IA 52001 Wesley Cat, Copper Kettle’s Seared Sesame 563-588-4365 Tuna Bowls, all of our 365ink friends and [email protected] advertisers… and you for reading.
    [Show full text]
  • Reminder List of Productions Eligible for the 86Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill.
    [Show full text]
  • Universidad Peruana De Ciencias Aplicadas Facultad
    Análisis de la traducción del idiolecto de Ricky en la subtitulación al español latinoamericano de la serie Trailer Park Boys Item Type info:eu-repo/semantics/bachelorThesis Authors Martinez Ruiz, Camila Daniela; Torres Fernández, Carlos Mauricio Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights nfo:eu-repo/semantics/openAccess; Attribution-NonCommercial- ShareAlike 4.0 International Download date 01/10/2021 03:03:22 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/654574 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE CIENCIAS HUMANAS PROGRAMA ACADÉMICO DE TRADUCCIÓN E INTERPRETACIÓN PROFESIONAL Análisis de la traducción del idiolecto de Ricky en la subtitulación al español latinoamericano de la serie Trailer Park Boys TRABAJO DE INVESTIGACIÓN Para optar el grado de bachiller en Traducción e Interpretación Profesional AUTOR(ES) Martinez Ruiz, Camila Daniela (0000-0003-2157-5236) Torres Fernández, Carlos Mauricio (0000-0001-6463-5353) ASESOR(ES) Ramírez Colombier, Marco (0000-0001-9554-2790) Rodríguez Sumar, Paloma (0000-0002-1715-3746) Sandoval Diez, Luis Ramon (0000-0003-0375-5241) Lima, 02 de noviembre de 2020 RESUMEN La presente investigación aborda la traducción de los rickyisms, aquellos malapropismos y eggcorns que constituyen el idiolecto de Ricky LaFleur, personaje principal de la serie canadiense Trailer Park Boys. Estos rasgos marcados construyen y caracterizan al personaje; pues, los malapropismos y eggcorns generan el efecto humorístico que el material audiovisual promete. Por ello, este estudio pretende analizar cómo se han traducido los rasgos marcados del habla de Ricky en la subtitulación al español latinoamericano con el objetivo de reconocer las técnicas de traducción empleadas y analizar la caracterización del personaje en el texto fuente y meta.
    [Show full text]
  • English Performance Envelopes & Production Incentive
    Home Français Feedback Corporate website Papo & Yo SalesAn interactive: Denmark, fable Finland, in whichFrance, the Germany, primal relationshipNetherlands, between Norway, parentSlovenia, and Sweden, child is brilliantlyWorldwide allegorized (excluding in the taleUSA) of a monster and his small friend. Average Minute Launch Video Audience: 1,805,000 Appendices English Performance Envelopes & Production Incentive Program Notice SECTIONS ON THIS PAGE Funding Lists Convergent Stream Drama Documentary Variety & Performing Arts English Performance Children & Youth Envelopes & Production Incentive Program French Performance Envelopes and Regional French Incentive Program Francophone Minority DRAMA Program Aboriginal Program English POV Program Convergent 2nd Platform / Diverse Languages Project Title Applicant(s) Region Platform Content Type Program Envelope Funding ($) Program Drama Versioning Program English Development 18 To Life II (13- 18 To Life II Productions inc / MTL TV Digital PE CBC $4,022,698 Envelopes 25) Sound Venture 18 Productions Distribution EPI $1,000,000 French Selective Inc. Development Total $5,022,698 French Regional Development Program Being Erica lll (1- Being Erica III Productions TO TV Rich & PE CBC $6,599,996 Francophone Minority 13) Limited Substantial Program (Development) Digital Media Aboriginal Program (Development) The Bionic Crimson Clay Media Ltd. SK TV Digital PE APTN (English) $144,600 Experimental Stream - Bannock Boys II Distribution Development and Marketing (7-12) Experimental Stream - Production Blackstone I (2-9) Blackstone Cycle I Ltd. AB TV Rich & PE APTN (English) $1,015,000 Substantial Performance Envelope Digital Media Calculations Internet Website PE APTN (English) $146,919 Audience Data Sources Total $1,161,919 The Borgias I Borgias Productions Inc. TO TV Video On PE BRAVO! $1,100,000 Financing Sources : Definitions (101-109) Demand By the Rapids IV Ista Films IV Inc.
    [Show full text]
  • Appendix 7 Investment in Independent Production
    APPENDIX 7 INVESTMENT IN INDEPENDENT PRODUCTION ABRIDGED Appendix 7 - Expenditures on Programming and Development on Independent Productions in Quebec (Condition of licence 23) CBC English Television 2019-2020 SUMMARY Programming Expenditure* All Independents* Quebec independents Percentage 131,425,935 5,895,791 4.5% Development Expenditures All Independents Quebec independents Percentage #### #### 8.5% Note: * Expenses as shown in Corporation's Annual Reports to the Commission, line 5 (Programs acquired from independent producers), Direct Operation Expenses section. Appendix 7-Summary Page 1 ABRIDGED APPENDIX 7 - CANADIAN INDEPENDENT PRODUCTION EXPENDITURES - DETAILED REPORT CBC English Television 2019-2020 Program Title Expenditures* Producer / Address Producer's Province A Cure For What Hails You - 2013 #### PYRAMID PRODUCTIONS 1 INC 2875 107th Avenue S.E. Calgary Alberta Alberta Digging in the Dirt #### Back Road Productions #102 – 9955 114th Street Edmonton Alberta Alberta Fortunate Son #### 1968 Productions Inc. 2505 17TH AVE SW STE 223 CALGARY Alberta Alberta HEARTLAND S 1-7 #### Rescued Horse Season Inc. 223, 2505 - 17th Avenue SW Calgary Alberta Alberta HEARTLAND S13 #### Rescued Horse Season Inc. 223, 2505 - 17th Avenue SW Calgary Alberta Alberta HEARTLAND X #### Rescued Horse Season Inc. 223, 2505 - 17th Avenue SW Calgary Alberta Alberta HEARTLAND XII #### Rescued Horse Season Inc. 223, 2505 - 17th Avenue SW Calgary Alberta Alberta Lonely #### BRANDY Y PRODUCTIONS INC 10221 Princess Elizabeth Avenue Edmonton, Alberta Alberta Narii - Love and Fatherhood #### Hidden Story Productions Ltd. 347 Sierra Nevada Place SW Calgary Alberta T3H3M9 Alberta The Nature Of Things - A Bee's Diary #### Bee Diary Productions Inc. #27, 2816 - 34 Ave Edmonton Alberta Alberta A Shine of Rainbows #### Smudge Ventures Inc.
    [Show full text]
  • The Trailer Park Boys “Still Drunk, High and Unemployed Tour” Brings the Streaming Comedy Show to Parker Playhouse
    October 12, 2016 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 THE TRAILER PARK BOYS “STILL DRUNK, HIGH AND UNEMPLOYED TOUR” BRINGS THE STREAMING COMEDY SHOW TO PARKER PLAYHOUSE FORT LAUDERDALE – In a night of zany comedy about the misadventures of the residents living in Nova Scotia’s Sunnyvale Trailer Park, the streaming TV cult hit Trailer Park Boys comes to Parker Playhouse on Saturday, October 29 at 7:30 p.m. Friends and frequent felons Ricky, Julian and Bubbles share their ridiculous schemes, screw ups and running jokes — from their foul-mouthed, stoned and often drunk perspectives — in a hilarious live show intended for mature audiences. The “Still Drunk, High and Unemployed Tour,” finds the Trailer Park Boys having answered to the law in the “Community Service Variety Show” preaching the dangers of substance abuse to avoid jail time. The crew is now on the road without parole officers and Bubbles tries to create a new career for himself in the movie industry, Julian puts his latest money-making scams into action and Ricky has an idea that can “change the world!” Trailer Park Boys are Canada's most beloved miscreants from a small town in Nova Scotia, Canada. Robb Wells (Ricky), John Paul Tremblay (Julian) and Bubbles (Mike Smith) have created loyal and loveable characters on their television series and their message has spread globally. Trailer Park Boys began as a short film starring Tremblay and Wells, which debuted to rave reviews at the 1999 Atlantic Film Festival.
    [Show full text]
  • Mongrel Media Presents
    Mongrel Media Presents FALL A film by Terrance Odette (100 min., Canada, 2014) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/Fall Fall – Synopsis Father Sam Ryan, (Michael Murphy), an aging Roman Catholic Priest living contently at a Niagara Falls parish, receives a letter forcing his complacent life into descent. The letter, from ‘Christopher’, confronts him about an incident that happened 40 years ago. Father Sam was a young, charismatic priest, serving a remote, Northern Ontario parish. Christopher was a 14 year-old adolescent, whom Sam mentored. The letter asks Father Sam for the truth: what did take place all those years ago? Were lines blurred or crossed? What choices were made? Forgiveness, redemption and sin are the dominant themes of FALL. All the characters whom Father Sam encounters – through his parish duties and from his suppressed past - force him into deeper reflection: ‘Chelsea’, a restless bride- to-be; ’Michael’, a repentant addict; ‘Reza’, a gay, Iranian grieving his recently- deceased mother; ‘Sheila’, Sam’s free-spirited, benevolent sister; and finally, ‘Catherine’, the shattered wife of enigmatic Christopher. Now haunted by his memories, for the first time in his life Sam is compelled to reconcile himself; more than as a Priest…as a man. Did a sexual encounter happen? Can a moral custodian of the faithful; a dispenser of God's grace, transcend his own FALL? FALL is at once intimate and remote - both revealing and concealing - richly filmed in wide-screen/anamorphic to capture the majestic power of the Niagara Falls of Sam’s present, in contrast to the vast, frozen Northern Ontario communities of Sam’s past.
    [Show full text]
  • Pressed with Jeremyʼs Directing Skills, Which He Mentioned to Gordon Pinsent, Who Happens to Be His Father-In-Law
    SEX AFTER KIDS Run Time: 105 min Canadian Distributor: IndieCan Entertainment 271 Glenholme Avenue, Suite #3 Toronto ON M6E 3C9 p. (416) 898-3456 f. (416) 658-9913 e. [email protected] Producer Contacts: Jeremy LaLonde e. [email protected] p. 416-844-6496 Jennifer Liao e. [email protected] SEX AFTER KIDS Production Notes About the Story When writer and director Jeremy LaLonde (The Untitled Work of Paul Shepard) decided he wanted to move forward with his sophomore feature film, he took a rather unconventional approach. He cast the film and then wrote the script. He says, “Itʼs far easier to write when youʼve got a voice of a character in your head, and even easier when you know exactly who is going to play that part.” And, he also adapted the old adage – write what you know. The idea for Sex After Kids was born out of his own experience. At the time, he had a newborn and a three-year-old, as he said, “Itʼs safe to say that I knew enough about this subject to realize it was pretty fertile ground and that there were probably a decent amount of people who would appreciate a comedy about the subject.” Ultimately to Jeremy, the film can mean different things for different people. “For me,” he says, “itʼs about how relationships are hard and then when you throw in uncontrollable elements it can make them impossible – but thatʼs when people grow. Itʼs about how relationships change over time and how some people have a hard time dealing with that fact.” Shannon Beckner, who plays Jules, shares the same sentiment as Jeremy, she commented, “This film is about the entirely new lives many of us unwittingly start when we bring another human being into our old ones.
    [Show full text]
  • Programs Funded 2015-2016 to 2020-2021
    Programs Funded 2015-2016 to 2020-2021 The list of funded programs from 2015-2016 to 2020-2021 (as of October 21, 2020) is provided for the reference of broadcasters in preparation for the Audience Success submissions (see the Overview document for eligiblity criteria). Titles submitted in funding applications are shown and may differ from the title at airing. The applicant company, year of funding, and genre of funding are also shown. For title questions, please contact Suzanne Keppler at [email protected]. For Audience Success submission questions, please contact Richard Koo at [email protected] Title Applicant Company Year of funding Genre of funding À fond de train III Blimp Télé Inc. 2018-2019 Children's & Youth Autiste, bientôt majeur I (anc. Maudit mongol) Productions Pixcom Inc. 2018-2019 Documentary Autre histoire (Une) I Sphère Média 2011 Inc. 2019-2020 Drama Bear Road (The) Bear Road Films Inc. 2017-2018 Documentary Julian: Inmigrante, Artista, Activista TLN Media Group Inc. 2017-2018 Documentary Mathieu-Martin (aka 1999 / Wish 9231-8419 Québec Inc. dba you were here) Productions Parabola 2016-2017 Documentary Mirage de Terre des Hommes (Le) Productions Telimagin inc. 2016-2017 Documentary Unité 9 - Documentaire V Aetios Documentaires Inc. 2018-2019 Documentary #5règles I Zone3-XIV Inc. 2017-2018 Children's & Youth Nose For Trouble Productions #Roxy Inc. 2015-2016 Drama Attraction Images Productions II 100 % Animal II (13-25) inc. 2015-2016 Children's & Youth 100 Days Productions Canada 100 Days to Victory Inc. 2017-2018 Documentary 100 génies I Productions GFP (V) Inc. 2019-2020 Children's & Youth 100 génies II Productions GFP (V) Inc.
    [Show full text]
  • PDF of This Issue
    Established 1881 WEATHER, p. 2 MIT’s Oldest and Fri: 74°F | 53°F Largest Newspaper Rain sat: 63°F | 52°F Mostly cloudy tech.mit.edu SUN: 49°F | 31°F Chance showers Established 1881 Volume 133, Number 50 Friday, November 1, 2013 Kendall design RED SOX WIN WORLD SERIES team assembled INSIDE For more photos Architecture firms to lead study of the post-game on Kendall Square development Established 1881celebrations, By Bruno B. F. Faviero Services Center, the Gates Cen- NEWS EDITOR ter for Computer Science and the see pg 8 Hillman Center for Future-Gen- MIT’s East Campus Steering eration Technologies at Carnegie Committee has selected the next Mellon University, among proj- group in charge of advancing ects for other universities. The the development of the Kendall firm will be leading the team in Square area. The group will col- cooperation with Michael Van laborate on a study of the prop- Valkenburgh Landscape Archi- erty, which will develop into a tects of Cambridge and New long-term strategy for develop- York, the same firm that designed ment for the area, and in par- Harvard’s common spaces and is ticular the balancing of meeting currently working on develop- commercial, residential, and ac- ing outdoor spaces at Princeton ademic needs, according to the University. MIT News Office. The team will also include ur- The two firms leading the ban planner Ken Greenberg for Established 1881 urban design team have expe- design guidance, Vanasse Han- rience with universities. Mack gen Brustlin for transportation Scogin Merrill Elam Architects analysis, Atelier Ten for environ- of Atlanta is currently working on the Yale University Health Kendall, Page 16 News BrieFS Billionaire to donate $47 million to Broad Institute Billionaire Carlos Slim Helú promised to donate $74 million to the Broad Institute Monday, according to the Boston Globe.
    [Show full text]
  • Celebrating 60 Years: the ACTRA STORY This Special Issue Of
    SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve
    [Show full text]
  • Productions in Ontario 2003
    PRODUCTION IN with assistance from Ontario Media Development Corporation (OMDC) CHANCE CLEAN THEATRICAL FILMS Company: Rushlight Entertainment/ Company: Rhombus Media Inc. Nickelodeon Films (NY) Producer: Niv Fichman, Daniel Iron, Producer: Michael Currie, Soojin Kwon, Sari Friedland AURORA BOREALIS Alan Vukadin Director: Olivier Assayas Company: Front and Center Productions, Inc. Executive Producer: Marcus Schwartz Writer: Olivier Assayas Producer: Scott Disharoon, Sherri Saito Director: James Cohen Line Producer: Frederic Sauvagnac Executive Producer: Rick Bieber Writer: James Cohen Production Designer: Bill Fleming Director: James Burke Production Manager: Alan Vukadin Director of Photography: Eric Gautier Writer: Brent Boyd Production Designer: Katie Macgregor Key Cast: Maggie Cheung, Nick Nolte, Production Manager: Marty Dejczak Director of Photography: Mark A. Feenstra Martha Henry Production Designer: Taavo Soodor Key Cast: Amel Hesh, Serena Deparis Shooting Dates: Oct. 13 - 31/03 Director of Photography: Alar Kivilo Shooting Dates: Jan. 10 - 25/03 Key Cast: Joshua Jackson, Donald CONFESSIONS OF A TEENAGE Sutherland, Louise Fletcher, Juliette Lewis CHILDSTAR DRAMA QUEEN Shooting Dates: Nov. 3 - Dec. 19/03 Company: Rhombus Media Inc. Company: Confessions Productions Ltd. Producer: Niv Fichman, Daniel Iron, Producer: Jerry Leider and Bob Shapiro BAILEY Jennifer Jonas Director: Sara Sugarman Company: Devine Bailey Productions Ltd. Director: Don McKellar Writer: Gail Parent Producer: David Devine, Richard Mozer Writer: Don McKellar,
    [Show full text]