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Peminist Performance In/As Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2021 Peminist Performance in/as Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between Christina-Marie A. Magalona University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Communication Commons, and the Women's Studies Commons Scholar Commons Citation Magalona, Christina-Marie A., "Peminist Performance in/as Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between" (2021). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8821 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Peminist Performance in/as Filipina Feminist Praxis: Collaging Stand-Up Comedy and the Narrative Points in Between by Christina-Marie A. Magalona A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Chris McRae, Ph.D. Rachel Dubrofsky, Ph.D. Aisha Durham, Ph.D. S. L. Crawley, Ph.D. Date of Approval: March 29, 2021 Keywords: communication studies, performance studies, Asian American studies, feminist studies Copyright © 2021, Christina-Marie A. Magalona DEDICATION This dissertation starts from my earliest memories of the small wooden kitchen table at home, split with the time spent at Mars Drive. My appreciation starts here. To my entire family: thank you for all the ways that you nurtured me so that I can write this today. -
Canada's Public Space
CBC/Radio-Canada: Canada’s Public Space Where we’re going At CBC/Radio-Canada, we have been transforming the way we engage with Canadians. In June 2014, we launched Strategy 2020: A Space for Us All, a plan to make the public broadcaster more local, more digital, and financially sustainable. We’ve come a long way since then, and Canadians are seeing the difference. Many are engaging with us, and with each other, in ways they could not have imagined a few years ago. Our connection with the people we serve can be more personal, more relevant, more vibrant. Our commitment to Canadians is that by 2020, CBC/Radio-Canada will be Canada’s public space where these conversations live. Digital is here Last October 19, Canadians showed us that their future is already digital. On that election night, almost 9 million Canadians followed the election results on our CBC.ca and Radio-Canada.ca digital sites. More precisely, they engaged with us and with each other, posting comments, tweeting our content, holding digital conversations. CBC/Radio-Canada already reaches more than 50% of all online millennials in Canada every month. We must move fast enough to stay relevant to them, while making sure we don’t leave behind those Canadians who depend on our traditional services. It’s a challenge every public broadcaster in the world is facing, and CBC/Radio-Canada is further ahead than many. Our Goal The goal of our strategy is to double our digital reach so that 18 million Canadians, one out of two, will be using our digital services each month by 2020. -
Weekend Glance
Thursday, June 29, 2017 Vol. 16 No. 12 NEWS NEWS ENTERTAINMENT NEWS No budget Illegal What’s new Service club in Norwalk fireworks on Netflix updates SEE PAGE 2 SEE PAGE 3 SEE PAGE 9 SEE PAGE 3 Here is where to buy your ‘safe and sane’ fireworks JULY 4 Downey Fireworks Show Residents wishing to purchase “safe and sane” fireworks to celebrate the 4th of July holiday can choose from 17 different FridayWeekend79˚ DATE: Tuesday, July 4 local organizations and religious groups who have fireworks stands throughout the city. Fireworks can be legally purchased at a TIME: 9 pm July 1-4. Glance LOCATION: Downey High Saturday 6878˚⁰ The list of groups and their stand locations can be found below. Friday JULY 6 Let’s Do Lunch mixer Sunday 76˚ DATE: Thursday, July 6 70⁰ 12 pm 1.) 2.) 3.) 4.) Saturday TIME: Organization: Downey Organization: Downey Organization: Downey Organization: Downey LOCATION: Green Olive First Church Sister Cities Elks Lodge No. 2020 United Methodist Church (Promenade) Location: 251 Stonewood Location: 9859 Firestone Location: 11233 Woodruff Location: 7676 Firestone JULY 8 FROM OUR FACEBOOK St. (Stonewood parking lot Blvd. (Rite Aid) Ave. (Elks Hall) Blvd. (Albertson’s parking Community BBQ near Firestone) lot) DATE: Saturday, July 8 L.A. County pledges to TIME: 11 am secure south Rancho LOCATION: Downey United campus after latest fire Masonic Lodge 5.) 6.) 7.) 8.) Alicia Edquist: Come up Organization: CC Organization: St. Organization: Downey Organization: West with a plan to protect the JULY 10 Foursquare Church Raymond’s Church Rose Float Assoc. Downey Little League property? Really!? Now you want to protect your precious Kabuki Sushi property? If LA county wants DATE: Tuesday, July 10 Location: 8530 Firestone Location: 12348 Location: 8626 Firestone Location: 7399 Stewart to own it why does our city Blvd. -
Enjoy a Free Evening of Comedy in New York City's Central Park This
Enjoy a Free Evening of Comedy in New York City's Central Park This Summer! The Third Annual 'COMEDY CENTRAL Park' Live from SummerStage Starring Gabriel Iglesias with Special Guest Pablo Francisco Takes Place Rain or Shine on Friday, June 19 at 8:00 P.M. "COMEDY CENTRAL Park" Is One Of 31 Free Programs Offered During The 2009 Central Park SummerStage Season Through The City Parks Foundation In New York City The First 3,000 Attendees Will Receive A Complimentary, Reusable Shopping Bag Courtesy Of The Network's Pro-Social Initiative AddressTheMess NEW YORK, June 8 -- No two drink minimum necessary at this venue, it's entirely free. On Friday, June 19, New York City's Central Park turns into "COMEDY CENTRAL Park," a night of free stand-up comedy Live from SummerStage. The outdoor venue is located at mid-Central Park (near the Fifth Avenue & 72nd Street entrance) with doors opening at 7:00 p.m. and the show starting at 8:00 p.m. This is the third consecutive year COMEDY CENTRAL has participated in this hugely successful event. This year's presentation of "COMEDY CENTRAL Park" will feature comedian Gabriel Iglesias, who blends his impeccable voice skills with an uncanny knack for animated comedic storytelling that bring his issues to life, and special guest Pablo Francisco, who has an unbelievable ability to physically morph himself into movie stars, singers, friends, family, and a multitude of nationalities. Outback Steakhouse and All-Natural Snapple are the proud sponsors of "COMEDY CENTRAL Park." Iglesias's talent on stage has earned him several television appearances. -
Mock Filipino, Hawai'i Creole, and Local Elitism
Pragmatics 21:3.341-371 (2011) International Pragmatics Association DOI: 10.1075/prag.21.3.03hir IS DAT DOG YOU’RE EATING?: MOCK FILIPINO, HAWAI‘I CREOLE, AND LOCAL ELITISM Mie Hiramoto Abstract This paper explores both racial and socioeconomic classification through language use as a means of membership categorization among locals in Hawai‘i. Analysis of the data focuses on some of the most obvious representations of language ideology, namely, ethnic jokes and local vernacular. Ideological constructions concerning two types of Filipino populations, local Filipinos and immigrant Filipinos, the latter often derisively referred to as “Fresh off the Boat (FOB)” are performed differently in ethnic jokes by local Filipino comedians. Scholars report that the use of mock language often functions as a racialized categorization marker; however, observations on the use of Mock Filipino in this study suggest that the classification as local or immigrant goes beyond race, and that the differences between the two categories of Filipinos observed here are better represented in terms of social status. First generation Filipino immigrants established diaspora communities in Hawai‘i from the plantation time and they slowly merged with other groups in the area. As a result, the immigrants’ children integrated themselves into the local community; at this point, their children considered themselves to be members of this new homeland, newly established locals who no longer belonged to their ancestors’ country. Thus, the local population, though of the same race with the new immigrants, act as racists against people of their own race in the comedy performances. Keywords: Hawai‘i Creole; Mock Filipino; Stylization; Ethnic jokes; Mobility. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Cheap Gabriel Iglesias Tickets
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2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed. -
Pdf Only Link Here
APRIL 15–APRIL 28, 2021 ISSUE #380 THE INKWELL Bryce Parks Publisher & Everything Else [email protected] Kristina Nesteby Design & Layout [email protected] Mike Ironside Nightlife [email protected] Lisa Stevenson Advertising [email protected] 563-580-1691 CONTRIBUTING WRITERS COVER Gwen Beatty 14 Julien Dubuque International Good Advice Film Festival [email protected] Celebrating JDIFF’s 10-year anniversary on April 18–25 in Dubuque Matt Booth 18 Vintage Torque Fest Mattitude Dubuque’s largest live music festival [email protected] disguised as a car show on April 30 and May 1 at the Dubuque County Fairgrounds Sara Carpenter DIY Advice Photo: General Bob Felderman [email protected] Models: Liz Smith and Tim Buchholtz Truck: Owned by Mackenzie Miles Danny Fairchild Dining & Horoscopes FEATURES [email protected] 11 DuMA: A Place for Friends Bob Gelms Old and New Bob’s Book Reviews 12 Virtual Events at Heritage Center [email protected] 13 Kids’ Summer Camps & Activities Pam Kress-Dunn 17 Upcoming Events at Five Flags Columnist [email protected] SECTIONS Sunil Malapati 4 Events Dining [email protected] 11 Arts 20 Nightlife Sara Eliot Steuer Feature Writer 24 Columnists [email protected] WHERE’S WANDO? SPECIAL THANKS We’ve hidden Wando somewhere in this issue of Christy Monk, Gina Siegert, Julien’s Journal, 365ink. Can you fi nd him? Fran Parks, Gen. Bob Felderman, Ron & Jennifer Tigges, Dave Haas, Rich Belmont & Margie Blair, Mike Damaso, Paul Gilligan, 365ink Magazine Paul & Sandy Meyer, Coco the offi ce dog, 432 Bluff St, Dubuque, IA 52001 Wesley Cat, Copper Kettle’s Seared Sesame 563-588-4365 Tuna Bowls, all of our 365ink friends and [email protected] advertisers… and you for reading. -
English Performance Envelopes & Production Incentive
Home Français Feedback Corporate website Papo & Yo SalesAn interactive: Denmark, fable Finland, in whichFrance, the Germany, primal relationshipNetherlands, between Norway, parentSlovenia, and Sweden, child is brilliantlyWorldwide allegorized (excluding in the taleUSA) of a monster and his small friend. Average Minute Launch Video Audience: 1,805,000 Appendices English Performance Envelopes & Production Incentive Program Notice SECTIONS ON THIS PAGE Funding Lists Convergent Stream Drama Documentary Variety & Performing Arts English Performance Children & Youth Envelopes & Production Incentive Program French Performance Envelopes and Regional French Incentive Program Francophone Minority DRAMA Program Aboriginal Program English POV Program Convergent 2nd Platform / Diverse Languages Project Title Applicant(s) Region Platform Content Type Program Envelope Funding ($) Program Drama Versioning Program English Development 18 To Life II (13- 18 To Life II Productions inc / MTL TV Digital PE CBC $4,022,698 Envelopes 25) Sound Venture 18 Productions Distribution EPI $1,000,000 French Selective Inc. Development Total $5,022,698 French Regional Development Program Being Erica lll (1- Being Erica III Productions TO TV Rich & PE CBC $6,599,996 Francophone Minority 13) Limited Substantial Program (Development) Digital Media Aboriginal Program (Development) The Bionic Crimson Clay Media Ltd. SK TV Digital PE APTN (English) $144,600 Experimental Stream - Bannock Boys II Distribution Development and Marketing (7-12) Experimental Stream - Production Blackstone I (2-9) Blackstone Cycle I Ltd. AB TV Rich & PE APTN (English) $1,015,000 Substantial Performance Envelope Digital Media Calculations Internet Website PE APTN (English) $146,919 Audience Data Sources Total $1,161,919 The Borgias I Borgias Productions Inc. TO TV Video On PE BRAVO! $1,100,000 Financing Sources : Definitions (101-109) Demand By the Rapids IV Ista Films IV Inc. -
Picture As Pdf
1 Cultural Daily Independent Voices, New Perspectives Ali Wong Elisa Leonelli · Wednesday, October 2nd, 2019 I was already familiar with the work of Randall Park. I had interviewed him in 2014 for the Seth Rogen comedy The Interview, where he played North Korean leader Kim Jong-un, then I had seen him in the TV sitcom Fresh Off the Boat (2015-2019), where the Los Angeles born son of South Korean parents plays a Chinese-American from Taiwan, and Constance Wu plays his wife. But I was not yet aware of Ali Wong. So, when a romantic comedy starring the two actors was previewed for press, Always Be My Maybe, I was eager to see it. It was released on Netflix on May 31, only 2 days after a limited theatrical release. Cultural Daily - 1 / 6 - 04.08.2021 2 I was impressed by this funny and original love story, set in San Francisco, where the woman is a celebrity chef opening a new restaurant, while the man is a struggling musician still living at home with his parents. And I was delighted to discover Ali Wong, born Alexandra Wong in San Francisco from a Chinese-American physician father and a Vietnamese immigrant mother. She majored in Asian-American Studies at UCLA, where she joined a theater group Randall Park had founded, and the two have been friends and creative collaborators ever since. Wong is a writer on Fresh Off the Cultural Daily - 2 / 6 - 04.08.2021 3 Boat, and both actors worked on the screenplay for the movie. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness.