DOCSLIB.ORG

Welcome to OK Mozart

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1 Information Ordering Welcome to OK Mozart elcome to the 259th anniversary of Wolfgang Mozart’s birth. This year HOW TO ORDER TICKETS Wthe OK Mozart Festival is celebrating in style by taking a musical trip Guide to 2015 Festival Events to Italy—the place where 17-year-old Wolfgang was given the Papal Order of • Day-by-day schedule of events – Pages 12-18 Knight of the Golden Spur for his extraordinary musical gifts. • Showcase Events (alphabetical order) – Pages 19-29 • OK Mozart Concert Order Form – Pages 31-32 Mozart had heard Allegri’s “Miserere” (have mercy on me, O God) during a performance and went home and wrote the entire score from memory. When PURCHASING TICKETS the authorities discovered that he possessed a score, he was arrested – the score OKM Box Office: (918) 336-9800 BCC Box Office: (918) 337-2787 was sacred to the church. But after discovering that Mozart could write it again, Monday through Friday, 10am to 4pm if need be, the Pope intervened and knighted him. Fax: (918) 336-9525 A big part of OK Mozart’s celebration will begin prior this year’s festival with the opening of our very own Fill out and fax Order Forms on pages 31-32 to OKM small concert venue–Aurora Hall. The hall is located on the north side ground floor of the Aurora Professional Online: www.okmozart.com Building at 415 S. Dewey, in downtown Bartlesville. The entire building was given to OK Mozart through the www.facebook.com/okmfestival generosity of Mr. and Mrs. Lewis Ambler. It also houses the offices of the Bartlesville Symphony along with attorneys, doctors, and other occupants. In Person: OKM Box Office 415 S. Dewey, Suite 100, Bartlesville As Spring arrives, be looking for signs of life in our new “multi-purpose” room. Aurora Hall will be available for or… rent for receptions, parties, meetings and, of course, OKM house concerts and chamber music performances. We’ll keep the public informed, and by all means invite everyone who is interested to stop by and check on the Bartlesville Community Center, progress of our new space anytime you’re in the neighborhood. 300 S.E. Adams Blvd., Bartlesville • We gladly accept Visa, MasterCard, American Express and Discover cards • There will be no additional handling charges or Randy Thompson mailing fees. All costs are covered by OK Mozart. Executive Director • Group rates available OK Mozart International Festival 2 OKM’s Dear Music Lovers, 31st For those of you who attended last year’s OK Mozart of Paganini”, Mozart’s “Requiem” with the International Festival, thank you so very much Season Bartlesville Choral Society and the triumphant for your overwhelmingly positive response to return of the Canadian Brass. our efforts to put the OK and Mozart back into OK Mozart. We feel very good about what we All of the above is in addition to our renowned accomplished artistically and we are grateful to mid-day chamber music concerts featuring the you for your support. Aeolus Quartet, a promising young group widely recognized for their highly innovative and engaging programs, who have served as For those who are new to OK Mozart, I welcome you with open teaching faculty at Stanford University. arms to our musical family. You’ll have the pleasure of hearing our resident orchestra, Amici New York, whose players include Whether you’ve experienced the glory of the music at the OK Mozart instrumentalists who play in the Metropolitan Opera Orchestra, New International Festival before or are new to our offerings, this is an York Philharmonic, Broadway pit orchestras and many other venues exciting time for OK Mozart and we want you to revel in what we in the New York area. In addition, you’ll be part of a new tradition at have to give. OK Mozart—our opening concert with the OK Mozart All-State Youth Orchestra and Amici New York sharing the stage for the second year in a row. This year we celebrate the musical bounty of Italy. From Respighi’s glorious “Pines of Rome” to Vivaldi’s “Four Seasons”, with violin Constantine Kitsopoulos sensation Chad Hoopes, to a semi-staged presentation of Mozart’s Artistic Director “Don Giovanni” featuring singers from Oklahoma, to an extravagant OK Mozart International Festival Monday night masked ball entitled L’Amore d’Italia, and Jon Kimura Parker’s performance of Rachmaninoff’s “Rhapsody on a Theme 3 2015 Festival Main Concerts Saturday, June 6 Sunday, June 7 Opening Daytime Celebration A Musical Tour of Italy 9am–1pm ∙ Prairie Song ∙ Admission is FREE Amici New York Orchestra with Chad Hoopes, guest violinist and the OK Mozart All-State Orchestra Start off the 2015 OKM Festival with a full morning of family fun 3pm ∙ Bartlesville Community Center beginning with an early Fun Run at 6:30am jogging along the Tickets $45/$30/$15 Adults ∙ $25/$15/$10 Students natural terrain followed by tours of Prairie Song’s historically recreated 1800s Old West town, including visits to its buildings, Amici New York Orchestra and OKM Artistic Director Constantine live music by the Corky Davis Country Swing Band, pony rides, Kitsopoulos welcome guest artist, Chad Hoopes, for a performance tribal dancing, kid’s petting zoo, do-it-yourself branding irons, of Vivaldi’s “The Four Seasons”. Then Amici New York joins some of wagon rides, and more. Oklahoma’s brightest and best young talent in a joint concert with the OK Mozart All-State Orchestra featuring the “Intermezzo” from followed by… Pucccini’s “Madama Butterfly” and Respighi’s thrilling “Pines of Rome”. Free Opening Night Concert Monday, June 8 6pm ∙ Bartlesville Community Center ∙ Admission is FREE L’Amore d’Italia Gala Ball 7pm ∙ Bartlesville Hilton Garden Inn Ballroom OK Mozart Festival welcomes Bartlesville music lovers of all ages $150 per person ∙ Formal attire to hear the Tulsa Youth Orchestra perform composer Joseph Rivers’ symphony, Buffalo Run, composed to celebrate Take a black tie dinner/dance excursion to Italy via the L’Amore the American bison and its essential value to the d’Italia ball. Enjoy cocktails and dinner followed by Native American way of life, along with Tulsa dancing to romantic strains of Italian music provided instructor Judy Fu’s adult Tai Chi dancers. by members of the Amici New York Orchestra, conducted by Artistic Director Constantine Kitsopoulos with seductive arias by singers from the Don Giovanni opera cast. 2014 Gala 4 Tuesday, June 9 Friday, June 12 Spencer Prentiss/Becky Wallace Chamber Concert Woolaroc Outdoor Concert 8pm ∙ Bartlesville Community Center (on stage) 8pm ∙ Woolaroc Museum and $25 Adults ∙ $15 Students Wildlife Preserve, Clyde Lake $25 Adults ∙ $15 Students ∙ $15 Bus This performance will feature the Aeolus Quartet, a powerful group of (bus not included in ticket price) young award-winning musicians who have been plotting an ascending Advance ticket purchase course throughout the country, currently serving as the Graduate recommended ∙ Children 14 and Resident String Quartet at the Juilliard School. In addition, renowned under FREE pianist Jon Kimura Parker and the Amici New York Orchestra wind Woolaroc principals will offer a moving performance of Mozart’s “Quintet for OKM’s 2015 Festival continues outdoors Outdoor Concert Piano and Winds”. at Woolaroc with a selection of favorite Italian opera excerpts as presented by the Amici Wednesday, June 10 New York Orchestra and singers from the Don Giovanni Mozart’s Don Giovanni cast. Topping off the evening will be a medley of rousing patriotic 7:30pm ∙ Bartlesville Community Center music followed by the visual thrill of fireworks. $45/$30/$15 Adults ∙ $25/$15/$10 Students Saturday, June 13 Characters of Mozart’s enchanting opera, “Don Giovanni”, have The Grand Finale Concert intrigued audiences all over the world. The story of Don Giovanni and with Jon Kimura Parker, piano his many conquests, attempted or otherwise, is one of a rascally fellow and the Amici New York Orchestra who claims that wine and women are the essence of humankind. The 8pm ∙ Bartlesville Community center Amici New York Orchestra and Bartlesville Choral Society will perform $55/$40/$20 Adults ∙ $25/$15/$10 Students a semi-staged version conducted by OKM Artistic Director Constantine Kitsopoulos. The performance will feature gifted singers auditioned Bartlesville Choral Society and Tulsa Oratorio Chorus under the and hand-picked from throughout the state of Oklahoma. direction of Susan Mueller joins the Amici New York Orchestra and Artistic Director Constantine Kitsopoulos in presenting Mozart’s final Thursday, June 11 work, his inspirational “Requiem”, with guest artist, pianist Jon Kimura Canadian Brass Parker performing Rachmaninoff’s “Rhapsody on a Theme of Paganini”. 8pm ∙ Bartlesville Community Center This performance is one that promises to bring the house down. $35/$25/$15 Adults ∙ $25/$15/$10 Students This concert features the internationally renowned Canadian Brass founded by Charles Daellenbach and Gene Watts. The first chamber ensemble to solo on the main stage at Carnegie Hall, they are known as the “Kings of Brass” and for their unique brand of performance attire consisting of formal black suits with white running shoes. 5 Main Concerts 2015 Festival Festival Artists CONSTANTINE KITSOPOULOS Constantine Kitsopoulos, Artistic Director, returns to the OK Mozart Festival for his third season. Acclaimed worldwide, he has made a name for himself as a conductor whose musical experiences comfortably span the worlds of opera and symphony in such venues as Carnegie Hall, Alice Tully Hall and Royal Albert Hall, and also musical theater, where he can often be found leading orchestras on Broadway. Kitsopoulos is also enjoying his eighth season as music director of the Queens Symphony Orchestra and continues as music director of the Festival of the Arts Boca.
Recommended publications
  • 573824 Itunes Lortzing

    573824 Itunes Lortzing

    LORTZING Opera Overtures Der Waffenschmied Undine Der Wildschütz Hans Sachs Malmö Opera Orchestra Jun Märkl Albert Lortzing (1801–1851) though, sketched out a plan for an opera on the subject as wrong Peter. Ivanov hands it to the Tsar, thereby obtaining early as 1845, and he was certainly aware of Lortzing’s the latter’s blessing for his union with Marie. Van Bett was Opera Overtures work. Set in 1517, when Sachs would have been 23 and a yet another of Lortzing’s richly comic bass creations, and Gustav Albert Lortzing was a multifaceted man of the staged work, first produced the evening before his death. young cobbler, Lortzing’s opera centres on Sachs’s Lortzing himself created the tenor role of Peter Ivanov. theatre – actor, singer, librettist, composer and conductor. The relatively brief and sprightly overture sets the scene courtship of his first wife, Kunigunde, daughter of goldsmith Andreas Hofer is, like Der Weihnachtsabend , a one-act Though international currency of his operas has been for a behind-the-scenes one-act piece in the tradition of Steffen (the counterpart of Wagner’s Pogner). Steffen has piece composed in 1832. It features real and imaginary limited, on German stages he was for some 150 years the Cimarosa’s Il maestro di capella , Mozart’s Der offered Kunigunde’s hand as the prize in a singing contest, episodes of the life of the innkeeper and drover who in 1809 most performed composer after Mozart and Verdi. While Schauspieldirektor and similar works. In the castle of a but has arranged that the winner should be Eoban Hesse, led the Tyrolean rebellion against occupation by Bavarian the pace of productions there has slackened over the past Count (another of those comic bass roles), the household an alderman from Augsburg.

  • SHELL KNOB DENTAL CENTER Brian K

    MISSOURI’S BEST SMALL-TOWN WEEKLY NEWSPAPER 75¢ Four-time Gold Cup winner, Missouri Press Association, 2015, 2016, 2017 and 2018 EXPANSION UNDERWAY AT ROARK FAMILY HEALTH — PAGE 3A CASSVILLE CAPTURES EARLY MOMENTUM >>> 42-0 trashing of Aurora shows Wildcats’ versatility. — PAGE 1B CASSVILLE emocrat DSEPTEMBER 4, 2019 | CASSVILLE-DEMOCRAT.COM AUGUST SALES TAX General trend: More receipt Crowder College Cassville declines than increases Monett: Joins bigger cities in beating trend Cumulative effect: Counties see- celebrates 20 years ing significant drop for year Angela Seymour, director got our first science lab. Director: ‘Crowder is 20-YEAR ANNIVERSARY of the Crowder Cassville cam- “That was the first time we open and prepared Who: Crowder Cassville campus pus, said she started working were able to offer an entire Sales tax What: Celebrates and remembers Crowder Cassville in 1999, when degree in Cassville.” for whatever the last 20 years it first introduced classes to the Seymour said before there comes next’ More: Campus aims to continue community. was ever a campus for Crowder, to grow for its community “One of the biggest changes classes would be held at the high dips in BY JORDAN PRIVETT over the last 20 years is our new school in the evenings. [email protected] ebrate its 20th anniversary, and building,” she said. “But, I think “Then, we were approached The Crowder Cassville cam- staff, students and the communi- some of the significant changes by Jerry Watley, who said he pus has been building up to cel- ty are all excited to share the joy. along the way include when we CONTINUED ON PAGE 5A August Cassville, Exeter, FFA Ranch Rodeo wraps up with finals Monett stay above trend BY MURRAY BISHOFF Cassville Democrat For the second consecutive month, most sales tax receipts to Barry County cities and the county dropped.
  • Contents Greetings 2 NSN Executive Office Information C/O Woodneath Library About NSN 3 8900 N.E

    Contents Greetings 2 NSN Executive Office Information C/O Woodneath Library About NSN 3 8900 N.E

    Contents Greetings 2 NSN Executive Office Information c/o Woodneath Library About NSN 3 8900 N.E. Flintlock Road Kansas City, MO 64157 How To Access the 4 Phone: +1 (816) 883-4781 Conference Email: [email protected] Website: https://storynet.org Donors and Volunteers 8 Director of Operations Acknowledgements 9 Danni Altman-Newell Conference Sponsors 10 Development & Outreach Coordinator Richard Thompson Board of Directors 23 Media & Communications Coordinator State Liaisons 24 Erin O’Neil General Information & 26 Copyright Notice Accessibility All presenter materials are the property of the respective author(s). All other materials are copyright National Conference Schedule 30 Storytelling Network. ORACLE Awards 35 The vendors at the National Storytelling Conference are independent contractors. Neither NSN nor the National Storytelling Conference is responsible for their services or products. All communications with vendors should be directed to them. Page 1 #NSNStoryCon Welcome to the 2021 National Storytelling Conference & Festival – Connected: Across the Divide! We are so glad that you have chosen to join us! Whether you consider yourself a performer or someone who uses storytelling in another field, the last year has been difficult for almost everyone. Those of us who perform have been separated from our audiences and fellow performers. The 2020 Connected Conference and Festival helped to prepare us to perform online, and gave us a chance to connect with and learn from a diverse, international mix of tellers. This year, as our schools, libraries, community centers, senior living facilities, daycare centers, businesses, places of worship, and theaters reopen, we are faced with a new set of challenges.
  • Decca Discography

    Decca Discography

    DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982.
  • 32 Pages Since 1961 Free

    32 Pages Since 1961 Free

    PRSRT STD. U.S. Postage Paid Sanibel, FL Permit #33 Postal Patron Since 1961 32 Pages Free photo by Michael Pistella Grandma (Eleanor Beth Lukitsch) lays down the law to her grandsons, Arty and Jay Kurnitz (Alex Doud and Philip Lowendick), while Dad (Joe Meyers) looks on in Lost in Yonkers at the J. Howard Wood Theater. • 2 "Week of July 6 - July 12, 2001 » Islander fr '' ' "*• *.* Office Condominium on Periwinkle Way is perfect , Delightful beach home with heated pool, beautifully for starting (or relocating) your island business! ;, furnished, great rental income and just steps to Great location, .move-in condition, zoned for ir deeded beach access. Four bedrooms, three baths, . professional or service business. * 125,000. 2 sunny and bright, one and one-half years new. %695,000. i : i I brand new 4 bedroom, 4 bath carefree vacation | Only four hom.es to the beach, you can h§af the surf from this1 ccffcy cottage. With sunny southern homes with great income potential. Very close to*' beach, open and airy floorplan, every luxury amenity,! ,exposaxeV%contal; i5fl<3(D.mi e and great near-beach location,'this three^^fobm^two badi' cottage is the huge patio with built in gas grill opens to heated pool; best value QA the" b^ach''side, af Captiva Drjye> and spa. Extended 4 year home owners warranty and j %120,000. ' ' •*'••)>.; ,"/ '" V , • > • ' • top quality construction to be completed 9/2001.! %690Q00 ,', \ <' •' r'i. it i; 1 f 3-YiJlage..% SanitcUslaiicl Florida! 33 Islander • Week of July 6 -July 12, 2001 » 3 By Dave & Lee Horton of Sanibel Print & Graphics COLUMNISTS ID SAY THIS DOESN'T Loofc Too GOOD • Travel Barbara Qanz Dave — page 7 Horton Business Profile Nancy Sant&usanio — page 9 Lee Horton would surely lose a lot and probably not its solid waste and Sanibel recycles 11%.
  • DIEQP. Jqre. by ALBERT LORTZING

    DIEQP. Jqre. by ALBERT LORTZING

    ** %*mo DIEQP. jQRE. BY ALBERT LORTZING: A CRITICAL EDITION THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Jan L. McDaniel Denton, Texas August 1990 McDaniel, Jan L., Die Opernprobe .yi...Latagm$ .Q i..ga.L EditiQn. Master of Music (Musicology), August, 1990, 192 pp., bibliography, 56 titles. The purpose of the present edition of Albert Lortzing's DiA..QPar k is to restore and clarify the composer's original intentions, which were often obscured or altered by the first published version, which appeared in 1899. This thesis is divided into two parts. Part One contains an introduction which discusses Lortzing's place in the history of German opera, the details surrounding the composition of Di.& Qprapx.g., the musical and dramatic structure of the opera, and the sources used in the preparation of this edition. Part Two consists of a critical edition of the orchestral score, with the complete text of the spoken dialogue and stage directions. Critical notes and an English translation of the full text are included in two appendixes. Copyright by Jan L. McDaniel 1990 iii TABLE OF CONTENTS Page INTRODUCTION AND BIBLIOGRAPHY. 1 THE FULL SCORE OUVERTORE . ......... ....... 36 1. INTRODUCTION..... ........ 47 (Hannchen, chorus) 2. DUETT................... .............58 (Adolph, Johann) 3. ARIE........... ... ... ........ 68 (Hannchen) 4. RECITATIV . 80 (Count, Christoph) 5. SEXTETT................. ........ 83 (Hannchen, Louise, Grifin, Adolph, Johann, Graf) 6. CAVATINE . 99 (Adolph) 7. RECITATIV . .103 (Adolph, Johann) 8. RECITATIV . .............. ........ 107 (Hannchen, Louise, Countess, Adolph, Johann, Count) 9. DUETT .. *.........................109 (Hannchen, Johann) 10.
  • Territory Tellers

    Territory Tellers

    Territorial Tattler Newsletter of the Territory Tellers Fall 2018 www.territorytellers.com Spirit The teenage years ur baby, Spirit, is now a teenager. You tee spent HOURS developing guidelines for know teenagers: bustin’ at the seams; each sub-committee for festival planning. We one day too big for their britches, the sought advice from very reputable sources, next day acting like some babblin’ taking much of the same agenda from the Obaby. Yes, our baby is a teenager. 2005 conference held in Oklahoma City. I Back in 2007, we were so proud to an- sought counseling from board members of nounce the birth of the new one and we named various other storytelling groups. We had our it Spirit of Oklahoma. We then watched as Spir- own members who were very proficient in this it took the first faltering steps, then cheered regard and the steering committee adapted the toddler on because little Spirit was off these ideals to form our first festivals. Steve and running. Then came the awkward stage. Kardalef contributed much time in preparing Losing baby teeth, gangly, and not quite sure 5 three-ring binders for the committee. This of the world. Spirit persevered as we all have allowed the Festival Steering Committee to done and with many “aunties, uncles, and kin” disperse the work and provide for more peo- boosting the young one along, Spirit became a ple to become involved as each chairperson lovely creature looking toward a bright future. was to select a team for each sub-committee. However, sometimes the loveliest creatures This also provided a way for the festival, like can be rebellious.

  • Ein Wildschütz Wird Zum Waffenschmied, Ein Zar Zum Zimmermann � � Idee Und Konzeption: Hans Peter Lehmann ����������� � � � � ���� � � �

    Ein Wildschütz wird zum Waffenschmied, ein Zar zum Zimmermann � � Idee und Konzeption: Hans Peter Lehmann ����������� � � � � ���� � � � � Matthias Wegele ����� � 7./8. Juli 2012 Rittergut Eckerde I, Barsinghausen Landschaft 14./15. Juli 2012 Calenberg-Grubenhagensche Sigwardskirche, Idensen (Wunstorf) 21./22. Juli 2012 Edelhof Ricklingen, mit Picknick im Park Hannover 29. Juli 2012 Kloster Wöltingerode, Vienenburg N uren To i NIEDERSACHSE rt Pa Herzlich Willkommen bei der Oper auf dem Lande 2012 Albert Lortzing „Auf dem Lande will ich bleiben, auf dem Lande ist’s so schön!“ Wo Musik und Natur einander berühren – Dies dichtete und komponierte Albert Lortzing in einer das künstlerische Konzept der „Oper auf dem Lande“ seiner bekanntesten Opern „Der Wildschütz“. Er lebte von 1801 bis 1851 und war nahezu 150 Jahre lang der in – verfasst zur Premiere im September 2008 – Deutschland nach Mozart und Verdi meistinszenierte Opern- komponist. Wie Richard Wagner schrieb er die Texte zu Ein Landschaftspark in spätsommerlicher Pracht: Das Laub seinen Opern selbst und war ein vielseitiges Theatergenie: hängt schwer an den großen alten Bäumen, die ersten Sänger, Schauspieler, Dirigent, Clown, Frauenschwarm, Verfärbungen künden vom baldigen Herbst und die Zweige Familienvater (er hatte 11 Kinder) und eben Dichter und biegen sich unter dem Gewicht der Früchte, die sie tragen. Komponist. Nach 1968 geriet er in Vergessenheit und ist auf An einem Bühnenbild, das so aussieht, müsste man lange den heutigen Opernspielplänen kaum noch zu fi nden. arbeiten – und die Gefahr, dass es kitschig wirkt, ist nicht Wir möchten heute an ihn erinnern – mit seinen Lebens- gerade klein. und Liebesweisheiten, seinem Lob auf das Handwerk und Ganz anders liegt der Fall, wenn die Natur selbst das sein Eintreten für die Mitbestimmungsrechte der Bürger.

  • Rochelle Rabouin

    SHOWCASE SPONSORS Eastern Oklahoma District Library System Intitute of Museum and Library Services Oklahoma Department of Libraries Oklahoma Library Association Oklahoma Library Association Public Library Division Pioneer Library System Stillwater Public Library 1 SHOWCASE AGENDA MORNING 10 a.m.-11 A.m. AFTERNOON 1-2 p.m. Lee Ann Harris (musican) Margot Bevington (musician) Will Hill (storyteller) Gary Whitaker (storyteller) Amazing Magical Michael (magician) Michael King (juggler) Fran Stallings (storyteller) OKC Improv (theatre) Robert Morris (magician) Elsenpeter (puppeteer) Margret Clauder (puppeteer) Shawn Reida (magician) Mike Anderson (musician) Margot Bevington (musician) Rose Stone Trio (musican) BREAK 11:10 a.m. - NOON BREAK 2:10 - 3 p.m. Spaghetti Eddie (muscian) Randy Sauer (musician) Consuelo Samarripa (storyteller) Joyce Slater (storyteller) Extreme Animals (animals) Richard Holmgren (magician) Brian Wendling (juggler) Hanson Family (juggler/unicycle) Meghan Casey (puppeteer) Monty Harper (musician) Marty Tipton (roper) Dino O’Dell (musician) Edgar Cruz (muscian) LUNCH 12-1 p.m. 2 SHOWCASE PRESENTERS (in alphbetical order) Amazing Magical Michael John (Brother John) Anderson AD only Mike Anderson Thad Beach AD only Margot Bevington Jay & Leslie Seifert-Cady AD only Meghan Casey Margaret Caluder Edgar Cruz Elsenpeter Marionettes Extreme Animals Hanson Family Monty Harper Lee Ann Harris Will Hill Richard Holmgren Donna Ingham AD only Jeanie Bryan Puppets AD only Michael King Marshall Mitchell AD only Robert Morris Dino O’Dell OKC Improv Rochelle Rabouin AD only Shawn Reida Rose Stone Trio Consuelo Samarripa Randy Sauer Joyce Slater Spaghetti Eddie Fran Stallings Marty Tipton Lori Turman AD, & Table Brian Wendling Gary Whitaker 3 Amazing Magical Michael 4100 NW 14th Street Oklahoma City, Oklahoma 73107 405-255-4171 [email protected] http://MagicalMichael.com After thrilling audiences on the East Coast for over twenty-five years,Amazing Magical Michael is taking the heartland of America by storm.

  • In the Market for Love Or Onions Are Forever

    Autumn Performances 2020 In the Market for Love or Onions are Forever PERFORMANCES ON 10, 11, 13, 17, 18, 20, 24 AND 25 OCTOBER Welcome (back) to Glyndebourne! From March 2020’s lockdown, and Music and theatre function as a meeting the sad cancellation of the Festival point where together we can reflect, we battled to find a way back to live celebrate, grieve, question, imagine – performance. By the end of the summer and laugh! The roots of comic opera, It’s been an we managed to present a programme opera buffa, reach back to the commedia of open gardens, garden concerts dell’arte: the improvised Italian form extremely and outdoor opera as our positive which sprang up in the hurly-burly of challenging last response to the restrictions of Covid-19: the marketplace. Satirical, ribald and an attempt to find a responsible, ridiculous, playing with social status and few months for appropriately distanced, and above sexual desire, this approach to theatre everybody. all, safe way of performing to a live found a natural home in opera from audience. Next, we set our sights on Pergolesi’s La serva padrona onwards. A our autumn performances – clearly they century later and Offenbach, the master could not go ahead as planned, but we of adapting to changing circumstances, refused to be beaten. So, it is with the wrote countless bouffes. Farcical, cheeky greatest pleasure that we have arrived at and downright risqué, his energetic, this moment, finally together again, this supremely skilful musical and theatrical time indoors, to experience high calibre craft was so popular that it forced a music making.
  • 2020 Oklahoma Native Plant Record

    2020 Oklahoma Native Plant Record

    ISSN 1536-7738 Oklahoma Native Plant Record Journal of the Oklahoma Native Plant Society Volume 20, December 2020 1 Oklahoma Native Plant Record Journal of the Oklahoma Native Plant Society P. O. Box 14274 Tulsa, Oklahoma 74159-1274 Volume 20, December 2020 ISSN 1536-7738 http://ojs.library.okstate.edu/osu/ Editor: Gloria Caddell Production Editor: Sandy Graue Electronic Production Editor: Sandy Graue Manuscript Editor: Chad King Technical Advisor: Erica Corbett The purpose of ONPS is to encourage the study, protection, propagation, appreciation, and use of the native plants of Oklahoma. Membership in ONPS is open to any person who supports the aims of the Society. ONPS offers individual, student, family, and life memberships. Officers and Board Members President: Bill Farris Committee Chairs: Vice-President: Donna Horton Historian: Fran Stallings Secretary: Connie Murray Publicity/Merchandise: Barbara Klein Treasurer: Mary Korthase Betty Kemm Award: Sue Amstutz Past President: Bruce Smith Awards: Constance Murray Directors at Large: Membership Database: Sandy Graue Kathy Doss Membership Database Ed.: Tina Julich Jim Elder Mailings/Printings: Sandy Graue Ray Luth Gaillardia Editor: Lynn Michael Joe Roberts Color Oklahoma: Alicia Nelson Janet Thomas Webmaster: Adam Ryburn Rahmona Thompson Web Editors: Joe Roberts, Sandy Graue Chapter Chairs: http://www.oknativeplants.org Central: Patrick Bell Cross Timbers: Elaine Lynch Northeast: Teresa Blue Mycology: Nancy Hamill Articles (c) The Authors Journal compilation (c) Oklahoma Native Plant Society Except where otherwise noted, this work is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike4.0 International License, https://creativecommons.org/licenses/ by-nc-sa/4.0/, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly attributed, not used for commercial purposes, and, if transformed, the resulting work is redistributed under the same or similar license to this one.
  • Dmitri Hvorostovsky in Person • Entrevue

    Dmitri Hvorostovsky in Person • Entrevue

    Festivals d'été • Summer Festivals Scena La GRATUIT Le guide canadien de FREE la musique classique Canada's Guide to Musicale Classical Music Vol. 3.8 - juin / June 1998 Chantal Juillet à Saratoga DOREMI : Jacob Harnoy Dmitri Hvorostovsky In Person • Entrevue Montréal • Québec • Toronto • Ottawa • Winnipeg Canada Post Publication Mail Sales Agreement No. 1225561 No. Agreement Sales Mail Publication Post Canada Envois de publication canadienne, Contrat de vente / vente de Contrat canadienne, publication de Envois La Scena Musicale - juin 1998 ¥ June 1998 - Vol. 3, No. 8 - Page 2 La Scena Musicale, publiŽe dix fois par annŽe, est consacrŽe au plaisir de la musique vocale et Sommaire / Contents instrumentale. Chaque numŽro contient un Chantal Juillet..............................................................................3 calendrier de concerts, de confŽrences, de films, dÕŽmissions ainsi que des critiques et des articles. DOREMI: Jacob Harnoy ..........................................................4, 5 Juin 1998 - June 1998 ¥ Vol. 3, no. 8 LSM est publiŽ par La Sc•ne musicale, une Dmitri Hvorostovsky ................................................................6,7 organisme ˆ but non-lucratif. ƒditeur/Publisher La Sc•ne musicale, Directeurs: Le calendrier / Calendar ..................................................8-10,15 Wah Keung Chan (PrŽsident), Philip La Scena Musicale is dedicated to the enjoyment of Calendrier dŽtachable / Pull-out Calendar ........................12-14 Anson(Vice-PrŽsident), Tom Holzinger classical music. It is published ten times per year. (TrŽsorier) Inside readers will find listings of live concerts, lec- Festivals d'ŽtŽ / Summer Festivals ....................................16-20 tures, films, broadcasts as well as articles and RŽdacteurs/Co-Editors reviews. LSM is published by La Sc•ne musicale, a Les disques / CD reviews....................................................21-22 Wah Keung Chan, Philip Anson registered non-profit organization.