Idee Fondamentali by Erza Pound
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Chapter One: Introduction
CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways. -
Criticism of “Fascist Nostalgia” in the Political Thought of the New Right
ACTA UNIVERSITATIS WRATISLAVIENSIS No 3866 Studia nad Autorytaryzmem i Totalitaryzmem 40, nr 3 Wrocław 2018 DOI: 10.19195/2300-7249.40.3.6 JOANNA SONDEL-CEDARMAS ORCID: 0000-0002-3037-9264 Uniwersytet Jagielloński Criticism of “fascist nostalgia” in the political thought of the New Right The seizure of power by the National Liberation Committee on 25th April, 1945 and the establishment of the republic on 2nd June, 1946 constituted the symbolic end to Mussolini’s dictatorship that had lasted for more than 20 years. However, it emerged relatively early that fascism was not a defi nitively closed chapter in the political and social life of Italy. As early as June of 1946, after the announcement of a presidential decree granting amnesty for crimes committed during the time of the Nazi-Fascist occupation between 1943 and 1945, the country saw a withdrawal from policies repressive towards fascists.1 Likewise, the national reconciliation policy gradually implemented in the second half of the 1940s by the government of Alcide De Gasperi, aiming at pacifying the nation and fostering the urgent re- building of the institution of the state, contributed to the emergence of ambivalent approaches towards Mussolini’s regime. On the one hand, Italy consequently tried to build its institutional and political order in clear opposition towards fascism, as exemplifi ed, among others, by a clause in the Constitution of 1947 that forbade the establishment of any form of fascist party, as well as the law passed on 20th June, 1 Conducted directly after the end of WW II, the epurazione action (purifi cation) that aimed at uprooting fascism, was discontinued on 22nd June 1946, when a decree of president Enrico De Nicola granting amnesty for crimes committed during the Nazi-Fascist occupation of Italy between 1943–1945 was implemented. -
FIGHT BACK the INVADERS 1.0.1 Italian Right Wing Tentacles on the Struggle for Animals and Environment INDEX Intro
FIGHT BACK THE INVADERS 1.0.1 Italian right wing tentacles on the struggle for animals and environment INDEX Intro ......................................................................................................... pag. 3 ANARCHO-NATIONALISTS....................................................................... pag. 5 RESISTENZA NAZIONALE and AUTONOMI NAZIONALISTI National Resistance and Autonomous Nationalist ....................................... pag. 6 I LUPI DANNO LA ZAMPA Wolves landing the paw .............................................................................. pag. 7 MASSIMO TURCI ..................................................................................... pag. 10 ROBERTA CAPOTOSTI ............................................................................ pag. 11 MICHELA VITTORIA BRAMBILLA ............................................................ pag. 12 IL ROSSOBRUNISMO Redbrownism ............................................................................................ pag. 13 LA FORESTA CHE AVANZA The forrest moving forward .................. pag. 20 MEMENTO NATURAE ........ ................. pag. 23 100% ANIMALISTI AND DERIVATES ..... pag. 26 RECOGNIZED AND ISOLATED in the No Muos movement ........................ pag. 31 PAE - European Animal-rights Party ....... pag. 35 Sources ................................................ pag. 39 2 ANTISPEFA – Antispeciecists Antifa- In this first work, we start exami- scist Milan wants to be a counter- ning some of these movements, information archive -
The Thought of What America": Ezra Pound’S Strange Optimism
University of New Orleans ScholarWorks@UNO English Faculty Publications Department of English and Foreign Languages 2010 "The Thought of What America": Ezra Pound’s Strange Optimism John Gery University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/engl_facpubs Part of the Literature in English, North America Commons Recommended Citation Gery, John “‘The Thought of What America’: Ezra Pound’s Strange Optimism,” Belgrade English Language and Literature Studies, Vol. II (2010): 187-206. This Article is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UDC 821.111(73).09-1 Pand E. John R O Gery University of New Orleans, USA “THE THOUGHT OF What AMerica”: EZRA POUND’S STRANGE OPTIMISM Abstract Through a reconsideration of Ezra Pound’s early poem “Cantico del Sole” (1918), an apparently satiric look at American culture in the early twentieth century, this essay argues how the poem, in fact, expresses some of the tenets of Pound’s more radical hopes for American culture, both in his unorthodox critiques of the 1930s in ABC of Reading, Jefferson and/or Mussolini, and Guide to Kulchur and, more significantly, in his epic poem, The Cantos. The essay contends that, despite Pound’s controversial economic and political views in his prose (positions which contributed to his arrest for treason in 1945), he is characteristically optimistic about the potential for American culture. -
Preparing for a Level History – Transition Tasks
Preparing for A Level History – Transition tasks https://qualifications.pearson.com/content/dam/pdf/A%20Level/History/2015/Specification%20and%20sample%20ass essments/9781446914366_GCE_2015_A_HIST.pdf Unit Content and Mode of Assessment Weighting Paper 1 1G: Germany and West Germany, 1918 - 89 30% Paper 2 2G.1: The rise and fall of fascism in Italy, c1911-46 20% Paper 3 35.1. Britain: losing and gaining and Empire, 1763-1914 30% Coursework An independently researched enquiry The topic is to be decided 20% Key questions (answer these in as much detail as you can): 1. What were the consequences of World War One for Germany? (include in your answer- Treaty of Versailles, political upheaval, Weimar Constitution). 2. Why did the Weimar Republic collapse in 1933? (include in your answer- the rise of the Nazis, the economic and social problems caused by the Wall Street Crash, weaknesses with the Weimar Constitution, the role of Papen and Hindenburg) 3. How did the Nazis create a dictatorship? 4. What was the FRG and how did it's constitution (The Basic Law) differ from that of the Weimar constitution? 5. Produce a fact-file on each of the FRG chancellors. (include key information like when they were chancellor what party they belonged to what policies they had, what problems they faced) 6. Write an account of the opposition groups that the Weimar Republic faced. (for example the Spartacists and Nazis) 7. What opposition did the Nazi regime face? Why was this unsuccessful? 8. What opposition did the FRG face? 9. How did the role and status of women change from 1918-1989 in Germany and West Germany? 10. -
Hugh Macdiarmid and Sorley Maclean: Modern Makars, Men of Letters
Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters by Susan Ruth Wilson B.A., University of Toronto, 1986 M.A., University of Victoria, 1994 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Susan Ruth Wilson, 2007 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Supervisory Committee Dr. Iain Higgins_(English)__________________________________________ _ Supervisor Dr. Tom Cleary_(English)____________________________________________ Departmental Member Dr. Eric Miller__(English)__________________________________________ __ Departmental Member Dr. Paul Wood_ (History)________________________________________ ____ Outside Member Dr. Ann Dooley_ (Celtic Studies) __________________________________ External Examiner ABSTRACT This dissertation, Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters, transcribes and annotates 76 letters (65 hitherto unpublished), between MacDiarmid and MacLean. Four additional letters written by MacDiarmid’s second wife, Valda Grieve, to Sorley MacLean have also been included as they shed further light on the relationship which evolved between the two poets over the course of almost fifty years of friendship. These letters from Valda were archived with the unpublished correspondence from MacDiarmid which the Gaelic poet preserved. The critical introduction to the letters examines the significance of these poets’ literary collaboration in relation to the Scottish Renaissance and the Gaelic Literary Revival in Scotland, both movements following Ezra Pound’s Modernist maxim, “Make it new.” The first chapter, “Forging a Friendship”, situates the development of the men’s relationship in iii terms of each writer’s literary career, MacDiarmid already having achieved fame through his early lyrics and with the 1926 publication of A Drunk Man Looks at the Thistle when they first met. -
Politics, Poetry and Ezra Pound Written by Revd David William Parry
Politics, Poetry and Ezra Pound Written by Revd David William Parry This PDF is auto-generated for reference only. As such, it may contain some conversion errors and/or missing information. For all formal use please refer to the official version on the website, as linked below. Politics, Poetry and Ezra Pound https://www.e-ir.info/2019/06/19/politics-poetry-and-ezra-pound/ REVD DAVID WILLIAM PARRY, JUN 19 2019 Political concepts can be overwhelming. Often, they have an oceanic allure beyond themselves. Indeed, structural narratives surrounding ethical insights may easily transform into a siren song whereby incautious navigators are enticed to their own destruction.[1] All meaning, of course, even those arguments sandbagging the Modernist enterprise itself occasionally dam the languages of Identity and Time altogether. Unforeseen blockages, no doubt, albeit the type of reductive clotting which reduces social innovation, along with agreed cultural inheritance, into caricatures of themselves. Thence, with these wary caveats recognised, it remains fair to say Ezra Pound’s (1885–1972) haunted life and elative oeuvre still demand careful attention from poets and political scientists alike. Especially so, once Western democratic failure, otherwise known as the abattoirs of World Wars I and II, are honestly recollected.[2] Accompanied, as these almost unimaginable atrocities were, by the subsequent reactions of bewildered Youth across our Occidental world. Anyhow, it remains noteworthy that their tragic (but explicit) disenchantment with permissive ‘advancement’ led to an appropriation of distant cultures as a radical critique of ‘liberal’ ineptitude. A position Pound championed through a series of dazzling literary strategies, although this very discourse currently casts dark, ironic, shadows across the turbulent waters of his promethean originality. -
Racial Ideology Between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43
Marquette University e-Publications@Marquette History Faculty Research and Publications History, Department of 7-1-2020 Racial Ideology between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43 Peter Staudenmaier Follow this and additional works at: https://epublications.marquette.edu/hist_fac Part of the History Commons Marquette University e-Publications@Marquette History Faculty Research and Publications/College of Arts and Sciences This paper is NOT THE PUBLISHED VERSION. Access the published version via the link in the citation below. Journal of Contemporary History, Vol. 55, No. 3 (July 1, 2020): 473-491. DOI. This article is © SAGE Publications and permission has been granted for this version to appear in e-Publications@Marquette. SAGE Publications does not grant permission for this article to be further copied/distributed or hosted elsewhere without express permission from SAGE Publications. Racial Ideology between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43 Peter Staudenmaier Marquette University, Milwaukee, WI Abstract One of the troublesome factors in the Rome–Berlin Axis before and during the Second World War centered on disagreements over racial ideology and corresponding antisemitic policies. A common image sees Fascist Italy as a reluctant partner on racial matters, largely dominated by its more powerful Nazi ally. This article offers a contrasting assessment, tracing the efforts by Italian theorist Julius Evola to cultivate a closer rapport between Italian and German variants of racism as part of a campaign by committed antisemites to strengthen the bonds uniting the fascist and Nazi cause. Evola's spiritual form of racism, based on a distinctive interpretation of the Aryan myth, generated considerable controversy among fascist and Nazi officials alike. -
Consensus for Mussolini? Popular Opinion in the Province of Venice (1922-1943)
UNIVERSITY OF BIRMINGHAM SCHOOL OF HISTORY AND CULTURES Department of History PhD in Modern History Consensus for Mussolini? Popular opinion in the Province of Venice (1922-1943) Supervisor: Prof. Sabine Lee Student: Marco Tiozzo Fasiolo ACADEMIC YEAR 2016-2017 2 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Declaration I certify that the thesis I have presented for examination for the PhD degree of the University of Birmingham is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of my words. 3 Abstract The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society. -
"Ego, Scriptor Cantilenae": the Cantos and Ezra Pound
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 1991 "Ego, scriptor cantilenae": The Cantos and Ezra Pound Steven R. Gulick University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1991 Steven R. Gulick Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Literature in English, North America Commons Recommended Citation Gulick, Steven R., ""Ego, scriptor cantilenae": The Cantos and Ezra Pound" (1991). Dissertations and Theses @ UNI. 753. https://scholarworks.uni.edu/etd/753 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. "EGO, SCRIPTOR CANTILENAE": THE CANTOS AND EZRA POUND An Abstract of a Thesis Submitted in Fulfillment of the Requirements for the Degree Master of Philosophy Steven R. Gulick University of Northern Iowa August 1991 ABSTRACT Can poetry "make new" the world? Ezra Pound thought so. In "Cantico del Sole" he said: "The thought of what America would be like/ If the Classics had a wide circulation/ Troubles me in my sleep" (Personae 183). He came to write an 815 page poem called The Cantos in which he presents "fragments" drawn from the literature and documents of the past in an attempt to build a new world, "a paradiso terreste" (The Cantos 802). This may be seen as either a noble gesture or sheer egotism. Pound once called The Cantos the "tale of the tribe" (Guide to Kulchur 194), and I believe this is so, particularly if one associates this statement with Allen Ginsberg's concerning The Cantos as a model of a mind, "like all our minds" (Ginsberg 14-16). -
Transatlantica, 2 | 2014 the Politics of Aesthetics: Ezra Pound’S Jefferson Is Mussolini 2
Transatlantica Revue d’études américaines. American Studies Journal 2 | 2014 Aesthetics of Theory in the Modern Era and Beyond / Photographie documentaire The Politics of Aesthetics: Ezra Pound’s Jefferson is Mussolini Hélène Aji Electronic version URL: https://journals.openedition.org/transatlantica/7135 DOI: 10.4000/transatlantica.7135 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Hélène Aji, “The Politics of Aesthetics: Ezra Pound’s Jefferson is Mussolini”, Transatlantica [Online], 2 | 2014, Online since 03 February 2015, connection on 23 July 2021. URL: http:// journals.openedition.org/transatlantica/7135 ; DOI: https://doi.org/10.4000/transatlantica.7135 This text was automatically generated on 23 July 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. The Politics of Aesthetics: Ezra Pound’s Jefferson is Mussolini 1 The Politics of Aesthetics: Ezra Pound’s Jefferson is Mussolini Hélène Aji 1 It will be necessary here to return to the historiographic questions raised by the use Ezra Pound makes of historical characters, in the Cantos and elsewhere, 1 placing his own words in their mouths and drawing parallels that often defy documents, events and their general accounts by historians. Within the general frame of Pound’s theory of the “luminous detail,” the attention paid to facts and the accuracy of reference by such as Carroll F. Terrell2 or Tim Redman,3 might resort more to erudition than to a dynamic evaluation of Ezra Pound’s strategic decisions in inscribing historical facts under the sign of a highly idiosyncratic master narrative: the reformulation of historical accounts wills itself into performativity, amounting to an actual reforming of history, in the sense of its reshaping, reorganizing, and redirecting. -
ITALY: Five Fascists
Da “Time”, 6 settembre 1943 ITALY: Five Fascists Fascismo's onetime bosses did not give up easily. Around five of them swirled report and rumor: Dead Fascist. Handsome, bemedaled Ettore Muti had been the "incarnation of Fascismo's warlike spirit," according to Notizie di Roma. Lieutenant colonel and "ace" of the air force, he had served in Ethiopia, Spain, Albania, Greece. He had been Party secretary when Italy entered World War II. Now the Badoglio Government, pressing its purge of blackshirts, charged him with graft. Reported the Rome radio: Ettore Muti, whipping out a revolver, resisted arrest by the carabinieri. In a wood on Rome's outskirts a fusillade crackled. Ettore Muti fell dead. Die-Hard Fascist. Swarthy, vituperative Roberto Farinacci had been Fascismo's hellion. He had ranted against the democracies, baited Israel and the Church, flayed Fascist weaklings. Ex-Party secretary and ex-minister of state, he had escaped to Germany after Benito Mussolini's fall. Now, in exile, he was apparently building a Fascist Iron Guard. A Swiss rumor said that Roberto Farinacci had clandestine Nazi help, that he plotted a coup to restore blackshirt power, that he would become pezzo grosso (big shot) of northern Italy once the Germans openly took hold of the Po Valley. Craven Fascist. Tough, demagogic Carlo Scorza had been Fascismo's No. 1 purger. Up & down his Tuscan territory, his ghenga (corruption of "gang") had bullied and blackmailed. He had amassed wealth, yet had denounced the wartime "fat and rich." Now, said a Bern report, Carlo Scorza wrote from prison to Vittorio Emanuele, offering his services to the crown.