Reader's Guide to Between the World and Me by Ta-Nehisi Coates
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An Examination of Paternal Influence on High-Achieving Gifted Males
An Examination of Paternal Influence on High-Achieving Gifted Males Thomas P. Hébert Alexander R. Pagnani The University of Georgia Daniel R. Hammond The University of Kansas t he challenges facing contemporary boys are complex, highlighting the importance of positive paternal influence for young men to achieve success. this study examines the father-son relationships of 10 prominent gifted men of achievement to identify factors influencing talent development. through biographical analysis, 6 significant themes were identified: unconditional belief in son, strong work ethic, encouragement and guidance, maintaining high expectations and fostering determination, pride in son’s accomplishments, and mutual admiration and respect. implications for parents and educators of high-achieving gifted males are discussed. “My father didn’t tell me how to live; he lived and let me watch him do it.” —Clarence Kelland (Lyons & Lyons, 2002, p. 44) It is a challenging time to be a boy in this country. Such is the mes- sage heralded in today’s popular press (Sommers, 2000a; Tyre, 2006), and bookstore shelves are resplendent with recently published books calling attention to the plight of the young American male (e.g., Neu & Weinfeld, 2007). Psychologists and gender experts debate whether or not the problems faced by boys are more difficult than those facing girls (Gurian, 1996; Kindlon & Thompson, 1999; Sommers, 2000b), and educators claim that the destructive effects of society’s failure Thomas. P Hébert is professor of educational psychology in the College of Education at the University of Georgia in Athens where he teaches graduate courses in gifted education and qualitative research methods. -
Chinese Fables and Folk Stories
.s;^ '^ "It--::;'*-' =^-^^^H > STC) yi^n^rnit-^,; ^r^-'-,. i-^*:;- ;v^ r:| '|r rra!rg; iiHSZuBs.;:^::^: >» y>| «^ Tif" ^..^..,... Jj AMERICMJ V:B00lt> eOMI^^NY"' ;y:»T:ii;TOiriai5ia5ty..>:y:uy4»r^x<aiiua^^ nu,S i ;:;ti! !fii!i i! !!ir:i!;^ | iM,,TOwnt;;ar NY PUBLIC LIBRARY THE BRANCH LIBRARIES 3 3333 08102 9908 G258034 Digitized by the Internet Arciiive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/chinesefablesfolOOdavi CHINESE FABLES AND FOLK STORIES MARY HAYES DAVIS AND CHOW-LEUNG WITH AN INTRODUCTION BY YIN-CHWANG WANG TSEN-ZAN NEW YORK •:• CINCINNATI •: CHICAGO AMERICAN BOOKCOMPANY Copyright, 1908, by AMERICAN BOOK COMPANY Entered at Stationers' Hall, London Copyright, 1908, Tokyo Chinese Fables W. p. 13 y\9^^ PROPERTY OF THE ^ CITY OF MW YOBK G^X£y:>^c^ TO MY FRIEND MARY F. NIXON-ROULET PREFACE It requires much study of the Oriental mind to catch even brief glimpses of the secret of its mysterious charm. An open mind and the wisdom of great sympathy are conditions essential to making it at all possible. Contemplative, gentle, and metaphysical in their habit of thought, the Chinese have reflected profoundly and worked out many riddles of the universe in ways peculiarly their own. Realization of the value and need to us of a more definite knowledge of the mental processes of our Oriental brothers, increases wonder- fully as one begins to comprehend the richness, depth, and beauty of their thought, ripened as it is by the hidden processes of evolution throughout the ages. To obtain literal translations from the mental store- house of the Chinese has not been found easy of accom- plishment; but it is a more difficult, and a most elusive task to attempt to translate their fancies, to see life itself as it appears from the Chinese point of view, and to retell these impressions without losing quite all of their color and charm. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
Tragedies in Maryland That Might Have Been Prevented Through Various
Tragedies in Maryland that might have been prevented through various reforms including grave disability standard, use of Assisted Outpatient Treatment and HIPAA reform Owings Mills, Baltimore, MD On 8/29/02, James Logan, then 23, shot and killed two sheriff's On 6/15/06, Mujtaba Rabbani Jabbar, 24, was at a showing of deputies, Elizabeth Magruder, 30, and Cpl. James V. Arnaud, "X-Men: The Last Stand" at an Owings Mills movie theater 53 in Adelphi, MD when they came to his home and attempted when he stood up and began shooting at the audience. Paul to take him for an emergency psychiatric evaluation. Logan's Schrum, 62, sustained multiple gunshot wounds to the chest mother had tried to have him committed to a psychiatric and head before dying in the aisle. The shooting was random - hospital that month because she thought he was exhibiting -Jabbar did not know Schrum or anyone else in the theater. signs of paranoid schizophrenia. But because he had not done Jabbar told police he had planned to kill someone for months. anything dangerous, he was never hospitalized. The day His sister said the family had unsuccessfully sought help for before the shootings, Logan's mother had called the police to Jabbar in the past and that he suffers from a mental illness. report Logan's aggressive behavior, but the responding officers She said that they couldn't convince him or force him to go didn't witness any dangerous behavior and left. Baltimore Sun, because they couldn't prove he was a danger to himself and 2/26/03; Washington Post 7/29/03; Montgomery County others. -
The Richest Man in Babylon by George S. Clason
TheThe RichestRichest ManMan inin BabylonBabylon byby GeorgeGeorge S.S. ClasonClason 1 The Richest Man in Babylon by George S. Clason TABLE OF CONTENTS First Published in 1926. Table of Contents About the author ..................................................................................................................................3 Foreword ..............................................................................................................................................5 An Historical Sketch of Babylon ...........................................................................................................6 The Man Who Desired Gold .................................................................................................................9 The Richest Man in Babylon ...............................................................................................................12 Seven Cures For a Lean Purse..............................................................................................................17 THE FIRST CURE..........................................................................................................................18 Start thy purse to fattening .........................................................................................................18 THE SECOND CURE ....................................................................................................................19 Control thy expenditures.............................................................................................................19 -
Movie and Television Fathers: a Positive Reflection of Positive Changes George J
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses 2012 Movie and Television Fathers: A Positive Reflection of Positive Changes George J. McGowan Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the American Film Studies Commons, American Popular Culture Commons, Film and Media Studies Commons, Gender and Sexuality Commons, and the Television Commons Recommended Citation McGowan, George J., "Movie and Television Fathers: A Positive Reflection of Positive Changes" (2012). Master of Liberal Studies Theses. 19. http://scholarship.rollins.edu/mls/19 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Movie and Television Fathers: A Positive Reflection of Positive Changes A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies By George J. McGowan May, 2012 Mentor: Dr. R. Barry Levis Reader: Dr. Denise Cummings Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Acknowledgements I wish to offer many thanks to Dr. Barry Levis and Dr. Denise Cummings for their valued and treasured assistance in the development and writing of this paper. Dr. Levis’ thoughts, opinions, and selections from his vast library of classic television DVDs were truly appreciated. I am ever thankful for these knowledgeable and supportive individuals’ generosity of spirit and time over these past many months. I am indebted to my many friends in the Master of Liberal Studies program, especially my “Rollins Wife,” Melanie Osborn, for many acts of kindness and many interesting encounters and discussions. -
Where the Mountain Meets the Moon
Copyright © 2009 by Grace Lin All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown Books for Young Readers Hachette Book Group 237 Park Avenue, New York, NY 10017 Visit our website at www.HachetteBookGroup.com Little, Brown Books for Young Readers is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. First eBook Edition: June 2009 The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-05260-3 Contents COPYRIGHT CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 CHAPTER 21 CHAPTER 22 CHAPTER 23 CHAPTER 24 CHAPTER 25 CHAPTER 26 CHAPTER 27 CHAPTER 28 CHAPTER 29 CHAPTER 30 CHAPTER 31 CHAPTER 32 CHAPTER 33 CHAPTER 34 CHAPTER 35 CHAPTER 36 CHAPTER 37 CHAPTER 38 CHAPTER 39 CHAPTER 40 CHAPTER 41 CHAPTER 42 CHAPTER 43 CHAPTER 44 CHAPTER 45 CHAPTER 46 CHAPTER 47 CHAPTER 48 AUTHOR’S NOTES FOR ROBERT SPECIAL THANKS TO: ALVINA, CONNIE, LIBBY, JANET, MOM, DAD, AND ALEX CHAPTER 1 Far away from here, following the Jade River, there was once a black mountain that cut into the sky like a jagged piece of rough metal. -
A Devoted Son Anita Desai Born 1937
,egacy of EmpirE A DeVoted Son READING 5A Analyze hoW ShorT StORy by Anita Desai COMPLEx plot strucTURes and DEVICes function and advANCe THE ACtion in a work of fiction. -EET the AUTHOR 5B Analyze the moral dilemmas and quandaries prESENted in WORKs of fiction as rEVealed bY the underlying motivAtions and Anita Desai born 1937 BEHAviors of the charACters. Anita Desai (dA-sFP) has won critical praise work when they returned home. Desai for her ability to capture the sights and recalls these years were often “very lonely” sounds of a changing India. In her work, but notes that this time gave her the luxury she explores the often uneasy blend of to develop her craft at her own pace. traditional lifeways and modern attitudes, Much of Desai’s fiction portrays of colonial legacy and national pride, that the interior worlds of people torn by DId You know? characterizes life in postcolonial India. competing obligations to family, society, Anita Desai . Rich Heritage Born to a German mother and religion. Her characters often seek • had her first shorT stORy and an Indian father, Anita Desai grew release from the social demands that published when she was up in northern India, near the city of impede their search for self, especially the JUST nine years old. Delhi. Until she began school, she spoke sometimes suffocating intimacy of the • has a daughter who is German at home and Hindi to friends and Indian family. Many of her novels focus also a noVELIST. neighbors. At school, classes were taught on family dynamics, including Voices in • has also written a highly in English, which she came to think of the City (1965), Clear Light of Day PRaised childrEN’s book. -
Rhetorical Strategies: Any Device Used to Analyze the Interplay Between a Writer/Speaker, a Specific Audience, and a Particular Purpose
RHETORICAL STRATEGIES: ANY DEVICE USED TO ANALYZE THE INTERPLAY BETWEEN A WRITER/SPEAKER, A SPECIFIC AUDIENCE, AND A PARTICULAR PURPOSE. 1. Abstract diction: (compare to concrete diction) Abstract diction refers to words that describe concepts rather than concrete images (ideas and qualities rather than observable or specific things, people, or places.) These words do not appeal imaginatively to the reader's senses. Abstract words create no "mental picture" or any other imagined sensations for readers. Abstract words include: Love, Hate, Feelings, Emotions, Temptation, Peace, Seclusion, Alienation, Politics, Rights, Freedom, Intelligence, Attitudes, Progress, Guilt, etc. Try to create a mental picture of "love." Do you picture a couple holding hands, a child hugging a mother, roses and valentines? These are not "love." Instead, they are concrete objects you associate with love. Because it is an abstraction, the word "love" itself does not imaginatively appeal to the reader's senses. "Ralph and Jane have experienced difficulties in their lives, and both have developed bad attitudes because of these difficulties. They have now set goals to surmount these problems, although the unfortunate consequences of their experiences are still apparent in many everyday situations." 2. Absolutes: an adverbial clause that has a nonfinite verb or no verb at all (the clause is missing “was” or “were” or it is replaced by a verbal, making it dependent). The prisoners marched past, their hands above their heads. (The prisoners marched past. Their hands were above their heads.) The work having been finished, the gardener came to ask for payment. (The work was finished. The gardener came to ask for payment.) “But I knew her sick from the disease that would not go, her legs bunched under the yellow sheets, the bones gone limp as worms.”—Sandra Cisneros, The House on Mango Street “We pretended with our heads thrown back, our arms limp and useless, dangling like the dead.”—Sandra Cisneros, The House on Mango Street 3. -
Why Psychiatrists Should Watch Films (Or What Has Cinema Ever Done for Psychiatry?) Peter Byrne
Advances in psychiatric treatment (2009), vol. 15, 286–296 doi: 10.1192/apt.bp.107.005306 ARTICLE Why psychiatrists should watch films (or What has cinema ever done for psychiatry?) Peter Byrne Peter Byrne is a consultant me when some psychiatrists complain about their SUMMARY liaison psychiatrist and film studies unfavourable representations on film that cinema graduate. He devised and produced Cinema is at once a powerful medium, art, entertain has given psychiatry and psychiatrists a platform the short film1 in 4 (available at ment, an industry and an instrument of social www.rcpsych.ac.uk), which achieved they would not otherwise enjoy. Given the iron change; psychiatrists should neither ignore a UK cinema distribution in 2001. triangle of public anxiety and distrust of people nor censor it. Representations of psychiatrists His principal research interest is the with mental illness, an alienated tabloid press and stigma of mental health problems are mixed but psychiatric treatments are rarely and the effects of prejudice and portrayed posi tively. In this article, five rules of government policies focused on populist measures discrimination. He is Director of movie psychiatry are proposed, supported by (Cooper 2001), any media coverage that helps to Public Education for the Royal over 370 films. Commercial and artistic pressures engage that public is better than none. The worst College of Psychiatrists. reduce verisimilitude in fictional and factual films, response to ‘bad’ films would be a siege mentality/ Correspondence Dr Peter Byrne, Consultant Liaison Psychiatrist, although many are useful to advance understanding asylum culture among mental health professionals. Newham University Hospital, of phenomenology, shared history and social Would we and our patients really be better off if London E13 8SL, UK. -
Goliath in the Valley of Elah
THOMAS A. HORNE Goliath In the Valley of Elah n the Valley of Elah is often placed in a list of films about the Iraq War (along with Redacted, Rendition, and Lions for Lambs, all of which were released in 2007) that the American public mostly ignored. Whether this was the fault ofI the American public (who only want to be entertained, liberals lament) or of filmmakers (who should entertain rather than preach, conservatives believe) can be debated. From Hollywood’s perspective, it is enough to note that a star- filled film only grossed 6.7 million dollars in the US. But a film by Paul Haggis, with a great performance by Tommy Lee Jones (who was nominated for an academy award), and the praise of most critics deserves a closer look and more respect. I want to consider In the Valley of Elah as an example of first rate political art and to pay some attention to the strategies it suggests political art might adopt, though at the end I suggest Haggis’ film failed in one important respect. Actual Events The film is based on the real life story of Richard Davis, which was first told by Mark Boal in a Playboy article entitled “Death and Dishonor.”1 Richard Davis was born in 1978, enlisted in the army when he was 19 years old, saw action early in the second Iraq war, returned to the States in June 2003, and on the night of July 14, 2003 was killed by fellow soldiers. To be more precise, after he had been stabbed 32 or 33 times, his body was soaked in lighter fluid and then set afire. -
OVID Metamorphoses
Metamorphoses Ovid, Joseph D. Reed, Rolfe Humphries Published by Indiana University Press Ovid, et al. Metamorphoses: The New, Annotated Edition. Indiana University Press, 2018. Project MUSE. muse.jhu.edu/book/58757. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/58757 [ Access provided at 20 May 2021 05:16 GMT from University of Washington @ Seattle ] book TWO The Story of Phaethon The royal palace of the Sun* rose high On lofty columns, bright with flashing gold, With bronze that glowed like fire, and ivory crowned The gables, and the double folding-doors Were radiant with silver. Manner there Had conquered matter, for the artist Vulcan Carved, in relief, the earth-encircling waters, The wheel of earth, the overarching skies. The sea holds blue-green gods, resounding Triton, Proteus who changes always, and Aegaeon Gripping the backs of whales, the sea-nymph Doris And all her daughters, swimming, some, and others Sitting on sea-wet rocks, their green hair drying, And others riding fishes. All the sea-girls Seem different, but alike, as sisters ought to. And the land has men and cities, beasts and forests, Rivers and nymphs and woodland gods. Above them The image of the shining sky is fashioned, Six of the zodiac symbols on the right, Six on the left. And here Clymene’s son 28 lines 19–47 Came climbing, up the stairway to the palace, Entered the palace which might be his father’s, Turned toward the face that might have been his father’s, And stopped, far off; he could not bear that radiance.