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THE HISTORY of the RAPIER the Culture and Construction of the Renaissance Weapon
THE HISTORY OF THE RAPIER The Culture and Construction of the Renaissance Weapon An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science By Robert Correa Andrew Daudelin Mark Fitzgibbon Eric Ostrom 15 October 2013 Submitted to: Professor Diana A. Lados Mr. Tom H. Thomsen Abstract At the end of the Middle Ages, weapons began to be used not only on the battlefield, but for civilian use as well. The rapier became the essential self-defense weapon of the “Renaissance man.” This project explores the evolution and manufacture of the rapier through history. This cut-and-thrust sword was manufactured by artisans who had to develop new methods of crafting metal in order to make the thin, light blade both durable and ductile. To study this process, a rapier was constructed using classical methods. Upon the completion of the replica, its material properties were studied using a surface microscope. The project also included contributing to the WPI Arms and Armor website. ii Acknowledgements The authors would like to thank Professor Diana Lados and Mr. Tom Thomsen for creating the Evolution of Arms and Armor Interactive Qualifying Project. Their guidance and assistance were invaluable throughout the project experience. A huge thanks also to Josh Swalec and Ferromorphics Blacksmithing. The expertise of Mr. Swalec and others at Ferromorphics was key to learning smithing techniques and using them to construct a replica of a rapier in the Renaissance style. Mr. Swalec opened the doors of his shop to us and was welcoming every step of the way. -
The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors Summer 2003 The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons MMARTIALARTIALAARTSRTS ONON TTOUROUR BBARAR FFIGHTSIGHTS In Voice of the Dragon, Miao Hin (Philip Silvera, left) battles with his nemesis Red Phoenix Manchu Warrior (Bilqis Benu). Martial arts choreography and photo provided by Jose Manuel Figueroa. The 24th Annual Society of American Fight Directors National Stage Combat Workshops July 7-25, 2003 SAFD and University of Nevada-Las Vegas College of Fine Arts, Department of Theatre ForFor moremore information:information: LindaLinda McCollumMcCollum atat (702)(702) 895-3662895-3662 oror www.safd.orgwww.safd.org www.safd.org Actor/Combatant Workshop (ACW) Train in the foundation skills of stage combat. World-class industry professionals teach tech- niques in Rapier and Dagger, Unarmed and Broadsword. Additionally, participants will receive an introduction to Quarterstaff, film fighting, and other weapon styles. Participants may opt to take an adjudicated Skills Proficiency Test at the end of the workshop. Intermediate Actor/Combatant Workshop (IACW) Move past the basics in this exciting workshop. Study many weapon styles and other issues of fight performance for stage and film. Build onto your existing knowledge of stage combat under the tutelage of a wide array of world-class industry professionals. Participants may opt to take a combination of adjudicated Skills Proficiency Tests or Renewal Tests in up to six weapon forms at the workshop. -
A Brief Essay About the Traditions of the Occidental Martial Arts
International Journal of Martial Arts Volume 3 / Page 32-51/ 2017 A Brief Essay about the Traditions of the Occidental Martial Arts Papakitsos, Evangelos C.* Department of Education, School of Pedagogical and Technological Education, Athens, Greece Received: July 16, 2016 Accepted: October 10, 2017 Published online: November 23, 2017 Abstract The Occidental Martial Arts have been constantly used in wars with historical weaponry, from the ancient times until beyond the 2nd World War. The training in the usage of weaponry had been continuously conducted in military campuses and in various communities for “elite” and “folk” martial arts. Direct and indirect evidence indicate that the technical part of the training in the latter arts had always been rather simple (utilitarian), with emphasis given to the tactical usage of weaponry (conceptual). The relevant practices and concepts of fighting have been preserved in the Christianized Filipino Martial Arts, due to the predominant Spanish military influence, at least in the Portuguese art of Jogo Do Pau, in various European regions and in Sport Fencing. Nevertheless, some scholars believe that the Occidental Martial Arts have a broken line of legacy, mainly because of the lack of fighting manuals prior to the 13th century CE. In this paper, the author argues against this opinion. Keywords: Occidental Martial Arts I. Introduction Rome, March of 537 CE1. The kingdom of Ostrogoths had been in war with the Eastern Roman Empire (alias Byzantine)2 for two years, since the Spring of 535 CE. General Flavius Belisarius (505-565 CE), commander-in-chief of the Imperial Army in Italy, has been sent there by Emperor Justinian I to re-conquest the land that once belonged to the fallen Western Roman Empire. -
A Kampfschwert from the 15Th Century –
Acta Periodica Duellatorum, Scholarly section 7 DOI 10.1515/apd-2015-0007 A Kampfschwert from the 15th century – a reinterpretation of the so called 'Teutonic estoc' from the Princes Czartoryski Collection in Cracow, Poland Maciej Talaga, ARMA-PL Abstract – The paper aims at reinterpreting the so called ‘Teutonic estoc’ (inventory number: MNK XIV-49) from the Czartoryski Princes Collection, Cracow, Poland. Due to the weapon’s unusual construction it has been necessary to draw up precise documentation – written, drawn and photographic. It has been supplemented with research in historical sources and scholarly literature on the subject. The results obtained indicate that the researched weapon is not a typical estoc. It seems that it is a specialized anti-armour sword (Kampfschwert in German) designed for fighting against a heavy armoured opponent in judicial combat. If this conclusion were correct, the ‘Teutonic estoc’ from Cracow would be the only known artefact of this kind to have survived from the Middle Ages. In order to falsify this hypothesis the artefact’s authenticity has been examined. An analysis of Royal Inventory records spanning from the year 1475 to 1792 and younger remarks about the researched weapon in press, private letters and scholarly literature has been conducted and briefly reported hereby. Its results seem to indicate that it is not a hoax. I. ACKNOWLEDGMENTS I would like to express my deep gratitude to my tutors in the subject of both archaeology and common sense – M.A. Martyna Milewska and prof. Jerzy Kruppé from the University of Warsaw – without the help and encouragement of whom I would have never dared to give this paper a try. -
Duel of Theobald Versus Seitz – Germany, 1370
Duel of Theobald versus Seitz – Germany, 1370 translation & commentary by Jeffrey Hull This particular account of judicial duel (kampf) from Germany of 1370 is found in Volume II Chapter 14 of the fechtbuch (fight-book) De Arte Athletica (aka Liber Artis Athleticae – Cod.icon. 393 – circa 1542) by that citizen of Augsburg and fencer called Paulus Hector Mair. Although his Latin recounting is nearly two centuries after the event, it does read with authority, as Mair was the practically peerless fencing historian of 16th Century Germany (1). A similar account is found in Augsburger Chronik (circa 1457) by Sigismund Meisterlin (2). Mair’s account is highly interesting, not just for its description of martial techniques, but also for its description of legal proceeding and dueling-day ritual. And indeed, all that Mair describes here is readily corroborated by, or does not conflict with, other fight-books. It is one of many accounts from late 14th Century, during the time when the eventual grandmaster of Kunst des Fechtens, Johann Liechtenauer, must have been ascending as a young knight and martial artist. My translation is based upon Josef Würdinger’s summarising German translation of Mair’s original Latin recounting, but with comparison to Mair’s original made to corroborate and clarify certain points. Würdinger’s translation was reprinted recently (2006) by Hans Edelmaier (see Bibliography). Lastly – I have made occasional interpolations and several textual notes, as such seemed needed to make these events more comprehensible to the modern reader. ~ ***** In the course of one of the feuds which Duke Stephan had to endure and counter by arrests in Swabia (3) during the years 1369 and 1370, this did happen: A Swabian noble, Theobald Giß von Gißenberg, accused his peer, Seitz von Altheim, of robbery (4) in presence of the Duke. -
MEIBUKAN MAGAZINE House of the Pure Martial Arts
MEIBUKAN MAGAZINE House Of The Pure Martial Arts European Medieval and Renaissance Martial Arts Courtesy of the Musee du Louvre, Paris. Entry of the Crusaders into Constantinople on 12 April 1204 Courtesy of the Musee du Louvre, Paris. Entry Crusaders into Constantinople on 12 THE INTERNATIONAL WEB BASED MARTIAL ARTS January 2006 MAGAZINE AS A PDF DOCUMENT Special Edition no 1 House of the Pure Martial Arts WWW.MEIBUKANMAGAZINE.ORG Special Edition January 2006 MEIBUKAN MAGAZINE House of the Pure Martial Arts SPECIAL EDITION No. 1 JANUARY 2006 HISTORY 2 MISSION STATEMENT A Short Introduction to Historical European Martial Arts Meibukan Magazine is an initiative of founders Lex Opdam and Mark Hemels. Aim of this web based REVIEW 4 magazine is to spread the knowledge and spirit of Renaissance Swordsmanship by John Clements the martial arts. In a non profitable manner Meibukan Magazine draws attention to the historical, spiritual Medieval Swordsmanship by John Clements and technical background of the oriental martial arts. Medieval Combat by Hans Talhoffer Starting point are the teachings of Okinawan karate- do. As ‘House of the Pure Martial Arts’, however, Meibukan Magazine offers a home to the various au- FEATURE 5 thentic martial arts traditions. Renaissance Martial Arts Literature FORMAT FEATURE 8 Meibukan Magazine is published several times a year How to tell if your Fencing is a Martial Art or a Combat Sport in an electronical format with an attractive mix of subjects and styles. Each issue of at least twelve pages is published as pdf-file for easy printing. Published FEATURE 11 editions remain archived on-line. -
La Regla Del Movimiento
La Regla del Movimiento The Rule of the Movement There is not a wound without movement. ~ Carranza A method for practicing and teaching Spanish footwork – Part III By Puck and Mary Curtis August 4, 2006 This is the third in a series of articles on Spanish fencing and builds on the information found in El Círculo y la Cruz and El Primer Fundamento. The following is a work containing both translation and interpretation of primary sources that reflects the authors’ current understanding. The authors welcome critical commentary and peer review. If you have questions or comments, please send them to: [email protected] Advanced Footwork and Exceptions to the Rules Before you attempt any of the footwork described here, you should be comfortable with a general rule of Spanish footwork: Never cross your feet You should be comfortable stepping with the right foot first when moving right and with the left foot first when moving left. When you advance, you should step with the lead foot first, and when you retreat, you should step with rear foot first. All of this should be unconscious and natural. If you still have trouble keeping your feet from crossing when you move, keep practicing and come back to this section later. The worst thing you can do is to change the rules while you are building the foundation of your footwork. Once you can close your eyes, snap your fingers, and recite Don Quixote1 without crossing your feet as you practice the footwork, you can start working on the exceptions. Passing Steps In Romeo and Juliet the character, Mercutio, takes an opportunity to taunt the villain, Tybalt, about a passing step during a duel. -
The Fight Master, Fall/Winter 1999, Vol. 22 Issue 2
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors Winter 1999 The Fight Master, Fall/Winter 1999, Vol. 22 Issue 2 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons TheThe FightFight MasterMaster IN THE SPANISH STYLE Caranza, Navarez, Thibault and the Mysterious Circle Shattering Lances, two knights joust on FIGHTING IN Spanish Andalusian stallions at Medieval Times Dinner and Tournament. Photo provided by Medieval Times ARMOR VolVol XXIIXXII NumberNumber 22 Fall/Winter Fall/Winter 19991999 TheThe FightFight MasterMFall/Winteraster 1999 Volume XXII, Number 2 FeaturesFeatur e s S panish Fencing in the Sixteenth Century7 Ramon Martinez examines the fencing styles of Caranza, Navarez and Thibault. The Mysterious Circle 12 Anthony DeLongis makes a practical application of the Spanish technique and discovers its relationship to Filipino Kali. G irard Thibault 18 Raymond Delgato asks “Who was the man behind the Academy of the Sword?” J ulian Romero: The Duel Until Sunset 23 Linda Carlyle McCollum tells the story of a Spanish mer- cenary who fought for Henry VIII and was immortalized by El Greco and Lope de Vega Carpio. F eints and Responses to Them 28 John Michael Greer shares a section on feints from his trans- lation of Thibault’s Academy of the Sword. The Bilbo and Spanish Swordsmanship 30 John McGrath shows how a little known development in the rapier affected Spanish swordplay. P roximity Part II 33 Payson Burt examines the Three Rings of Progression and how they may be used by the actor/combatant. -
Martial Arts of the Middle Age
IQP JLS-0072 Martial Arts of the Middle Age Interactive Qualifying Project Report Submitted to the Faculty of the Worcester Polytechnic Institute, Worcester, MA in partial fulfillment of the requirements for graduation by Andrew Aveyard ___________________ Jason Cardwell ___________________ Brad Davison ___________________ Daniel Haggerty ___________________ May 6, 2014 _______________________________ Professor Jeffrey L. Forgeng, Advisor 1 Table of Contents Table of Contents .......................................................................................................................................... 1 Abstract ......................................................................................................................................................... 4 Introduction .................................................................................................................................................. 5 History of European Martial Arts ................................................................................................................ 10 Medieval Time Period ............................................................................................................................. 10 Environment of the Medieval Age ...................................................................................................... 10 Knightly Combat .................................................................................................................................. 12 Masters and their Manuscripts -
CURRICULUM VITAE Jeannette Acosta-Martínez Master of Arms
CURRICULUM VITAE Jeannette Acosta-Martínez Master of Arms - Maestro de Armas - Maitre d’Armes Martinez Academy of Arms P.O. Box 2484 Secaucus, New Jersey 07096 USA [email protected] Employment 1995 – present: Manager of Martinez Academy of Arms, New York, NY Professional Qualifications 1982 – 1984: Studied Classical fencing under Maître d'Armes Frederick Rohdes at Rohdes Academy of Fencing, New York, NY 1984 – 2000: Studied classical and historical fencing with Maestro Ramon Martínez at Martinez Academy of Arms 1995: Received teaching authorization as an Instructor at Martinez Academy of Arms 1999: Earned the rank of Provost, Martinez Academy of Arms 2000: Maestro di Arme certification from the International Masters at Arms Federation and Maestro de Armas (Master of Arms) certification from Martinez Academy of Arms Specialization & Expertise Classical Fencing • Foil: French and Italian schools • Dueling Sword (Épée): French and Italian schools • Italian Dueling Sabre • Spanish Sabre • French Bayonet Traditional Systems • French Dagger (Poignard) • Traditional Rapier Historical Fencing: French, Italian and Spanish schools • French Small-sword • Spanish Rapier • Spanish Rapier – Late period • Italian Rapier • Italian Rapier – Late period Specialized Training Method • Stick Fencing Professional Associations 1999 – present: Founding member of Association for Historical Fencing, Vice-President for two terms, current member of the Board of Directors 1999 – 2010: One of the original founders of The International Masters at Arms Federation -
Dekoven School of Arms Registration Form
DeKoven School of Arms Registration Form NAME: SCHOOL/ORGANIZATION: E-MAIL: PHONE: GENDER: ___ M ___ F ROOMMATE REQUEST: DO YOU WISH TO PRE-ORDER A “DEKOVEN SCHOOL OF ARMS” T-SHIRT ($30) ? ___ Y ___ N Please indicate size: ___ M ___ L ___ XL ___ XXL DO YOU WISH TO STAY SUNDAY NIGHT ($40) ? ____Y ____N PAYMENT: _____ Paypal _____ Check / Money Order Class selections: (make one selection per time slot) Friday 9:30am ___ Bolognese Sprezzatura: Must-Know Elements of Sword and Buckler (Tom Leoni) ___ Something Old, Something New, Destreza Common, Destreza True (Puck Curtis and Tim Rivera) Friday 2:00pm ___ Stringere: Are You Truly Constraining Your Opponent, Or Do You Just Think You Are? (Devon Boorman) ___ Montante vs. the World (Tim Rivera) Friday 4:15pm ___ The Spada Solo of Antonio Manciolino (Greg Mele) ___ Atajos: Making Them, Breaking Them, and the Naughty Attacks That Love Them (Puck Curtis) Saturday 9:00am ___ Agrippa's Ball, or Rolling with the Rapier: On Using the Whole Body and its Aspects in Guard (John O’Meara) ___ The Spanish Sword and its Companion Arms: Shield, Buckler, and Dagger (Tim Rivera) Saturday 1:00pm ___ Partisan Without Tears (Greg Mele) ___ Figueiredo’s Destreza Sword and Dagger (Puck Curtis) Sunday 9:30am ___ Gioco Largo to Gioco Stretto in Bolognese Fencing, with Sword Alone, Spadone or Longsword (Tom Leoni) ___ Tactical Showdown: Italian vs. Spanish (Puck Curtis and Devon Boorman) Sunday 1:45pm ___ Keeping the Sword Free (John O’Meara) ___ Spanish Use of Two Swords, in Rules (Tim Rivera) Sunday 4:00pm ___ Rotella and Sword: With Great Cover Comes Great Responsibility (Devon Boorman) ___ Trading Places: Parry-Ripostes and Counteroffense in Destreza (Puck Curtis) E-MAIL THIS FORM TO: [email protected] You will be sent a Paypal invoice. -
Collecting Martial Art Knowledge on Paper in Early Modern Germany
Daniel Jaquet received his PhD in Medieval History at the University of CONTRIBUTOR Geneva in 2013. He specializes on European Martial Arts Studies. He is currently Researcher at the University of Bern coordinating the research project, ‘Martial Culture in Medieval Towns’ (2018–2022), Head of Scientific Research and Pedagogical Activities at the Museum of the Castle of Morges, and editor of the journal Acta Periodica Duellatorum. Collecting martial art knowledge on paper in Early Modern Germany and China The examples of Paulus Hector Mair and Qi Jiguang and their reading in the 21st century DANIEL JAQUET DOI ABSTRACT 10.18573/mas.101 European fight books form a large corpus of printed and manuscript material from the fourteenth century onwards, and they provide a detailed view of martial arts practices. Equivalent primary sources in Asia are less numerous for the early modern period. Both scholars and martial arts practitioners KEYWORDs have shown interest in the rediscovery of European martial arts in the globalized world of the twenty first century. The recent Fight Books, Historical European Martial developments about and around European martial arts studies Arts, HEMA, Early Modern Germany, sweep away the notion of Asia as the exclusive cradle of globalized Martial Arts, Martial Practices martial culture, as was already challenged by a growing number of scholarly investigations about their myths and origins. This article reviews the interest in European Martial Arts in Asia. It focuses on CITATION the fight book of Paulus Hector Mair (1552–56) and on an Asian counterpart, the military treatise of Qi Jiguang. The German fight Daniel Jaquet.