DOCSLIB.ORG

The Convergence of Creativity and Marketing: a Case of Two Selected Drama Programs on Citizen Tv, Kenya

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Convergence of Creativity and Marketing: a Case of Two Selected Drama Programs on Citizen Tv, Kenya THE CONVERGENCE OF CREATIVITY AND MARKETING: A CASE OF TWO SELECTED DRAMA PROGRAMS ON CITIZEN TV, KENYA MUHORO CATHERINE WAMUYU M66/22963/2012 A THESIS SUBMITTED IN FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTERS OF ARTS IN THE SCHOOL OF CREATIVE ARTS, FILM AND MEDIA STUDIES OF KENYATTA UNIVERSITY JULY 2018 DECLARATION This Thesis is my original work and has not been presented for a degree in any other University. Signature ……………………………. Date: ………………… MUHORO CATHERINE WAMUYU M66/22693/2012 SUPERVISORS This Thesis has been submitted for review with our approval as University Supervisors. Signature …………………………… Date ……………………… DR. JOHN MUGUBI Department of Film and Theatre Arts Signature …………………………….. Date ……………………….. DR. EMMANUEL SHIKUKU Department of film and theatre ii DEDICATION With love and lots of respect, I dedicate this work to my mother, Gladys Kirigo Muhoro and to my late father, Jeremiah Muhoro Mucemi who did all in their power to ensure that I got a sound education. Without you, I wouldn’t be where I am and I wouldn’t be who I am. To all my brothers, Maina, Muthungu, Muturi, the late Mbothua and Kamunyo for sometimes agreeing to disagree and still loving each other in our differences. To my beloved husband, Peter Nguku, for all the care, support and respect. It would have been hard to achieve this without your undying love and care. To my children Kimani, Wanja and Muhoro. Thank you for urging me on even when I thought I had reached the end of the road. To my six classmates at Kenyatta University, Mutakha, Judy, Manyara, Irungu, Mututa. It was fun being in an all adult class. iii ACKNOWLEGEMENTS First and foremost, I would like to thank the staff and Management of Kenyatta University for according me the opportunity to study at the University and for providing the necessary resources in pursuant of this Degree. I would also like to sincerely acknowledge the persons without whom this study would not have been successful. I would like to sincerely thank my two supervisors, Dr John Mugubi and Dr Emmanuel Shikuku for their intellectual input and support. It was never too early in the morning or too late at night to call my too supervisors, Dr Mugubi and Dr Shikuku, they were always ready to come to my aid. Thank you Dr Shikuku for the many Saturdays we went through this document and for the many computer short cuts you taught me and Dr Mugubi for spurring me on and always showing me that it was possible. I will always be grateful. To the two secretaries in the department of Film and Theatre Arts, Esther and Veronica, for your prompt communication and support. Secondly, I would like thank George Wamwea, for his assistance, particularly in shaping chapter 3 and coding the data and analyzing it through SPSS. I will always be grateful to you for taking time to read and re read this document to ensure that it was free of errors and for teaching me so much about methodology. I would like to acknowledge the Royal Media Services fraternity for their support during this study. In a special way I would like to sincerely thank Ngige Ngugi, the iv producer/director of Inspekta Mwala, Naomi Kamau, the producer/scriptwriter for Machachari, all the participants in the study from the production, sales and marketing department and the Management for allowing me to conduct this study at Royal Media Services especially Latifah Ngunjiri for granting me permission. Ngige and Naomi, thank you very much for everything you did to make this study a success. I would also like to thank my research assistant, Juliet Muthoga, for ensuring that all the questionnaires were administered and delivered back for analysis. And for your constant calls to check if all was well. To Faith Nyaga for reading some books aloud so that my eyes could take a break. I’ll be forever grateful. To Patrick Oketch for all the books you loaned me. To Joseph Ochieng for borrowing books on my behalf and being there whenever I needed something from either Kenyatta University or at the cyber café. To all those who assisted in one way or the other, even if it is photocopying, I acknowledge your support. Lastly, I would like to thank God for his care and for being there before, during and will be there even after this study. I pray that you guard and guide all those who contributed to this study even if they are not mentioned here. v TABLE OF CONTENT DECLARATION.......................................................................................................... ii DEDICATION ........................................................................................................................ iii ACKNOWLEGEMENTS ...................................................................................................... iv TABLE OF CONTENT .............................................................................................. vi LIST OF TABLES ...................................................................................................... ix LIST OF FIGURES ..................................................................................................... x OPERATIONAL DEFINITION OF TERMS............................................................ xi ABBREVIATIONS/ ACRONYMS ........................................................................... xii ABSTRACT .............................................................................................................. xiii CHAPTER ONE .......................................................................................................... 1 INTRODUCTION ........................................................................................................ 1 1.1 Background to the Study .......................................................................................... 1 1.2 Statement of the Problem ......................................................................................... 4 1.3 Objectives of the study ............................................................................................. 5 1.4 Research questions ................................................................................................... 5 1.5 Research Assumption ............................................................................................... 5 1.6 Significance of the Study .......................................................................................... 6 1.7 Scope of the study .................................................................................................... 7 CHAPTER TWO ......................................................................................................... 8 REVIEW OF RELATED LITERATURE .................................................................. 8 2.1 Introduction .............................................................................................................. 8 2.2 Creative Strategies employed in the productions. ...................................................... 8 2.3 Audience responsiveness and perception of the creative strategies .......................... 12 2.4 Possible ways of intersection between creativity and marketing. ............................. 15 2.5 Theoretical Framework ........................................................................................ 25 2.5.1 Formalist Film Theory ......................................................................................... 25 2.5.2 Social Marketing Theory ..................................................................................... 27 2.5.3 Conclusion .......................................................................................................... 31 CHAPTER THREE ................................................................................................... 33 METHODOLOGY..................................................................................................... 33 vi 3.1 Introduction ............................................................................................................ 33 3.2 Research Design ..................................................................................................... 33 3.3 Research Site .......................................................................................................... 34 3.4 Target Population. .................................................................................................. 34 3.5 Sampling Techniques and sample size .................................................................... 35 3.6 Research Instruments ............................................................................................. 37 3.7 Data collection Procedure/techniques ..................................................................... 40 3.8 Data Analysis and presentation ............................................................................... 40 3.9 Ethical Considerations ............................................................................................ 41 3.10Conclusion ............................................................................................................ 41 CHAPTER FOUR ...................................................................................................... 42 DATA ANALYSIS, INTERPRETATION AND DISCUSSIONS ............................ 42 4.1 Introduction ............................................................................................................ 42 4.2.4 Setting ................................................................................................................
Load more

Recommended publications
  • Audience Measurement and Industry Trends Report for Q2 2019-2020
    AUDIENCE MEASUREMENT AND INDUSTRY TRENDS REPORT FOR Q2 2019-2020 CONTENTS BACKGROUND ............................................................................................................................3 METHODOLOGY .................................................................................................................. .3 -5 NATIONAL MEDIA CHANNELS REACH .......................................................................... 5-6 AUDIENCE DEMOGRAPHICS FOR FREE-TO-AIR AND PAY TV RADIO AND TELEVISION DATA. ........................................................................................................... ..7-16 MEDIA CONSUMPTION HABITS BY PRIME TIME AND OTHER TIME SEGMENTS……………………………………………………………………………….16-26 RADIO LISTENERSHIP BY TOPOGRAPHIES(REGIONS) ......................................... 26-50 OVERALL ALLOCATION BY INDUSTRIES .......................................................................51 ALLOCATIONS BY MEDIUM .............................................................................................…52 TELEVISION – DETAILS ............................................................................................... …53-56 RADIO – DETAILS ........................................................................................................... …57-60 PROGRAM CATEGORIZATION ........................................................................................…60 PAGE 2 OF 65 BACKGROUND In Kenya, broadcasting which is mainly done using Radio and TV, is a medium for entertainment, information
    [Show full text]
  • DSTV Local Content April Brochure Play
    Business Business KWA 75,000/= Play Ultra 97+ MWEZI TZS 200,000 KWA Play Essential 70+ MWEZI TZS 135,000 Waletee e na DStv Business KWA Play Basic 48+ MWEZI TZS 75,000 Jipatie 25+ Kifurushi cha chaneli za michezo, Kwa maelezo zaidi piga: 0768988801 muziki na habari Play Business Business Business KWA KWA KWA Play Ultra 97+ MWEZI Play Essential 70+ MWEZI Play Basic 48+ MWEZI TZS 200,000 TZS 135,000 TZS 75,000 GENERAL ENTERTAINMENT CHILDREN GENERAL ENTERTAINMENT MUSIC ENTERTAINMENT / OWN CONTENT FTA 130 MTV 305 Nickelodeon 136 Discovery Family 324 HIP TV 122 Comedy Central 308 Nick Toons 160 Maisha Magic Bongo 284 Bukedde TV 128 WWE Channel 307 Nick Junior 164 ROK GH 322 MTV Base 136 Discovery Family 309 Disney Junior 135 Discovery TLC 327 Sound City 161 Pearl Magic 363 Citi TV 121 Discovery Channel 310 Jim Jam 166 Zee World 323 Trace Mziki 164 ROK GH 154 Africa Magic Family 273 Citizen TV 135 Discovery TLC 166 Zee World MUSIC 156 Africa Magic Hausa 294 Cloud Plus 326 AfroMusic Channel ENTERTAINMENT / OWN CONTENT RELIGION 324 HIP TV 160 Maisha Magic Bongo 341 Faith 159 Africa Magic Igbo 364 Dominion TV 322 MTV Base ENTERTAINMENT / OWN CONTENT 163 Maisha Magic Plus 343 TBN 160 Maisha Magic Bongo 327 Sound City 157 Africa Magic Yoruba 250 eTV Africa 163 Maisha Magic Plus 323 Trace Mziki 161 Pearl Magic 390 Emmanuel TV 161 Pearl Magic 325 Trace Naija 153 Africa Magic Urban 347 ISLAM CHANNEL 298 ETV News 151 Africa Magic Showcase 154 Africa Magic Family 153 Africa Magic Urban NEWS 275 K24 154 Africa Magic Family RELIGION 156 Africa Magic Hausa
    [Show full text]
  • Competition Study – the Broadcasting Industry in Kenya Dissemination Workshop
    Deloitte-LBG UK screen 4:3 (19.05 cm x 25.40 cm) Competition Study – the broadcasting industry in Kenya Dissemination Workshop March 2012 © 2012 Deloitte & Touche. Private and confidential. Deloitte-LBG UK screen 4:3 (19.05 cm x 25.40 cm) Contents Project scope Framework Assessment of competition Proposed measures 2 © 2012 Deloitte & Touche. Private and confidential. Deloitte-LBG UK screen 4:3 (19.05 cm x 25.40 cm) Project Scope Objectives of Competition Study Study Objectives • Identify the various markets within Kenyan broadcasting industry, including the number and demographic of players • Establish the levels and extent of competition in the various broadcasting markets identified • Identify the market barriers, if any, that prevent competition and the growth of the players • Evaluate the effectiveness of the broadcast spectrum allocation to, and use by, broadcasters and suggest appropriate remedial interventions • Evaluate the extent of dominance and establish potential anticompetitive behaviour in the broadcasting market in general and specific market segments in Kenya • Review the effectiveness of the existing legal and regulatory framework in supporting a robust competition policy for the broadcasting sector; • Provide a proposal on the best ways by which the identified barriers and factors hindering growth can be eliminated; and • Identify possible regulatory areas of concern and recommend how they can be addressed. Summary of assessment framework 2. Establish 4. Evaluate 5. Review 6. Initial 1. Identify 3. Evaluate level of potential anti- effectiveness assessment of markets effectiveness competition competitive of legal and possible of spectrum and market behaviour regulatory measures/ allocation barriers framework recommendations 3 © 2012 Deloitte & Touche.
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • CHEROTICH MUNG'ou.Pdf
    THE ROLE OF INFORMATION AND COMMUNICATION TECHNOLOGIES IN PEACEBUILDING IN MOUNT ELGON REGION, KENYA BY CHEROTICH MUNG’OU A Thesis submitted to the Institute of Postgraduate Studies and Research, in fulfillment of the requirements for the award of the degree of Doctor of Philosophy in Communication Studies of Kabarak University June, 2016 DECLARATION PAGE Declaration I hereby declare that this research thesis is my own original work and to the best of my knowledge has not been presented for the award of a degree in any university or college. Student’s Signature: Student’s Name: Cherotich Mung’ou Registration No: GDE/M/1265/09/11 Date: 30thJune, 2016 i RECOMMENDATION PAGE To the Institute of Postgraduate Studies and Research: The thesis entitled “The Role of Information and Communication Technologies in Peacebuilding in Mt Elgon Region, Kenya” and written by Cherotich Mung’ou is presented to the Institute of Postgraduate Studies and Research of Kabarak University. We have reviewed the thesis and recommend it be accepted in fulfillment of the requirement for the degree of Doctor of Philosophy in Communication Studies. 24th June, 2016 Dr. Tom Kwanya Senior Lecturer, The Technical University of Kenya 30th June, 2016 ____________________________________________________________________________ Dr. Joseph Osodo Lecturer, Maseno University ii Acknowledgement I am greatly indebted to various individuals for the great roles they played throughout my research undertaking. Most importantly, I thank God for the far He has brought me. My first gratitude goes to my supervisors Dr Tom Kwanya and Dr Joseph Osodo for their tireless effort in reviewing my work. I appreciate your intellectual advice and patience.
    [Show full text]
  • Evolution of Sheng During the Last Decade
    Les Cahiers d’Afrique de l’Est / The East African Review 49 | 2014 Varia Evolution of Sheng during the Last Decade Aurélia Ferrari Electronic version URL: http://journals.openedition.org/eastafrica/340 Publisher IFRA - Institut Français de Recherche en Afrique Printed version Date of publication: 1 September 2014 Number of pages: 29-54 ISSN: 2071-7245 Electronic reference Aurélia Ferrari, « Evolution of Sheng during the Last Decade », Les Cahiers d’Afrique de l’Est / The East African Review [Online], 49 | 2014, Online since 07 May 2019, connection on 08 May 2019. URL : http:// journals.openedition.org/eastafrica/340 Les Cahiers d’Afrique de l’Est / The East African Review Les Cahiers d’Afrique de l’Est Evolution of Sheng during the Last Decade Aurélia Ferrari Introduction Sheng, popularly deined as an acronym for “Swahili-English slang” (Mazrui, 1995), emerged in the 1960s in the multicultural environment of Nairobi. It is an urban language which combines mainly Kiswahili and English but also other Kenyan languages such as Kikuyu, Luyha, Dholuo and Kikamba. Sheng is characterized by an important linguistic lexibility. It does not have an oficial status even if it widelyis spoken, especially by the youth. Originally used as a vehicular language between people from different regions, it is becoming a vernacular language, some people born in the 1980s or later having Sheng as their irst language. Sheng is not a unique linguistic phenomenon in Africa. In the last ifty years, urbanization and globalization have prompted the emergence of new urban linguistic codes. Such codes are based on multilingual speech and characterized by unstable vocabulary.
    [Show full text]
  • Changing Kenya's Literary Landscape
    CHANGING KENYA’S LITERARY LANDSCAPE CHANGING KENYA’S LITERARY LANDSCAPE Part 2: Past, Present & Future A research paper by Alex Nderitu (www.AlexanderNderitu.com) 09/07/2014 Nairobi, Kenya 1 CHANGING KENYA’S LITERARY LANDSCAPE Contents: 1. Introduction ................................................................................................................... 4 2. Writers in Politics ........................................................................................................ 6 3. A Brief Look at Swahili Literature ....................................................................... 70 - A Taste of Culture - Origins of Kiswahili Lit - Modern Times - The Case for Kiswahili as Africa’s Lingua Franca - Africa the Beautiful 4. JEREMIAH’S WATERS: Why Are So Many Writers Drunkards? ................ 89 5. On Writing ................................................................................................................... 97 - The Greats - The Plot Thickens - Crime & Punishment - Kenyan Scribes 6. Scribbling Rivalry: Writing Families ............................................................... 122 7. Crazy Like a Fox: Humour Writing ................................................................... 128 8. HIGHER LEARNING: Do Universities Kill by Degrees? .............................. 154 - The River Between - Killing Creativity/Entreprenuership - The Importance of Education - Knife to a Gunfight - The Storytelling Gift - The Colour Purple - The Importance of Editors - The Kids are Alright - Kidneys for the King
    [Show full text]
  • Hesabika Handbook.Pdf
    National Convention Saturday, 30th April - Monday, 2nd May 2016 FOCUS National Director’s Message A WORD FROM THE FOCUS NATIONAL DIRECTOR A warm welcome to all the Hesabika Convention delegates! A special welcome to our guests from outside the country. This convention becomes the fourth of FOCUS Kenya’s flagship Conventions. However, Hesabika comes about as a unique convention owing to the need it addresses and the urgency it deserves: FOCUS Kenya has over the years (since 1973) nurtured more than 100,000 Christians from the Christian Unions. These graduates are found in every sector Mr. George Ogalo of the society, majority in very influential positions. While we rejoice at this outcome over the years, the current spread and levels of corruption, the trap of negative ethnicity, the levels of poverty among a majority of Kenyans, and the untamed politics outrightly challenge our theology and practice of Christian faith. They make a mockery of the claim that Kenya is 82% Christian, even when history attests to Christian values playing a major role in social transformation when Christians choose to stand up and be counted. It is out of this reality and our Christian mandate that a significant number of Kenyans are gathered in this convention to focus on national social transformation. I believe that this Convention will begin to validate the many Christians in the market place as a source of light and as a practical voice of God for social transformation. The prevailing notion that the voice of God is confined to the clergy and to Sunday worship needs to be 2 addressed radically so that Christian influence can get into the streets and marketplaces where the individual Christian in the private and public sector operates.
    [Show full text]
  • “We're Not Living in America, but We're Not Sorry!”
    Faculty of Economic Sciences, Communication and IT Madeleine Magnusson Lisa Skogström “We’re not living in America, but we’re not sorry!” A study of television consumption and relative deprivation among Kenyan students in an urban and a rural area Media and Communication C-level thesis Date/Term: 20-01-10 Supervisor: Stefan Jerkeby Examiner: Christer Clerwall Serial Number: X-XX XX XX Karlstads universitet 651 88 Karlstad Tfn 054-700 10 00 Fax 054-700 14 60 [email protected] www.kau.se Abstract The United States of America is one of the most powerful countries in the world and their broadcasting system has become a role model to the rest of the world. Since the US charge less for their media products in third world countries, it is cheaper even for poor countries to import American content than to purchase local products. The aim with our survey is to explore whether heavy consumers of American television programs in Kenya hold positive attitudes to the American lifestyle and experience feelings of relative deprivation as a result of this consumption. Comparisons are made between students in an urban and a rural area. The theoretical framework for this study includes cultivation theory which investigates the effects of the values and behaviors of the television audience. It also includes relative deprivation, which is based on the assumption that people experience deprivation when they compare themselves with others – so called reference groups. In our case the reference group is the American lifestyle. A third theory used for this study is cultural imperialism which says that dominating, mainly western media corporations impose their cultural values on third world countries, as in this case, Kenya.
    [Show full text]
  • Thesis Reference
    Thesis A pragmatic analysis of figurative language used in HIV/AIDS discourse in Kenia: a case study of english and Kiswahili messages MAGONYA, Lilian Abstract This research investigates whether Kenyans from 42 mutually intelligible communities homogeneously comprehend AIDS posters. In this regard, the five research objectives are: (1) to investigate whether Kenyan AIDS posters are skewed towards implicitness or explicitness, (2) to access to what extent do addressees comprehend AIDS posters, (3) to carry out an in-depth lexico-pragmatic analysis of processes involved in the Kenyan AIDS discourse, (4) to study the various conceptualizations of AIDS in figurative discourse and analyze Kenyan mental representations of AIDS in various communities, (5) to examine ethno-cultural stereotypes inhibiting the implementation of AIDS posters. To achieve this, the study's conceptual framework comprises the Relevance Theory, the Conceptual Blending Theory and the Idealized Cognitive Model Theory. Further, in the analysis of 61 questionnaires distributed to Maseno Division and Eldoret Town respondents in Kenya, and also 21 AIDS posters drawn from various Kenyan NGOs websites engaged in AIDS campaigns, qualitative and quantitative techniques are used. Reference MAGONYA, Lilian. A pragmatic analysis of figurative language used in HIV/AIDS discourse in Kenia: a case study of english and Kiswahili messages. Thèse de doctorat : Univ. Genève, 2012, no. L. 742 URN : urn:nbn:ch:unige-194526 DOI : 10.13097/archive-ouverte/unige:19452 Available at: http://archive-ouverte.unige.ch/unige:19452
    [Show full text]
  • Full Text.Pdf
    HUMOROUS TEXTS: A PRAGMATIC ANALYSIS OF LUBUKUSU JOKES A PROJECT SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ART IN LINGUISTICS BY SITUMA MARTIN DEPARTMENT OF LINGUISTICS AND LANGUAGES FACULTY OF ARTS UNIVERSITY OF NAIROBI OCTOBER, 2013 i DECLARATION This project is my original work and has not been presented for a degree in any other University. ____________________ _____________________ SITUMA MARTIN DATE This project has been submitted for examination with our approval as the University Supervisors: ____________________ _____________________ DR. G. N. MARETE DATE _____________________ _____________________ MR. H. B. MANYORA DATE i DEDICATION To my friend and wife Pamela Cheruto To my dear sons Neville Kiprono Fabian Sidney Cheruiyot Kabaka You stood by me in prayer through it all. Thank you. ii ACKNOWLEDGEMENTS My foremost appreciation goes to everyone whose inspiration, criticism and contribution enabled me to complete this degree. I thank God for according me good health and strength throughout the years. This project would not be what it is without the concerted effort of my two supervisors, Dr. Gideon R. Marete and Mr. H. B. Manyora. The constructive criticism and professional guidance I received from them is invaluable. They were both very resourceful and tireless in their effort to see that the thesis was through. That they were patient with me cannot be understated, and I sincerely appreciate the valuable contribution they have made to this work. My special thanks to Dr. Schroeder, my lecturer for encouragement and providing me with reading materials for my research. A lot of thanks to Dr. Mukhwana who discussed with me the topic of research and whose advice helped me shape this study.
    [Show full text]
  • Registrantslist (1).Xlsx
    Name City Ministry/Institution/Organisation/Media Representation Type Rep. Sub Type Organisation Name Outlet Mr. ERRAJA, Abdelmouttalib Ecardenville S/eure Cohin Environnement Private Sector, Trusts, Foundations Private Sector Cohin Environnement Ms. RUIZ ILLESCAS, Adriana Nairobi Permanent Representation of Angola to UNEP Member States Permanent Representation of Angola to UNEP Mr. MORSY, Ahmed Cairo Giza Cable Industries Private Sector, Trusts, Foundations Private Sector Giza Cable Industries Mr. AHMED, Ahmed Nirobi CCTV AFRICA Media CCTV AFRICA Mr. OSMAN, Ahmed A Nairobi Kabaa tV Media Kabaa Tv Mr. AL ABDULLA, Ali Abdulla Nairobi Embassy of the State of Qatar Member States Embassy of the State of Qatar Ms. DABRAL, Aanchal Nairobi Dave Tuk Tuk Kenya Limited Side Events Participants Dave Tuk Tuk Mrs. ANDREJEW, Alexandra Geneva United Nations UN System Organisations UNON Ms. OWINO, Anne Nairobi National Environment Management Authority Member States National Environment Management Authority Mr. VUOLA, Aaron Panama City UN Environment UN System Organisations UNEP Ms. SHAH, Aarti Nairobi The Cobalt Partners Private Sector, Trusts, Foundations Private Sector The Cobalt Partners Mrs. ARVELAEZ, Anabell Cararacas Ministerio del Poder Popular para Ecosocialismo Member States Ministerio del Poder Popular para Ecosocialismo y y Aguas Aguas Mr. GOLRIZ, Abbas Tehran Ministry of Foreign Affairs Member States Ministry of Foreign Affairs Mr. ABBASHAR, Amjad Nairobi UNISDR Regional Office for Africa UN System Organisations UNISDR Mr. OLOO, Sebastian Nairobi USIU - AFRICA Academia Students USIU - AFRICA Mr. ANNAN, Abdulmonem Dar Es Salaam Syrian Permanent Mission to UNON /Dar es Member States Syrian permanent Mission to UNON /Dar es Salaam Salaam Mr. MERABET, Abdelghani New York Office of the PGA United Nations UN System Organisations EOSG Mr.
    [Show full text]