Case Study 1 : the Caesars (1968)
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Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V
Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1). -
Angels One Five on Talking Pictures TV Stars: Jack Hawkins, Michael Denison, John Gregson, Dulcie Gray, Veronica Hurst
PREMIERE HIGHLIGHTS FOR January ON TALKING PICTURES TV SKY 328 | FREEVIEW 81 | FREESAT 306 | VIRGIN 445 Tues 31st Dec 11:30 Wed 1st Jan 22:05 and Sat 4th Jan 12:00 and Sun 12th Jan 19:10 Blitz on Britain (1960) Up the Chastity Belt (1971) War documentary, directed by Comedy, directed by Bob Kellett. Harry Booth. Commentary by: Stars: Frankie Howerd, Eartha Kitt, Alistair Cooke. The defence of Britain Anna Quayle, Bill Fraser, Graham during the blitz in World War II told Crowden, Roy Hudd, Hugh Paddick. through archive footage. Lurkalot the serf is called to help when Tues 31st Dec 14:30 Sir Braggart De Bombast tries to Talking Pictures TV with Veronica kidnap Lobelia De Custard. Hurst, star of Angels One Five Thurs 2nd Jan 13:15; Sun 5th Jan An exclusive interview with 18:30; Mon 6th Jan 07:20; Veronica Hurst, on her life and work, Sat 11th Jan 05:15 including the film Angels One Five. IWM: High Journey (1958) Tues 31st Dec 14:45 European countries photographed and Sat 4th Jan 16:00 from low-flying aircraft revealing Angels One Five (1952) historical heritage and remarkable War drama, directed by: George More landscapes. Narrated by Orson Welles. O’Ferrall Stars: Jack Hawkins, Michael Thurs 2nd Jan 22:00 Denison, John Gregson, Dulcie Gray, and Sat 4th Jan 23:30 Veronica Hurst. Life in the RAF during And Then There Were None (1974) the Battle of Britain, set in 1940. Crime Mystery directed by Tues 31st Dec 19:10 Peter Collinson. Stars: Oliver Reed, and Sat 4th Jan 21:40 Elke Sommer, Richard Attenborough, The Wolves of Willoughby Chase Stéphane Audran, Herbert Lom. -
Suetonius on Augustus: a New Commentary
Histos 11 (2017) lxii–lxvi REVIEW SUETONIUS ON AUGUSTUS: A NEW COMMENTARY D. Wardle, Suetonius: Life of Augustus. Translated with Introduction and Historical Commentary. Clarendon Ancient History Series. Oxford: Oxford University Press, 2014. Pp. 616. Hardback, £100.00/Paperback, £35.00. ISBN 978-0-19- 968646-9. n so far as Greek and Roman history has been traditionally studied through the accounts of the ‘great’ historians, Herodotus, Thucydides, IPolybius, Livy, or Tacitus, the ‘historical commentary’ has been and remains one of the principal aids to the study of ancient history. But paradoxically, one of the periods of history regarded as most central to the understanding of the Roman world, the reign of Augustus, has to be approach- ed without the guidance of a historian regarded as ‘great’: Tacitus deliberately started his Annales with the death of Augustus, the useful narrative of Cassius Dio is separated from its subject matter by nearly two centuries and has suffered at the hands of epitomators, and Suetonius as a biographer had an agenda different from that of writing ‘history’. If that for long has been an excuse for taking Suetonius less than seriously as a historical source, this prejudice cannot survive Wardle’s admirable commentary. Commentaries on this Life there have been before, from Shuckburgh in 1896 to Louis in 2010, including Carter’s helpful edition for the Bristol Classical Press of 1981.1 But all of these have been brief and light-touch, offering the basic steering necessary for a student. What Wardle offers is at a wholly different scale, with nearly 500 pages of commentary, as well as forty pages of introduction, to thirty-seven pages of text (in translation). -
Tiberius Nero Caesar (Tiberius) - the Lives of the Twelve Caesars, Volume 3
Tiberius Nero Caesar (Tiberius) - The Lives Of The Twelve Caesars, Volume 3. C. Suetonius Tranquillus Project Gutenberg's Tiberius Nero Caesar (Tiberius), by C. Suetonius Tranquillus This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Tiberius Nero Caesar (Tiberius) The Lives Of The Twelve Caesars, Volume 3. Author: C. Suetonius Tranquillus Release Date: December 13, 2004 [EBook #6388] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK TIBERIUS NERO CAESAR *** Produced by Tapio Riikonen and David Widger THE LIVES OF THE TWELVE CAESARS By C. Suetonius Tranquillus; To which are added, HIS LIVES OF THE GRAMMARIANS, RHETORICIANS, AND POETS. The Translation of Alexander Thomson, M.D. revised and corrected by T.Forester, Esq., A.M. Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. TIBERIUS NERO CAESAR. (192) I. The patrician family of the Claudii (for there was a plebeian family of the same name, no way inferior to the other either in power or dignity) came originally from Regilli, a town of the Sabines. They removed thence to Rome soon after the building of the city, with a great body of their dependants, under Titus Tatius, who reigned jointly with Romulus in the kingdom; or, perhaps, what is related upon better authority, under Atta Claudius, the head of the family, who was admitted by the senate into the patrician order six years after the expulsion of the Tarquins. -
Evaluate the Contribution and Impact of Tiberius (AD 14-37) As Princeps
Evaluate the contribution and impact of Tiberius (AD 14-37) as Princeps. The contribution and impact of the reign of Tiberius (AD 14-37) is highly controversial and abounds in inconsistency. Considering his rule marked the succession of a Principate that was created specifically for Augustus, it would prove to be a crucial time for the Empire. His frugal rule carried the Empire into a period of stable economic and military security, yet the negative repercussions of his rule were not seen until Gaius’ time. Despite an initial transition as Princeps that was based on obligation, Tiberius strove to uphold the glory of Augustus’s rule and endeavored to maintain the prosperity of the Roman Empire. Essentially, it was his inability to preserve the fragile power balance between Princeps and the Senate as well as the development of the Praetorian Guard and the Maiestas trials that proved difficult for his accession and subsequent rule. Although his diplomatic skills and military expertise were extensive, and continued to preserve the Pax Romana, his solemn and reserved figure formed a reluctance to rule that would cause great detriment to the Empire in the long run. It is evident that Tiberius’s contribution as Princeps was an effective continuation of Augustan precedent, however the impressions he sought to forge for himself were affected both by poor choices and the deceitful influences of men that ensured his dishonorable posthumous reputation. Despite Tiberius' initial reluctance to assume the power of the Princeps, he was a ruler of “considerable abilities” 1 , as he efficiently ran the Empire the discretion and skill. -
Sejanus, the King's Men Altar Scenes, and the Theatrical Production Of
2952 Early Theatre 20.2 (2017), 77–98 http://dx.doi.org/10.12745/et.20.2.2952 John Kuhn Sejanus, the King’s Men Altar Scenes, and the Theatrical Production of Paganism This article traces the lineage of the popular performance set-piece of the ‘oracular altar scene’ from its inception in Jonson’s Sejanus through its frequent reuse by the King’s Men and their imitators later in the century. By doing so, it demonstrates how material practices of reuse in the seventeenth-century theatre helped shape the produc- tion of popular knowledge about the nature of ‘pagan’ ritual and its practitioners in the Stuart era of intensified antiquarian discovery and colonial expansion. The fifth act of Ben Jonson’s Sejanus, a Jacobean tragedy set in decadent imper- ial Rome, contains a striking moment of intersection between antiquarianism and performance, as the play’s scheming, eponymous favourite agrees to propiti- ate a statue of the goddess Fortuna, grudgingly seeking divine advice about his political fortunes. Accompanied by the music of flutes and trumpets, a priest incants lines translated from Seneca while performing complex rituals of lustra- tion (washing his hands), libation (eating and administering honey and milk to the participants), and propitiation (placing milk, honey, and burning poppy on the altar bearing Fortuna’s statue), all as Sejanus looks on. Surprisingly, these distinctly alien, non-Christian religious rites produce true future knowledge: the hitherto sessile statue of the goddess (probably a company member in a statue costume) miraculously becomes animated and turns her face away. The predic- tion implied by this silent rejection — that Sejanus has lost her favour and his luck has run out — is quickly vindicated for the audience in the next scene, when the favourite’s downfall begins. -
Mr. George Baker Is a “Drummer Man.” Collaborate with the Music Teacher to MR
Mr. George Baker is a “drummer man.” Collaborate with the music teacher to MR. GEORGE BAKER learn about drums and famous drummers. Look at different kinds of drums Author: Amy Hest and how they are played (with fingertips, drumsticks, heel of one’s hand, etc.). Illustrator: Jon J. Muth Listen to recordings and/or watch video of drummers performing. Publisher: Candlewick Have partners work together to figure out a rhythm that involves an arrange- THEME: ment of hand claps, foot taps, table taps, and the like, and teach it to the rest It is never too late to learn something new – learning is a life-long endeavor. of the class. PROGRAM SUMMARY: Check the neighborhood or community for long-time family businesses. Ar- range a visit and indicate that you would like for the owners to talk with the Harry sits on the porch with 100 year old Mr. George Baker who can dance students about how the knowledge of their business has been passed through and play the drums but goes to school, just like Harry, so he can learn to the generations. read. Enlist the aid of the library media specialist and have students do research on LeVar explores how learning is an ageless adventure as he introduces The individuals who are known for their achievements well into their later years. Steppers, a group of senior women who are learning to dance and perform, Subjects might include the following people: Grandma Moses, Bob Hope, and to the Ferrara family who runs a bakery where the youngest to the oldest Marian Anderson, George Washington Carver, Helen Keller, Benjamin Frank- have been mixing up sweet treats for five generations. -
An Emperor in Translation: Suetonius, Claudius, and Robert Graves
An Emperor in Translation: Suetonius, Claudius, and Robert Graves About twenty years after Robert Graves wrote the novels I, Claudius and Claudius the God, based on the life of the emperor Claudius, he published a translation of Suetonius’ De Vita Caesarum under the title The Twelve Caesars. While Graves’ translation is generally faithful, it is colored by his personal ideas about Claudius, which he expresses not only through his two novels, but also in interviews, letters, and other literary works. I argue that in The Twelve Caesars, Graves subtly inserts a new and improved, sympathetic Claudius into Suetonius’ more negative depiction. To show this, I will compare episodes in Suetonius to parallel episodes in the novels, demonstrating Graves’ manipulation of events, themes, and—above all—language. After giving a brief overview of our evidence for Graves’ views on Claudius, I will turn to the two letters of Augustus concerning Claudius, which are quoted by Suetonius and reworked in I, Claudius. These are not merely episodes in Suetonius that Graves has adapted, but recognizably the very same letters. In fact, in the second letter, Graves’ translation in The Twelve Caesars is less precise than his rendering of it in the novel. Next, I focus on the episode in which Claudius is declared emperor, pointing out that in The Twelve Caesars, Graves leaves out the damning phrase prae metu “because of fear” (Suet.Div.Claud.10.2) to explain Claudius’ actions. Finally, I turn to chapters 14 and 15 in Suetionus, in which Claudius’ law court activity occurs. I argue that Graves’ translation renders Claudius much more capable than the Latin implies and is highly influenced by the court scenes in Claudius the God. -
The Roman Empire Mr
The roman empire Mr. Cline History Marshall High School Marshall High School Mr. Cline Western Civilization I: Ancient Foundations Unit Four EA * Introduction to the Julio-Claudian Dynasty • In this lesson, we're going to tackle the Julio-Claudian Dynasty, the first imperial dynasty of the Roman Empire. • In power from 27 BC to 68 AD, the dynasty included the reigns of Augustus, Tiberius, Caligula, Claudius, and Nero. • Although many of its members seemed a bit nuts, the Julio-Claudian Dynasty is arguably the most famous dynasty of the Empire. • As we go through the details of this dynasty, it may just seem like a really violent soap opera. Men came to power through forced marriage, divorce, assassination, and murder. • While discussing the twists and turns that make this dynasty infamous, there are three main points I'd like us to grasp. • First, the Julio-Claudian Dynasty was the first dynasty to rule the Roman Empire. • Second, Augustus was its first emperor and the only Julio-Claudian not to face a violent death. English Spelling of Greek Word Translation Letter Iota Iesous Jesus Chi Christos Christ Theta Theou God's Ypsilon Uios Son Sigma Soter Savior * Introduction to the Julio-Claudian Dynasty • Last, none of the emperors of the dynasty were succeeded by their biological sons, or in other words, their direct male heir. • Keeping these three things in mind, let's get to our Julio-Claudian emperors. • Augustus • As previously stated, Augustus kicked off the Julio-Claudian Dynasty. • From the Roman family group, Julia, he gives us the Julio part of the Julio- Claudian name. -
Seutonius: Lives of the Twelve Caesars 1
Seutonius: Lives of the Twelve Caesars 1 application on behalf of his friend to the emperor THE LIVES OF THE TWELVE CAESARS Trajan, for a mark of favor, he speaks of him as "a By C. Suetonius Tranquillus most excellent, honorable, and learned man, whom he had the pleasure of entertaining under The Translation of Alexander Thomson, M.D. his own roof, and with whom the nearer he was brought into communion, the more he loved Revised and corrected by T. Forester, Esq., A.M. 1 him." CAIUS JULIUS CAESAR. ................................................. 2 The plan adopted by Suetonius in his Lives of the Twelve Caesars, led him to be more diffuse on OCTAVIUS CAESAR AUGUSTUS. .................................. 38 their personal conduct and habits than on public TIBERIUS NERO CAESAR. ............................................ 98 events. He writes Memoirs rather than History. CAIUS CAESAR CALIGULA. ........................................ 126 He neither dwells on the civil wars which sealed TIBERIUS CLAUDIUS DRUSUS CAESAR. ..................... 146 the fall of the Republic, nor on the military NERO CLAUDIUS CAESAR. ........................................ 165 expeditions which extended the frontiers of the SERGIUS SULPICIUS GALBA. ..................................... 194 empire; nor does he attempt to develop the causes of the great political changes which A. SALVIUS OTHO. .................................................... 201 marked the period of which he treats. AULUS VITELLIUS. ..................................................... 206 When we stop to gaze in a museum or gallery on T. FLAVIUS VESPASIANUS AUGUSTUS. ..................... 212 the antique busts of the Caesars, we perhaps TITUS FLAVIUS VESPASIANUS AUGUSTUS. ............... 222 endeavor to trace in their sculptured TITUS FLAVIUS DOMITIANUS. .................................. 229 physiognomy the characteristics of those princes, who, for good or evil, were in their times masters of the destinies of a large portion of the PREFACE human race. -
I, Claudius Free
FREE I, CLAUDIUS PDF Robert Graves,Barry Unsworth | 416 pages | 03 Aug 2015 | Penguin Books Ltd | 9780141188591 | English | London, United Kingdom I, Claudius - Wikipedia Caligula has not only made his horse a senator but has turned the palace into a I, selling off senators and their I for sex. Claudius scared of him - and getting thrown into a river for his Germanicus returns from Germania in I and he and Claudius catch up on family news - Claudius now has a son but is not enjoying married life. He tells Germanicus what Postumus had passed onto Sejanus divorces his wife in order to marry Livilla but Tiberius refuses permission and suggests that he marries Livilla's daughter Helen Claudius, which so enrages Livilla that Claudius poisons Helen. Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. As Claudius narrates his life, we witness Augustus' attempts to find an heir, often foiled by his wife Livia who wants her son Tiberius to become emperor. We also Claudius the conspiracy of Sejanus, the infamous reign of Caligula, and Claudius' own troubled period Claudius rule. Absolutely glorious series. All the actors in this series are in Claudius have been in American films but they have always been underrated and are some of the best actors alive. There are more dames and knights than you can believe. Derek Jacobi is breathtaking in his performance. Sian Claudius is subtly evil. John Hurt as Caligula shines with madness. -
The Portrayal of the Generals and the Armies in Tacitus' Annals
THE PORTRAYAL OF THE GENERALS AND THE ARMIES IN TACITUS’ ANNALS. Elizabeth Mary Boldy Bachelor of Arts (Hons.1) A thesis submitted for the degree of Master of Philosophy at The University of Queensland in 2014 School of History, Philosophy, Religion and Classics. ABSTRACT Tacitus began the Annals with the death of Augustus in order to emphasize the moment when the autocratic system of government he had established became a permanent fixture in the Roman state when it was passed on to his successors, the Julio-Claudian Emperors.1 Tacitus chose the annalistic form to present his history in order to record the major events of political, military and constitutional importance within these formative years of the empire.2 This thesis offers a historiographical study of Tacitus‟ Annals in order to demonstrate how he utilises the Roman army and its generals as a means of emphasising the political environment in these embryonic years of the empire. This study is valuable in that it shows how, by use of various literary devices, Tacitus gives his opinions of the emperors by contrasting their actions and behaviours with their generals and armies. His descriptions of res externae, the actions of the armies, is designed to counterbalance what he claimed was sorrowful res internae within the Roman state itself. Scholars‟ views on Tacitus qualities as an historian range from the belief that he was truthful and reliable to the view that the Annals was mostly a work of literature and of little value for historical fact. Woodman, Kajanto and Haynes argue that Tacitus‟ work was more a work of rhetorical invention, like that of the poets.3 Mellor likens him to such historical novelists as Tolstoy and George Eliot.4 Syme, Mendell and Martin express their belief that Tacitus was a reliable and honest historian.5 In this thesis, I examine Tacitus‟ style and language in order to show how his method of writing plays a crucial role in developing the themes of the Annals.