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Women in Criminal Trials in the Julio-Claudian Era
Women in Criminal Trials in the Julio-Claudian Era by Tracy Lynn Deline B.A., University of Saskatchewan, 1994 M.A., University of Saskatchewan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Classics) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2009 © Tracy Lynn Deline, 2009 Abstract This study focuses on the intersection of three general areas: elite Roman women, criminal law, and Julio-Claudian politics. Chapter one provides background material on the literary and legal source material used in this study and considers the cases of Augustus’ daughter and granddaughter as a backdrop to the legal and political thinking that follows. The remainder of the dissertation is divided according to women’s roles in criminal trials. Chapter two, encompassing the largest body of evidence, addresses the role of women as defendants, and this chapter is split into three thematic parts that concentrate on charges of adultery, treason, and other crimes. A recurring question is whether the defendants were indicted for reasons specific to them or the indictments were meant to injure their male family members politically. Analysis of these cases reveals that most of the accused women suffered harm without the damage being shared by their male family members. Chapter three considers that a handful of powerful women also filled the role of prosecutor, a role technically denied to them under the law. Resourceful and powerful imperial women like Messalina and Agrippina found ways to use criminal accusations to remove political enemies. Chapter four investigates women in the role of witnesses in criminal trials. -
Angels One Five on Talking Pictures TV Stars: Jack Hawkins, Michael Denison, John Gregson, Dulcie Gray, Veronica Hurst
PREMIERE HIGHLIGHTS FOR January ON TALKING PICTURES TV SKY 328 | FREEVIEW 81 | FREESAT 306 | VIRGIN 445 Tues 31st Dec 11:30 Wed 1st Jan 22:05 and Sat 4th Jan 12:00 and Sun 12th Jan 19:10 Blitz on Britain (1960) Up the Chastity Belt (1971) War documentary, directed by Comedy, directed by Bob Kellett. Harry Booth. Commentary by: Stars: Frankie Howerd, Eartha Kitt, Alistair Cooke. The defence of Britain Anna Quayle, Bill Fraser, Graham during the blitz in World War II told Crowden, Roy Hudd, Hugh Paddick. through archive footage. Lurkalot the serf is called to help when Tues 31st Dec 14:30 Sir Braggart De Bombast tries to Talking Pictures TV with Veronica kidnap Lobelia De Custard. Hurst, star of Angels One Five Thurs 2nd Jan 13:15; Sun 5th Jan An exclusive interview with 18:30; Mon 6th Jan 07:20; Veronica Hurst, on her life and work, Sat 11th Jan 05:15 including the film Angels One Five. IWM: High Journey (1958) Tues 31st Dec 14:45 European countries photographed and Sat 4th Jan 16:00 from low-flying aircraft revealing Angels One Five (1952) historical heritage and remarkable War drama, directed by: George More landscapes. Narrated by Orson Welles. O’Ferrall Stars: Jack Hawkins, Michael Thurs 2nd Jan 22:00 Denison, John Gregson, Dulcie Gray, and Sat 4th Jan 23:30 Veronica Hurst. Life in the RAF during And Then There Were None (1974) the Battle of Britain, set in 1940. Crime Mystery directed by Tues 31st Dec 19:10 Peter Collinson. Stars: Oliver Reed, and Sat 4th Jan 21:40 Elke Sommer, Richard Attenborough, The Wolves of Willoughby Chase Stéphane Audran, Herbert Lom. -
Tacitus, Annals, 4.1-4, 7-12, 39-41/TRANSLATION BOOK IV A.D
Tacitus, Annals, 4.1-4, 7-12, 39-41 Tacitus, Annals, 4.1-4, 7-12, 39-41/TRANSLATION BOOK IV A.D. 23—28 1. THE year when Caius Asinius and Caius Antistius were consuls was the ninth of Tiberius's reign, a period of tranquillity for the State and prosperity for his own house, for he counted Germanicus's death a happy incident. Suddenly fortune deranged everything; the emperor became a cruel tyrant, as well as an abettor of cruelty in others. Of this the cause and origin was Ælius Sejanus, commander of the prætorian cohorts, of whose influence I have already spoken. I will now fully describe his extraction, his character, and the daring wickedness by which he grasped at power. Born at Vulsinii, the son of Seius Strabo, a Roman knight, he attached himself in his early youth to Caius Cæsar, grandson of the Divine Augustus, and the story went that he had sold his person to Apicius, a rich debauchee. Soon afterwards he won the heart of Tiberius so effectually by various artifices that the emperor, ever dark and mysterious towards others, was with Sejanus alone careless and freespoken. It was not through his craft, for it was by this very weapon that he was overthrown; it was rather from heaven's wrath against Rome, to whose welfare his elevation and his fall were alike disastrous. He had a body which could endure hardships, and a daring spirit. He was one who screened himself, while he was attacking others; he was as cringing as he was imperious; before the world he affected humility; in his heart he lusted after supremacy, for the sake of which he was sometimes lavish and luxurious, but oftener energetic and watchful, qualities quite as mischievous when hypocritically assumed for the attainment of sovereignty. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Newsletter Girls’ 2018 Issue
OldNewsletter Girls’ 2018 Issue The Guildford High School magazine for alumnae Welcome Editors’ Letter We hope you enjoy this special edition: the 2018 Issue of the Old Girls’ Newsletter, published 10 years after our Class of Editorial team and acknowledgements 2008 left GHS. A few of their special moments and important developments during their time at GHS can be seen in the Editors first section and, as we continue to move forward to ever Miss Abbie Voice more exciting projects, the Class of 2008 achievements of the Miss Poppy Stevens past are surrendered to those of another time. To the Class Mrs Louise Stone of 2018, on behalf of all Old Girls, congratulations on your Communications should results and all the best for the next chapter of your lives. be addressed to the Welcome to the community! Old Girls’ Association: [email protected] It has been great to see so many or Guildford High School, London Old Girls back at the school Road, Guildford, GU1 1SJ throughout the year, be it for reunions, Acknowledgements careers events, assemblies or talks. This magazine was designed by Mzuri Design Limited. It Working on the newly revamped Old Girls’ Newsletter is produced annually by the has been a pleasure for the Editorial team; it has been a Marketing Department of delightful opportunity to share in recent achievements, Guildford High School. rekindle old memories and to get to know our Old Girls’ community further. A great number of people have helped to make the 2018 issue possible: to all of you, our sincere thanks for all your contributions. -
The Claudius Novels and Imperial Family Melodrama Peter G
The Claudius Novels and Imperial Family Melodrama Peter G. Christensen In her forty-page attack on the television series I, Claudius, Sandra R. Joshel claims that „a familial narrative of empire in which good men are endangered by scheming women pursuing their desires, political and sexual, arrived in the United States amid a crisis of American empire and society that put women and family in the spotlight‟.1 For Joshel, I, Claudius was perfect home viewing for Reaganite America after Vietnam and Watergate, since it was, in terms of genre, a „family drama with a particularly symbiotic relationship between family, empire, and the medium of representation‟ (p. 133). Although she does not say much about Graves‟s novels themselves, she appears to hold them in the ideological contempt that she has for the television series, which is not surprising, since the series was a faithful adaptation of the books, and the first novel was particularly closely followed. She suggests that Graves‟s particular version of the Roman Empire was generated by a „moment of crisis for the British empire that included the loss of Ireland in 1922–23, the growth of the Indian Congress party in the 1920s and the 1930s and the total failure of the expected recovery of the imperial economy during the Depression‟ (p. 124). She presents Graves as a man so obsessed with the disintegration of British life that he could not see the point of T. E. Lawrence‟s objection to his waste of time on a sickening novel about a non-heroic character (p. -
Mr. George Baker Is a “Drummer Man.” Collaborate with the Music Teacher to MR
Mr. George Baker is a “drummer man.” Collaborate with the music teacher to MR. GEORGE BAKER learn about drums and famous drummers. Look at different kinds of drums Author: Amy Hest and how they are played (with fingertips, drumsticks, heel of one’s hand, etc.). Illustrator: Jon J. Muth Listen to recordings and/or watch video of drummers performing. Publisher: Candlewick Have partners work together to figure out a rhythm that involves an arrange- THEME: ment of hand claps, foot taps, table taps, and the like, and teach it to the rest It is never too late to learn something new – learning is a life-long endeavor. of the class. PROGRAM SUMMARY: Check the neighborhood or community for long-time family businesses. Ar- range a visit and indicate that you would like for the owners to talk with the Harry sits on the porch with 100 year old Mr. George Baker who can dance students about how the knowledge of their business has been passed through and play the drums but goes to school, just like Harry, so he can learn to the generations. read. Enlist the aid of the library media specialist and have students do research on LeVar explores how learning is an ageless adventure as he introduces The individuals who are known for their achievements well into their later years. Steppers, a group of senior women who are learning to dance and perform, Subjects might include the following people: Grandma Moses, Bob Hope, and to the Ferrara family who runs a bakery where the youngest to the oldest Marian Anderson, George Washington Carver, Helen Keller, Benjamin Frank- have been mixing up sweet treats for five generations. -
Accolade by Emlyn Williams
Press Information RediscoveriesUK A three month season of rediscovered plays by writers from England, Scotland, Wales and Northern Ireland Nicola Seed in association with Neil McPherson for the Finborough Theatre presents Accolade by Emlyn Williams. Directed by Blanche McIntyre. Designed by James Cotterill. Lighting Design by Neill Brinkworth. Sound by Edward Lewis. Cast: Patrick Brennan. Olivia Darnley. Simon Darwen. Alan Francis. Aden Gillett. Emma Jerrold. Patrick Osborne. Graham Seed. Saskia Wickham. The first ever revival of the controversial play by Emlyn Williams. “We all have one thing we are ashamed of. All those out there have. Even the judge has, who’ll be peering at you over his glasses, making you feel like dirt. Only you have committed the sin of being found out.” The first ever revival of the controversial play by Emlyn Williams plays for a limited four week season from Tuesday, 1 February 2011 (Press Nights: Thursday 3 and Friday, 4 February 2011 at 7.30pm) at the multi-award-winning Finborough Theatre as part of RediscoveriesUK, a three month season of rediscovered plays by writers from England, Scotland, Wales and Northern Ireland. Will Trenting, famous for his scandalous novels, is about to be knighted – an accolade which will welcome him to the establishment. But Will has been leading a double life and the award turns a spotlight on it. Tales surface of drunken parties, orgies and rough trade, and on the eve of his knighthood Will is accused of a shocking crime. Threatened with blackmail, Will has to decide where his priorities lie. Darkly comic and shocking, Accolade blows the lid off British hypocrisy. -
SGT Newsletter November 2019 Final
NEWSLETTER November 2019 No. 57 We look forward to welcoming many of you to our AGM on 14 December 2019 followed by a lecture and Christmas buffet lunch. Once again, we will be at The Old Barn Hall, Great Bookham, KT23 3PQ and proceedings start at 11.30 am. Our guest speaker is the hugely respected garden historian, Michael Symes, who will be talking to us on ‘The Allure of the English Landscape Garden’, the subject matter of his new book, The English Landscape Garden: A Survey, copies of which will be available to buy. Full details and booking information are included with the AGM papers recently distributed and can also be found on our website, www.surreygardenstrust.org.uk/events. Booking before 6 December is essential for catering purposes so don’t delay if you have not already bought your tickets. Why not bring a friend along to this festive event and help us to share the work of the Trust, everyone is welcome. !1 Millennium Seed Bank Tour 17 October 2019 by Tracey Bul Guided by Fran Wedderburn, our behind the scenes tour of the Millennium Seed Bank was a great success. After a brief introduction where we learnt of the work and research undertaken, Fran fielded all our questions as we toured the state-of-the-art facility. MSB is a world leader in plant conservation aiming to bank 25% of the wild species by 2020. In the high tech labs (Image 1) we saw where the collected seed is stored on arrival, dried and cooled to maximise germination rates. -
Roman Mistress This Page Intentionally Left Blank the ROMAN MISTRESS SA
The Roman Mistress This page intentionally left blank THE ROMAN MISTRESS SA Ancient and Modern Representations Maria Wyke 1 1 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Maria Wyke 2002 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2002 First published in paperback 2007 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law,or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Wyke, Maria. The Roman mistress : gender,politics, love poetry,reception / Maria Wyke. -
The Annals of Imperial Rome
The Annals of Imperial Rome 321 The Annals of Imperial Rome Tacitus (A.D. c.56-c.120), the greatest of the Roman historians, chronicles the early Roman Empire, from the death of the first emperor Augustus (in A.D. 14) up to the years of the First Jewish-Roman War (A.D. 63-73). The Annals is his final work. It portrays the pathological souls of tyrants, the psychology of power politics, and the preciousness and precariousness of liberty. 323 Tacitus Book I The city of Rome was originally in the hands of kings; liberty and the consulship were instituted by Lucius Brutus. Dictatorships were as- sumed temporarily. The Board of Ten did not exercise control beyond a two-year period, nor was the military tribunes’ consular authority long prevalent. Neither Cinna’s regime nor Sulla’s was lengthy. The power of Pompey and Crassus quickly gave way to Caesar, likewise the armies of Lepidus and Antony to Augustus, who as ‘first citizen’ re- ceived everything, weary as it was from civil strife, into his command. For the Roman people of old – their successes and misfortunes – writ- ers of renown produced a record, and the tale of Augustus’ times did not lack reputable talents until the spread of flattery proved a deter- rent. The affairs of Tiberius and Gaius, Claudius and Nero, in their prosperity, were falsified through fear and after their fall were written with hatreds still fresh. Thus my plan is to report a few final things about Augustus, then Tiberius’ principate and the rest, without anger or favour, from whose causes I consider myself distant. -
Case Study 1 : the Caesars (1968)
Case study 1 : The Caesars (1968) As noted, the history of ITV programming has had mixed reviews and scholars have criticised that ‘offi cial histories of British broadcasting . have depicted the emergence and impact of ITV in rather damning tones’, failing to acknowledge that ‘the history of ITV programming is also one of innovation and experimentation’ ( Wheatley, 2003 : 76). The Caesars is an excellent example of this. It not only demonstrates that ITV could indeed produce high-quality drama, but also features a number of innovative techniques successfully applied in later series, such as BBC ’ s I, Claudius . Wheatley ( 2003 : 79) also suggests a signifi cant change in ITV programming during the period in which The Caesars was produced, from ‘the entertainment culture . of the 1950s and early 1960s . to a journalistic culture in the later 1960s and 1970s’. I will argue that this ‘journalistic culture’ is also refl ected in The Caesars , which can be read as a critical commentary of contemporary politics in addition to being an entertaining piece of historical drama. As mentioned in Part I , stories regarding the Roman Empire provided particularly ample scope for an allegorical critique of the politics of any given time and this case study is no exception. The six-part television series The Caesars was produced by Granada Television for ITV, featuring as its subject matter the period between Emperor Augustus ’ s death and Claudius ’ s accession to the throne. Written by Philip Mackie, it draws heavily on classical sources, primarily Suetonius ’ s The Twelve Caesars . According to the Daily Telegraph , Mackie insisted that ‘every happening was submitted to research with similar care’ ( Clayton, 1968a ).