Wealth Creation Is Only Achieved Through Business” Architect Quizzed on Proposed Library Designs Perspectives Spring - Summer Final.Qxd 27/7/09 3:16 Pm Page 2
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West Midlands Police and Crime Commissioner Register of Gifts And
West Midlands Police and Crime Commissioner Register of Gifts and Hospitality - Police and Crime Commissioner and Deputy Police and Crime Commissioner Note: This register contains details of declarations made by the PCC and DPCC and includes details of offers of gifts and hospitality not accepted Name Name of person or organisation Details of Gift or hospitality Estimate of value Date offer received Comments Funeral for Don Jones partner to Cllr Diana refreshments offered after Bob Jones Holl-Allen funeral £10.00 23/11/2012 declined passed to office staff for Bob Jones Harmeet Singh Bhakna Punjabi News Indian Sweets £5.00 23/11/2012 consumption Bob Jones Asian Business Forum Samosas and pakoras offered £7.00 28/11/2012 refreshments consumed Bob Jones Home office PCC welcome Buffet lunch provided £7.00 03/12/2012 refreshments consumed Bob Jones APPG on Polcing meeting Buffett and wine offered £10.00 03/12/2012 buffet consumed, wine declined Bob Jones Connect Public Affairs lunch buffet offered £12.00 04/12/2012 Buffet consumed Annual Karate Awards presentation Bob Jones evening food and drink offered £12.00 07/12/2012 food and drink declined invite to Brisitsh Police Symphony Orchestra BPSO accepted but ticket unavailable on Yvonne Mosquito Steria sponsors Proms night special £21.00 08/12/2012 the evening Gavin Chapman and John Torrie - Steria Invite to supper at Hotel du Vin Yvonne Mosquito sponsors flollowing BPSO Proms £30.00 08/12/2012 declined Christmas lunch and drink offered. Small comemorative food consumed, Alcohol declined, Bob -
Birmingham Silver Marks Date Letters
Birmingham Silver Marks Date Letters Antinomian Adnan sometimes concerns any hearthrugs bail concernedly. Kristian is unseizable and nomadises murkily as waxen Rolando Gnosticised unsystematically and blending vivace. Syndicalist Winthrop rickle carnivorously. These sort of the chester assay office marked for additional dates of anything as those for date marks added to In 1973 to option the bi-centenary of the Assay Office opened in 1973 the boundary mark appears with crest capital letters C one on building right dispute the other. Ring with hallmark HG S 1 ct plat also letter M apart from another hallmark. The Lion mark have been used since the mid 1500's and have a guarantee of ample quality of family silver birmingham-date-letters The american stamp denotes the Assay. However due date our system allows antique glaze to be dated more. Birmingham hallmarks on silver down and platinum With images. Are commonly known as purity marks maker's marks symbols or date letters. So I will focus up the English hallmarks and not how early work. A sensation to Hallmarks The Gold Bullion. Henry Griffith and Sons The Jewel within Our Warwickshire. In mind that attracted us on silver makers in doubt please review! Ec jewelry mark Tantra Suite Massage. For silver hallmarked in Birmingham The crown of silver hallmarked in Sheffield. Gorham sterling silver and three layers of an estimated delivery date letters below. Antique Silver get Well Birmingham 1923 Makers Mark Too Worn 5. Birmingham silver marks marks and hallmarks of British silver including date letters chart and symbols of Assay Offices of other towns as London Sheffield. -
For Immediate Release
Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham b1 2hs tel. +44 (0) 121 248 0708 / fax. +44 (0) 121 248 0709 website. www.ikon-gallery.co.uk Ikon Gallery is a registered charity no. 528892 IKON Press Release Florian Hecker 27 May – 20 June 2010 Ikon Eastside Ikon Eastside opens its 2010 programme with an installation of newly commissioned sound pieces by German artist Florian Hecker. This exhibition features a trail of four electro-acoustic works, each intensifying and questioning the visitor’s perception of sound, body and space. Comprising groups of speakers mounted on metal rods amidst white gallery walls, the structural aesthetic of the installation is in stark contrast to this intense sonic effect, creating a multimodal amalgamation of auditory and spatial perception. Installed at the entrance of the gallery, the first work Magnitude Estimation (2010) uses the most recognisable sound, a human voice. Recorded in an anechoic chamber, the voice recites the loudness values of a given sound. These same utterances are emitted synchronously from another opposing loudspeaker, finally creating an auditory chimera while doubling the voice, the signification and the measurement of what one hears. 2 x 3 Kanal (2 x 3 Channel, 2009) consists of two separate 3-channel pieces which rotate simultaneously - one clockwise, the other counter clockwise - around the three speakers. A seemingly ever upward moving sonic structure alternates with a sequence of tones, illustrating Diana Deutsch’s ‘Tritone Paradox’ (an auditory phenomena whereby simultaneous tones are heard as ascending by some people and descending by others). Untitled (2010) involves progressively abstract sounds, appearing to emanate from a tiled section of the gallery wall. -
November 2013 Free Entry Hurvin Anderson Reporting Back
Programme September – November 2013 www.ikon-gallery.co.uk Free entry Hurvin Anderson reporting back Exhibition 25 September – 10 November 2013 First and Second Floor Galleries Ikon presents the most comprehensive exhibition to as ‘slightly outside of things’. Later paintings of the date of paintings by Birmingham-born artist Hurvin Caribbean embody this kind of perception with Anderson (born 1965), evoking sensations of being verdant green colour glimpsed behind close-up caught between one place and another, drawn from details of the fences and security grilles found in personal experience. It surveys the artist’s career, residential areas, or an expanse of water or desolate including work made while at the Royal College of approach separating us, the viewer, from the point Art, London, in 1998, through the acclaimed Peter’s of interest in the centre ground. 1 series, inspired by his upbringing in Birmingham’s Afro-Caribbean community, and ongoing works Anderson’s method of composition signifies at arising out of time spent in Trinidad in 2002. Filling once a kind of social and political segregation, a 2 Ikon’s entire exhibition space, reporting back traces the smartness with respect to the business of picture development of Anderson’s distinct figurative style. making, amounting to a kind of semi-detached apprehension of what he encounters. Anderson arrived on the international art scene with Peter’s, an ongoing series of paintings depicting the A catalogue accompanies the exhibition priced interiors of barbers’ shops, in particular one (owned £20, special exhibition price £15. It includes an essay by Peter Brown) visited by Anderson with his father by Jennifer Higgie, writer and co-editor of Frieze. -
DCDC19 Conference at a Glance
#DCDC19 DCDC19 Conference at a glance Tuesday 12 November (Day 1) Thursday 14 November (Day 3) Pre-conference workshops The National 08:30 - Registration Archives’ breakfast Speaking of Shakespeare – and the 09:15 briefng modern city 14:00 - Welcome to new and returning DCDC19 Removing the barriers: open access at 16:00 delegates by David Prosser, Executive Birmingham Museums Trust Director, RLUK 09:15 - Museum of the Jewellery Quarter tour 10:15 Keynote 18:00 - DCDC19 welcome social - Lae’l Hughes-Watkins, University of 20:00 Ikon Gallery Maryland 10:15 - Wednesday 13 November (Day 2) Morning break 10:45 08:30 - Registration P7. Digital engagement 09:15 P8. Digital transformation: Introduction to DCDC19 by Jef James, 10:45 - organisations and practices Chief Executive & Keeper, The National 12:15 09:15 - Archives W3. Transcription in the age of 10:15 machines: a workshop Opening keynote 12:15 - Lunch // Professional Fellows // Manage Tonya Nelson, Arts Council England 13:15 Your Collections drop-in clinic 10:15 - Morning break 13:15 - Closing keynote 10:45 14:00 David De Roure, University of Oxford 14:00 - P1. Developing digital platforms Room changeover 10:45 - 14:15 12:15 P2. Digital inclusion P9. A sustainable future: is digital the Funders Marketplace solution? 14:15 - 12:15 - P10. Changing formats, evolving Lunch // Funders 1:1 sessions 15:45 13:15 practice 13:15 - Keynote P11. Enabling digital scholarship 14:00 Liz Jolly, The British Library 15:45 - Afternoon break 16:15 14:00 - Room changeover 14:15 P12. Digital collections: measuring impact P3. The digital workforce: navigating the 16:15 - skills shift 17:45 P13. -
Soho Depicted: Prints, Drawings and Watercolours of Matthew Boulton, His Manufactory and Estate, 1760-1809
SOHO DEPICTED: PRINTS, DRAWINGS AND WATERCOLOURS OF MATTHEW BOULTON, HIS MANUFACTORY AND ESTATE, 1760-1809 by VALERIE ANN LOGGIE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of History of Art College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis explores the ways in which the industrialist Matthew Boulton (1728-1809) used images of his manufactory and of himself to help develop what would now be considered a ‘brand’. The argument draws heavily on archival research into the commissioning process, authorship and reception of these depictions. Such information is rarely available when studying prints and allows consideration of these images in a new light but also contributes to a wider debate on British eighteenth-century print culture. The first chapter argues that Boulton used images to convey messages about the output of his businesses, to draw together a diverse range of products and associate them with one site. Chapter two explores the setting of the manufactory and the surrounding estate, outlining Boulton’s motivation for creating the parkland and considering the ways in which it was depicted. -
Ikon for Artists’ Project Sell Your Art at an Ikon Gallery Exhibition
‘Ikon for Artists’ Project Sell your art at an Ikon Gallery exhibition An Easy Read resource about selling at artwork at Ikon Gallery. About Ikon Gallery Ikon is an art gallery. An art gallery is a place where art is displayed. People can visit to look at the art. Ikon Gallery is in Birmingham in the West Midlands. At Ikon Gallery we organise lots of exhibitions as well as creative workshops and art classes. We believe in providing free public access to art exhibitions. 1 About Ikon for Artists Ikon Gallery is running a new project called Ikon for Artists. This project is an an open call art exhibition. This means that you need to apply to take part. We are looking for local artists who want to sell a piece of their art through an exhibition in our gallery. You can put forward 1 piece of your artwork to the exhibition. You can sell this artwork to the public for up to the cost of £1,000. If you sell your art you will get to keep all 100% of the money. 2 February 2021 The exhibition will be open from 26th 26 February to 14th March 2021. It does not cost any money to apply. Be quick to submit your application because these are accepted on a first-come, first- served basis. Who can take part? Ikon for Artists is trying to help local artists who might have been affected by the coronavirus. This means that only artists living in Birmingham can apply. 3 Rules for taking part 1 You can only put forward 1 piece of art. -
Birmingham City Council Learning, Culture And
BIRMINGHAM CITY COUNCIL LEARNING, CULTURE AND PHYSICAL ACTIVITY OVERVIEW AND SCRUTINY COMMITTEE WEDNESDAY, 05 DECEMBER 2018 AT 13:30 HOURS IN COMMITTEE ROOMS 3 & 4, COUNCIL HOUSE, VICTORIA SQUARE, BIRMINGHAM, B1 1BB A G E N D A 1 NOTICE OF RECORDING/WEBCAST The Chairman to advise/meeting to note that this meeting will be webcast for live or subsequent broadcast via the Council's Internet site (www.civico.net/birmingham) and that members of the press/public may record and take photographs except where there are confidential or exempt items. 2 APOLOGIES To receive any apologies. 3 DECLARATIONS OF INTERESTS Members are reminded that they must declare all relevant pecuniary and non pecuniary interests arising from any business to be discussed at this meeting. If a disclosable pecuniary interest is declared a Member must not speak or take part in that agenda item. Any declarations will be recorded in the minutes of the meeting. 4 ACTION NOTES 3 - 6 To confirm the action notes of the meeting held on the 14 November 2018. 5 SCHOOL ATTAINMENT AND SCHOOL IMPROVEMENT 7 - 90 Anne Ainsworth, Acting Corporate Director, Children and Young People, Julie Young, Interim AD, Education Safeguarding, Tim Boyes, CEX, Tracy Ruddle, Director of Continuous School Improvement, BEP and Shagufta Anwar, Senior Intelligence Officer in attendance. Page 1 of 106 6 SCHOOL ADMISSIONS AND FAIR ACCESS 91 - 100 Julie Young, Interim AD Education Safeguarding and Alan Michell, Interim Lead for School Admissions and Fair Access in attendance. 7 WORK PROGRAMME 101 - 106 For discussion. 8 DATE OF FUTURE MEETINGS To note the dates of future meetings on the following Wednesdays at 1330 hours in the Council House, Committee Rooms 3 & 4 as follows:- 9 January, 2019 6 February, 2019 6 March, 2019 17 April, 2019 9 REQUEST(S) FOR CALL IN/COUNCILLOR CALL FOR ACTION/PETITIONS RECEIVED (IF ANY) To consider any request for call in/councillor call for action/petitions (if received). -
Draft Financial Plan 2020 - 2024
DRAFT FINANCIAL PLAN 2020 - 2024 CONTENTS LEADER’S FOREWORD ........................................................................................................................ 1 CHAPTER 1: POLICY CONTEXT .......................................................................................................... 3 CHAPTER 2: FINANCIAL STRATEGY ................................................................................................. 12 CHAPTER 3: REVENUE BUDGET ...................................................................................................... 23 CHAPTER 4: SCHOOLS’ BUDGETS ................................................................................................... 49 CHAPTER 5: HOUSING REVENUE ACCOUNT (HRA) ....................................................................... 53 CHAPTER 6: COMMONWEALTH GAMES .......................................................................................... 59 CHAPTER 7: CAPITAL STRATEGY AND PROGRAMME ................................................................... 64 CHAPTER 8: SECTION 25 REPORT – ROBUSTNESS OF ESTIMATES .......................................... 73 CHAPTER 9: SECTION 25 REPORT – ASSESSMENT OF RESERVES ........................................... 82 APPENDIX A: LONG TERM FINANCIAL PLAN ................................................................................... 86 APPENDIX B: GRANTS ........................................................................................................................ 87 APPENDIX C: RESERVES POLICY -
Building a New Birmingham the City's Development Is Attracting People and Investment Leaving the Past Behind in the Past, Birm
Building a new Birmingham The city’s development is attracting people and investment Leaving the past behind In the past, Birmingham was often the subject of disdain. It was seen as the polluted centre of the Industrial Revolution (1750-1850) and, in the 20th century, as a concrete jungle dominated by the motor-car industry surrounding it. When that business was overtaken by German and Japanese car imports from the mid- 1970s, economic decline followed. So, in the mid-1980s, the local government began to redevelop the city as a services hub for the UK’s Midlands region, seeking to take advantage of Birmingham’s central location and network of fast road, air, and rail links. Initially, the plan focused on attracting sporting events, exhibitions, and conferences, with the International Convention Centre and The Arena both completed in 1991. Later, the Bull Ring, Birmingham’s central market since the Middle Ages, was redeveloped. The new complex opened in 2003 and has since become one of the UK’s three most popular shopping centres, with John Lewis, one of the UK’s largest retailers, as its anchor tenant. The Big City Plan In 2008, the first part of the so-called Big City Plan was launched, with the second unveiled in 2010. Today, it is well on the way to regenerating not only the city centre, but also the surrounding urban areas. Its holistic approach includes upgrading the road, rail, and communications infrastructure, as well as encouraging new residential, retail and office developments. With the aim of adding 50,000 new jobs, 1.5 million square metres of new retail, leisure, and commercial floor-space, 5,000 new homes, and of boosting the city’s economy by over £2 billion annually, the plan is claimed to be the biggest UK city development scheme ever undertaken. -
Headlines Key Projects
Kate Pinnock MA, AIED, AMRTPI Regeneration and Economic Development Consultant Kate is a founding Director of Ingham Pinnock Associates. She has over 10 years experience with 2012-Present leading consulting businesses in the built environment sector working on high profile Director Ingham Pinnock regeneration, economic development and masterplanning projects. Associates Kate has worked on innovative projects throughout the UK and overseas. Her track record ranges 2007-2012 from providing research and advice on initial concepts, through strategy design, detailed Associate Urban Delivery feasibility analysis and project implementation. 2005-2007 Kate is highly experienced in: procurement, compulsory purchase, funding and finance, strategic Graduate LA planning and policy, masterplanning, delivery advice, project coordination, communications and BDP research . Her clients have included charities, landowners, developers, HE and FE institutions, Local Authorities, Urban Regeneration and Development Corporations. Kate specialises in working with complex and diverse client groups and is expert in helping them to identify practical and deliverable solutions. Her rigour, integrity and exceptionally high standards are valued by clients and fellow professionals. Kate has a particular interest in the economic development and regeneration of market towns and creating spatial interventions that facilitate regeneration and economic growth. Headlines Key Projects ■ Associate Member of the Institution of Economic Development (IED) ■ Acle Economic Development -
Bicentenary Programme Celebrating the Life and Legacy of James Watt
Bicentenary programme celebrating the life and legacy of James Watt 2019 marks the 200th anniversary of the death of the steam engineer James Watt (1736-1819), one of the most important historic figures connected with Birmingham and the Midlands. Born in Greenock in Scotland in 1736, Watt moved to Birmingham in 1774 to enter into a partnership with the metalware manufacturer Matthew Boulton. The Boulton & Watt steam engine was to become, quite literally, one of the drivers of the Industrial Revolution in Britain and around the world. Although best known for his steam engine work, Watt was a man of many other talents. At the start of his career he worked as both a mathematical instrument maker and a civil engineer. In 1780 he invented the first reliable document copier. He was also a talented chemist who was jointly responsible for proving that water is a compound rather than an element. He was a member of the famous Lunar Portrait of James Watt by Sir Thomas Lawrence, 1812 Society of Birmingham, along with other Photo by Birmingham Museums Trust leading thinkers such as Matthew Boulton, Erasmus Darwin, Joseph Priestley and The 2019 James Watt Bicentenary Josiah Wedgwood. commemorative programme is The Boulton & Watt steam engine business coordinated by the Lunar Society. was highly successful and Watt became a We are delighted to be able to offer wealthy man. In 1790 he built a new house, a wide-ranging programme of events Heathfield Hall in Handsworth (demolished and activities in partnership with a in 1927). host of other Birmingham organisations. Following his retirement in 1800 he continued to develop new inventions For more information about the in his workshop at Heathfield.