Myths) As the Behavior of the Minangkabau Community
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Talempong Kreasi and Talempong Goyang in West Sumatra
HUMANIORA VOLUME 29 Number 3 October 2017 Page 245–255 Postcolonial Aesthetics: Talempong Kreasi and Talempong Goyang in West Sumatra Andar Indra Sastra, Nadya Fulzi, Syahri Anton E-mail: [email protected] ABSTRACT The aim of this article is to disclose the postcolonial aesthetics of talempong kreasi and talempong goyang in West Sumatra. Aesthetics can be defined as a sense of perception or the various kinds of feelings that are aroused by an art object that is being observed. Postcolonialism is understood to be the continuation of colonialism; hence postcolonial aesthetics discusses the sense of perception, in this case with reference to talempong kreasi and talempong goyang as the material object. Talempong is a type of bronze musical instrument found in West Sumatra; the word kreasi means ‘creation’ or something new, while the word goyang means ‘rocking’ or ‘swaying’ and refers to the body movements of the spectators as they appear to dance in time to the talempong music. The addition of the words kreasi and goyang after the word talempong create the impression that this type of music belongs to the domain of popular music. The emergence of these two concepts in West Sumatra cannot be separated from the influence and power of a number of leading figures in the field of education – specifically artists – from the colonial era, who had a background in Western music education. Talempong kreasi and talempong goyang are dynamic in nature and have the ability to play both major and minor melodies as the talempong instruments are tuned to chromatic pitches. The tuning system of the talempong is akin to that of diatonic musical instruments, and as a musical system it presents the harmonies of Western music through its melodies and chords. -
The Values of Minangkabau Culture's Found in The
THE VALUES OF MINANGKABAU CULTURE’S FOUND IN THE MALIN KUNDANG A PAPER BY NURHAYATI REG. NO. 102202002 DIPLOMA-III ENGLISH STUDY PROGRAM FACULTY OF CULTURE STUDY UNIVERSITY OF SUMATERA UTARA MEDAN 2013 UNIVERSITAS SUMATERA UTARA Approved by Supervisor, Drs. Chairul Husni, M.Ed.TESOL. NIP: 195703081984031004 Submitted to Faculty of Culture Study University of Sumatera Utara In partial fulfillment of the requirements for Diploma-III in English Study Program Approved by Head of Diploma III English Study Program, Dr. Matius C.A. Sembiring, M.A. NIP. 19521126198112 1 001 Approved by the Diploma III English Study Program Faculty of Culture Study, University of Sumatera Utara As a Paper for the Diploma (D-III) Examination UNIVERSITAS SUMATERA UTARA Accepted by the Board of Examiner in partial of the requirements for the D-III Examination of the Diploma-DIII of English Study Program, Faculty of Culture Study, University of Sumatera Utara. The Examination is held on June 2013 Faculty of Culture Study University of Sumatera Utara Dean, Dr. Syahron Lubis, M.A. NIP. 19511013197603 1 001 Board of Examiners Signature 1. Dr. Matius C.A. Sembiring, M.A. (Head of ESP) 2. Dra. Syahyar Hanum, DPFE (Supervisor) 3. Drs. Marzaini Manday, M.SPD. (Reader) UNIVERSITAS SUMATERA UTARA AUTHOR'S DECLARATION I, NURHAYATI declare that I am the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. -
Understanding Principal Values of Minangkabau's Outmigration In
REVIEW OF INTERNATIONAL GEOGRAPHICAL EDUCATION ISSN: 2146-0353 ● © RIGEO ● 11(4), WINTER, 2021 www.rigeo.org Research Article Understanding Principal Values of Minangkabau’s Outmigration in Indonesia Misnal Munir1 Moses Glorino Rumambo Pandin2 Universitas Gadjah Mada, Yogyakarta, Indonesia Universitas Airlangga, Surabaya, Indonesia [email protected] [email protected] 1Corresponding Author: E-mail: [email protected] Abstract Outmigration is a unique characteristic of the Minangkabau people who can be found in almost all regions of Indonesia. Historically, the Minangkabau migrants have coexisted peacefully with local communities in which they settle, and there is no record of conflict between the Minangkabau migrants and local inhabitants. This study attempted to determine the values espoused by this nomadic community. The study was grounded in literature study approach of philosophical hermeneutics and utilized methodical elements, such as description, induction deduction, synthesis analysis, and heuristics. The study also applied observation, and interviews with the Minangkabau migrants. The findings revealed that the culture of this ethnic group explicitly encourages young people to venture abroad. The ethical values that form the basis of the outmigration’s of the Minangkabau community are affirmed by the adat (local) proverbs that prescribe strong work ethics, mutual respect, and an understanding of the local culture to which they outmigrate. Keywords outmigration, principle, outmigration-values, Minangkabau To cite this article: Munir, M; Pandin, M, G, R. (2021) Understanding Principal Values of Minangkabau’s Outmigration In Indonesia. Review of International Geographical Education (RIGEO), 11(4), 127-137. doi: 10.48047/rigeo.11.04.10 Submitted: 02-02-2021 ● Revised: 16-04-2021 ● Accepted: 26-05-2021 © RIGEO ● Review of International Geographical Education 11(4), WINTER, 2021 Introduction The cultural traditions of the Minangkabau people are rich in values derived from indigenous wisdom. -
Innovative Economic Empowerment Based on Village Potential Resources
INNOVATIVE ECONOMIC EMPOWERMENT BASED ON VILLAGE POTENTIAL RESOURCES RESEARCH TEAM Pius Sugeng Prasetyo Tutik Rachmawati Theresia Gunawan Trisno Sakti Herwanto Albert Mangapul Parulian Lumban Tobing Yosefa Daniel Hermawan Dhia Kalila Mohamad Dida Fahryuda Innovative Economic Empowerment Based on Village Potential Resources Writer: Pius Sugeng Prasetyo, Theresia Gunawan, Tutik Rachmawati, et.al. Published by: Friedrich-Ebert-Stiftung (FES) Indonesia Office Jalan Kemang Selatan II No. 2 A | Jakarta 12730 Telepon : +62-21-7193711 Fax : +62-21-71791358 Email : [email protected] Website: www.fes.or.id Edition 1, Desember 2018 The authors of individual sections are solely responsible for the contents. Duplication. This book is protected by copyright and/or related rights. For other uses you need to obtain written permission from the publisher. Non-commercial uses TABLE OF CONTENTS Innovative Economic Empowerment TABLE OF CONTENTS ..................................................................................................... i Based on Village Potential Resources LIST OF FIGURES .............................................................................................................iv LIST OF TABLES ............................................................................................................. viii PREFACE ..................................................................................................................................x PREFACE .............................................................................................................................. -
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Advances in Social Science, Education and Humanities Research, volume 463 Proceedings of the Eighth International Conference on Languages and Arts (ICLA-2019) Inventory, Identification, and Analysis of Randai Performing Arts Elements for the Development of Minangkabau Theatrical Dance Tulus Handra Kadir1 1 Universitas Negeri Padang, Padang, Indonesia, (email), [email protected] ABSTRACT This article describes the inventory, identification and analysis of elements of Randai performing art for the development of the Minangkabau theatrical dance based on Randai in the context of developing the Minangkabau performing arts. The development of contemporary performing arts, Randai and Minangkabau dance are not able to compete with modern performing arts. On the other hand, Randai has elements of performance that can be used in the development of theatrical dance, as a new form of Minangkabau performing art that combines elements of Randai and dance in Minangkabau. It is expected to be able to keep abreast of developments of contemporary performing arts. Development is based on research conducted qualitatively (the first phase of research) and experimentally (the second phase of research). Qualitative research was used to inventory and analyze data of Randai performance who were unable to compete in the realm of contemporary performing arts as well as inventory and analyze data, especially the elements of the performance that will be used in the development of the Minangkabau theatrical dance. Experimental research was used to create innovative dance that refers to the results of the first phase of research. This research uses an interdisciplinary approach (sociology /anthropology of dance and music, theater, choreography/dance composition, as well as the artistic performances). -
The Position and the Role of Women in Local Minangkabau Novels
The Position and the Role of Women in Local Minangkabau Novels Irfani Basri1, Ellya Ratna2, Zulfikarni3 {[email protected]} 1,2,3Faculty of Language and Art. Universitas Negeri Padang. Padang. Indonesia Abstract. A woman in Minangkabau society is called by bundo kanduang. Bundo kanduang is a call to a group of women according to Minangkabau custom. Meaning bundo is mother, kanduang is true. So, bundo kanduang is a true mother who has motherhood and leadership. Description of a bundo kanduang can be seen in some novels from time to time. First, the position and the role of women in Minangkabau’s novel in the long period namely; as wife, mother, and singer in the people. Second, the position and the role of women in Minangkabau’s novel in the New period, namely; as wife, mother, and singer of members of the community and members of the community. Third, the position and the role of women in Minangkabau’s novel in the reform period namely; as wife, mother, and singer of members of the people and can be involved in the community and government. Keywords: role of women, minangkabau novels, local wisdom 1. Introduction Women in Minangkabau society have different positions and roles with women in any cultural ethnicity in the world. The differences can be seen from various aspects. First, for Minangkabau people who adhere to the matriarchal kinship system, lineages and tribes are drawn based on the maternal line. Second, power should also be fully held by the mother. Third, inheritance rights are inherited to women. As special as women in Minangkabau, many writers, especially those from Minangkabau, talk about women in their novels. -
Biography, History and the Indonesian Novel Reading Salah Asuhan
keith foulcher Biography, history and the Indonesian novel Reading Salah Asuhan The novel Salah Asuhan (Wrong Upbringing), written by the Indonesian nationalist politician and journalist Abdoel Moeis, has long held an hon- oured place in the modern Indonesian literary canon.1 It was originally pub- lished in 1928 by Balai Poestaka, the Netherlands Indies government printing house, and by 1995 it had been reprinted twenty-three times. In summary form, it has been studied by generations of Indonesian schoolchildren, and in 1972 it was adapted by Asrul Sani as a successful feature film. Critics and historians of modern Indonesian literature have always regarded Salah Asuhan as a literary milestone. It is admired for the maturity of its author’s literary imagination, as well as the modernity of its language and style. In linguistic terms, it is seen as one of the pioneering literary expressions of the language which was designated as Bahasa Indonesia in the very year of the novel’s publication. It exercises an additional fascination for literary critics and historians because of the circumstances of its publication. The form in which it was originally written is now unknown, for the novel was only pub- lished after a lengthy delay and a series of revisions which the author made to the text after seeing his manuscript languish for more than a year under the scrutiny of Balai Poestaka’s editors. As a result, the original conception of Salah Asuhan remains a mystery. Indeed, it is one of the greatest puzzles in a literary history that is so full of documentary lacunae that its serious study remains a source of ongoing challenge and frustration.2 1 I wish to thank Karen Entwistle and Doris Jedamski for giving me access to some of the reference material used in this article. -
Merantau : Aspects of Outmigration of the Minangkabau People
MERANTAU : ASPECTS OF OUTMIGRATION OF THE MINANGKABAU PEOPLE by Auda Murad A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Demography in the Australian National University Canberra, May 1978. i D E C L A R A T I O N % Except where otherwise indicated, this thesis is my own work. Auda Murad May, 1978 ACKNOWLEDGEMENTS At the preliminary stage of this thesis, the scholar has benefited from the assistance of a number of persons in the Demography Department of Research School of Social Sciences at the Australian National University. My greatest debt of gratitude is to my supervisor, Dr. Peter F. McDonald, Department of Demography, for his supervision of the thesis and for his interest, encouragement, patience and guidance at all times during the period of study. I am also indebted to Dr. V.J. Hull and Dr. David Lucas, in the Department of Demography, for their constructive criticism and comments on various aspects of the thesis so that the study has been improved considerably. I sincerely thank Dr. A. Maude, School of Social Sciences at the Flinders University, who provided some information and data necessary for this study. My thanks also go to Mrs. Pat Ashman, secretary, who has been a help in many respects and typed the final version of my thesis. Finally, I wish to thank the Australian Government for providing me with the Colombo Plan Scholarship which has enabled me to study at the Australian National University. iii ABSTRACT Merantau is a unique form of migration found in the Minangkabau society. -
Silek Movement Analysis for Martial Arts Animators Using a Dance Studies Perspective Madia Patra Ismar | Pudentia MPSS
Silek Movement Analysis for Martial Arts Animators Using a Dance Studies Perspective Madia Patra Ismar | Pudentia MPSS [email protected] Faculty of Performing Arts Institut Kesenian Jakarta, Universitas Indonesia [email protected] Literature Department, Faculty of Humanities, Universitas Indonesia Abstract This paper discusses Silat Minangkabau from the West Sumatran Oral Traditions self de- fence known as Silek, using movement analysis. This focus is to understand the characteristics of movement unique to traditional styles in the streams of silat schools called sasaran in the Minangkabau language. Applying movement analysis has an important role in understanding how the silat body moves in time and space. These researchers argue that using this approach will strengthen and hone the artistic skills and perspective of an animator interested in under- standing the movements when creating visuals based on martial arts. Further focus in this pa- per is to scrutinise the traditional Minangkabau self defence style known as the silek harimau. Although there are already creative works of animators on silat, movement analysis hones the precision of gazing upon the visual aspect of bodily movement in the context of emic views. Keywords: silek, oral traditions, Minangkabau, animators, movement analysis Introduction Animation as a global media industry, travels easily and the work is often shared across countries and even continents, but has less local context so that very young audiences may watch happily wherever the animation may originate. The range of companies involved include conglomerates such as Disney to small independent animation designers with only a PC and the latest software package ( Westcott.2011). Rayna Denison on Japanese anime argues that, creativity in anime have overlooked aspects and elements. -
A Study of Minangkabau Tradisional Dance in Tanah Datar)
Advances in Social Science, Education and Humanities Research, volume 301 Seventh International Conference on Languages and Arts (ICLA 2018) MINANGKABAU DANCE MOVEMENT BASED ON ABS-SBK VALUE (A Study of Minangkabau Tradisional Dance in Tanah Datar) Afifah Asriati1 and Desfiarni2 1 Universitas Negeri Padang, Padang, Indonesia, [email protected] 2Universitas Negeri Padang, Padang, Indonesia, [email protected] Abstract Minangkabau dance is now increasingly existing. It is used and functions in many formal and informal events, both government and traditional events in various forms of tradition, as well as creations. It is also performed by both men and women, either in acrobatic motion using magic or not. On the other hand, the alim ulama and cerdik pandai are active in implementing the Adat Basandi Syarak Syarak Basandi Kitabullah (ABS-SBK). This philosophy means culture should be based on religion and religion should be based on Al-Quran. This article aims to inventory the appropriate movements of the Minangkabau dance based on the ABS- SBK value. This research is a qualitative study using documentation and interviews as techniques for collecting data. It is concluded that some dances still use the element of magic which is contrary to the ABS-SBK value. Keywords: Minangkabau Dance, movement based, ABS-SBK value. Introduction Basically, a dance communicates cultural values that are espoused by its supporters and functions as cultural expressions (Asriati: 2000). Philosophically, cultural values are included in the traditional philosophy known as Adaik Basandi Syarak, Syarak Basandi Kitabullah (culture should be based on religion and religion should be based on Qoran). This is commonly called ABS-SBK in Minangkabau. -
Minangkabau Historical Traces in the Novel Negeri Perempuan by Wisran Hadi
Advances in Social Science, Education and Humanities Research, volume 424 3rd International Conference on Language, Literature, Culture, and Education (ICOLLITE 2019) Minangkabau Historical Traces in the Novel Negeri Perempuan by Wisran Hadi Silvia Rosa, Sulastri Suria Dewi Fatma Department of Literature, Faculty of Cultural Sciences Magister’s Degree Program, Literary Sciences Andalas University Andalas University Padang, West Sumatera, Indonesia Padang, West, Indonesia [email protected] [email protected] Abstract— Politics can hide part of the history of civilization, After that, only the Novel Negeri Wanita written by Wisran but literature is unable to silence it. Literature can be a fertile Hadi is the only modern literary work that offers a way to field that fosters history that is drowned out by a tyranny. The understand the Minangkabau past history on the map of power of oral literature in local communities helped confirm the civilization in the archipelago, especially with regard to the 'diamond light' of the history of a community's civilization. The Kingdom of Pagaruyung in Minangkabau. Contrary to the fact sensitivity of the author is needed to record and publish the with literary works that carry local colors related to the history that is folded by the tyranny. The next generation of kingdom in Java, for example done by Shasangka through his Indonesian people needs to know the folded history. The role of tetralogy (2011, 2013, 2015, 2016) and also examined by Dewi literature becomes important in the inheritance of knowledge (2014) related to Roro Mendut; and it is also worth mentioning about the history of Indonesia's civilization past. -
The Local Wisdom in Marine Resource Conservation for Strategies of Poverty Reduction in Indonesia
TUMSAT-OACIS Repository - Tokyo University of Marine Science and Technology (東京海洋大学) The local wisdom in marine resource conservation for strategies of poverty reduction in Indonesia 学位名 博士（海洋科学） 学位授与機関 東京海洋大学 学位授与年度 2018 学位授与番号 12614博乙第35号 権利 全文公表年月日: 2019-06-25 URL http://id.nii.ac.jp/1342/00001758/ Doctoral Dissertation THE LOCAL WISDOM IN MARINE RESOURCE CONSERVATION FOR STRATEGIES OF POVERTY REDUCTION IN INDONESIA March 2019 LUCKY ZAMZAMI i To the Villagers of South Tiku ii TABLE OF CONTENTS Table of Contents ..................................................................................................... iii List of Tables ........................................................................................................... v List of Figures .......................................................................................................... vi List of Photos ........................................................................................................... vii Acknowledgment ..................................................................................................... viii Preface ..................................................................................................................... ix CHAPTER I: INTRODUCTION ......................................................................... 1 1. Background ........................................................................................................ 1 2. Ethnographical Setting ......................................................................................