Architectural Competition Brief Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Architectural Competition Brief Table of Contents 2013-06-12 Architectural Competition Brief Table of Contents Table of Contents 2 6.3. Existing Buildings on and Around the Site . 21 8. Competition Rules ........................................ 38 1. Introduction 3 6.3.1. Nationalmuseum and Museiparken .............................. 23 8.1. Aim............................................................................ 38 6.3.2. Metro Transport Tunnel ..................................................... 23 2. Background 5 8.2. Promoter ................................................................. 38 7. Competition Assignment and Guidelines 25 3. Vision 8 8.3. Eligibility to compete .......................................... 38 7.1. The Building .......................................................... 25 8.4. Competition process ........................................... 38 4. Activities 10 7.1.1. Design ................................................................................... 25 8.4.1. Stage 1 ................................................................................ 38 4.1. Meetings and Events ........................................... 10 7.1.2. Entrance Areas and Open Space .................................. 25 8.4.2. Stage 2 ................................................................................ 38 4.1.1. The Nobel Prize Award Ceremony .................................10 7.1.3. Accessibility ......................................................................... 25 8.4.3. Publicity during the competition period ........................ 39 4.1.2. Programme Events ........................................................... 11 7.1.4. Acoustics ............................................................................. 26 8.4.4. Post competition ................................................................ 39 4.1.3. Conferences ....................................................................... 11 7.1.5. Main Features and Areas .................................................. 26 8.5. Assessment criteria ............................................. 39 4.1.4. School Programmes ......................................................... 11 7.1.6. Entrance Hall and Public Service ................................... 27 4.1.5. Children’s Activities ........................................................... 11 7.1.7. Exhibition Spaces .............................................................. 27 8.6. Competition fees .................................................. 39 4.1.6. Special Events .................................................................. 11 7.1.8. Library and Collections ..................................................... 28 8.7. Jury ............................................................................ 40 4.2. Exhibitions.............................................................. 12 7.1.9. Restaurant and Café ........................................................ 28 8.7.1. Members of the jury ........................................................... 40 7.1.10. Conference and Meeting Facilities .............................. 29 8.7.2. The jury’s assignment ........................................................ 40 4.2.1. Permanent Exhibitions ...................................................... 12 7.1.11. Auditorium ......................................................................... 29 8.7.3. The jury’s decision .............................................................. 40 4.2.2. Temporary Exhibitions ....................................................... 12 7.1.12. Office Space for Staff and Researchers .................... 30 8.7.4. Advisors to the jury ............................................................. 40 4.2.3. Guided Tours ...................................................................... 12 7.1.13. Exhibition Production, Studio and Workshops ........ 30 8.7.5. Competition administrator ................................................ 40 4.3. Research and Library .......................................... 13 7.1.14. Future Extensions of the Nobel Center ...................... 30 8.8. Submission ............................................................ 40 4.4. Dining ....................................................................... 13 7.2. Site Development ................................................. 31 8.8.1. Language of submission .................................................. 40 4.5. The Shop ................................................................. 13 7.2.1. Key Vantage Points ............................................................ 31 8.8.2. Anonymity ............................................................................ 40 4.6. Other Media Activities ........................................ 13 7.2.2. Developing the Interaction with the Water .................. 31 8.8.3. Requested documentation in Stage 1.......................... 41 4.7. Workplace ............................................................... 14 7.2.3. Development of Blasieholms as a Recr:nal Attr:n ..... 31 8.8.4. Insurance ............................................................................. 41 7.2.4. Development of Cultural Value ...................................... 31 8.8.5. Submission addresses ..................................................... 41 5. The Competition Area 16 7.3. Access, Traffic and Logistics ............................. 32 8.8.6. Ownership ........................................................................... 42 5.1. The Site ...................................................................16 7.3.1. By Foot and via Public Transport .................................... 32 8.8.7. Copyright and right of use ................................................ 42 5.2. The Competition Area Boundaries .................. 17 7.3.2. Vehicle Traffic ...................................................................... 32 8.8.8. Publishing and exhibiting ................................................. 42 5.3. Geology .................................................................. 17 7.3.3. Buses, Unloading ............................................................... 33 8.8.9. Approval of the competition brief ................................... 42 5.4. Archaeology ........................................................... 17 7.3.4. Loading and Unloading ..................................................... 33 8.9. Competition schedule ......................................... 42 7.3.5. Parking ................................................................................. 34 6. Surroundings and Context 19 8.10. Questions concerning the competition task 42 7.3.6. Bicycle parking ................................................................... 34 6.1. The History of Blasieholmen ............................. 19 9. List of Appendices 43 7.3.7. Public Water Transport ...................................................... 34 6.2. Site Values ............................................................. 20 7.4. The Environment, Energy and Sustainability 35 Appendix 1 Room programme 6.2.1. Historic Value...................................................................... 20 Appendix 2 Site Maps 7.4.1. Goals and Ambition Levels .............................................. 35 6.2.2. National Interest ................................................................. 20 7.5. Project Finances ................................................... 37 6.2.3. Blasieholmsudden as a Destination ............................. 21 Nobel Center Competition Brief - 13 06 12 1. Introduction 3 1. Introduction We are facing a major and exciting challenge! The Nobel Prize has been awarded for more than 110 years. Among the Nobel Laureates are fixed stars like Albert Einstein, Marie Curie, Ernest Hemingway and Martin Luther King, but also several hundred other amazing indi- viduals, all of whom have “conferred the greatest benefit on mankind”, as stated in the will of Alfred Nobel. We are now looking forward to and taking on the task of creating a building dedicated to encouraging discovery, creativity and new thinking. Nobel Center is to become the new home for the Nobel Prize in Stockholm. Nobel Center is to be built on Blasieholmen, a wonderful place along Stockholm’s central waterfront. With its wide-ranging activities, we believe the Nobel Center will increase the value of the site for the public and make it more accessible both for residents of Stockholm and for visitors from farther away. Nobel Center will also serve as the natural base for our international activities related to the Nobel Prize. The following pages present the brief for an international architectural competition implemented in two stages. The aim of the competition is to identify the concept and architectural design of the Nobel Center. We envision that this will be a platform for inspiring meetings with the future Nobel Laureates – whether school children being intro- duced to scientific research for the first time or researchers who have come to Stockholm to receive their Nobel Prize. We eagerly await the journey ahead of us and welcome everyone, not just the architects participating in the competition, to accompany us along the way. Stockholm, 7 June 2013 Lars Heikensten Executive Director, The Nobel Foundation Chairman of the Board, Nobelhuset AB Nobel Center Competition Brief - 13 06 12 4 Background Nobel Center Competition Brief - 13 06 12 2. Background 5 2. Background Ever since the inception of the Nobel Prize, a building where the Nobel Prize, the
Recommended publications
  • Facts About Stockholm's Tourism Industry 2018
    Facts About Stockholm’s Tourism Industry Statistics for 2018 Right click on the background and choose Format Background to fill with picture or change color Content 1. Where Visitors Come From 2. How Visitors Travel to Stockholm 3. Where Visitors Stay 4. Why People Visit Stockholm 5. International Meetings and Conventions 6. Major Attractions in Stockholm Cover photo: Jeppe Wikström Photographer: Henrik Trygg Right click on the background and choose Format Background to fill with picture or change color 1. Where Visitors Come From In 2018, there were about 14.6 million overnight stays in commercial lodging establishments located within Stockholm County. Over 30 percent of all foreign bednights in Sweden are located in Stockholm County. Photographer: Visit Stockholm Right click on the background and choose Format Background to fill with picture or change color Steady Growth for Swedish and Foreign Visitors Six out of every ten overnight stays in Stockholm area hotels or similar Overnight stays by Swedish and foreign travelers at hotels, accommodations are booked by domestic travelers. Bookings by hostels, or other accommodations in Stockholm County international travelers, however, have had faster growth in the last five 2003-2018 (Index 100=2003) years. This was especially evident over the past year, as overnight stays by foreign visitors increased by 8 percent while domestic visitors’ Swedish visitors Foreign visitors Total overnight stays increased by just 2 percent. 230 Most foreign visitors come from European countries. 220 210 Overnight
    [Show full text]
  • Museer 2018, Kulturfakta 2019:1
    MYNDIGHETEN FÖR KULTURANALYS Museer 2018 Kulturfakta 2019:1 KULTURFAKTA 2016:3 MUSEER 2015 MUSEER • MYNDIGHETEN FÖR KULTURANALYS MYNDIGHETEN FÖR Postadress: Box 1001, 405 21 Göteborg Besöksadress: Södra Vägen 54 Telefon: 031-395 20 00 E-post: [email protected] Webbplats: www.kulturanalys.se © Myndigheten för kulturanalys 2019 Omslag: Takdekoration, Dynamiten, Göteborgs konstmuseum, Årets museum 2018. Omslagsfoto: Hendrik Zeilter Formgivning: Kulturanalys www.kulturanalys.se MYNDIGHETEN FÖR KULTURANALYS Museer 2018 Kulturfakta 2019:1 Innehåll Sammanfattning .................................................................... 4 Summary ................................................................................ 5 Inledning ................................................................................ 6 Definitioner ......................................................................................................................... 6 Museipopulationen ............................................................................................................. 7 Museer som ingår i rapporten ............................................................................................. 7 Svarsfrekvenser ................................................................................................................. 8 Tolkning av data och tidsserier ........................................................................................... 9 Organisationsform .............................................................................................................
    [Show full text]
  • Announcement of the Winners of the Fedora Prizes
    Press release ANNOUNCEMENT OF THE June 2018 WINNERS OF THE FEDORA PRIZES June 7th, 2018 - Award Ceremony The Award Ceremony of the 4th edition of the FEDORA Prizes took place on June 7th, 2018 at the Bayerisches Staatsballett in Munich. FEDORA is a non-profit organization, which supports every year opera and ballet co-productions of excellence that involve emerging artists of different nationalities and backgrounds. Seven Stones, a new opera co-production led by the Aix-en-Provence Festival, won the FEDORA – GENERALI Prize for Opera 2018 (€150,000) and A Quiet Evening of Dance, a new ballet co-production of Sadler’s Wells in London won the FEDORA - VAN CLEEF & ARPELS Prize for Ballet 2018 (€100,000). For the first time, also two symbolic Prizes were awarded: ToThe True Story of King Kong, an interdisciplinary opera co-production lead by Theater Magdeburg, for obtaining the highest number of public votes on the new FEDORA Platform and to A Quiet Evening of Dance for managing the most successful crowdfunding campaign. Seven Stones A Quiet Evening of DancE Festival d’Aix-en-Provence Sadler’s Wells Composer: Ondřej Adámek Choreographer: William Forsythe Librettist: Sigurjón B Sigurðsson Dancers: Rauf Yasit, Brigel Gjoka, Jill Johnson, Christopher Stage Director & Choreographer: Eric Oberdorff Roman, Riley Watts, Parvaneh Scharafali, Ander Zabala © Rights reserved © Sadler’s Wells Seven Stones is a highly creative, non-traditional and A new production by ground-breaking choreographer William accessible opera from young Czech composer Ondřej Forsythe, A Quiet Evening of Dance features a range of Adámek and Icelandic poet Sjón (also lyricist for the singer choreography, from the sparse and analytic to baroque- Björk).
    [Show full text]
  • Norrbro Och Strömparterren
    Norrbro och Strömparterren - - Stockholms Stadsmuseum augusti 2006 Samlingsavdelningen/Faktarumsenheten Framsidans målning: Klas Lundkvist Anna Palm: Utsikt över Strömmen mot Slottet från Södra Blasieholmshamnen, 1890-talet e-post: beskuren (originalets storlek 122 x 58 cm), [email protected] akvarell, INV NR SSM 0002325 (K 105) telefon: 508 31 712 - - Innehåll Uppdraget Stockholms Trafikkontor planerar för en omfattande Uppdraget ........................................................................................................ renovering av Norrbro. Åtgärderna innebär grundför- Sammanfattning .............................................................................................. 4 stärkning, tätning och fasadrenovering av delen över Platsens betydelse i staden och landet ............................................................ 4 Helgeandsholmen samt förnyelse av kör- och gångytor Norrbro idag .................................................................................................... 5 över hela Norrbro. I planeringen ingår även en översyn Gällande planer och lagstiftning ..................................................................... 7 av Strömparterrens parkyta. Stockholms stadsmuseum Kunskapsläget ................................................................................................. 7 har av Trafikkontoret genom Åsa Larsson, projektle- Kartor över Norrströms, Helgeandsholmens och broarnas utveckling ........... 8 dare Norrbro, och Bodil Hammarberg, projektledare Helgeandsholmen
    [Show full text]
  • Once Upon a Time in Scandinavia … a Literary Tour of Sweden, Denmark
    Once upon a time in Scandinavia: A Literary Tour of Sweden, Denmark and Norway 2023 19 JUL – 10 AUG 2023 Code: 22324 Tour Leaders Susannah Fullerton, OAM, FRSN, Russell Casey Physical Ratings Scandinavia is rich in literary heritage. This tour explores the lands & legacy of Ibsen, HC Andersen, Pippi Longstocking, Scandic-noir thrillers, Roald Dahl, Nobel Prize winners and more. Overview Lectures and site visits by Susannah Fullerton, President of the Jane Austen Society of Australia, with the assistance of Russell Casey. Evening performance of Peer Gynt at Lake Gålåvatnet. Henrik Ibsen wrote the verse play in 1867, inspired by stories from the Gudbrand valley in Norway. The accompanying music is inspired by Edvard Grieg’s original theatre music. A guided walk around Bergen in Norway with award-winning crime writer Gunnar Staalesen, following in the footsteps of his detective character Varg Veum. Dinner at The Den Gyldene Freden, the place where every Thursday the Academy (who nominate the winner of the Nobel Prize for Literature) convene. Knut Hamsun was awarded the Nobel Prize for literature for his novel Growth of the Soil in 1920. In Grimstad we enjoy a 6-course banquet, a replica of the meal served at Nobel Prize award ceremonies. Wonderful Astrid Lindgren visits, as we get to know more about the creator of Pippi Longstocking, seeing the towns where she set her books, and taking a look at the Lindgren archive with a renowned archivist guiding our visit. A Girl with the Dragon Tattoo walking tour of Stockholm. A Henning Mankell guided walk in Ystad, with a visit to the film museum to learn about the film versions of Mankell’s Kurt Wallander novels.
    [Show full text]
  • Nobel Week Stockholm 2018 – Detailed Information for the Media
    Nobel Week Stockholm • 2018 Detailed information for the media December 5, 2018 Content The 2018 Nobel Laureates 3 The 2018 Nobel Week 6 Press Conferences 6 Nobel Lectures 8 Nobel Prize Concert 9 Nobel Day at the Nobel Museum 9 Nobel Week Dialogue – Water Matters 10 The Nobel Prize Award Ceremony in Stockholm 12 Presentation Speeches 12 Musical Interludes 13 This Year’s Floral Decorations, Concert Hall 13 The Nobel Banquet in Stockholm 14 Divertissement 16 This Year’s Floral Decorations, City Hall 20 Speeches of Thanks 20 End of the Evening 20 Nobel Diplomas and Medals 21 Previous Nobel Laureates 21 The Nobel Week Concludes 22 Follow the Nobel Prize 24 The Nobel Prize Digital Channels 24 Nobelprize org 24 Broadcasts on SVT 25 International Distribution of the Programmes 25 The Nobel Museum and the Nobel Center 25 Historical Background 27 Preliminary Timetable for the 2018 Nobel Prize Award Ceremony 30 Seating Plan on the Stage, 2018 Nobel Prize Award Ceremony 32 Preliminary Time Schedule for the 2018 Nobel Banquet 34 Seating Plan for the 2018 Nobel Banquet, City Hall 35 Contact Details 36 the nobel prize 2 press MeMo 2018 The 2018 Nobel Laureates The 2018 Laureates are 12 in number, including Denis Mukwege and Nadia Murad, who have been awarded the Nobel Peace Prize Since 1901, the Nobel Prize has been awarded 590 times to 935 Laureates Because some have been awarded the prize twice, a total of 904 individuals and 24 organisations have received a Nobel Prize or the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel
    [Show full text]
  • Booking Information Events
    Information and conditions for events at the Nobel Prize Museum Welcome to the Nobel Laureates' very own museum. In a truly unique environment, you can combine inspirational experiences with good food and beverages. General Being a museum, Nobel Prize Museum is not rented out for events that require extensive on-site rigging or dancing. Since the museum must be considerate of other tenants and is located in a residential area, playing excessively loud music during an event is not allowed. The music must always be approved by Nobel Prize Museum’s event department. The museum's interior or exterior may not be changed in any way during an event. Any rigging must always be approved by the Museum’s Event Department. See more information under entertainment /technical equipment. The space During events, with or without refreshments, the client is renting the entire museum. Because of this, Nobel Prize Museum charges a baseline cost, or “arrangement cost”. It includes exclusive access to the museum space, entrance fee, a guided tour, staff, the museum shop NOBEL PRIZE MUSEUM, Stortorget 2, Gamla Stan, Stockholm. Tel: +46-8–534 818 39. E-mail: [email protected] being open during a certain period in the evening and cleaning. Nobel Prize Museum cannot be rented for parties only. Instead the arrangements always include a guided tour or other knowledge- sharing activity. The museum space is suitable for many conceivable kinds of arrangements. Contact the event department to see how your event can be carried out in the best possible way. Booking of events To book Nobel Prize Museum, please contact the event department at [email protected] or phone +46-8-534 818 39.
    [Show full text]
  • Här Gäller Kulturarvskortet!
    Här gäller Kulturarvskortet! Stockholm Årsta Slottsmuseum, 50% Närke Hälsingland & Medelpad Almgrens Sidenväveri & Museum, Östasiatiska museet, e10% Bergööska huset, 50% Gränsfors bruk, e10 % Skåne Blekinge Sollidens Slott, Borgholm, 50%, Lödöse Museum, e15% 50% Karlslunds herrgård, Örebro, 50% Hälsinglands museum, Hudiksvall, Skoindustrimuseet, Kumla, 50% e10% Axel Ebbes Konsthall, Trelleborg, Blekinge Museum, Karlskrona, e10% Nääs slott, Floda, 50% Armémuseum, e10% Uppland Stjernsunds slott, Askersund, 50% Ljusdalsbygdens museum, e10% 50% e10%, visn. 50% VIDA Museum, Halltorp 50% Rydals museum, Mark, 50%, e10% Bergianska Trädgården, 50% Botaniska Trädgården, Uppsala Tekniska kvarnen, Örebro, 50% Sundsvalls museum, 50% på Bosjökloster Slott & Trädgårdar, Karlshamns museum, 100%, e20% Ölands Museum Himmelsberga, Rörstrands museum, Lidköping, Birka, Björkö, 50% (ej på turtrafik), 50% Wadköping, Örebro, e10 % i stadsvandringar Höör, 50% Marinmuseum, Karlskrona, 50% på 50% e10% ä10%, e10% Bror Hjorths Hus, Uppsala, e10% Botaniska Trädgården, Lund, 20% utställningar Slöjd- & Byggnadsvård, Nääs, Carl Eldhs Ateljémuseum, 50% e utvalda butiker Gotland Enköpings museum, 10% Ångermanland på Botaniskans egna skrifter Skottsbergska Gården, Karlshamn, e10% Cosmonova, 50% Örebro läns museum, Örebro, Bungemuseet, 50% Evolutionsmuseet, Uppsala, 50% Mannaminne, Nordingrå, 50% Bärnstensmuseet, Kämpinge, 50%, 100% Stola Herrgård, Lidköping, 50% Dansmuseet, 50% e10% Gotlands Fornsal, Visby, 50% Gamla Uppsala Museum, 50% Västernorrlands museum, e10% e10%
    [Show full text]
  • Museums in Stockholm
    Museums in Stockholm PHOTO: OLA ERICSON FOR THE LATEST UPDATES ON STOCKHOLM, VISIT THE OFFICIAL WEBSITE VISITSTOCKHOLM.COM Museums in Stockholm BERGIANSKA TRÄDGÅRDEN BERGIUS BOTANIC GARDEN Discover Stockholm´s museums with their world-class collections, pioneering exhibitions and extraordinary historical objects. Botanical garden beautifully situated at Lake Brunnsviken. A paradise for plant enthusiasts with thousands of trees, shrubs and herbs from around the world. Exotic, heat-loving plants thrive in the Victoria House and Edvard Anderson Conservatory. AQUARIA VATTENMUSEUM Café, shop and restaurant. AQUARIA WATER MUSEUM Opening hours: The Park daily. Edvard Anderson Conservatory: Oct-Mar Mon- Fri 11am- 4pm, Sat- Sun Falkenbergsgatan 2. Djurgården 11am-5pm Apr-Sep daily 11am- 5pm. www.aquaria.se The Victoria House: May-Sep Mon- Fri 11am- 4pm, Sat-Sun 11am-5pm. ARKITEKTURMUSEUM Metro station: Universitetet, Bus:40 MUSEUM OF ARCHITECTURE Bergianska trädgården All you need to know about Swedish architecture and construction from +46 (0) 8 545 91 700 the 19th century until today. Exhibitions featuring drawings, models, design www.bergianska.se and examples of sustainable urban development. Take a tour and participate in creative activities for children on Sundays. Library, BIOLOGISKA MUSEET collections, book store and café. BIOLOGICAL MUSEUM Opening hours: Tues 10am- 8pm, Wed-Sun Lejonslätten, Djurgården 10am-6pm. www.biologiskamuseet.com Metro station: Kungsträdgården Bus: 2, 55, 62, 65, 76 Skeppsholmen BONNIERS KONSTHALL +46 (0) 8 587 270 00 BONNIERS CONTEMPORARY ART www.arkitekturmuseet.se Torsgatan 19. Norrmalm ARMÉMUSEUM www.bonnierskonsthall.se ARMY MUSEUM CARL ELDHS ATELJÉMUSEUM Riddargatan 13. Östermalm CARL ELDH’S STUDIO MUSEUM www.armemuseum.se Lögebodavägen 10.
    [Show full text]
  • NORDIC COOL 2013 Feb. 19–Mar. 17
    NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis).
    [Show full text]
  • CONDUCTOR Sergio Alapont Winner As Best Conductor in Italy 2016 Of
    CONDUCTOR Sergio Alapont Winner as Best Conductor in Italy 2016 of the Opera Awards GBOPERA, and winner of the II Competition for Conductors City of Granada Orchestra, Sergio Alapont is one of the leading conductors of his generation, Resident Conductor of Suzhou Symphony Orchestra in China, Music Director of Orizzonti Festival in Italy, Principal Conductor of Orquesta Manuel de Falla and Artistic Director of Opera Benicàssim. Future engagements for Mr. Alapont include Orchestra Giuseppe Verdi di Milano, Orchestra del Maggio Musicale Fiorentino, Orchestra di Padova e del Veneto, Orchestra della Toscana, Suzhou Symphony Orchestra (China), Opening Season Gala Concert with Haifa Symphony Orchestra (Israel), Norma at the Teatro Comunale di Ferrara, La Medium and Madama Butterfly at the Orizzonti Festival 2017, Lucia di Lammermoor at the Teatro Comunale di Treviso and Teatro Comunale di Ferrara, La forza del destino at the Las Palmas Opera, Madama Butterfly at the Palau de Les Arts of Valencia, Gala Concert at the Gran Teatre del Liceu de Barcelona or Gala Concert with the Orquesta Sinfónica de Madrid at the Teatro Real de Madrid Conrad van Alphen Conrad van Alphen is known as much for entrepreneurial spirit and depth of preparation as he his is for performances that combine exceptional sensitivity, vision and freshness. He enjoys a particularly close association with the Russian National Orchestra and is currently an artist of the Moscow Philharmonic Society. As a guest conductor Conrad works with some of the world’s most respected orchestras, such as the Montreal and Svetlanov Symphony Orchestras, the Brussels, Bogota and Moscow Philharmonics, the Bochumer Symphoniker as well as the Symphony Orchestra of the Gran Teatre del Liceu in Barcelona.
    [Show full text]
  • Behind the Scenes of the City: the Hidden, the Forbidden, the Forgotten November 18–19, 2020 Stockholm City Museum
    Behind the Scenes of the City: The Hidden, the Forbidden, the Forgotten November 18–19, 2020 Stockholm City Museum Wednesday November 18 11.00–13.00 Conference registration and lunch Stockholm City Museum, auditorium, 2nd floor. Light lunch and coffee will be served during registration. 13.00–13.10 Welcome and introduction Fredrik Linder, Director, Stockholm City Museum, Rebecka Lennartsson, Associate Professor, Stockholm City museum, and Karin Carlsson, PhD, Department of History, Stockholm University. 13.10–13.50 Keynote speaker: Beatriz Colomina Howard Crosby Butler Professor of the History of Architecture, School of architecture, Princeton university, USA. 14.00–15.00 Parallel sessions I. Thresholds, Borders and Spaces in Between Chair: Heiko Droste, Professor, Head of Institute of Urban History, Stockholm University. How to Make Differences: Entrances and the Role of the Doorman in Residential Buildings During the Turn of the 20th Century Karin Carlsson, PhD, Department of History, Stockholm university. Dad on Display: Commercial Construction of Gender and the Modern Man in the 1930s Shop Windows Orsi Husz, Senior Lecturer, Associate Professor and Researcher at Department of History, Uppsala University and Klara Arnberg, Associate Professor and Researcher at the Department of Economic History and International Relations, Stockholm University. II. Spaces and Places in Transformation Chair: Thomas Wimark, Senior Lecturer and Associate Professor, Department of Social and Economic Geography, Uppsala University. Hidden Projections: Cinematic Resistance From the Urban Interiors of Australia Martin Abbott and Jennifer Minner, Associate Professor, City and Regional Planning, Cornell University, USA. Impact of the Botkyrka Project on Gender Equality and Youth Participation: A Capability Approach Perspective on #UrbanGirlsMovement Vittorio Esposito, Master student, Department of Civil and Architectural Engineering, Royal Institute of Technology, Stockholm.
    [Show full text]