DOCSLIB.ORG

Número 26 | Volume 13 Julho - Dezembro 2019 Revista Online De Comunicação, Linguagem E Mídias N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Número 26 | Volume 13 Julho - Dezembro 2019 Revista Online De Comunicação, Linguagem E Mídias N número 26 | volume 13 julho - dezembro 2019 Revista Online de Comunicação, Linguagem e Mídias N. 26, V. 13 (2019) Julho – Dezembro de 2019 ISSN: 1982-677X RuMoRes – Revista Online de Comunicação, Linguagem e Mídias é um periódico científico semestral da Escola de Comunicações e Artes da Universidade de São Paulo (ECA-USP) publicado por MidiAto – Grupo de Estudos de Linguagem e Práticas Midiáticas e voltado para a divulgação de artigos científicos, resenhas críticas e entrevistas que contribuam para o debate sobre comunicação, cultura, mídias e linguagem. Classificada como B1 no Qualis Periódicos da Capes, a revista conta com apoio do Programa de Pós-Graduação em Meios e Processos Audiovisuais, do Programa de Pós-Graduação em Ciências da Comunicação da ECA-USP e do Sistema Integrado de Bibliotecas da USP por meio de seu Programa de Apoio a Periódicos Científicos. Para conhecer o site, acesse: www.revistas.usp.br/rumores Outras informações podem ser obtidas pelo e-mail: [email protected] Facebook: www.facebook.com/revistarumores Para conhecer o grupo MidiAto, acesse: www.usp.br/midiato Outras informações podem ser obtidas pelo email: [email protected] Facebook: www.facebook.com/midiatousp Universidade de São Paulo – Escola de Comunicações e Artes RuMoRes – Revista Online de Comunicação, Linguagem e Mídias Avenida Professor Lúcio Martins Rodrigues, 443/bl. A – Cidade Universitária 05508-020 – São Paulo/SP – Brasil EXPEDIENTE número 25 | volume 13 | julho - dezembro 2019 Bases de Dados Sofia Franco Guilherme Ricardo Alexino Ferreira (Universidade de Sâo Paulo) (Universidade de São Paulo) Confibercom Latindex Thiago Siqueira Venanzoni Rogério Ferraraz (Universidade de São Paulo) (Universidade Anhembi Morumbi) LatinRev Portal Capes de Periódicos Rose de Melo Rocha (Escola Superior de Propaganda Portal SEER Conselho Científico e Marketing) Portal de Revistas da Universidade Ana Lúcia Enne de São Paulo (Universidade Federal Fluminense) Samuel Paiva (Universidade Federal de São Carlos) Angela Prysthon Editora Científica (Universidade Federal de Pernambuco) Sandra Fischer (Universidade Tuiuti do Paraná) Rosana de Lima Soares Atílio José Avancini (Universidade de São Paulo) (Universidade de São Paulo) Vander Casaqui (Universidade de São Paulo) Beltrina Corte Editora Assistente (Pontifícia Universidade Católica Vera Lúcia Follain de Figueiredo de São Paulo) (Pontifícia Universidade Católica do Rio Andrea Limberto Leite de Janeiro) (Senac) Eduardo Victorio Morettin (Universidade de São Paulo) Zuleika Bueno (Universidade Estadual de Maringá) Eduardo Vicente Comissão Editorial (Universidade de São Paulo) Cintia Liesenberg Eneus Trindade Barreto Filho Universidade de São Paulo (Pontifícia Universidade Católica de (Universidade de São Paulo) Campinas/SP) Reitor: Vahan Agopyan Cláudio Rodrigues Coração Felipe de Castro Muanis Vice-Reitor: Antonio Carlos Hernandes (Universidade Federal de Juiz de Fora) (Universidade Federal de Ouro Preto) Fernando Resende Daniele Gross Escola de Comunicações e Artes (Universidade de São Paulo) (Universidade Federal de Juiz de Fora Eduardo Paschoal de Sousa Flávia Seligman Diretor (Universidade de São Paulo) (Universidade do Vale do Rio dos Sinos) Eduardo Henrique Soares Monteiro Eliza Bachega Casadei Gislene Silva Vice-Diretora (Universidade Federal de Santa Catarina) (Escola Superior de Propaganda Brasilina Passarelli e Marketing/SP) Irene de Araújo Machado Felipe da Silva Polydoro (Universidade de São Paulo) Programa de Pós-Graduação em (Universidade de Brasília/DF) Joanita Mota de Ataide Meios e Processos Audiovisuais Fernanda Elouise Budag (Universidade Federal do Maranhão) (Faculdade Paulus de Comunicação) José Carlos Marques Coordenador Ivan Paganotti (Universidade Estadual Paulista) Profa. Dra. Esther Imperio Hamburger (Fiam-Faam Centro Universitário) José Luiz Aidar Prado Vice-Coordenador José Augusto Mendes Lobato (Pontifícia Universidade Católica de São Paulo) (Universidade Anhembi Morumbi) Profa. Dra. Irene de Araújo Machado Josimey Costa Juliana Doretto (Universidade Federal do Rio Grande do Norte) (Fiam-Faaam Centro Universitário/SP) Preparação de originais e revisão Laura Loguercio Canepa Mariana Tavernari (Universidade Anhembi Morumbi) de textos (Universidade de São Paulo) Marcia Benetti Tikinet | Douglas Mattos e Mariane Harumi Murakami (Universidade Federal do Rio Grande do Sul) Mariana Viscarra (Universidade de São Paulo) Marcio Serelle Nara Lya Cabral Scabin (Pontifícia Universidade Católica Diagramação (Universidade Anhembi Morumbi) de Minas Gerais) Tikinet | Julia Ahmed e Pamela Silva Rafael Duarte Oliveira Venancio Marcius Freire (Universidade Federal de Uberlândia/MG (Universidade Estadual de Campinas) Catalogação na Publicação Renata Costa Marilda Lopes Ginez de Lara (Universidade de São Paulo) (Universidade de São Paulo) Serviço de Biblioteca e Documentação Sílvio Antonio Luiz Anaz Mayra Rodrigues Gomes Escola de Comunicações e Artes da (Fiam-Faam Centro Universitário) (Universidade de São Paulo) Universidade de São Paulo Dados Internacionais de Catalogação na Publicação (CIP) Rumores [recurso eletrônico]: revista online de comunicação, linguagem e mídias / MidiAto – Grupo de Estudos de Linguagem e Práticas Midiáticas, Escola de Comunicações e Artes da Universidade de São Paulo. – v.1, n.1, 2007- São Paulo: ECA/USP, 2007- Semestral Título e resumo em português e inglês Disponível no Portal de revistas da USP: www.revistas.usp.br/rumores ISSN 1982-677X 1. Comunicação 2. Cultura 3. Meios de comunicação de massa 4. Linguagem I. Universidade de São Paulo. Escola de Comunicações e Artes. Grupo de Estudos de Linguagem e Práticas Midiáticas II. MidiAto. CDD 21.ed. – 301.16 Esta obra está licenciada com uma Licença Creative Commons Atribuição - Não Comercial - Sem Derivações 4.0 Internacional. Sumário EDITORIAL .............................................................................................. 7 DOSSIÊ APRESENTAÇÃO ......................................................................................12 Celebridade: dispositivo interacional crítico? ................................................17 Paula Guimarães Simões Limites do discurso identitário na disputa eleitoral ............................... 34 Ercio Sena Possibilidades políticas da crítica em perspectiva teórica ..................... 58 Gislene Silva, Rosana de Lima Soares Crítica de mídia, sucesso de escândalo e narrativa política no Brasil hoje .... 78 Lígia Lana O factual e o ficcional nas imagens sobre médicos na reportagem e no drama televisivo .................................................................................... 98 Amanda Souza de Miranda Fronteiras dos discursos audiovisuais sobre o jovem em conflito com a lei ......................................................................................................121 Caio Túlio Padula Lamas Por um jornalismo transformativo: dinâmicas do reconhecimento em Presos que menstruam.......................................................................................146 Juliana Gusman A crítica da cobertura jornalística sobre minorias a partir das colunas de ombudsman .....................................................................................169 Diana de Azeredo Mediações no clube de leitura Leia Mulheres: encontro sobre Canção de ninar, de Leïla Slimani.......................................................................................... 190 Gabriela Barbosa Pacheco ARTIGOS Imaginários de poder e redes midiáticas: diálogos entre o Creative Time Summit e o Brasil ....................................................................................207 Lucia Leão, Vanessa, Mirian Meliani, Bernardo Queiroz Novas tecnologias da informação, escalabilidade e métodos quantitativos e qualitativos nas ciências humanas ...............................233 Silvana Seabra Hooper Competência midiática e cultura de fãs: análise do Twittertainment na social TV brasileira ...........................................................................................254 Daiana Sigiliano, Gabriela Borges Um conceito de ouvinte expandido ....................................................... 274 Nivaldo Ferraz O cine-eu, ou como o planeta passou a girar em torno do meu umbigo . 294 Marcius Freire Cartas para um ladrão de livros: um ladrido para quem corta o relato ....... 310 Ivan Paganotti Disputas en torno a la Televisión Pública: análisis sobre la crítica de medios a la emisora ...........................................................................................330 Yamila Heram Posfácios da coleção Jornalismo Literário: que jornalismo é esse? .......... 347 Myrian Del Vecchio-Lima, José Carlos Fernandes, Cíntia da Silva Conceição, Keyse Caldeira Macedo Mudaram as princesas? Ressignificações da identidade feminina nos SRSs ..370 Marcia Perencin Tondato, Maria Giselda da Costa Vilaça As últimas propagandas partidárias do PT: ênfase no lulismo e memória histórica (PPG) ........................................................................................392 Carla Montuori, Luiz Ademir de Oliveira, Vinícius Gomes, Mariane Campos Karl Marx − 200 anos: a atualidade de sua práxis jornalística .................... 414 Rafael Bellan Rodrigues de Souza número 26 | volume 13 | julho - dezembro 2019 DOI:10.11606/issn.1982-677X.rum.2019.164315 EDITORIAL Miradas políticas e horizontes éticos na crítica midiática RuMoRes, revista científica dedicada aos estudos de comunicação, linguagem e mídias, apresenta no Dossiê de sua vigésima sexta edição a continuidade do debate sobre
Load more

Recommended publications
  • For Immediate Release Tribeca Film Festival® Announces
    FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives.
    [Show full text]
  • Appellants' Reply Brief
    ACCEPTED 03-19-00811-CV 40902128 THIRD COURT OF APPEALS AUSTIN, TEXAS 2/18/2020 4:11 AM JEFFREY D. KYLE CLERK NO. 03-19-00811-CV FILED IN 3rd COURT OF APPEALS IN THE THIRD COURT OF APPEALS, AUSTIN, TEXAS USTIN EXAS A , T 2/18/2020 8:00:00 AM JEFFREY D. KYLE Clerk ALEX E. JONES, INFOWARS, LLC, FREE SPEECH SYSTEMS, LLC, AND OWEN SHROYER, Appellants, v. NEIL HESLIN, Appellee On Appeal from the 53rd District Court, Travis County, Texas Trial Court Cause No. D-1-GN-18-001835 APPELLANTS’ REPLY BRIEF T. Wade Jefferies David J. Sacks THE LAW FIRM OF T. WADE JEFFERIES SACKS LAW FIRM State Bar No. 00790962 State Bar No. 17505700 401 Congress Ave., Suite 1540 2323 S. Shepherd, Suite 825 Austin, TX 78701 Houston, TX 77019 Email: [email protected] Email: [email protected] Telephone: (512) 201-2727 Telephone: (713) 863-8400 Facsimile: (512) 687-3499 Facsimile: (713) 863-0502 Counsel for Appellants Lead Counsel for Appellants ORAL ARGUMENT REQUESTED NO. 03-19-00811-CV TABLE OF CONTENTS TABLE OF CONTENTS .......................................................................................... ii INDEX OF AUTHORITIES .....................................................................................iv INTRODUCTION ..................................................................................................... 1 ARGUMENT ............................................................................................................. 7 I. APPELLEE’S DEFAMATION CAUSE OF ACTION SHOULD BE DISMISSED UNDER THE TCPA. ...............................................................
    [Show full text]
  • Trump's New Face of Power in America
    Trump’s New Face of Power in America (updated and revised June 2021) Bob Hanke1 York University, Toronto, Canada Abstract: This article proposes that the advent of Trumpism was an historical moment of danger that compels us to analyze the micropolitics of the present. In the first part, I describe the constellation that gave rise to Trumpism. In the second part, I recall Goffman’s concept of face-work and discuss how it remains relevant for describing Trump’s aggressive face-work. In the third part, I take Deleuze and Guattari’s concept of faciality as a point of departure for understanding micro- fascism. As an abstract machine, Trump’s faciality engendered and diffused fascisizing micropolitics around a messenger/disrupter in chief. It worked in connection with a landscape and relative to a collective assemblage of enunciation that extracted a territory of perception and affect. In the micropolitics of the present, the defining feature of Trumpism was how the corrupt abuse of power and the counterforces limiting his potency collided on an ominous, convulsive political reality TV show that threatened US democracy. Keywords: Trumpism, face-work, faciality, assemblage, micropolitics, impeachment, coronavirus pandemic We are all sufferers from history, but the paranoid is a double sufferer, since he is afflicted not only by the real world, with the rest of us, but by his fantasies as well. – Richard Hofstadter (1964) When a man unprincipled in private life desperate in his fortune, bold in his temper, possessed of considerable talents,
    [Show full text]
  • The Alt-Right's Use of President Donald Trump's Twitter Account As a Propaganda Device Erin Nicole Jorden [email protected]
    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2018 The Alt-right's use of President Donald Trump's Twitter account as a propaganda device Erin Nicole Jorden [email protected] Follow this and additional works at: https://mds.marshall.edu/etd Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Mass Communication Commons, Social Influence and Political Communication Commons, and the Social Media Commons Recommended Citation Jorden, Erin Nicole, "The Alt-right's use of President Donald Trump's Twitter account as a propaganda device" (2018). Theses, Dissertations and Capstones. 1152. https://mds.marshall.edu/etd/1152 This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. THE ALT-RIGHT’S USE OF PRESIDENT DONALD TRUMP’S TWITTER ACCOUNT AS A PROPAGANDA DEVICE A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts In Communication Studies by Erin Nicole Jorden Approved by Dr. Stephen M. Underhill, Committee Chairperson Dr. Jill C. Underhill Dr. Camilla Brammer Marshall University May 2018 © 2018 Erin Nicole Jorden ALL RIGHTS RESERVED ii ACKNOWLEDGMENTS I would first like to thank my thesis committee. To my thesis advisor, Dr. Stephen Underhill, thank you so much for your advice and guidance the last six years of my collegiate career.
    [Show full text]
  • GN Roger Stone Democracy's Undertaker Copy
    Gaslit Nation Roger Stone Democracy’s Undertaker Andrea Chalupa Sarah Kendzior Theme Music Sarah Kendzior: I'm Sarah Kendzior. I'm a journalist and scholar of authoritarian states with a focus on the former Soviet Union. I'm also the author of the book The View From Flyover Country. I'm Andrea Chalupa, a writer, activist, and filmmaker and screenwriter of the upcoming journalistic thriller Mr. Jones. Sarah Kendzior: And this is Gaslit Nation, a podcast about corruption in the Trump Administration and rising authoritarianism around the world. This is the first time in a month that we've done an episode with an operational federal government. But while the shutdown may be over, the existential threat to the United States is not. We are merely in the eye of the hurricane. Since reopening the government last week, Trump has both threatened another shutdown and threatened a National Emergency — a scheduled National Emergency — that could happen on or by February 15th. Let's make one thing clear: contrary to cable news clamoring the shutdown is not about winners and losers, we all know who lost, and it was the American people. The media coverage that treats the shut down as Trump versus Pelosi is like watching a monster movie in which the human casualties are totally disregarded. They're just disposable background players in the battle between the beasts. This is not a movie and it's not a goddamn game. This is about our lives, about the lives of our fellow Americans. In my view, Nancy Pelosi did a great job holding the line and not giving into Trump's demands, but Trump did not cave or surrender he just slowed down.
    [Show full text]
  • CIBERACTIVISMO, LIBERTAD Y DERECHOS HUMANOS Retos De La Democracia Informativa
    CIBERACTIVISMO, LIBERTAD Y DERECHOS HUMANOS Retos de la democracia informativa ACTAS DEL CONGRESO ULEPICC (SEVILLA, 2019) COORDINADORES Francisco Sierra David Montero José Candón Ciberactivismo, Libertad y Derechos Humanos Francisco Sierra, David Montero y José Candón (Coords.) ULEPICC Unión Latina de Economía Política de la Información, la Comunicación y la Cultura Universidad de Sevilla, Facultad de Comunicación Avda. Américo Vespucio, s/n Isla de la Cartuja Despacho D7 41092 • Sevilla, España www.ulepicc.org Octubre de 2020 Sevilla, España Primera edición ISBN: 978-84-09-25298-5 Ediciones ULEPICC, 2020 Los textos publicados son de exclusiva responsabilidad de sus autores. Reconocimiento-SinObraDerivada CC BY-ND Esta licencia permite la redistribución, comercial y no comercial, siempre y cuando la obra no se modifique y se transmita en su totalidad, reconociendo su autoría. CIBERACTIVISMO, LIBERTAD Y DERECHOS HUMANOS Retos de la democracia informativa COORDINADORES: FRANCISCO SIERRA DAVID MONTERO JOSÉ CANDÓN Índice PRESENTACIÓN .......................................................................5 Francisco Sierra Propaganda política, liberalismo económico y Derechos Humanos: el caso de Ciudadanos y los vientres de alquiler ..............................................................................11 Antonio Pineda Políticas públicas en radiodifusión y telecomunicaciones en México .............................................................................37 Florence Toussaint Después del eclipse computacional: iluminando las
    [Show full text]
  • September 26, 2017
    1 UNCLASSIFIED, COMMITTEE SENSITIVE EXECUTIVE SESSION PERMANENT SELECT COMMITTEE ON INTELLIGENCE, U.S. HOUSE OF REPRESENTATIVES, WASHINGTON, D.C. INTERVIEW OF: ROGER J. STONE, JR. Tuesday, September 26, 2017 Washington, D.C. The interview in the above matter was held in Room HVC-304, the Capitol, commencing at 9:41 a.m. Present: Representatives Conaway, King, LoBiondo, Rooney, Stewart, Gowdy, Hurd, Schiff, Himes, Speier, Quigley, Swalwell, Castro, and Heck. UNCLASSIFIED, COMMITTEE SENSITIVE PROPERTY OF THE UNITED STATES HOUSE OF REPRESENTATIVES 2 UNCLASSIFIED, COMMITTEE SENSITIVE Appearances: For the PERMANENT SELECT COMMITTEE ON INTELLIGENCE: For ROGER J. STONE, JR.: GRANT J. SMITH, ESQ. ROBERT BUSCHEL, ESQ. STRATEGYSMITH Bank of America City Centre 401 East Las Olas Blvd. Suite 130-120 Fort Lauderdale, FL 33301 UNCLASSIFIED, COMMITTEE SENSITIVE PROPERTY OF THE UNITED STATES HOUSE OF REPRESENTATIVES PROPERTY OF THE UNITED STATES HOUSE OF REPRESENTATIVES 4 UNCLASSIFIED, COMMITTEE SENSITIVE Counsel, if you could please identify yourselves for the record. MR. SMITH: My name is Grant Smith, attorney for Roger Stone. MR. BUSCHEL: Robert Buschel on behalf of Roger Stone. Thank you. This interview will be transcribed. There is a reporter making a record of these proceedings so we can easily consult a written compilation of your answers. Because the reporter cannot record gestures, we ask that you answer verbally to all questions. If you forget to do this, you might be reminded to do so. You may also be asked to spell certain terms or unusual phrases. Consistent with the committee's rules of procedure, you and your counsel, if you wish, will have a reasonable opportunity to inspect the transcript of this interview in order to determine whether your answers were correctly transcribed.
    [Show full text]
  • Fake News and the Dark Arts of Political Manipulation
    By Leonard Wanyama By the time you read this, you would have already received your daily dose of fake news. The extended electioneering mode in which Kenya finds itself is fertile ground for what Samantha Bradshaw and Philip Howard from the University of Oxford have described as cyber troops, trolls and troublemakers, who are organised to manipulate all forms of media for political aims. You would have already encountered well-choreographed events, strangely engineered election petitions, shadowy non-profit organisations, dodgy lobby groups and all manner of consultants sprouting all over and pitching one alternative version of news against those of their opponents as they try to win you over. This is the environment in which political consultants tend to thrive in, as depicted in Get Me Roger Stone, a fascinating documentary about Roger J. Stone Jr., the political consultant who helped President Donald Trump beat Hillary Clinton in last year’s American election. Stone’s forte is in the use of opposition research and the promotion of falsehoods and conspiracy theories for the Republican Party’s electoral base. A veteran of the conservative movement, he is constantly referred to as a “dirty trickster” and the “prince of darkness” who is well versed in party infighting and raw politicking. Watching this movie during this era of fake news, it wouldn’t hurt to call Mr. Stone the “Godfather” of all foreign political consultancies currently strutting across the African continent, such as BTP Advisers, Cambridge Analytica, and Bell Pottinger. A self-styled agent provocateur, Stone’s life is framed within the context of how the Republican Party has transformed itself from the New Right of Ronald Reagan to the Alternative Right, or Alt-Right, of the Trump administration.
    [Show full text]
  • Nov. 01, 2018 Roger Stone Passes Two Polygraph Exams Proving No Wikileaks Coll
    11/1/2018 Americans for Innovation: ROGER STONE SPEAKS More Create Blog Sign In To ensure you are reading the latest post, click the logo above. SEARCH by topic, keyword or phrase. Type in Custom Search box e.g. "IBM Eclipse Foundation" or "racketeering" Custom Search SENIOR EXECUTIVE SERVICE (SES) ROGER STONE SPEAKS IS THE DEEP STATE DEEP STATE Member SHADOW OP-EDS, ARTICLES & GOVERNMENT POSTER INTERVIEWS Harvard | Yale | Stanford | Cambridge Sycophants Bookmark: #stand-with-roger-stone ROGER STONE SPEAKS: On Nov. 18, 2017, Twitter censored New York Times best- ROGER STONE | OPINION | AMERICANS FOR INNOVATION | LAST UPDATED NOV. 01, 2018 | PDF | selling author Roger Stone completely. Every https://tinyurl.com/yc5rcsxj red-blooded American should be outraged, Republican, Democrat and Independent alike. If Roger's voice is silenced today, yours is next. We must break this embargo. Click here to read and share Roger's latest perspectives on the Battle for our Republic, including his responses to his MOST RECENT: NOV. 01, 2018 critics (who have not been censored). Updated Oct. 27, 2018. Bookmark: #stone-passes-two-polygraphs | https://tinyurl.com/ydypvuxn CLICK HERE TO SEE COMBINED TIMELINE OF THE ROGER STONE PASSES TWO POLYGRAPH HIJACKING OF THE INTERNET EXAMS PROVING NO WIKILEAKS PAY-to-PLAY NEW WORLD ORDER This timeline shows how insiders sell access & manipulate politicians, police, intelligence, COLLABORATION judges and media to keep their secrets Clintons, Obamas, Summers were paid in cash for Ali Dukakis. (Oct. 30, 2018). ROGER STONE PASSES TWO POLYGRAPH outlandish speaking fees and Foundation donations. EXAMS PROVING NO WIKILEAKS COLLABORATION. ABC News.
    [Show full text]
  • The American Tattoo
    Jackson Dockery Date: 1/15/20 The American Tattoo Tattoos leave a mark – for better or worse. Sometimes they turn out stylish and have a heart-warming meaning that reaffirm what you believe and feel as a person. Sometimes they turn out messy and confusing, permanently inking a part of your body that you can’t avoid and is now part of your everyday frustrations. Sometimes it’s the word “MOM.” Sometimes it’s a Japanese phrase that translates to some variation of “don’t be a jerk”. Sometimes it’s like a weird bird feather. Sometimes it’s Richard Nixon’s face. And according to the Netflix documentary Get Me Roger Stone, if your name’s America, your permanent mark is the existence of the man, the myth, the dark legend: Roger Stone. 1 “It is better to be infamous than to have never been famous at all” – and so begin Roger Stone’s rules, and ultimately the film’s rules, on how to become an active success in propaganda (Stone). The film follows the life, career, beliefs, and method through which Roger Stone affected the American public and the American political system over the past 40 plus yeas through an upending of basic political norms, attitudes and morality. To Stone, it doesn’t matter whether you’re the good guy or the bad guy to someone. If you’re “the guy,” you are by definition having an effect on someone. The very first line of the film is one delivered by then presidential nominee Donald Trump at the 2016 Republican National Convention and sums up the main focus of Stone’s style of political communication.
    [Show full text]
  • Episode 9: Winning Producer: Previously on the Asset Max
    Episode 9: Winning Producer: Previously on The Asset Max Bergmann: The Republican convention had concluded the day before and it had been a mess. Ted Cruz: And God bless the United States of America. Max Bergmann: Polling after the convention showed that Trump failed to get any bounce out of it. Then, the next morning, the website WikiLeaks released a massive trove of 20,000 emails and documents from the Democratic National Committee, from the Democratic Party. Newscast: That sent a lot of Bernie Sanders supporters into the streets here in Philadelphia over the weekend. We saw significant protests here in Philadelphia. Max Bergmann: Six days after the WikiLeaks release of DNC emails, the Trump campaign wanted more, and Donald Trump held a press conference. In it he made this startling statement: Donald Trump: Russia, if you're listening, I hope you're able to find the 30,000 emails that are missing. I think you will probably be rewarded mightily by our press. Max Bergmann: And it turns out, they were listening. Max Bergmann: Episode Nine: Winning. Early on Tuesday morning, October 11, 2016, WikiLeaks released its third batch of emails stolen by the Russians from Clinton campaign chairman John Podesta. It came four days after the initial release from WikiLeaks on Friday, October 7. This 8:30 AM release contained nearly 1,200 emails, and it came on top of the 4,000 that had been made public in the first two releases. That's a lot of emails to go through in four days, and by mid-day on October 11, one particular email exchange had been featured in the first two stories published on this batch: one on the US-based conservative website, the Daily Caller.
    [Show full text]
  • Introducción
    Sevilla 2020 ANÁLISIS DE LOS DOCUMENTALES GET ME ROGER STO- NE Y THE BRINK QUE RETRATAN A LOS ASESORES DE TRUMP Antonio Villanueva Martín Introducción Ni Richard Nixon, ni John Fitzgerald Kennedy, ni Ronald Reagan generaron entre sus coetáneos tal cantidad de mate- rial de análisis escrito y audiovisual como está provocando Donald Trump y su entorno, ante la necesidad de comprender lo incomprensible. Cada día nos levantamos con un nuevo libro, artículo o documental retratando aspectos del populis- mo y la polarización. El cine de no ficción no se resiste al estudio de la realidad cuando la realidad supera la ficción. Dicha polarización corre el riesgo de reconvertir el cine en militancia. El documental político, relator de las estructuras de poder contemporáneo, se ha visto dinamizado en los últi- mos tiempos tanto por lo sugerente y caótico de la actualidad, como por la aparición de nuevas plataformas como Netflix. De la CNN a The New York Times, pasando por Umberto Eco, J.K. Rowling, Martin Amis, Salman Rushdie o Stephen King han expresado el horror hacia un malo de dibujos animados liderando el Imperio.104 Y los documentalistas se han lanzado a mostrar las aris- tas sin ángulos: Errol Morris disecciona a Steve Bannon en American Dharma; Alexis Bloom retrata el ascenso y caída 104 No parece que ninguno de ellos haga caso al título del artículo en Was- hington Post del premio Pulitzer Colvert I. King: “Don’t waste your breath trying to convince Trump supporters he’s repugnant.” 403 Congreso ULEPICC del ex presidente de Fox News, Robert Ailes, en Divide and Conquer; Matt Tyrnauer rememora al ex ayudante del se- nador McCarthy y abogado de Donald Trump en Where’s my Roy Cohn?, y así hasta llegar a dos documentales que tienen su fuerza en el seguimiento invasivo y permitido, du- rante años, por parte de documentalistas no afines de Roger Stone y Steve Bannon, dos de los sumos hacedores del mito Trump.
    [Show full text]