Literary Guide
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History of Intiman
INTIMAN THEATRE PRODUCTION HISTORY 1972-2012 PLAY AUTHOR DIRECTOR 1972-73 Rosmersholm Ibsen (trans. Michael Meyer) Margaret Booker The Creditors Strindberg (trans. Walter Johnson) Margaret Booker The Underpants Carl Sternheim (trans. Eric Bentley) Margaret Booker 1974 Brecht on Brecht George Tabori Andrew Witt Miss Julie Strindberg (trans. Margaret Booker) Margaret Booker Tango Slaw omir Mrozek Margaret Booker Candida George Bernard Shaw Margaret Booker 1975 Uncle Vanya Chekhov (trans. Christopher Hampton) Margaret Booker The Philanderer George Bernard Shaw Margaret Booker Hedda Gabler Ibsen (trans. Margaret Booker) Margaret Booker 1976 Arms and the Man George Bernard Shaw Stephen Rosenfield Elektra Sophocles (trans. David Grene) Margaret Booker Anatol Arthur Schnitzler Margaret Booker Bus Stop William Inge Pat Patton The Northw est Show Barry Pritchard Margaret Booker 1977 Toys in the Attic Lillian Hellman Margaret Booker The Importance of Being Earnest Oscar Wilde Clayton Corzatte Ghosts Ibsen (trans. Margaret Booker) Margaret Booker Playboy of the Western World John Millington Synge Pat Patton A Moon for the Misbegotten Eugene O' Neill Margaret Booker 1978 Henry IV Luigi Pirandello (adapt. John Reich) Margaret Booker The Way of the World William Congreve Anthony Cornish Three Sisters Chekhov Margaret Booker The Country Girl Clifford Odets Stephen Rosenfield The Dance of Death August Strindberg Margaret Booker 1979 The Loves of Cass McGuire Brian Friel Margaret Booker Tartuffe Molière (trans. Richard Wilbur) Stephen Rosenfield Medea Euripides (adapt. Robinson Jeffers) Margaret Booker Heartbreak House George Bernard Shaw Anthony Cornish Design for Living Noë l Cow ard Margaret Booker 1980 Othello William Shakespeare Margaret Booker The Lady's Not for Burning Christopher Fry William Glover Leonce and Lena Georg Bü chner Margaret Booker (trans. -
Broadway Buzz- Spring Awakening
Broadway Buzz- Spring Awakening THEATER MAY NEVER BE THE SAME “If you have just one night to spend in the theater,” the New York Post says, “awake yourself with SPRING AWAKENING” as the Key Bank Broadway Series continues at PlayhouseSquare March 3-15, 2009. Awards Winner of 8 Tony Awards, 4 Drama Desk Awards, a Grammy Award, New York Times Drama Critics Award, a Drama League Award and 3 Outer Critics Circle Awards, SPRING AWAKENING has won best musical, best book of a musical, best choreography, best score, best orchestration, best director, best lighting and best featured actor. “Everything combines for a show that bursts off the stage with heart and Photo: Blake Bashoff Read More... Should sex education be a mandatory part of high school curriculum? Buzz Extra is a publication of the Arts Yes Education Department at PlayhouseSquare No Vice President of Theatricals: Gina Vernaci Director of Arts Education: Colleen Porter Director of Ticket Sales & Marketing: Spring Awakening Videos, Photos, Music Autumn Kiser Spring Awakening on Facebook Editors: Spring Awakening Parents Guide Linda Jackson, Cindi Szymanski Writer: Robin Pease Photos: Paul Kolnik http://www.playhousesquare.org/bbuzz/springawakening/index.html[2/24/2009 12:49:26 PM] Broadway Buzz- Spring Awakening Home Theater May Never Be the Same Talking with Christy Altomare Download and read the printable version of the Buzz (535Kb in PDF format) here Banned! The Gospel According to Spring Awakening A Chorus Line Legally Blonde The Musical Ripped from the Headlines Radio City Christmas Spectacular Frost/ Nixon Enrich Your Experience: Broadway Buzz Events Spring Awakening Teen Night We welcome your feedback and suggestions for the Buzz Extra. -
Presenta Un Film Di Gus Van Sant
presenta Milk un film di Gus Van Sant uscita 23 gennaio durata 128 minuti ufficio stampa Federica de Sanctis 339.2476890 [email protected] BIM DISTRIBUZIONE Via Marianna Dionigi 57 00193 ROMA Tel. 06-3231057 Fax 06-3211984 www.bimfilm.com 2 Milk Indice I. Sinossi pag. 3 II. Il contesto storico: cronologia pag. 5 III. Il contesto storico: Milk/Castro pag. 9 IV. Le riprese pag. 10 VI. Location pag. 12 VII. L’eredità di Milk pag. 17 VIII. Il cast artistico pag. 19 IX. Il cast tecnico pag. 32 X. Titoli pag. 43 2 3 Milk Sinossi Attivista del movimento dei diritti degli omosessuali. Amico. Amante. Unificatore. Politico. Combattente. Icona. Ispiratore. Eroe. La sua vita ha cambiato la storia, e il suo coraggio ha cambiato la vita di tante persone. Nel 1977, Harvey Milk è stato eletto supervisor (consigliere comunale) a San Francisco, divenendo il primo omosessuale dichiarato ad avere accesso a una importante carica pubblica in America. La sua vittoria non è stata solo una vittoria per i diritti dei gay, ma ha aperto la strada a coalizioni trasversali nello schieramento politico. Harvey Milk ha incarnato per molti – dagli anziani agli iscritti al sindacato – una nuova figura di militante per i diritti civili; e con la sua morte prematura, avvenuta nel 1978, è diventato un eroe per tutti gli americani. L’attore premio Oscar Sean Penn interpreta Harvey Milk, diretto dal regista candidato all’Oscar Gus Van Sant, in Milk, un film girato a San Francisco, tratto da una sceneggiatura originale di Dustin Lance Black, e prodotto dai premi Oscar Dan Jinks e Bruce Cohen. -
Mactheatre Theatre Departme
Think You Need A BFA? ................................................................................................................... 3 Is a BFA Degree Part of the Recipe for Musical Theater Success? ................................................. 7 A Little Quiz ................................................................................................................................... 12 Broadway's Big 10: Top Colleges Currently Represented on Currently Running Shows .............. 14 Monthly College Planning Guide For Visual & Performing Arts Students. ................................... 18 Theatre and Musical Theatre College Audition Timeline in a Nutshell ........................................ 48 Gain An Edge Over The Summer ................................................................................................... 50 6 Keys To Choosing The Perfect College For The Arts. ................................................................. 53 The National Association for College Admission Counseling Performing and Visual Arts Fairs in Houston & Dallas. ......................................................................................................................... 55 Unifieds ......................................................................................................................................... 58 TX Thespian Festival College Auditions......................................................................................... 68 Theatre College-Bound Resource Index. ..................................................................................... -
Drake Plays 1927-2021.Xls
Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St. -
The New Yorker-20180326.Pdf
PRICE $8.99 MAR. 26, 2018 MARCH 26, 2018 6 GOINGS ON ABOUT TOWN 17 THE TALK OF THE TOWN Amy Davidson Sorkin on White House mayhem; Allbirds’ moral fibres; Trump’s Twitter blockees; Sheila Hicks looms large; #MeToo and men. ANNALS OF THEATRE Michael Schulman 22 The Ascension Marianne Elliott and “Angels in America.” SHOUTS & MURMURS Ian Frazier 27 The British Museum of Your Stuff ONWARD AND UPWARD WITH THE ARTS Hua Hsu 28 Hip-Hop’s New Frontier 88rising’s Asian imports. PROFILES Connie Bruck 36 California v. Trump Jerry Brown’s last term as governor. PORTFOLIO Sharif Hamza 48 Gun Country with Dana Goodyear Firearms enthusiasts of the Parkland generation. FICTION Tommy Orange 58 “The State” THE CRITICS A CRITIC AT LARGE Jill Lepore 64 Rachel Carson’s writings on the sea. BOOKS Adam Kirsch 73 Two new histories of the Jews. 77 Briefly Noted THE CURRENT CINEMA Anthony Lane 78 “Tomb Raider,” “Isle of Dogs.” POEMS J. Estanislao Lopez 32 “Meditation on Beauty” Lucie Brock-Broido 44 “Giraffe” COVER Barry Blitt “Exposed” DRAWINGS Roz Chast, Zachary Kanin, Seth Fleishman, William Haefeli, Charlie Hankin, P. C. Vey, Bishakh Som, Peter Kuper, Carolita Johnson, Tom Cheney, Emily Flake, Edward Koren SPOTS Miguel Porlan CONTRIBUTORS The real story, in real time. Connie Bruck (“California v. Trump,” Hua Hsu (“Hip-Hop’s New Frontier,” p. 36) has been a staff writer since 1989. p. 28), a staff writer, is the author of “A She has published three books, among Floating Chinaman.” them “The Predators’ Ball.” Jill Lepore (A Critic at Large, p. -
Trash Bowl Alabama “Has Anyone Really Been Far Even As Decided to Use Even Go Want to ‘A Question About This’ Look More Like?”
Trash Bowl Alabama “Has Anyone Really Been Far Even as Decided to Use Even Go Want to ‘a question about this’ Look More Like?” Written and Edited by: Brandon Jones, Brody Marshall, Mark Simmons, Jeremy Cummings, Morgan Potts, and Liz Turner. NOTE TO MODERATOR: ALL TOSSUPS AND BONUSES ARE PAIRED AND, IF ANY TOSSUP GOES DEAD, ITS BONUS SHOULD ALSO BE SKIPPED. Packet 4 1. The first six installments in this series got their collective name from Lewis Carroll’s The Hunting of the Snark. That beginning to this series was as a radio program on BBC 4, in which each episode featured Earth being destroyed in a different way. This series has been adapted into various media, most of which were directly managed by the series’ creator, who also wrote the (*) Dirk Gently novels. In one book in this series, the protagonists travel to the planet Magrathea, where they meet Slartibartfast, who is notable for having created most of the fjords in the Norwegian coastline. Other novels in this series include And Another Thing..., as well as The Restaurant at the End of the Universe. For 10 points, what absurdist sci-fi series featuring Trillian, Ford Perfect, and Arthur Dent was created by Douglas Adams? ANSWER: The Hitchhiker’s Guide to the Galaxy <Literature> [JC] 1. Remember that Math Limerick bonus from the last packet? If you don’t remember, don’t worry, we made another! For 10 points each: a. Who once was the Frenchman of fame / Whose proof made a mighty hard game / That only the squares / Could be summed up in pairs / And the sum be a power, the same? ANSWER: Pierre de Fermat b. -
General Comments
Introduction The Playwright There are writers who say, "It 's good to have written, .. and there are writers who say, "It's good to write . .. I'm ofthe latter sort. Mark Medon: 2003 Mark Medoff writes stories. He writes stories not only because he wants to, but also because he must. This somewhat selfish, self-absorbing, but nonetheless privileged and gratifying undertaking - as he describes it - inhabits him, much like the characters of his playscripts, screenplays, and novel insinuate themselves into his consciousness, whether or not he invites them. For Medoff, writing crystallizes human behavior; it dissects, massages, and textures thoughts and concerns which preoccupy him constantly and insist upon some sort of conceptualized release. This release is prolific and takes the form of fiction and nonfiction; screenplays, lyrics, librettos, and a novel; full-length, one-act, musical, non-musical, adult, family, and holiday plays. Writing cleanses Medoff of the sullying influences of world events and enables him to exorcise demons. The process by which this happens is habitual. In deeply concentrated work throughout early to late morning or afternoon hours, Medoff dismisses his perceptual, analytical self and allows pent up musings to spill out unabated, like so much projectile vomit (Mr. Medoff apologizes for this graphic but accurate analogy). Sometime around early afternoon, he escapes to the gym or some sports activity. For Medoff, exercise is an indispensable life function and a profoundly important formative influence dating back to the tender age of five or , 2 six when his athletically accomplished father first taught him to throw and catch a ball. -
Karaoke Version Song Book
Karaoke Version Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Hed) Planet Earth 50 Cent Blackout KVD-29484 In Da Club KVD-12410 Other Side KVD-29955 A Fine Frenzy £1 Fish Man Almost Lover KVD-19809 One Pound Fish KVD-42513 Ashes And Wine KVD-44399 10000 Maniacs Near To You KVD-38544 Because The Night KVD-11395 A$AP Rocky & Skrillex & Birdy Nam Nam (Duet) 10CC Wild For The Night (Explicit) KVD-43188 I'm Not In Love KVD-13798 Wild For The Night (Explicit) (R) KVD-43188 Things We Do For Love KVD-31793 AaRON 1930s Standards U-Turn (Lili) KVD-13097 Santa Claus Is Coming To Town KVD-41041 Aaron Goodvin 1940s Standards Lonely Drum KVD-53640 I'll Be Home For Christmas KVD-26862 Aaron Lewis Let It Snow, Let It Snow, Let It Snow KVD-26867 That Ain't Country KVD-51936 Old Lamplighter KVD-32784 Aaron Watson 1950's Standard Outta Style KVD-55022 An Affair To Remember KVD-34148 That Look KVD-50535 1950s Standards ABBA Crawdad Song KVD-25657 Gimme Gimme Gimme KVD-09159 It's Beginning To Look A Lot Like Christmas KVD-24881 My Love, My Life KVD-39233 1950s Standards (Male) One Man, One Woman KVD-39228 I Saw Mommy Kissing Santa Claus KVD-29934 Under Attack KVD-20693 1960s Standard (Female) Way Old Friends Do KVD-32498 We Need A Little Christmas KVD-31474 When All Is Said And Done KVD-30097 1960s Standard (Male) When I Kissed The Teacher KVD-17525 We Need A Little Christmas KVD-31475 ABBA (Duet) 1970s Standards He Is Your Brother KVD-20508 After You've Gone KVD-27684 ABC 2Pac & Digital Underground When Smokey Sings KVD-27958 I Get Around KVD-29046 AC-DC 2Pac & Dr. -
Palmer 1 PERFORMING in AMERICAN SIGN LANGUAGE
PERFORMING IN AMERICAN SIGN LANGUAGE – SHARING WINTER FAIRY TALES FROM AROUND THE WORLD by Brooke Palmer A Senior Honors Project Presented to the Honors College East Carolina University In Partial Fulfillment of the Requirements for Graduation with Honors By Brooke Palmer Greenville, NC December, 2019 Approved by: Patricia Clark School of Theatre and Dance College of Fine Arts and Communication Palmer 1 Table of Contents Abstract……………………………………….………………..…….3 Artist’s Statement ………………………………….…………..…….3 Background: American Sign Language in Theatre……………..…….4 Playwriting Period ………………………………….…………..…….5 Rehearsal Period………………………………………………..……. 6 Performance Period …………………………..………………..…….7 Survey Results from Actors …………….….…………………..…….8 Closing ………………………………….…….………………..…….9 Works Cited …………………………..…...…………………..…….10 Appendix A: The Magic of Winter from Around the World Script Appendix B: Show Program Appendix C: Show Poster and Link to Production Photo Slide Show Appendix D: Cast ASL Survey and Before and After Pie Chart Results Palmer 2 Abstract Ever since elementary school, something has drawn me to American Sign Language. The concept of communicating with your hands, body, and facial expressions has always interested me. It was not until college I realized it was because of ASL’s similarities to another great interest of mine, theatre. Communication, whether it is using ASL or performing on stage requires expression, attention, focus, and listening skills beyond simply hearing the words. With these similarities, my goal for writing, directing, and producing this project and show was to not only bring the hearing and deaf communities together to enjoy an evening of theatre, but to introduce a group of performers to the world of sign language, and have them discover these similarities for themselves. -
Edward Albee's at Home at The
CAST OF CHARACTERS TROY KOTSUR*............................................................................................................................PETER Paul Crewes Rachel Fine Artistic Director Managing Director RUSSELL HARVARD*, TYRONE GIORDANO..........................................................................................JERRY AND AMBER ZION*.................................................................................................................................ANN JAKE EBERLE*...............................................................................................................VOICE OF PETER JEFF ALAN-LEE*..............................................................................................................VOICE OF JERRY PAIGE LINDSEY WHITE*........................................................................................................VOICE OF ANN *Indicates a member of Actors’ Equity Association, the Union of David J. Kurs Professional Actors and Stage Managers in the United States. Artistic Director Production of ACT ONE: HOMELIFE ACT TWO: THE ZOO STORY Peter and Ann’s living room; Central Park, New York City. EDWARD ALBEE’S New York City, East Side, Seventies. Sunday. Later that same day. AT HOME AT THE ZOO ADDITIONAL PRODUCTION STAFF STARRING COSTUME AND PROPERTIES REHEARSAL STAGE Jeff Alan-Lee, Jack Eberle, Tyrone Giordano, Russell Harvard, Troy Kotsur, WARDROBE SUPERVISOR SUPERVISOR INTERPRETER COMBAT Paige Lindsey White, Amber Zion Deborah Hartwell Courtney Dusenberry Alek Lev -
Phyllis Frelich
Phyllis Frelich 1944-2014 Early Life ● On February 29, 1944 during a leap year, Phyllis was born Deaf in Devils Lake, North Dakota. ○ Frelich was a part of a large family of nine children, all who were Deaf, along with her father, a typesetter, and her mother, a seamstress. ● Phyllis attended the North Dakota school for the deaf, but states that she still faced prejudice against sign language due to it not being considered a language yet. She accounts that when she was little “[her] teacher would slap [her] hand with a ruler if [she was] caught singing in class.” College ● Even after facing some prejudice in her childhood, Frelich still continued her education at Gallaudet College (now Gallaudet University) in Washington, D.C. ○ While there, Phyllis took interest in their theater program, but Gallaudet did not offer a degree in the field at that time. Phyllis was encouraged to get a Library Science degree by others who felt that she could follow whomever she married and pick up work at a library. ○ Although Phyllis did acquire a Library Science degree, she continued to pursue her passion for the theater after graduating by helping to build the National Theater of the Deaf (NTD) in Waterford, Connecticut. Entering the Acting World ● Frelich met her husband, Robert Steinberg, who was working as a scenic designer. ○ Through Robert when they were living in Rhode Island, Phyllis met playwright Mark Medoff, who had never had a Deaf friend before. ● Medoff vowed to learn ASL after being captivated by it while Phyllis shared her frustrations regarding the limited acting roles for the Deaf.