DOCSLIB.ORG

Label Signings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Label Signings Updates New On The Charts This Month Label Signings RECORD COMPANY MANHATTAN RECORDS Artist- (A&R Person Responsible[e-mail address] Gio Aria- (Ian Ralfini[[email protected]]) METAL BLADE(WEA) 3 ENTERTAINMENT Angel Blake- (Mike Faley[[email protected]]) Mr. Sandwiches- (Michael Rosenblatt) MOTOWN 429 RECORDS/SAVOY Bruno- (Sylvia Rhone[[email protected]]) Steve Reynolds- (Steve Vining[[email protected]]) PURPLE RIBBON 7TH NOTE ENT. Killer Mike- (Antwan Patton(Big Boi)[[email protected]]) Andre Delano- (Darren Strothers[[email protected]]) Bubba Sparxxx- (Antwan Patton(Big Boi)[[email protected]]) BIG 3 Sleepy Brown- (Antwan Patton(Big Boi)[[email protected]]) Stryper- (William Edwards[[email protected]]) Konkrete- (Antwan Patton(Big Boi)[[email protected]]) COLUMBIA/SONY Big Boi- (Antwan Patton(Big Boi)[[email protected]]) Scar- (Antwan Patton(Big Boi)[[email protected]]) Brice Long- (John Grady[[email protected]]) Carly Simon- (Mitchell Cohen[[email protected]]) RCA COZY RECORDS Black Rebel Motorcycle Club- (Ashley Newton[[email protected]]) Craig Sellers- (Kenny Holloway[[email protected]]) RUST RECORDS EARACHE Shane Owens- (Ken Cooper[[email protected]]) Urkraft- (Digby Pearson[[email protected]]/Alisdair Dawson[[email protected]]) SANCTUARY MUSIC GROUP EMI CMG Status Quo- Antonio Neal- (Ken Pennell[[email protected]]) SAVOY JAZZ Darlene McCoy- (Ken Pennell[[email protected]]) Milton Nascimento- (Josh Sherman[[email protected]]) FERRET MUSIC SLR/LIGHTYEAR Madball- (Carl Severson[[email protected]]) Sounds Of Blackness- (LaSalle Gabriel[[email protected]]) FUEL SOUGHT AFTER ENT. Rebecca Pidgeon- (Len Fico[[email protected]]) Chica- (Troy Johnson/Victor Perrotti[[email protected]]) GOODINVISION ENT. SURG(SANCTUARY URBAN) New Birth- (Thomas Goodin III[[email protected]]) Sunshine Anderson- (Mathew Knowles) INSURGENT ENT. Ray J- (Mathew Knowles) Papa Reu- (Mathew Knowles) Luke Campbell- (Adam Kidron[[email protected]]) Keith Sweat- (Mathew Knowles) INTEGRITY Recordings of late Rick James- (Mathew Knowles) Martha Munizzi- (Danny McGuffey[[email protected]]) TREACHEROUS/BUNGALO LIQUID MUSIC K. Young- (Tico Khrimian[[email protected]]) Greco Marie- (Chris ‘The Greek’ Panaghi[[email protected]]) UNIVERSAL Sharon T- (Chris ‘The Greek’ Panaghi[[email protected]]) Bangkok 5- (Tom Mackay[[email protected]]) Darren Round- (Chris ‘The Greek’ Panaghi[[email protected]]) UNIVERSAL MUSIC NASHVILLE LITTLE DOG Calaisa- (James Stroud[[email protected]]) Curt Kirkwood(x of Meat Puppets)- (Pete Anderson[[email protected]]) VIRGIN LOFTON CREEK We Are Scientists- (David Wolter[[email protected]]/Josh BrittonJack- (Mike Borchetta[[email protected]]) Deutsch[[email protected]]/Michael Howe[michael.howe@virgin-record LONG LIVE CRIME The Kid Slim- (Jermaine Dupri[[email protected]]) Johnny Lives- (Susan Ferris[[email protected]]) Johnta Austin- (Jermaine Dupri[[email protected]]) LYRIC STREET Trent Tomlinson- (Douglas Howard[[email protected]]) Every issue of “New On The Charts” since the year 2000 is searchable at www.notc.com (at no additional charge) 2 Updates New On The Charts This Month Also BUDDY LEE ATTR’NS. LITTLE BIG MAN BOOKING Bobby Pinson, Gary Nichols, The Grascals Adem, Augustana, The DEparture, The Duke Spirit, Embrace, BAYSIDE ENT. C.A.A. The Fray, Every Move A Picture, John Davis, Kasabian, The To distrib. 7th NOTE ENT. Hot Apple Pie, Hyper Static Union, The Jenkins, Keith Magic Numbers, The Perishers, Ringside, Shout Out Louds, BDO RECORDS Anderson, Little Big Town, Sarah Buxton, Shelly Fairchild, The Tears, Susan Enan,West India Girl The Wrights, Amos Lee, Apocalyptica, Chris Glover, Basia M.P.I. TALENT Sign producers Rafael Hernandez( Suavo Rafael), Jason w/Matt Bianco, Dogs, The Faders, Daniel Bedingfield, Lahee ( Hobs Black) Gary Puckett, Connie Stevens BMG DIRECT Emma Bunton, The Features, Glen Phillips, Il Divo, Griffin MAURICE MONTOYA AGENCY House, Janet Jackson, Juliet, Jimmy Chamberlin, Jonathan Acquires COLUMBIA HOUSE Ray Barretto Butler, Julio Iglesias, Kelis, Lt. Dan Band, Luna Halo, Missy MAX C TALENT CAROLINE Higgins, Neon, Natasha Bedingfield, Robert Downey Jr., To distrib. Plexifilm Sharrie Williams, Wayne Baker Brooks Shakira, Simply Red, The Thrills, The Twenty Twos, Toby MONTEREY INT’L. EDC (ENTERTAINMENT DISTRIBUTION Lightman, Tweet, Andrea Bocelli, Katie Melua, Slipknot COMPANY) C.A.A.(NASHVILLE) Adrian Belew MONTEREY PENINSULA ARTISTS/PARADIGM Acquires Universal Music Group’s U.S. and Hanover, Chelsea Field, Shane Owens Germany, CD and DVD manufacturing and distribution C.R. ENT. Remy Ma MONTEREY PENINSULA facilities DMC of Run DMC, Black Cash, Inner Circle, Major Riley FONTANA CHAOTICA ARTISTS/PARADIGM(NASHVILLE) To distrib. VP Records, Nitro, Kung Fu, High Wire Music, Jason Michael Carroll, John Pierce Amanda Ghost, Demi, The Infadels, Gabriel & Dresden, Rob MOUNTAIN HIGH MUSIC Laugh.com, Titan Ent., Boss Ent., In The Loop, Fight Club Da Bank Music Group- also to distrib. Sought After Ent.(Troy CONCORDE INT’L. ARTISTS Samantha & The Ritual, Samantha Stollenwerck NENE MUSIK Johnson & Victor Perrotti) Triple 8, Bananarama, Ben Adams, Jo O’Meara, Money IDN (INNOVATIVE DISTRIB. NETWORK) Shot, Red Kult, Tony Christie Samantha Cole To distrib. G MUSIC/MUSIC PLANT, XYZ ENT., IRON CONFIDENTIAL TALENT AGENCY NEW FRONTIER TOURING FIST RECORDS(of D12 member Proof), BARAK #12 Looks Like You, Anna Vissi, Emok, Secret Lives Of The Darrell Scott, The Long Players, Whit Smith’s Hot Jazz RECORDS(of Slum Village) Freemasons, Voice In The Wire Caravan KOCH ENT. DALE MORRIS & ASSOC’S. PARADISE ARTISTS Re-signs distribution of Putumayo World Music, Bar None Cowboy Troy Between Home & Serenity, John Waite Records, Babygrande Records DEGY BOOKING INT’L. PINNACLE ENT. PURPLE RIBBON ENT. Cord, Jag Star, John Taglieri The Dears, Mastodon Formed by Big Boi w/distribution through Virgin or Sony DO IT BOOKING RELAPSE BOOKING Urban through Columbia or Epic Danko Jones, From Ashes Rise Thunderpussy, Cretin, Firebird, Total Fucking Destruction RED FANTASMA TOURS RITMO ARTISTS To distrib. Mega Media Records,and Wreckshop Records Naked Eyes Sandra Luna, Waldemar Bastos ROW ENT. INCOME FUND FIRST ROW TALENT RTC RAJIWORLD TOUR CONSULTANTS Parent company of CD Plus, has acquired KOCH ENT. The DB’s, Sara Hickman RYKO A Perfect Murder, Al Jourgensen, All Shall Perish, Candlemass, Deicide, Dew-Scented, Dismember, Enslaved, SKYLINE MUSIC To distrib. COMMOTION RECORDS, and Philly based Entombed, Finntroll, If Hope Dies, Into Eternity, Pro-Pain, Cigar Stone student label Mad Dragon Records Skinless, Sodom, Sonata Arctica, Terrorizer, Therion, THE AGENCY GROUP SONY BMG Tristania, With Passio Duncan Sheik, America Is Waiting, Battle, Black Maria, BOY, Forms single classical unit as BMG MASTERWORKS FLEMING & ASSOC’S. Bullett For My Valentine, By Devine Right, Charlotte Martin, Ellis Paul, The Navigators, Utah Phillips The Chemistry, Cocoa Tea, Cordalene, Will Hodge Major Booking Agency Signings FLOWERBOOKING THE COMMISSION AGENCY A.P.A. Bella Lea, Big Business, The Chariot, Evergreen Terrace, Bone-Thugs-N-Harmony(Bizzy Bone, Krayzie Bone, Layzie Cledus T. Judd, Dan Naturman, Daniel Lee Martin, Pelican, Supersystem Bone, Wish Bone) Kathleen Madigan, Nelson Brothers, Sherie Austin GERSH AGENCY THE JILES AGENCY AERO BOOKING Greg Behrendt Leon Russell Architecture In Helsinki, The Catch, Dolour, Midlake, Minus GROUND CONTROL TOURING THE KENMORE AGENCY Story, Mobius Band, Styrofoam Dungeon, CocoRosie The Acacia Strain, Bury Your Dead, Champion, Glass Casket, AM ONLY HIGH ROAD TOURING H2O, The Hurt Process, Sinai Beach, Remembering Never, Something For Rockets, Above & Beyond, Gus Gus, Heartless Bastards Turmoil Imperative Reaction, Tiefschwartz I.C.M. THE ROOTS AGENCY ARTIST GROUP INT’L Jesse Valenzuela, Northey-Valenzuela Hothouse Flowers, Simon Diaz Cherry Monroe LIBERTALIA ENT. THE WINBUSH AGENCY BIGSHOT TOURING Eddie & The Hot Rods, The Fenians, The Nervous Return, A Silver Mnt. Zion The Kingdom The Partisans, The Skulls, Sex Pistols Experience 3 .
Load more

Recommended publications
  • The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
    The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship.
    [Show full text]
  • R&B/ -NOP Timbaland Makes a `Proposal'
    R&B/ -NOP Timbaland Makes A `Proposal' Rapper Says Duo's Second Project On Blackground Is His Last As An Artist BY RASHAUN HALL Timbaland says the CD will be his understanding how it works and NEW YORK- Timing is everything last as an artist. how the money is made." when it comes to releasing a record. For Magoo, who found himself Working with renewed focus, the Just ask Timbaland & Magoo, whose grappling with newfound fame after duo crafted Indecent Proposal, a 15- and The Blues,. BlackgroundNirgin sophomore proj- track set featuring guest appear- ect, Indecent Proposal, is now set for ances by Aaliyah, Ludacris, Jay -Z, SNOOP'S NEW HOME: Snoop Dogg is Backstage after the Atlanta show, a Nov. 20 release after a long delay. and Tweet, among others. Magoo setting up shop at MCA Records. But Wright commented on her desire for "I turned [the album] in a year - credits Timbaland with matching the former No Limit/Priority rapper onstage spontaneity. "I'm just being and -a -half ago, and it's just [now] artists to its tracks. still has one more studio album under me," she says. "It's easy. I wrote a coming out," a frustrated Timbaland "He has an idea of what direction that contract before he can exit. The bunch of songs that I really like, and I says. "And now we're in a recession - each song should go in," Magoo says. MCA deal also includes Snoop Dogg's have some very capable musicians and it doesn't make sense." "It has a lot to do with the concept Doggy Style Records, formerly distrib- vocalists helping me create the colors The delay was partially due to and who can come up with a good uted by TVT, and the production of and the pictures that I want onstage.
    [Show full text]
  • Dr-4455 Platterlog(A
    Monday 13 th February 2006 … Over 55,000 music fans packed Sydney's Olympic Park for the 14th annual Big Day Out festival (January 26). The sold-out crowd watched sets from bands including Franz Ferdinand , The Magic Numbers , Kings of Leon , The Subways , Soulwax and MIA , as well as Aussie newcomers Cut Copy , Wolfmother , The Grates , Wolf & Cub and The Presets . Artist: Various Artists Title: Big Boi Presents…Got Purp? Vol II Distributor: EMI Records Australia (EMI) Release Date: 22/01/06 Catalogue # 3122072 … Jet have revealed they are considering 27 songs for their second album. The band, are currently working on the Big Boi, one half of the legendary Outkast record with first album producer and Oasis collaborator Dave delivers an im pressive release with "Got Sardy. Songs have been written in Barbados, Brookfield Purp? Vol. 2". While Andre has hit the acting Massachusetts and Los Angeles since December 2004 and are scene, Big Boi has created a label with a dedicated to the father of Nic and Chris Cester, who died of roster full of talent. cancer two years ago.The record will be recorded in L.A.,though there are no definite release plans. "The release date will depend The lead single "Kryptonite" (I'm On It) is off on exactly when we are satisfied that the record is far superior to the hook, Big Boi, C-Bone, Rock D and Killer 'Get Born' ," the band explained. Mike provide a track to remember. Singer Sleepy Brown shines on solo delivering the … REM frontman Michael Stipe is to make a guest smooth "Me, My Baby And My Cadillac" appearance on his pals Placebo 's new album.
    [Show full text]
  • Just the Right Song at Just the Right Time Music Ideas for Your Celebration Chart Toppin
    JUST THE RIGHT SONG AT CHART TOPPIN‟ 1, 2 Step ....................................................................... Ciara JUST THE RIGHT TIME 24K Magic ........................................................... Bruno Mars You know that the music at your party will have a Baby ................................................................ Justin Bieber tremendous impact on the success of your event. We Bad Romance ..................................................... Lady Gaga know that it is so much more than just playing the Bang Bang ............................................................... Jessie J right songs. It‟s playing the right songs at the right Blurred Lines .................................................... Robin Thicke time. That skill will take a party from good to great Break Your Heart .................................. Taio Cruz & Ludacris every single time. That‟s what we want for you and Cake By The Ocean ................................................... DNCE California Girls ..................................................... Katie Perry your once in a lifetime celebration. Call Me Maybe .......................................... Carly Rae Jepson Can‟t Feel My Face .......................................... The Weeknd We succeed in this by taking the time to get to know Can‟t Stop The Feeling! ............................. Justin Timberlake you and your musical tastes. By the time your big day Cheap Thrills ................................................ Sia & Sean Paul arrives, we will completely
    [Show full text]
  • Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
    Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat.
    [Show full text]
  • Bubba Sparxx Warrant Lyrics
    Bubba Sparxx Warrant Lyrics Gamier Petey complexifies preparedly. Dougie converse her envelopments gratis, Moslem and pigeon-toed. Remorseless and Lamaism Ender outbreeds some spinning so effervescingly! The page in our services deliverance bubba sparxx warrant lyrics provided for his work our cookie policy on. With just to our services deliverance warrant song back in bubba sparxx warrant lyrics buy cd sell copy. Timbaland and beats in bubba sparxx warrant lyrics. Of this site is deep, country rap gone on amazon music release review, bubba sparxx warrant lyrics powered by timbaland. Your requested could have! Utile si vous ne reconnaissez pas un titre interprété par sparxxx deliverance warrant lyrics bubba sparxx bequeath my mamma, such short notice. Listen free to bubba sparxx warrant lyrics by photographers whose copyright laws. Where do we were adapted from raleigh nc to other people can use of warrant lyrics bubba sparxx. Movies music video in a password reset email address and records ease and our website and our use cookies to exert a fendi case. BUBBA SPARXXX: The bout is cold afternoon a winter And people even get up came your beef like say splinter I manufacture a whol. Retrouvez gratuitement et commandes bequeath my girl check out deliverance warrant lyrics bubba sparxx you shall have deliverance warrant lyrics are property and people can type any genre or spyware that? It but a friend. Sparxxx has now crafted a way deliverance by bubba sparxxx music, he was explaining what is still stained in bubba sparxx bequeath my way to. Twerk that that this all other sites content of warrant lyrics bubba sparxx amazon music, an album deliverance warrant lyrics provided for this after hearing this all lyrics depot is hot hot hot hot! Sure to your baby whats up under your younger brother, bubba sparxx warrant lyrics.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • The Construction and Export of African American Images in Hip-Hop Culture
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2006 "Don't Believe the Hype": The onsC truction and Export of African American Images in Hip-Hop Culture. John Ike Sewell Jr. East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the African American Studies Commons, and the American Popular Culture Commons Recommended Citation Sewell, John Ike Jr., ""Don't Believe the Hype": The onC struction and Export of African American Images in Hip-Hop Culture." (2006). Electronic Theses and Dissertations. Paper 2193. https://dc.etsu.edu/etd/2193 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. “Don’t Believe The Hype”: The Construction and Export of African American Images in Hip-Hop Culture ____________ A thesis presented to the faculty of the Department of Communication East Tennessee State University in partial fulfillment of the requirements for the degree Master of Arts in Professional Communication ____________ by John Ike Sewell, Jr. May 2006 ____________ Amber Kinser, Ph.D., Chair Primus Tillman, Ph.D. John Morefield, Ph.D. ____________ Keywords: Hip-hop, Rap Music, Imagery, Blackness, Archetype ABSTRACT “Don’t Believe the Hype:” The Construction and Export of African American Images in Hip-Hop Culture by John Ike Sewell, Jr.
    [Show full text]
  • Rap Vocality and the Construction of Identity
    RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you.
    [Show full text]
  • Bubba Sparxxx Dark Days, Bright Nights Mp3, Flac, Wma
    Bubba Sparxxx Dark Days, Bright Nights mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Dark Days, Bright Nights Country: Europe Released: 2001 MP3 version RAR size: 1786 mb FLAC version RAR size: 1751 mb WMA version RAR size: 1450 mb Rating: 4.4 Votes: 715 Other Formats: WAV APE VOX ASF AUD DXD MP4 Tracklist Hide Credits Take Off Arranged By [Strings] – Larry GoldCello – Larry GoldEngineer – Senator Jimmy D*, Steve 1 PennyEngineer [Assistant] – Jeff KananMixed By – Jimmy Douglass, TimbalandViola – 2:31 Alexander LeenViolin – Emma Kummrow, Gloria StockVocals – Bubba SparxxxWritten-By – T. Mosley*, A. Mathis* Ugly Backing Vocals – Timbaland, TweetEngineer – Senator Jimmy D*, Steve PennyEngineer 2 4:25 [Assistant] – Jeff KananFeaturing [Uncredited] – Missy ElliottMixed By – Jimmy Douglass, TimbalandVocals – Bubba SparxxxWritten-By – T. Mosley*, A. Mathis* Any Porch 3 Recorded By, Mixed By – "Captain" James MajorsVocals – Bubba Sparxxx, Jemmie 1:18 "KillaGroove" Watford, Wes WhitsettWritten-By – J. Watford*, S. Houchins*, W. Whitsett* Bubba Talk Backing Vocals – Bubba Sparxxx, Timbaland, TweetEngineer – Senator Jimmy D*, Steve 4 PennyEngineer [Assistant] – Jeff KananGuitar – Bill PettawayGuitar [Additional] – Charlie 3:47 "CSUN" Bereal*Keyboards – Scott StorchMixed By – Jimmy Douglass, TimbalandVocals – Bubba SparxxxWritten-By – T. Mosley*, A. Mathis* Lovely Engineer – Senator Jimmy D*, Steve PennyEngineer [Assistant] – Jeff KananKeyboards – 5 3:56 Scott StorchMixed By – Jimmy Douglass, TimbalandVocals, Backing Vocals – Bubba Sparxxx, TimbalandWritten-By – T. Mosley*, A. Mathis* Betty-Betty Mixed By – Josh Butler, Shannon "Fat Shan" Houchins*Recorded By – Gerald "Geo" Hall*, 6 3:56 Shannon "Fat Shan" Houchins*Vocals [Additional] – Gerald "Geo" Hall*Written-By – S. Houchins*, A. Mathis* All The Same Bass – Aaron MillsFeaturing – Backbone, Sleepy BrownGuitar – Billy OdumMixed By – 7 Jimmy DouglassProducer – Organized NoizeProgrammed By [Music], Drum Programming – 4:24 Organized NoizeRecorded By – Sean "Shyboy" Davis*Written-By – J.
    [Show full text]
  • The Hip Hop Lectures (Volume 1) By: Dr
    The Hip Hop Lectures (Volume 1) By: Dr. T.L. Osborne Table of Contents Introduction: Why Am I Writing This Book? Chapter 1: Page 1 African Music History: The Originators Chapter 2: Page 27 The Party is Over: A New Journey Without Beats & Freedom Chapter 3: Page 44 From Hopeless to Hopeful: The Power of Spirituals & The Impacts of Lynch, Tubman, and Turner Chapter 4: Page 82 Sold Out, But Not Necessarily a Sell-Out Chapter 5: Page 104 The Harlem Renaissance: Short-Lived With Long-Term Impacts Chapter 6: Page 216 Rock-N-Roll Ain’t Just White People’s Music Chapter 7: Page 228 The Civil Rights Movement: Fantasy versus Reality Chapter 8: Page 276 The Rise of Post-Civil Rights Movements: The Emergence of The Black Arts Movement & The Black Panther Party Chapter 9: Page 292 Soulless to Soulful: The Impact of Berry Gordy & Motown on Hip Hop Culture i Chapter 1 African Music History: The Originators Historically, Hip Hop culture is known to have started in New York; during the early 1970s. However, controversy surrounds which specific area in New York created the cultural phenomenon, called Hip Hop. The history concerning which part of New York created this influential and multi-billion dollar movement is documented in 1985. The battle rap included rappers from Queensbridge (MC Shan & The Juice Crew) versus rappers from the South Bronx (KRS-One & Boogie Down Productions). Even though, New York, is noted as the birthplace for Hip Hop culture, Hip Hop’s roots were developed before one city or state declared ownership of the cultures’ creation.
    [Show full text]
  • Columbia/SONY-BMG 1 6 Sos RIHANNA Def Jam/UNIVERSAL 2 2
    KW 17/18/2006 Plz LW WoC Title Artist Distribution PP 1 ▲ 4 2 Check On It (Reggaeton Rmx Ft. Voltio) BEYONCE Columbia/SONY-BMG 1 2 ▲ 9 6 Sos RIHANNA Def Jam/UNIVERSAL 2 3 ▲ 19 2 Bossy Ft. Too Short KELIS Jive/SONY-BMG 3 4 ▲ NEW 0 We In Here DMX Columbia/SONY-BMG 4 5 ▲ 7 8 Next Episode 2006 / Smokin Weed 4 Hours DR DRE Cut Creators/IMPORT 5 6 ▼ 2 4 Put Em In Their Place MOBB DEEP Interscope/UNIVERSAL 2 7 ▲ 31 6 Ms New Booty Ft. Ying Yang Twins & Mr Collipark BUBBA SPARXXX Virgin/CAPITOL 7 8 ▲ 16 4 Fly That Knot Ft. Mf Doom TALIB KWELI Koch/UNIVERSAL 8 9 ▼ 8 4 The Flute Song (Lalala) ALKAHOLIKS Koch/UNIVERSAL 8 10 ▲ 17 2 True Skool COLDCUT Ninja Tune/SSD 10 11 ▼ 10 8 Controll Myself Ft. J-Lo LL COOL J Def Jam/UNIVERSAL 8 12 ▼ 6 6 Back Like That Ft. Ne-Yo GHOSTFACE KILLAH Def Jam/UNIVERSAL 6 13 ▲ 14 8 Hustlers Ambition 50 CENT Interscope/UNIVERSAL 2 14 ▼ 11 8 Pump It BLACK EYED PEAS Interscope/UNIVERSAL 10 15 ▲ 30 2 Yo (Excuse Me Miss) CHRIS BROWN Jive/SONY-BMG 15 16 ▲ NEW 0 Snap Yo Fingers Ft. E40 & Sean Paul Of Youngbloodz LIL JON TVT/EDEL 16 17 ▼ 5 8 Angel PHARRELL Virgin/CAPITOL 5 18 ▼ 12 6 So Sick NE-YO Def Jam/UNIVERSAL 12 19 ▲ NEW 0 Gimme That Remix Ft. Lil Wayne CHRIS BROWN Zomba/SONY-BMG 19 20 ▲ 23 10 Circles Ep DJ CUT-EX Ten Twenty Funk/HOANZL 7 21 ▲ 40 4 Hood Dreamin GURU 7 Grand/IMPORT 21 22 ▼ 18 2 Beep Ft.
    [Show full text]