2. the Root of All Memes
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Tech Stocks Shine in Bumpy Quarter
For personal, non-commercial use only. Do not edit, alter or reproduce. For commercial reproduction or distribution, contact Dow Jones Reprints & Licensing at (800) 843-0008 or www.djreprints.com. Lessons From WSJ Strange Brains TheSmarterBoat REVIEW THE WALL STREET JOURNAL WEEKEND OFF DUTY ******** SATURDAY/SUNDAY, JUNE 30 - JULY 1, 2018 ~ VOL. CCLXXI NO. 152 WSJ.com HHHH $5.00 What’s 40% Trump Tech Stocks Shine Narrows News 35 World-Wide In Bumpy Quarter Court List Netflix s32.53% BY AKANE OTANI an early slump in the second 30 To Five rump said he has nar- AND MICHAEL WURSTHORN Inflation Redux quarter to book its eighth Trowed the field of can- straight gain. didates for Justice Ken- Stocks were all over the map Prices heat up after six The S&P 500 and the Dow BY LOUISE RADNOFSKY nedy’s seat on the Supreme in a jittery quarter as investors years of falling short............. A2 Jones Industrial Average rose AND PETER NICHOLAS Court to about five and dumped industrial stalwarts on 2.9% and 0.7%, respectively, for 25 plans to announce his fi- fears of a trade war stifling the quarter, trailing the Nas- WASHINGTON—President nal pick on July 9. A1, A5 global growth and increased trade tensions and political daq’s 6.3% advance. The first Donald Trump said on Friday their bets on shares of large uncertainty in the eurozone, as two indexes remain well below that he planned to interview Europe’s leaders agreed Facebook technology companies. well as signs of slowing mo- their January records, while one or two candidates this to start holding some mi- 20 s21.61% Indexes finished the tumul- mentum in the global econ- the Nasdaq notched a series of weekend at his Bedminster, grants in detention camps, tuous three months mostly omy. -
Cover Story by Meghan Walsh the Digital Natives Are Coming—With a New Form of Totally Transparent Communication. Can Companies
Cover Story The digital natives are coming—with a new form of by Meghan Walsh totally transparent communication. Can companies use it? the dawn of 2019, Americans got more than just a recalibrated class of representatives. They got an unofficial invitation to Congress Camp. They got a tour of the hidden tunnels that weave beneath Capitol Hill, flipped through the freshman yearbook, and learned the contents of the new member swag bag. They got to visit the darkened Supreme Court chambers where the Dred Scott case was heard, and sit in on the highly anticipated congressional office lottery. They even got to peer into the coin-operated washing machines elected officials use to do laundry. NEXT For the uninitiated, it’s easy to dismiss the appellation as digital dependence and narcis- sism run riot, but it might actually bring our virtual and three-dimensional selves into closer alignment. “It’s a way of being online that allows PREV people to humanize themselves,” says Geoffrey Colon, head of Brand Studio at Microsoft Advertis- ing and host of the Disruptive FM podcast, which Alexandria Ocasio-Cortez may be a polarizing figure, but explores the intersections of tech, business, psychology, and pop culture. It isn’t just a matter second to her politics is her social-media accounting of poli- of documenting the daily for online audiences, it’s tics. The 29-year-old not only rode a series of viral campaign inviting them into the everyday. Someone who is The Problem Extremely Online might crowdsource their fash- videos from the Bronx to the House of Representatives, but Companies continue to struggle ion style, but rather than only posting perfectly after arriving in Washington, DC, her Instagram became a with digital transformation, posed selfies will live stream the no-makeup precursor rambling ad-lib about insecurities. -
Make Me Smart August 31, 2021 Transcript
Make Me Smart August 31, 2021 transcript Note: Marketplace podcasts are meant to be heard, with emphasis, tone and audio elements a transcript can't capture. Transcripts are generated using a combination of automated software and human transcribers, and may contain errors. Please check the corresponding audio before quoting it. Kai Ryssdal: Let's go. Let's go. Molly Wood: I'm not, I'm not saying that I was finishing up a kid-related text. I'm just saying I'm here now, and that’s what matters. Hey everyone, I'm Molly Wood. Welcome back to Make Me Smart, the podcast where none of us is as smart as all of us. Kai Ryssdal: I'm Kai Ryssdal, it is Tuesday one topic deep dive today. That topic of choice today is this thing called the creator economy. Molly Wood: Exactly. I'm pretty excited about this, actually. We've been covering this on Marketplace Tech since about 2018. I'm gonna take some early credit for this word, or this term, the creator economy. We have talked to our guest today many times about this, it's become a big buzzword. And basically the idea includes anybody who's making a living as an online influencer and, of course, all the money that goes along with that. So you see all these people on Tik Tok and streaming on Twitch and adult content creators on sites like OnlyFans. And it is changing the entertainment industry completely. Kai Ryssdal: Tens of millions of people around the whole planet consider themselves part of this creator economy. -
How to Prevent the Next Social Media-Driven Attack on Democracy—And Avoid a Big Tech Censorship Regime
economicliberties.us CORPORATE POWER QUICK POWER CORPORATE TAKE How To Prevent the Next Social Media-Driven Attack On Democracy—and Avoid a Big Tech Censorship Regime Ending Targeted Advertising Will Shut Down Social Media’s Radicalization Machine February 2021 Social media networks like Facebook, YouTube, and Twitter played a significant role in the Jan. 6 attack on the Capitol Building. But having private monopolists ban conservative political groups or individual leaders not only introduces a dangerous unaccountable censorship regime, but also fails to fix the fundamental problem, which is that these same monopolists make billions from promoting misinformation, conspiracy theories, and violence. On Jan. 6, 2021, there were two attacks on American democracy. The first was an attack on the Capitol by a violent mob egged on by former President Donald Trump. The second was the response: the removal of certain groups, individuals, and even entire social media sites by a small network of Silicon Valley executives who run social media networks and the systems that support them. While the riots were no doubt more immediately dangerous, the long-term risk of allowing the holders of critical private sector infrastructure to silence political factions is significant. Indeed, German Chancellor Angela Merkel, no friend of Trump, called big tech’s banning of the president “problematic” because of its anti-democratic nature. HOW TO PREVENT THE NEXT SOCIAL MEDIA-DRIVEN ATTACK ON DEMOCRACY—AND AVOID A BIG TECH CENSORSHIP REGIME 1 This brief will explain how the business models of Facebook and other social networks were integral to creating the conditions that led to the Capitol attack. -
Jonathan Evans, Former Director General, MI5 Raffaello Pantucci EDITORIAL BOARD Colonel Suzanne Nielsen, Ph.D
OBJECTIVE ·· RELEVANT ·· RIGOROUS || JUNE/JULYMARCH 2020 2018 · VOLUME · VOLUME 13, 11,ISSUE ISSUE 3 6 FEATURE ARTICLE A VIEW FROM THE CT FOXHOLE The TheJihadi Hanau Threat LTC(R)Jonathan Bryan Price Terrorist Attack toHow race Indonesia hate and conspiracy theories Evans are fueling global far-right violence Former Director, Former Director General, MI5 Blyth CrawfordKirsten E.and Schulze Florence Keen Combating Terrorism Center FEATURE ARTICLE Editor in Chief 1 The Hanau Terrorist Attack: How Race Hate and Conspiracy Theories Are Fueling Global Far-Right Violence Paul Cruickshank Blyth Crawford and Florence Keen Managing Editor INTERVIEW Kristina Hummel 9 A View from the CT Foxhole: Jonathan Evans, Former Director General, MI5 Raffaello Pantucci EDITORIAL BOARD Colonel Suzanne Nielsen, Ph.D. ANALYSIS Department Head 16 The Pensacola Terrorist Attack: The Enduring Influence of al-Qa`ida and its Dept. of Social Sciences (West Point) Affiliates Colin P. Clarke Brian Dodwell Director, CTC 24 Dollars for Daesh: The Small Financial Footprint of the Islamic State's American Supporters Don Rassler Lorenzo Vidino, Jon Lewis, and Andrew Mines Director of Strategic Initiatives, CTC 30 Addressing the Enemy: Al-Shabaab's PSYOPS Media Warfare Christopher Anzalone CONTACT Combating Terrorism Center Far-right terror is going global, propelled to a significant degree by an on- line ecosystem of extremists posting in English. Since 2018, attackers U.S. Military Academy have targeted synagogues in Pittsburgh, Pennsylvania; the towns of Poway, 607 Cullum Road, Lincoln Hall California, and Halle, Germany; mosques in Christchurch, New Zealand; and a Walmart in El Paso, Texas. In this month’s feature article, Blyth Crawford and Florence Keen examine the February 19, West Point, NY 10996 2020, far-right terrorist attack that targeted shisha bar customers in the German town of Hanau and Phone: (845) 938-8495 led to the death of nine victims. -
We All Wanna Die, Too”: Emo Rap and Collective Despair in Adolescent America
“WE ALL WANNA DIE, TOO”: EMO RAP AND COLLECTIVE DESPAIR IN ADOLESCENT AMERICA A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for University Honors by Nina Palattella May 2020 Thesis written by Nina Palattella Approved by ________________________________________________________________, Advisor ______________________________________________, Chair, Department of English Accepted by ___________________________________________________, Dean, Honors College ii iii TABLE OF CONTENTS LIST OF FIGURES……………………………………………………………………....v ACKNOWLEDGMENTS……………………………………………………….………vi CHAPTER I. INTRODUCTION…………………………………………………….…1 II. “I WANT EVERYONE TO KNOW THAT I DON’T CARE”: CASE STUDY OF LIL PEEP……………………………………….….16 III. “BETTER OFF DYING”: DOES EMO RAP ASSUAGE OR AMPLIFY MENTAL HEALTH PROBLEMS?…………………………………… 26 IV. “XANS DON’T MAKE YOU”: EMO RAP’S GLORIFICATION OF, AND RECKONING WITH, DRUG ABUSE……………………………43 V. “WE ALL WANNA DIE, TOO”: HOW IS EMO RAP BRANDED, AND WHAT KIND OF LEGACY ARE ITS STARS LEAVING? ...………….60 VI. “WHEN I DIE YOU’LL LOVE ME”: WHAT DOES EMO RAP MEAN, AND WHAT DIRECTIONS MIGHT IT TAKE IN THE FUTURE? ….80 WORKS CITED …………………………………………………………………………89 iv LIST OF FIGURES Fig. 1. Lil Peep (Gustav Åhr) …………………………………………………17 Fig. 2. Still from “Awful Things” Music Video ………………………………21 Fig. 3. XXXTentacion (Jahseh Onfroy) ……………………………………….29 Fig. 4. Lil Xan (Diego Leanos) ……...………………………………………...36 Fig. 5. nothing,nowhere. (Joe Mulherin) ……………………………………...50 Fig. 6. Still from “Lean Wit Me” Music Video ……………………………….52 Fig. 7. Lil Uzi Vert (Symere Woods) ………………………………………….76 v ACKNOWLEDGMENTS I would like to offer my sincere thanks to everyone who made this thesis possible and who supported me as I completed it. I am especially grateful to Dr. Ryan Hediger for advising this project and encouraging me throughout the long process. -
The Lack of Looks
The lack of looks A study on the Incel ideology of Incelism during the 2010s–2020s and its relation to historical and contemporary ideologies particularly within fa r- right milieus Master’s thesis: 45 credits Author’s name: Hugo Engholm Name of supervisor: Lars M. Andersson Semester: Spring 2021 HISTORISKA INSTITUTIONEN Abstract The Incel milieu is known for its high level of misogyny, self-hate, and hate towards society. In recent years, it has received more and more scholarly attention and one topic which is often mentioned but rarely deeply discussed is if there is such a thing as an Incel ideology. This thesis argues that such an ideology exists, the ideology of Incelism, and this thesis strives to answer the question of how Incelism is constructed, and what relationships it has to other ideologies, particularly far-right ones. To answer this question the thesis has through a qualitative content analysis employed Michael Freeden’s morphology of ideologies which states that an ideology is constructed similar to a semantic field. Freeden’s approach, together with the theoretical frameworks of Eva Illouz’s research on how love and relationships have changed since the dawn of modernity, and the field of collective victimhood, has been used to analyze discussion threads pulled from the website www.Incels.co, the at the time largest Incel-exclusive online community. The results show that the ideology of Incelism contains five core concepts labeled “Hierarchy”, “Misogyny”, “The natural”, “Alienation”, and “Direct action”, eleven adjacent concepts could also be found as well as one peripheral. What was also found was that Incelism constitutes a thin ideology, meaning that it lacks certain aspects which needs to be borrowed from other ideologies, or that it needs to be hosted within a larger ideological construct. -
The Spatial Politics of Urban Gardening Epic Houseplant Fails the Myth of the Industry Plant Maya Dukmasova 8 Sarah Beckett 19 Leor Galil 27
CHICAGO’SFREEWEEKLYSINCE | MARCH CHICAGO’SFREEWEEKLYSINCE The spatial politics of urban gardening Epic houseplant fails The myth of the industry plant Maya Dukmasova 8 Sarah Beckett 19 Leor Galil 27 The Plants Issue THIS WEEK CHICAGOREADER | MARCH | VOLUME NUMBER A NOTE FROM THE EDITOR TR - I KNOW A fair amount about plants, and gar- ethical reasons, because it’s not an easy way to toxins. They are inherently political, and some- @ dening, and the pending environmental disas- eat. But it keeps me alive. And I like it. Making times quite dangerous for cats. John Porcellino ter that we euphemistically refer to as climate cheese out of nuts is a good time! even drew up a “Sunday Strip” (read: full-color) version of Prairie Potholes for the issue, to in- PTB change. In fact, I spent two and a half years Hog butcher for the world, indeed. The lack ECAEM as a small-scale organic farmer in Detroit, of plant-based restaurants in Chicago is an troduce us to a few of his favorite leaf-covered MEPSK and could probably have thrown together a odd blind spot in this otherwise food-focused buddies. Plants are fun, and pretty, and also a MEDKH D EKS good 5,000 words about common household town. Elsewhere such cuisines are easy to complicated pejorative when describing a cer- C LSK substances that not only support your gut find. In Toronto, I dig Planta on Bay Street. tain breed of unusually popular hip-hop artist. D P JR CEAL microflora but will double the size of your In the Detroit area, there’s GreenSpace Cafe They are also extremely tasty. -
Space Invaders: the Networked Terrain of Zoom Bombing
SPACE INVADERS: THE NETWORKED TERRAIN OF ZOOM BOMBING By Brian Friedberg, Gabrielle Lim, and Joan Donovan, PhD Table of Contents EXECUTIVE SUMMARY 2 INTRODUCTION 4 Part 1: EXPLAINING THE SOCIOTECHNICAL SYSTEM 6 Part 2: MAPPING THE NETWORKED TERRAIN 14 CONCLUSION 22 ABOUT THE AUTHORS 24 ACKNOWLEDGMENTS 25 2 Space Invaders: The Networked Terrain of Zoom Bombing EXECUTIVE SUMMARY Within days of the virtual meeting platform Zoom becoming a household name, news spread that meetings were being hijacked by uninvited guests. The practice was quickly dubbed Zoom bombing. Zoom bombing is a novel form of raiding or bombing, a common type of coordinated online attack. In this report, we examine how Zoom bombing works, the sociotechnical systems that enabled it, and the networked terrain of the attacks. Zoom bombing illustrates that networked participatory technology is often used in malicious or mischievous ways its creators and clients did not — but should have — foreseen. EXECUTIVE EXECUTIVE SUMMARY 3 Space Invaders: The Networked Terrain of Zoom Bombing When workers across the US first began staying home in order to flatten the COVID-19 curve in early March, 2020, a huge proportion of them began using Zoom. This rapid explosion in popularity was met with pre-existing sociotechnical conditions that created the perfect environment for Zoom bombing: lax security settings in the software, inadequate training for new users who inaccurately assumed the software was more private than it was, bored teenagers home from school, social proclivities toward trolling, and easy outlets for the bombs to go viral. Therefore, Zoom bombing isn’t technically “hacking,” but rather a misuse of Zoom’s core functionality. -
New Sincerity, the Weird, and the Post-Ironic Turn in Contemporary Indie Video Games
Course: MA Cultural and Critical Studies Year: 2019–2020 Module: Dissertation (ENHU001D7) Author: Simon Bowie (13118235) Supervisor: Dr. Grace Halden ([email protected]) Word count: 15349 New Sincerity, the Weird, and the post-ironic turn in contemporary indie video games Submitted in partial fulfilment of the requirements for the MA in Cultural and Critical Studies, Birkbeck College, University of London September 2020 Simon Bowie New Sincerity, the Weird, and the post-ironic turn in contemporary indie video games contents abstract ................................................................................................................................... 2 0: introduction ........................................................................................................................ 3 1: ‘The Princess is in another castle’: ironic parody and weird distortion ..................... 16 2: ‘To get out, all you have to do is be sincere’: ironic metafiction and complicating of authorship ............................................................................................................................ 29 3: ‘I can’t feel at home in this world anymore’: alienation, late capitalism, and weird transformation ...................................................................................................................... 45 4: conclusion ........................................................................................................................ 60 5: references ........................................................................................................................ -
What's So Funny About Comedy and Humor Studies?
IN FOCUS: What’s So Funny about Comedy and Humor Studies? Introduction by MAGGIE HENNEFELD, ANNIE BERKE, and MICHAEL RENNETT, editors guy walks into a bar. No, wait. Three guys walk into a bar. No. Let us start over. Twenty-some professors, graduate students, contingent lecturers, and independent scholars walk into a gray-toned hotel conference room, arrange the chairs into a makeshift semicircle, and energetically debate the future of com- Aedy and humor studies as an academic fi eld. It might not sound like the start of a promising joke, but if it’s any consolation, it only gets funnier from there. The essays that follow have been borne out of our annual meet- ings of the Comedy and Humor Studies Scholarly Interest Group at the Society of Cinema and Media Studies Conference.1 Across the essays in this section, our goal is to highlight the exciting schol- arship in our fi eld while also drawing attention to its limits and blind spots. We argue that comedy studies has been widely marginalized, deployed only to consider conventional genre comedies or identifi - able comedic performers. Yet comedic issues have crucial bearing on nearly every aspect of contemporary life, media culture, and interdisciplinary humanities scholarship. Above all, this section is a springboard for exploring many of these untapped intersections of comedic modes, social politics, and critical media scholarship. The Opposite of Comedy Is . “Comedy” used to mean the opposite of “tragedy,” but now laughter sprawls out everywhere. In an era when breaking-news headlines read like satirical Onion articles, social activism is fueled by pithy memes, and comedians 1 This scholarly interest group was established in 2013 by Philip Scepanski. -
Copyright Fair Use and the Digital Carnivalesque: Towards a New Lexicon of Transformative Internet Memes
Fordham Intellectual Property, Media and Entertainment Law Journal Volume 31 XXXI Number 3 Article 3 2021 Copyright Fair Use and the Digital Carnivalesque: Towards A New Lexicon of Transformative Internet Memes David Tan National University of Singapore, [email protected] Angus J. Wilson National University of Singapore, [email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation David Tan and Angus J. Wilson, Copyright Fair Use and the Digital Carnivalesque: Towards A New Lexicon of Transformative Internet Memes, 31 Fordham Intell. Prop. Media & Ent. L.J. 864 (2021). Available at: https://ir.lawnet.fordham.edu/iplj/vol31/iss3/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Copyright Fair Use and the Digital Carnivalesque: Towards A New Lexicon of Transformative Internet Memes Cover Page Footnote * Professor and Vice Dean (Academic Affairs), Faculty of Law, National University of Singapore; Head (Intellectual Property), E.W. Barker Centre for Law & Business; Deputy Director, Centre for Technology, Robotics, Artificial Intelligence & the Law, National