A Paris Journal

Total Page:16

File Type:pdf, Size:1020Kb

A Paris Journal BILL NELSON -- PARIS JOURNAL Page 1 of 233 A PARIS JOURNAL By William H. Nelson, Jr. BILL NELSON -- PARIS JOURNAL Page 2 of 233 Editor’s Note: In 1971, President Nixon invaded Laos and ended the embargo against China, the 26th amendment to the Constitution lowered the voting age to 18, and rock star Jim Morrison of The Doors died of cardiac arrest in Paris. The level of US troops in Vietnam stood at 330,000, and American causalities were nearing 45,000. The Stonewall riots in New York City were just two years old, and the nascent lesbian and gay rights movement operated mainly in the shadows – and mainly in New York and California. “AIDS” were assistants to someone in need of help. Bill Nelson’s love for all things French, including its language, lured him to Paris as a young man in 1971, and this daily journal embodies his private thoughts, events and encounters – living on his own, for the first time, in Paris. Bill would in later years return to France many times, often with his students who learned the culture of France through Bill’s tutelage. Friends and students lucky enough to accompany Bill on these trips were impressed by his command of the language, and his seemingly comprehensive knowledge of where to go and what to see made the trips even more memorable. After Bill’s death in 1990, his caretaker and mother started reading Bill’s Paris journal until she came to this sentence on one of the early pages: “I mean there are some things that are going to happen that I shouldn’t like dear Mother to get her hands on, nor Dad either for that matter, so, if either of you are reading now, and if you love me, then gently close the cover and put it away forever.” And so she stopped. She entrusted the journal to Bill’s close friends Mike Anglin and William Waybourn, and, not knowing what Bill had written, her simple request was that it not be shared publically until after her death. The journal was in safe‐keeping until 2014, when Anglin, a frequent traveler to France himself, began the pains‐taking task of transcription, inserting pictures, geographical context and explanatory footnotes where possible. Bill’s handwriting style made the process all the more difficult, but nothing has been left out. It is clear that this journal was written with the intent that it should be read by others in the future; it was not a “private” journal. For example, Bill writes: “I mention the full names of my friends with the pompous notion that someday somebody may find some interest in these lines.” After Stonewall and the end of the Vietnam war, sexual expression flourished as never before. Nothing like AIDS was imaginable, sex was more open, and the phenomenon of the “Sexual Revolution” had fully begun – even for the gay community. These are Bill’s words written in 1971. While the words are his, it should be acknowledged that sentences and paragraphs of an earlier era can sometimes be taken out of context when read decades later, and can suggest new meanings not originally intended by the author. This is a diary, a richly‐detailed account of one young gay man's coming of age amidst his newly liberated life in Paris in 1971. We are fortunate it was not lost. Enjoy it for what it is. BILL NELSON -- PARIS JOURNAL Page 3 of 233 Jan. 31, 1971 ‐ Sunday ‐ Paris Well, today isn’t really the day that I feel like beginning my journal, but I guess that, since I’ve already been in France for over a week, it’s about time I got started. I came to Paris, like many young men before me, I suppose, searching for an escape – but that sounds a little dramatic – actually just looking for a little free time. Going to SMU and working put a real load on me after awhile, and the added load of an undesirable relationship was just about to put things over the brink. I’m referring, of course, to Gerd – that little bit of Germany in good old Big D. It’s funny that I should have to come all the way to France just to get away from Germany! I won’t dwell long on it, but suffice it to say that, where I used to consider Gerd a thing of interest and a true door to the European way of life that I found so fascinating, the relationship soon became such that I saw him as a door alright … but a very tightly closed one … and as a result I was rapidly becoming a very cruel person and an extremely unhappy one. I’m young, 21 for the moment, and I do truly resent anything that stands in the way of my development as a human being – so I came to France, knowing that eight months of absence is enough to make any heart grow fonder (for somebody else) … so the letters will slowly grow less frequent – and less intimate – and soon I hope to get word from my spies in Dallas that things have worked themselves out well, like I hoped they would. But my being here in Paris is still as much a surprise to me as it is to anybody else. One day I just decided that I was going to have to avoid the draft somehow, since I was determined not to wait until the last minute like my best of friends, John Thomas Martin (hereinafter referred to as JT ‐ ‐ I mention the full names of my friends with the pompous notion that someday somebody may find some interest in these lines, also in the possibility that I might cross paths with somebody that the world will later consider famous). Well, anyway, I casually mentioned the possibility of a trip to France to my father, as a possibly profitable way of extending my period of education – being a French major – and much to my surprise, he really supported the idea and, sure enough, here I sit, smack in the middle of the Latin Quarter of Paris, France, 1971!!! As I’ve already said, I’ve been here for a week now. I could fill page after page with the things that I’ve already done and seen. My friend that I met on the beach of the Caravelle Hotel in Guadeloupe three years ago has been absolutely wonderful about driving me around and helping me to get situated. BILL NELSON -- PARIS JOURNAL Page 4 of 233 Finding a place to live in Paris in January of 1971 has been no easy task. All I wanted was a little room near the center of town. That really isn’t asking too much by Dallas standards, but there must be 1,000 or more people in Paris looking for exactly the same type of situation. In those days of continuous searching, I got so fed up with the placement agencies here that I was ready to accept anything!! Just for the sake of recorded history, let me put down how those damn organizations operate! They are based entirely on the fact that there are more people looking for rooms than there are rooms to rent. Therefore, they set themselves up in a room with a telephone and wait for landlords to call them with a room to rent. Then they wait for prospective renters to come to the office looking for a place to live. If they have anything at all like what you’re looking for, you go with them, look the place over. They have to go along, because they absolutely refuse to tell you the address. Why? Well, this part is the clincher: if you decide to accept the room, you have to pay the agency 12% of what the first year’s rent will be!!! Now, for the kind of place that I am looking for, the cost of the agency would run just a little over $100. That’s a little steep for an 8 month stay!! And I haven’t even begun to tell you how they can manage to screw you around. Every once in awhile there is really an interesting and inexpensive room up for grabs, so the agency advertises it in the paper, and that morning the race is on to see who can buy the morning paper, find the room, call the agency to get their address (it isn’t given in the paper), and then be the first one to the office and go see the room and snag it up!! Well, just to recount a personal experience of the third day of searching, Gerald Fortier, my friend, the steward from Air France, had some things to do and had left me to shift for myself for a day to see what I could come up with. Well, I played the newspaper game and picked out the three most interesting rooms, called the agencies and then set out by foot and Métro and map to find what there was to find. Well, as you might well imagine, the agencies don’t put everything in the newspaper, nor do they tell the whole story on the telephone! It was not until I knocked myself out going clear across town that they got around to telling me that the room we were discussing was completely independent except that it was in “sort of” a hotel and I couldn’t have any guests in my room past 10 o’clock in the evening!! Well, I was mad.
Recommended publications
  • Robert Harron Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    RoRbeRr RtR HaRnHçHTH” Rµ eRåR½RbR± eHTRäR½HTH” R ¸RåR½RbR± R² RèHçRtHaR½HT¡ The One with the https://bg.listvote.com/lists/film/movies/the-one-with-the-routine-50403300/actors Routine With Friends Like https://bg.listvote.com/lists/film/movies/with-friends-like-these...-5780664/actors These... If Lucy Fell https://bg.listvote.com/lists/film/movies/if-lucy-fell-1514643/actors A Girl Thing https://bg.listvote.com/lists/film/movies/a-girl-thing-2826031/actors The One with the https://bg.listvote.com/lists/film/movies/the-one-with-the-apothecary-table-7755097/actors Apothecary Table The One with https://bg.listvote.com/lists/film/movies/the-one-with-ross%27s-teeth-50403297/actors Ross's Teeth South Kensington https://bg.listvote.com/lists/film/movies/south-kensington-3965518/actors The One with https://bg.listvote.com/lists/film/movies/the-one-with-joey%27s-interview-22907466/actors Joey's Interview Sirens https://bg.listvote.com/lists/film/movies/sirens-1542458/actors The One Where https://bg.listvote.com/lists/film/movies/the-one-where-phoebe-runs-50403296/actors Phoebe Runs Jane Eyre https://bg.listvote.com/lists/film/movies/jane-eyre-1682593/actors The One Where https://bg.listvote.com/lists/film/movies/the-one-where-ross-got-high-50403298/actors Ross Got High https://bg.listvote.com/lists/film/movies/682262/actors Батман и https://bg.listvote.com/lists/film/movies/%D0%B1%D0%B0%D1%82%D0%BC%D0%B0%D0%BD-%D0%B8- Робин %D1%80%D0%BE%D0%B1%D0%B8%D0%BD-276523/actors ОглеР´Ð°Ð»Ð¾Ñ‚о е https://bg.listvote.com/lists/film/movies/%D0%BE%D0%B3%D0%BB%D0%B5%D0%B4%D0%B0%D0%BB%D0%BE%D1%82%D0%BE-
    [Show full text]
  • Fire Guts Old Bori Ami Dations of His Tax Reform Com­ Springfield, Mass
    PAGE EIGHTEEN - MANCHESTER EVENING HERALD. Manchester. Conn., Mon., Jan. 8. 1973 • asesseoisosiswsss:^ About Town Staff Increases Congress To Seek Better Obituary Manchester Chapter, Parents Without Partners, will meet Mrs. Patrick Shea Tuesday at 8 p.m. at Communi­ Planned At Control Of Federal Budget Mrs. Elizabeth Hegarty Shea, ty Baptist Church. All three Town Park Ullman said he hopes the full 78, of 94 Carman Rd., wife of WASHINGTON /A P) - within 60 days, a congressional Department-maintained ice special committee, including Patrick Shea, died Saturday Ladles Gourmet Group of the State ScKobls skating areas in Manchester Congress is preparing to begin budget that would set limits on Manchester Newcomers Club all appropriations. the 16 Senate members, can night at a Manchester convales­ Public Utilities Commision last will open today for public its organized effort to get better cent home after a long illness. will meet Tuesday at 7:30 p.m. HARTFORD (AP) - Gov. The regular congressional meet by the end of the week and Fridav, has been rejected by skating. controi of the budget—and in Mrs. Shea was bom in Ireland at the home of Mrs. Faith Thomas J. Meskill said today committees then would take begin work on its recommen­ leaders of the striking Hours for supervised skating the process to regain some of and had lived in the United there will be “ some’’ increase over and produce the money dations. It has all year to Ouellette, 181 Main St. Amalgamated Transit Union. are 3 p.m. to 9 p.m. at Union the power which, its members States for more than 60 years.
    [Show full text]
  • An Appreciation of John Balaban
    JOHN GRISWOLD “Praise to Those Still Coming Through On Song”: An Appreciation of John Balaban was born American in a little clinic in Saigon, Vietnam, on Ho Chi Minh’s birthday. My dad had been sent to Vietnam—as he was to be sent to Afghanistan later—by Southern Illinois University Carbondale, as Ipart of an Agency for International Development (USAID) team. In Saigon, he was assigned to Phu Tho National Institute of Technology but “got around quite a bit,” flying by four-person Pipers to cities in the Delta to help small industry. My mom, who’d been an elementary teacher stateside, taught English in Saigon. We lived in a new subdivision owned and operated by the U.S. Embassy, JDP Compound, across from Tan Son Nhut Airport. Single-family homes were built on stilts, over carports, and had big backyards. There was no rent. We had a maid who also cooked meals, and a driver we shared with other residents. My pigtailed sister had a pet monkey and rode to school in a bus with grenade screens over the windows. The compound itself had no walls around it. My mom said my dad kept a small pistol in the nightstand in case of guerilla attack, but she laughed that he was such a sound sleeper that they would have carried him off on the mattress without him waking. My mom loved her job and Saigon, which she rarely got to leave. She spent her spare time sightseeing and shopping the stores and markets downtown and in Cholon, the ethnic Chinese district.
    [Show full text]
  • Absoluteabsolute08 Absolute 2008 Absolute Is Published Annually by the Arts and Humanities Division of Oklahoma City Community College
    AbsoluteAbsolute08 Absolute 2008 Absolute is published annually by the Arts and Humanities Division of Oklahoma City Community College. All creative pieces are the original works of college students and community members. The views expressed herein are those of the writers and artists. Editorial Board Student Editors Jeffrey Miller Cynthia Praefke Johnathon Seratt Robert Smith Faculty Advisors Jon Inglett Marybeth McCauley Clay Randolph Publications Coordinator April Jackson Graphic Design Michael Cline Cover Art Jennifer Ohsfeldt Cover Design Randy Anderson Doug Blake Cathy Bowman Special Thanks J.B. Randolph, Dr. Cheryl Stanford, Susan VanSchuyver, Ruth Charnay, Dr. Felix Aquino, Dr. Paul Sechrist All information supplied in this publication is accurate at the time of printing; however, changes may occur and will supersede information in this publication. This publication, printed by DPS Printing Services, Inc., is issued by Oklahoma City Community College. A total of 150 copies were printed at a cost of $__________. Oklahoma City Community College complies with all applicable Federal and State laws and regulations and does not discriminate on the basis of race, color, national origin, gender, age, religion, disability or status as a veteran in any of its policies, practices or procedures. This includes, but is not limited to, admissions, employment, financial aid, and educational services. Oklahoma City Community College is accredited by the Commission on Institutions of Higher Education of the North Central Association of Colleges and Schools and holds a prestigious 10-year accreditation as of 2001. Contents FICTION .............................................................................................................1 Death of a Neighbor . Cynthia Praefke Melinda . Lyndsie Stremlow Fish on the Verge of Change . .Nelson Bundrick Billy Ray .
    [Show full text]
  • The Porcelain Tower, Or, Nine Stories of China
    %is<ii^>^ 3 1735 060 217 449 UNIVERSITY OF PITTSBURGH Dar. PR5349 S286 Darlington Atemorial Litrary T-'ki'/d. 5^.^ .:^x^ ,,W^^j^ //^c^%o////iS'^/^/2^ ^.^ . ; LIFE IN CHINA. PORCELAIN TOWER OR, NINE STORIES OP CHINA. COMPILED FROM ORIGINAL SOURCES. By " T. T. T." To raise a tower your arts apply, And build it thrice three stories high; Make every story rich and fair With blocks of wood, in carvinga rare ; With such its ruder form conceal. And make it strong with plates of steel. From the Song of the Pagoda, Jy—SheLorh. EMBELLISHED BY J. LEECH. PHILADELPHIA: LEA AND BLANCHARD. 1842. ^ 5 ^' TO HIS FRIENDS IN GENERAL, AND TO THE PUBLIC IN PARTICULAR, THE ACCOMPANYING SPECIMENS OF REAL CHINA ARE RESPECTFULLY PRESENTED, BY THEIR MOST OBSEQUIOUS SERVANT THE MANUFACTURER, WHO TAKES THIS OPPORTUNITY OF INFORMING ALL PARTIES, (and PARTICULARLY SMALL TEA-PARTIES,) THAT HIS "services" ARE ALWAYS AT THEIR COMMAND. LIST OF ILLUSTRATIONS. Fum-Fum and Fee-Fee before the Em- peror, Frontispiece. Ho-Fi caught in his own trap, - page 8'2 Din-Din suspended in his office, - 57 ^ Hyson flailed by his father, ) - 112 Si-Long's arrival at the Philosopher's, 124 Faw-Faw and Fee-Fee united, ') - 233 - Fum-Fum smoking his own tail, ) 260 " Hey-Ho discovers Fun, " ' ) ^^^ Fun lowered from the window, ) - 2S5 1^ CONTENTS. Page Invocation, , . , . viii Preface, ..... x THE FIRST STORY. Ho-Fi of the Yellow Girdle, . 13 THE SECOND STORY. Kublai Khan ; or The Siege of Kinsai, . 60 THE THIRD STORY. Fashions in Feet; or the Tale of the Beautiful To-To 86 THE FOURTH STORY.
    [Show full text]
  • De La Pasión a La Revolución. Kazantzakis Reinterpretado Por Dassin1
    De la Pasión a la revolución. Kazantzakis reinterpretado por Dassin1 From Passion to Revolution. Kazantzakis Reinterpreted by Dassin AMOR LÓPEZ JIMENO Universidad de Valladolid [email protected] ORCID ID: 0000-0002-0136-9091 Resumen: Jules Dassin fue el Abstract: Jules Dassin was the first primero en llevar al cine una novela de filmmaker to adapt a novel by Kazantzakis, Cristo de nuevo crucificado. Kazantzakis, Christ Recrucified. This La autora realiza un análisis contrastivo paper presents an analysis that de ambas obras y la trayectoria artística contrasts both of these works and the de sus respectivos creadores. artistic careers of their respective creators. Palabras clave: novela griega, cine, Key Words: Greek novel, cinema, Nikos Kazantzakis, Jules Dassin. Nikos Kazantzakis, Jules Dassin. 1 Este trabajo ha sido realizado dentro del Proyecto de Innovación Docente (PID) la Universidad de Valladolid Materiales audiovisuales sobre el mundo griego: elaboración y análisis, y del Proyecto de Investigación subvencionado por la Junta de Castilla y León Materiales lúdicos para el aprendizaje pragmático de segundas lenguas (español, griego, italiano, inglés, alemán). Trasvases entre la literatura y el cine, 2, 2020, págs. 141-160 ISSN-e: 2695-639X DOI: 10.24310/Trasvasestlc.vi2.9471 Amor López Jimeno 1. CRISTO DE NUEVO CRUCIFICADO Kazantzakis era ya un autor consagrado internacionalmente cuando publica su segunda novela, Cristo de nuevo crucificado (O Jristós xanastavrónete), en 1948. Como la anterior, Vida y andanzas de Alexis Zorba (Bíos ke politía tu Alexi Zorbá), obtuvo un considerable éxito y fue inmediatamente traducida, primero al noruego y alemán (1951 como Pasión griega, título inicial de la obra), después al inglés (Nueva York, 1953), español (Buenos Aires), sueco, francés, y así hasta 52 lenguas en 1986.
    [Show full text]
  • The Female Gothic Connoisseur: Reading, Subjectivity, and the Feminist Uses of Gothic Fiction
    The Female Gothic Connoisseur: Reading, Subjectivity, and the Feminist Uses of Gothic Fiction By Monica Cristina Soare A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ian Duncan, Chair Professor Julia Bader Professor Michael Iarocci Spring 2013 1 Abstract The Female Gothic Connoisseur: Reading, Subjectivity, and the Feminist Uses of Gothic Fiction by Monica Cristina Soare Doctor or Philosophy in English University of California, Berkeley Professor Ian Duncan, Chair In my dissertation I argue for a new history of female Romanticism in which the romance – and particularly the Gothic romance – comes to represent the transformative power of the aesthetic for the female reader. The literary figure in which this formulation inheres is the Female Quixote – an eighteenth-century amalgamation of Cervantes's reading idealist and the satirized figure of the learned woman – who embodies both aesthetic enthusiasm and a feminist claim on the world of knowledge. While the Female Quixote has generally been understood as a satirical figure, I show that she is actually at the forefront of a development in British aesthetics in which art comes to be newly valued as a bulwark against worldliness. Such a development arises as part of mid-eighteenth-century sensibility culture and changes the meaning of an aesthetic practice that had been to that point criticized and satirized – that of over-investment in the arts, associated, as I show, with both the figure of the connoisseur and of the Female Quixote.
    [Show full text]
  • JULES DASSIN January 20 - 31, 1995
    The Museum of Modern Art For Immediate Release December 1994 JULES DASSIN January 20 - 31, 1995 Selections from the forty-year career of the influential film director, Jules Dassin (b. 1911), are on view at The Museum of Modern Art from January 20 to 31, 1995. A native of New York, Dassin has worked in the United States, England, France, Italy, and Greece, his adopted country. Such an international career has allowed the innovative and audacious filmmaker to develop a visual style usually associated with European cinema, giving his narratives a unique blend of lyricism and realism. JULES DASSIN includes twelve feature-length works; Mr. Dassin will appear at the Museum to introduce the evening screenings of Du Rififi chez /es hommes (Rififi, 1956) on January 20 and Night and the City (1950) on January 21. Dassin's filmography includes pivotal works in a variety of genres. Highlights include three postwar film noirs that render the mythic struggle between good and evil: Brute Force (1947); The Naked City (1948), in which the urban landscape of New York plays a major role; and Night and the City, shot in London. Also presented are Du Rififi chez les hommes, Dassin's prototype for the French policier, which earned him the Best Director Award at the 1955 Cannes Film Festival and which features a famous robbery sequence shot without dialogue or music; and Celui qui doit mourir (He Hho Must Die, 1956), his astonishing version of the Passion Play. Phaedra (1962) and A Dream of - more - 11 West 53 Street, New York, N.Y.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • XX:4) Jules Dassin, NIGHT and the CITY (1950, 96 Min)
    February 2, 2010 (XX:4) Jules Dassin, NIGHT AND THE CITY (1950, 96 min) Directed by Jules Dassin Screenplay by Jo Eisinger Based on the novel by Gerald Kersh Produced by Samuel G. Engel. Original Music by Benjamin Frankel (British version), Franz Waxman (American version) Cinematography by Mutz Greenbaum (director of photography, as Max Greene) Film Editing by Nick DeMaggio and Sidney Stone Constant Nymph (1933), Hindle Wakes (1931), Amours viennoises (1931), Die Försterchristl (1931), Zwei Menschen (1930), Zwei Richard Widmark...Harry Fabian Welten (1930, Der Präsident (1928), Frauenraub in Marokko Gene Tierney...Mary Bristol (1928), Das goldene Kalb (1925), Das tanzende Herz (1916), and Googie Withers...Helen Nosseross Hampels Abenteuer (1915). Hugh Marlowe...Adam Dunn Francis L. Sullivan...Philip Nosseross RICHARD WIDMARK (December 26, 1914, Sunrise Township, Herbert Lom...Kristo Minnesota—March 24, 2008, Roxbury, Connecticut, from Stanislaus Zbyszko...Gregorius complications following a fall) appeared in 75 films and tv series, Mike Mazurki...The Strangler some of which were True Colors (1991), Against All Odds (1984), Charles Farrell...Mickey Beer National Lampoon's Movie Madness (1982) The Swarm (1978), Ada Reeve...Molly the Flower Lady Twilight's Last Gleaming (1977), Murder on the Orient Express Ken Richmond...Nikolas of Athens (1974), "Madigan" (6 episodes, 1972-1973), Death of a Gunfighter (1969), Madigan (1968), Alvarez Kelly (1966), The Bedford JULES DASSIN (18 December 1911, Middletown, Connecticut, Incident (1965), Cheyenne Autumn (1964), How the West Was Won USA—31 March 2008, Athens, Greece, complications from flu) (1962), Judgment at Nuremberg (1961), Two Rode Together (1961), directed 25 films, including Circle of Two/Obsession (1980), The The Alamo (1960), Warlock (1959), The Law and Jake Wade Rehearsal (1974), Promise at Dawn (1970), 10:30 P.M.
    [Show full text]
  • The Haverfordian, Vols. 54-55, Nov. 1934-June 1936
    STACK THE LIBRARY OF HAVERFORD COLLEGE THE GIFT OF M 0.>J^ ^ gl't Accession No. S^ \ b^ (d^ v'ERFORC^ llaberfottrtan i^otjemtjer 1934 — THE HAVERFORDIAN MEHL & LATTA, Inc. WARNER'S Lumber, Coal and for better Building Material Rainey-Wood Ply Wood Soda Service Koppers Coke Wall Board and Celotex ROSEMONT, PA. Opposite R. R. Station Telephone Bryn Mawr 1300, 1301 OTTO FUCHS SALE OR RENTAL Costumes Make-up Wigs Library and Law Books for Plays and Pageants a Specialty OLD BOOKS REBOUND Established 1882 VAN HORN & SON ^416 N. 15TH STREET THEATRICAL COSTUMES Baldwin 4120 12th and Chestnut Sts., Philadelphia The Nearest and the Best E. S. McCAWLEY, Inc. THE Haverford, Pa. COLLEGE BARBER This shop is haunted by the ghosts Of all great Literature, in hosts; SHOP We sell no fakes or trashes FoRTUNATo Russo, Prop. Lovers of books are welcome here, No clerks will babble in your ear. Haircut, 35c Please smoke—but don't drop ashes. Penn St. and Lancaster Ave. "HAUNTED BOOK SHOP"— Bryn Mawr, Pa. Christopher Morley JOHN TRONCELLITI Expert Hair Cutting SPECIAL AHENTION TO HAVERFORD MEN Ardmore Arcade Phone, Ardmore 593 THE HAVERFORDIAN tSTABllSHKO !••• j:: LOTH INC) ^-*3V MADISON AVENUE COR. rONTY-FOURTH STRBCII NEW VORK Wearing Quality The unusual wearing quality of Brooks Brothers' ready-made suits and overcoats comes from three sources. First, the materials are care- O Brnki Brolh*T« fully selected. Second, the cutting and making "Touch?" are done in our own workrooms. And third, we design styles to survive the passing fads of ex- treme clothing, styles and materials to wear with lasting satisfaction, and not just for a season.
    [Show full text]
  • Practical Composition and Rhetoric
    98 SENTENCES. Evidently "this opportunity" has not spoken. What the writer means to say is : — " As I have just now spoken of the discipline rather than of the master, I may take this opportunity to say," etc. " Wearied out by his efforts, his examination proved unsuc cessful." In this case the participle is made to refer to the person obscurely suggested by "his." We may cor rect the sentence by expanding " wearied out," as in the preceding example, or by writing : " Wearied out by his efforts, he was unsuccessful in his examination." Exercise 33. Rewrite the following sentences, and show wherein they are defective : — " The faith of his guests exceeded even his own ; they lis tened to every tale of wonder with open eyes and mouth, and never failed to be astonished, even though repeated for the hundredth time." 1 " Shy and sensitive, living always under the shadow of a heavy family affliction, and almost entirely isolated from any congenial companionship, except that of his sister, the friend ship of Coleridge was the chief treasure and embellishment of Lamb's life — a life of much restraint and of many limitations, patiently accepted and bravely endured."2 " Being the only child of a man well-to-do, nobody would have been surprised had Agnes Stanfield been sent to a boarding school." 8 '-'-Allowing for the exaggeration of friendship and poetry, this is not a bad description of what Lord John Russell's style became at its best." 4 1 Irving : Sketch Book, p. 193. 4 Justin McCarthy: History of Our a Sanford : Life of Thomas Poole.
    [Show full text]