DOCSLIB.ORG

St. Pat Board Announces Johnny Long's the Band

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
St. Pat Board Announces Johnny Long's the Band JL iri I LUX VOL 49, NO. 12 TUESDAY, FEBRUARY 21, 1956, ALFRED, NEW YORK Telephone 5402 Religion InLife Week Commences; St. Pat Board Announces Interfaith Program In Progress by Evadna Sterrett Johnny Long's The Band "Religion in Life Week" on the Alfred campus began Sunday. Soviet Attitude; Feb. 19, and will end Saturday, Feb. 25. This week is set aside Civil Workers; "Young' America's Favorite," Johnny Long and his orchestra to emphasize the important of religion in the student's everyday AU To Represent will be the feature attraction of the 1956 St. Pat's Festival at the affairs. It is sponsored by the Inter-collegiate Christian Board of Assembly Topic Iraq and Yemen annual ball to be held in the Men's Gym March 17. Alfred. A special period has been set aside for the purpose each year On Thursday, February 16, Dr. Jan The man who made hit recordings of "Blue Skies," "When I M. Novotny, professor of economics, Grow Too Old to Dream," and "Paradise" brings in his 15 piece was the assembly's speaker. Dr. No- At Model UN votny was graduated from the Univer- orchestra featuring Sandee Moore, The Alfred delegation to the model Johnny Wells, the Long Shots and the sity of Charles in Prague, and then United Nations General Assembly, came to the United States where he Glee Club for the big dance. received his master's degree in poli- which will take place March 28, 29 and Long is known as the "backward tical science from the University of 30 at Indian State Teacher's College, violinist,'1 as he plays the violin with Pennsylvania. He then returned to Indian, Pennsylvania, will have as Its his left hand. He got his start as a Prague and entered the Ministry of general coordinators Dave Cohen and professional musician when he form- Finance and later became under-sec- Jerry Slater. These two will plan the ed an eleven piece orchestra during retary in charge of customs. It was his freshman year at Duke Univer- with this background, that Dr. Novot- overall strategy for the Alfred delega- sity in 1931. Under the direction of ny chose as his topic, "Problems of a tion which will represent both Iraq and Hal Kemp the band turned for pro- Civil Servant Under a Totalitarian Yemen. fessional bookings and started ' its Regime." The main agenda for this model as- climb to the top after graduation fr»m college. The life of a civil servant in a So- sembly will be a debate on the ques- viet-run country is governed by four "In a Shanty in Old Shantytown," major points, our speaker said. First, tion: How far should the United Na- which he recorded in 1940 is the song everyone exists under the rule of one tions interfere in the internal affairs most attributed to him and a band employer—the government. Second, of nations? The main speaker at this dates never, goes by without at least there is dual control by the state gov- meeting of which there will be three one request for it. During the war Johnny and the ernmnt and the Communist party. sessions, will b Eleanor Roosevelt. Third, is the Soviet way of life, de- orchestra entertained at many camps, Johnny Long void of ethics and laws. Instead is Everyone connected with this pro- bases and as many hospitals as his substituted a feudal allegiance which ject has been assigned to a nation and busy schedule would permit. He says Bookings also included the New only extreme loyalty is profitable. The committee, of which there are four: the highlight of it all was when he York Paramount Theatre, the Chica- Dr. Allen Best fourth and last point involves the un- (1) the political and security, which was asked to play at the President's go Theatre, Roseland and Trianoa Dr. Charles Bodie restrained use of terror as a method will concern itself with the Korean Birthday Ball in 1941. ballrooms in New York and Chicago, since Alfred has had a chaplain, be- for government. "It is difficult to ar- truce and Arab-Israeli truce, (2) the Sandee Brown left the campus of the Steel Pier in Atlantic City and Methodist Church in Hornell. Mr. rive at the summit and stay there," social and economic committee, which Brooklyn College to make her night ginning in about 1929, with Chaplain Robert Turner from the Alfred Station the Palladium in Hollywood. said our speaker, because of the con- will report on the International Fi- club debut at Number 1 Fifth Aven- After recent appearances in the Alh McCloud. Society of Friends went to Lambda tinual checking of many secret police ue a few years ago and the beautiful Opening the observances Sunday, the Chi and Kappa Psi had as its guest uance Corporation, (3) the trusteeship pie Blossom Festival in Virginia and forces. committee, which will have as its main Miss Brown soon found herself sing- the Strawberry Festival in North Car- Reverend Dr. Allen C. Best preached Rev. Melvin Nida, pastor of the ing in the top night spots all over the at the regular morning Union Church Troupsburg Methodist Church. Dr. Novotny spoke about the place topics Togoland unification and the olina the group has been on a college of the Ministry, and the average work- question of the procedure or receiving nation as well as doing radio and TV tour. Included in it were dates at service on "Christ's Cross and Cal- A schedule of special events for the work. She also has work in two MGM vary" and at a special evening ser- er in a Soviet-run country. Most information from non-self-governing Notre Dame, Carnegie Tech, Duke and remainder of the week is as follows: greatly stressed was the idea that movies to her credit, "Main Street to Dartmouth University. vice, using as his topic, "What Our countries, and (4)the Ad-Hoc commit- Broadway" and "I Love Melvin." Faith Means to Us." Tonight at 7:30 in Howell Hall: survival, not advancement is the ma- tee, which will discuss peaceful uses The Johnny Long orchestra has re- An informal session will be held jor concern. of the atom and disarmament. Jennie While working out on the West corded many of the nation's top col- Dr. Best is Director of the New where students will have an opportun- Coast Sandee heard that Johnny Long lege songs and his theme song is of York State Methodist Student Move- Gobert from Alfred will be the chair- was looking for a vocalist and she au- ity to meet Dr. Bodie. man of this fourth committee. collegiate origin, "The Sweetheart of ment and is Methodist chaplain and ditioned, providing no question as to Sigma Nu." Some of the other Long student counselor at Cornell Univer- Wednesday at 7:30 in the Seventh Ceramic Symposium Day Baptist Church: Most of the work for this general who the new singer would be — "one hits include: "Last Night on the sity. He is personally responsible for assembly meeting will be carried out of the most beautiful and most tal- Back Porch," 'Ktae Dozen Roses," a religious program serving 12>0€-150'0 Dr. Bodie will preach at the reg- Set For April 2-6 ented young songbirds in the nation." "Poor Butterfly," "Sweet Sue, Just Methodist students at Cornell Univer- ular Lenten service followed by a in these committees and in each one A symposium, designed to acquaint will be represented each of the 61 The young baritone featured with You," "Winter Wonderland," "The Girl sity and Ithaca College. He teaches social hour and song fest in the chruch the group is Johnny Wells. John was That I Marry," "All the Bees are courses in psychology of religion, phil- center. engineers, chemists and physicists nations of the United Nations. with the current theory of the solid The Alfred delegates to the model an honor student in high school and Buzzing Round by Honey" and "We'll osophy, marriage and Bible. Thursday at 11:00 in Aluumni Hall: state and the implications deriving received a pre-law scholarship to the Build a Bungalow." A graduate of Syracuse University, Dr. Bodie will address the Uni- Assembly and the nation and commit- University of Maryland. While attend- from the theory will be held on the tee they»will represent are as follows: John Welson of Downbeat maga- Dr. Best is a member of several hon- versity Assembly. University campus during the week of, (committee 1), ing school he sang over many of the zine says, "Johnny Long for some orary scholastic and professional so- Raja Ajluni Irv Friday at 7:15 in Kerfyon Chapel April 2-6 according to an annoucement Schwartzman (2), Sol Schfartz (3), Washington stations until he was time, has one of the "Best Outfits" cieties (Theta Chi Beta, Theta Beta by Dr. Thomas J. Gray, Associate Pro- drafted during his sophomore year in Phi and Psi Chi) and is also inter- A n Interfaith Sabbath Service and Angela Zegarelli (4) represneting in the country Long has stuck will be held followed by a social hour fessor of Physical Chemistry. Iraq, and Ernie LaFollette (1), Art college. to the basic principles a good ested in athletics, having played base- The troops received entertainment dancable beat and showmanship. Long ball, football and boxed. at the Union. The symposium will be limited to Unger (2), Bruce Elkin (3), and Mari- Saturday at 11:00 in the Seventh an enrollment of fifty individuals. Ex- on- Sutton (4) representing Yemen.
Load more

Recommended publications
  • ARSC Journal XXV I I 1994
    JEFFREY HOLLANDER The Artistry of Myra Hess: Recent Reissues Dame Myra Hess-Vol. I Pearl GEMM CD 9462 Jin, Felix Salmond, 'cello), Brahms: Piano [Pearl I] (69'40") Trio in C Major, op. 87 (with Jelly d'Aranyi, Contents: Bach: French Suite no. 5, BWV violin, Gaspar Cassad6, 'cello) 816: Gigue; Schubert: Sonata in A Major, D. 664; Schubert: Rosamunde, 'Ballet Music' Dame Myra Hess (1890-1965) EMI CDH 7 (arr. Ganz); Beethoven: Sonata in A Major, 63787 2 [EM!] (75'57") op. 69 (with Emanuel Feuermann, 'cello); Contents: Beethoven: Piano Sonata in E Chopin: Nocturne in F-sharp Major, op. 15, Major, op. 109; Piano Sonata in A-flat no. 2; Mendelssohn: Song without Words in Major, op. 110; Scarlatti: Sonata in C A-flat Major, op. 38, no. 6; Brahms: Minor, K. 11/L. 352; Sonata in G Major, K. Capriccio in B Minor, op. 76, no. 2; Dvorak: 14/L. 387; Beethoven: Fur Elise; Bagatelle Slavonic Dance in C Major, op. 46, no. 1 in E-flat Major, op. 126, no. 3; (with Hamilton Harty, piano); Debussy: Mendelssohn: Song without Words in A Images, Book II, 'Poissons d'or'; Preludes, Major, op. 102, no. 5; Granados: Goyescas­ Book I, 'La fille aux cheveux de Jin' and no. 4, 'La maja y el ruiseiior'; Brahms: 'Minstrels'; Bach: Chorale, 'Jesu, Joy of Waltz in A-flat Major, op. 39, no. 15; Man's Desiring' (arr. Hess) Intermezzo in C Major, op. 119, no. 3; J.S. Bach: Toccata, Adagio, and Fugue, BWV Dame Myra Hess-Vol. II Pearl GEMM CD 564: Adagio (arr.
    [Show full text]
  • Honor Choirs! Pre-Conference [email protected] - Website: Europacantatjunior
    INTERNATIONAL CHORAL BULLETIN ISSN - 0896-0968 Volume XXXIX, Number 3 ICB 3rd Quarter, 2020 - English DOSSIER Composer’s Corner: BASIC COGNITIVE PROCESSES Choral Music is an Expression of our IN CONDUCTING Souls and our Social Togetherness Interview with John Rutter INTERNATIONAL CHORAL BULLETIN CONTENTS 3rd Quarter 2020 - Volume XXXIX, Number 3 COVER John Rutter 1 MESSAGE FROM THE PRESIDENT Emily Kuo Vong DESIGN & CONTENT COPYRIGHT © International Federation DOSSIER for Choral Music 3 BASIC COGNITIVE PROCESSES IN CONDUCTING Theodora Pavlovitch PRINTED BY PixartPrinting.it, Italy IFCM NEWS 13 IFCM AND THE QATAR NATIONAL CHORAL ASSOCIATION WORKING ON SUBMITTING MATERIAL THE WORLD SYMPOSIUM ON CHORAL MUSIC 2023/2024 When submitting documents to be IFCM Press Release considered for publication, please provide articles by Email or through the CHORAL WORLD NEWS ICB Webpage: 15 REMEMBERING COLIN MAWBY http://icb.ifcm.net/en_US/ Aurelio Porfiri proposeanarticle/. The following 18 CHOIRS AND CORONA VIRUS ... THE DAY AFTER electronic file formats are accepted: Aurelio Porfiri Text, RTF or Microsoft Word (version 97 21 CHATTING WITH ANTON ARMSTRONG or higher). Images must be in GIF, EPS, A PROUD MEMBER OF THE INTERNATIONAL FEDERATION FOR CHORAL TIFF or JPEG format and be at least MUSIC FOR MORE THAN 30 YEARS 300dpi. Articles may be submitted in one Andrea Angelini or more of these languages: English, French, German, Spanish. IMPOSSIBLE INTERVIEWS 27 THE TRUE HISTORY OF THE VESPERS OF THE BLESSED VIRGIN REPRINTS BY ALESSANDRO GRANDI Articles may be reproduced for non Andrea Angelini commercial purposes once permission has been granted by the managing editor CHORAL TECHNIQUE and the author.
    [Show full text]
  • A Study of Tyzen Hsiao's Piano Concerto, Op. 53
    A Study of Tyzen Hsiao’s Piano Concerto, Op. 53: A Comparison with Rachmaninoff’s Piano Concerto No. 2 D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Lin-Min Chang, M.M. Graduate Program in Music The Ohio State University 2018 D.M.A. Document Committee: Professor Steven Glaser, Advisor Dr. Anna Gowboy Dr. Kia-Hui Tan Copyright by Lin-Min Chang 2018 2 ABSTRACT One of the most prominent Taiwanese composers, Tyzen Hsiao, is known as the “Sergei Rachmaninoff of Taiwan.” The primary purpose of this document is to compare and discuss his Piano Concerto Op. 53, from a performer’s perspective, with the Second Piano Concerto of Sergei Rachmaninoff. Hsiao’s preferences of musical materials such as harmony, texture, and rhythmic patterns are influenced by Romantic, Impressionist, and 20th century musicians incorporating these elements together with Taiwanese folk song into a unique musical style. This document consists of four chapters. The first chapter introduces Hsiao’s biography and his musical style; the second chapter focuses on analyzing Hsiao’s Piano Concerto Op. 53 in C minor from a performer’s perspective; the third chapter is a comparison of Hsiao and Rachmaninoff’s Piano Concertos regarding the similarities of orchestration and structure, rhythm and technique, phrasing and articulation, harmony and texture. The chapter also covers the differences in the function of the cadenza, and the interaction between solo piano and orchestra; and the final chapter provides some performance suggestions to the practical issues in regard to phrasing, voicing, technique, color, pedaling, and articulation of Hsiao’s Piano Concerto from the perspective of a pianist.
    [Show full text]
  • St. Olaf Choir & St
    Founded in 1874 by Norwegian Lutheran immi- grants, St. Olaf is a nationally ranked liberal arts college located in Northfield, Minnesota, approximately 70 km south of the Twin Cities of Minne- apolis and St. Paul, the largest metropolitan area in the upper Midwest. St. Olaf is home to 3,000 students from nearly every state in the country and more than 80 countries and offers 85-majors, concentrations, and academic programs. For more than half a century, St. Olaf students have taken advantage of international and off-campus study programs — including in Norway — that offer profound, life-changing experiences. Living and studying abroad is fundamental to understanding other cultures and perspectives and to becoming an educated citizen in a changing world. go.stolaf.edu I 1874 ble St. Olaf College grunnlagt av norske lutherske immigranter, og er i dag en høyt ansett liberal arts college. Skolen ligger i Northfield, Minnesota, ca 70 kilometer sør for tvillingbyene; Minneapolis og St. Paul, som er den største metropolen i den nordlige delen av midtvesten. St. Olaf huser 3,000 studenter fra nesten samtlige amerikanske stater, mer enn 80 land, og kan tilby over 85 ulike typer bachelorprogrammer og fagkonsentrasjoner. I nesten 50 år har St. Olaf studenter hatt stort utbytte av å ta del i internas- jonale utvekslingsprogrammer — blant annet i Norge — som skaper meningsfulle opplevelser og minner for livet. Verden er i rask endring, derfor er det å bo og studere i utlandet helt fundamentalt for å forstå andre kulturer og perspektiver, og på den måten bli en samfunnsorientert borger. 1 ST.
    [Show full text]
  • Division, Records of the Cultural Affairs Branch, 1946–1949 108 10.1.5.7
    RECONSTRUCTING THE RECORD OF NAZI CULTURAL PLUNDER A GUIDE TO THE DISPERSED ARCHIVES OF THE EINSATZSTAB REICHSLEITER ROSENBERG (ERR) AND THE POSTWARD RETRIEVAL OF ERR LOOT Patricia Kennedy Grimsted Revised and Updated Edition Chapter 10: United States of America (March 2015) Published on-line with generous support of the Conference on Jewish Material Claims Against Germany (Claims Conference), in association with the International Institute of Social History (IISH/IISG), Amsterdam, and the NIOD Institute for War, Holocaust, and Genocide Studies, Amsterdam, at http://www.errproject.org © Copyright 2015, Patricia Kennedy Grimsted The original volume was initially published as: Reconstructing the Record of Nazi Cultural Plunder: A Survey of the Dispersed Archives of the Einsatzstab Reichsleiter Rosenberg (ERR), IISH Research Paper 47, by the International Institute of Social History (IISH), in association with the NIOD Institute for War, Holocaust and Genocide Studies, Amsterdam, and with generous support of the Conference on Jewish Material Claims Against Germany (Claims Conference), Amsterdam, March 2011 © Patricia Kennedy Grimsted The entire original volume and individual sections are available in a PDF file for free download at: http://socialhistory.org/en/publications/reconstructing-record-nazi-cultural- plunder. Also now available is the updated Introduction: “Alfred Rosenberg and the ERR: The Records of Plunder and the Fate of Its Loot” (last revsied May 2015). Other updated country chapters and a new Israeli chapter will be posted as completed at: http://www.errproject.org. The Einsatzstab Reichsleiter Rosenberg (ERR), the special operational task force headed by Adolf Hitler’s leading ideologue Alfred Rosenberg, was the major NSDAP agency engaged in looting cultural valuables in Nazi-occupied countries during the Second World War.
    [Show full text]
  • Annotated Bibliography of Sources on the History of Piano Pedagogy Compiled by Members of the NCKP Historical Perspectives Committee
    Annotated Bibliography of Sources on the History of Piano Pedagogy Compiled by Members of the NCKP Historical Perspectives Committee Connie Arrau Sturm (CAS) – Committee Chairman Debra Brubaker Burns (DBB) Anita Jackson (AJ) General historical surveys Boardman, Roger Crager. “A History of Theories of Teaching Piano Technic.” Ph.D. diss., New York University, 1954. Boardman investigated how theories of teaching piano technique changed from 1753 to 1953. He classified the theories into three categories - finger technique, use of the arm, and weight/relaxation. Within each category of theories, he not only analyzed how the body was used and how it interacted with the instrument, but also discussed how these techniques were taught. Boardman’s comparisons among theories helped pinpoint when important changes occurred, revealing the special contributions of each pedagogue. Boardman concluded that concepts of piano technique evolved from use of fingers only, to the coordination of the entire body (highlighting the importance of the brain). He also noted the strong influence of environmental factors (e.g., changes in the instrument, changes in the repertoire, and inspiration of great performers of the day) on the development of theories of teaching piano technique. (CAS) Bomberger, E. Douglas, Martha Dennis Burns, James Parakilas, Judith Tick, Marina Tsvetaeva, and Mark Tucker. “The Piano Lesson” In Piano Roles: Three Hundred Years of Life with the Piano. James Parakilas, 133-179. New Haven, Connecticut: Yale University Press, 1999. This chapter chronicled how teaching piano and studying piano have changed over the centuries. The authors described the evolution of piano study from eighteenth-century daily lessons, where students practiced in the presence of the piano teacher, to nineteenth-century weekly lessons that required long hours of daily practice in between.
    [Show full text]
  • Christmas at St. Olaf 2010 Hail the Heav’N Born Prince of Peace
    Christmas at St. Olaf 2010 Hail the heav’n born Prince of Peace. The loneliness of a Prince of Peace Must be profound. It is a rose in winter, A melody in a silent night, An infant cradled with the animals, Out of sight and out of mind In this world’s restless throb. Where, in the shards of a broken world, Is any Prince of Peace’s realm? Where the waiting kingdom? Where the citizens of peace? It must seem to such a prince A cruel and bitter joke: The land of peace so uninhabited Though all are called to make it home. Humanity can lose its way -- Like some poor planet gone awry Spinning backwards into its own darkness, Not forward toward the sun. Where there is no peace, how can one be Prince of Peace? Only by creating it, by making it anew. And can it be? Will God speak yet again and say “Let there be peace?” Yes, yes, yes. Here is the word made flesh! Child Emmanuel comes among us like a sun, Not cursing those who walk in darkness, But bringing them great light; Not demanding that we learn unaided how to sing But bringing us a song; Not scorning our burned-over, unused soil, But planting, tending, nurturing seeds, ’Till his own peace takes root in us, And roses everywhere take bloom. Born to raise each child of earth Born to give us second birth. the 99th annual St. Olaf Christmas Festival St. Olaf College · Northfield, Minnesota or many people over the years, the celebration of the Advent-Christmas- Epiphany season has begun with the annual St.
    [Show full text]
  • Mighty Expectations Anniversary
    WINTER 2015 MAGAZINE GREAT SMALL BUT OUR 140TH EXPECTATIONS MIGHTY ANNIVERSARY ON THE COVER: The St. Olaf campus is always beautiful, and winter brings a special kind of magic. PHOTO BY TOM ROSTER ST. OLAF MAGAZINE WINTER 2015 Volume 62 · No. 1 EDITOR: Carole Leigh Engblom ART DIRECTOR: Don Bratland ’87, Holmes Design COPY EDITOR: Laura Hamilton Waxman CONTRIBUTING WRITERS: Suzy Frisch, Marla Hill Holt ’88, Erin Peterson, Jeff Sauve, Samuel Weisner ’16, Andrew Wilder ’15 CONTRIBUTING PHOTOGRAPHERS: Glenn Asakawa, Katie Lauer ’13, Tom Roster, Andrew Wilder ’15 Readers may send name/address changes and corrections to: Advancement Services, St. Olaf College, 1520 St. Olaf Ave., Northfield, MN 55057; email: [email protected] Class Notes and Milestones Submission Deadlines: Spring issue: Feb. 1, Fall issue: June 1, Winter issue: Oct. 1 Contact the Office of Alumni and Parent Relations, 507-786-3028 or 888-865-6537; email: alum-offi[email protected] St. Olaf Magazine is published three times annually (Winter, Spring, Fall) by St. Olaf College, with editorial offices at the Office of Marketing and Communications, 507-786-3032; email: [email protected] M A G A Z I N E WINTER 2015 CONTENTS 2 Letter to Oles FROM PRESIDENT DAVID R. ANDERSON ’74 6 St. Olaf at 140 St. Olaf College is a 140-year-old national treasure. President David R. Anderson ’74 measures the extent of how much has changed at St. Olaf in the past decade and looks ahead to what the college can accomplish going forward. 10 Small but Mighty BY ERIN PETERSON Nanoscience and nanotechnology, the study and application of extremely small things, is radicalizing the world.
    [Show full text]
  • Selected Taiwanese Art Songs of Hsiao Tyzen
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Selected Taiwanses Art Songs of Hsiao Tyzen Hui-Ting Yang Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SELECTED TAIWANESE ART SONGS OF HSIAO TYZEN By HUI-TING YANG A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2006 Copyright © 2006 Hui-Ting Yang All Rights Reserved The members of the Committee approve the treatise of Hui-Ting Yang defended on April 28, 2006. __________________________ Timothy Hoekman Professor Directing Treatise __________________________ Ladislav Kubik Outside Committee Member __________________________ Carolyn Bridger Committee Member __________________________ Valerie Trujillo Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii Dedicated to my parents, Mr. Yang Fu-Hsiang (GJI) and Mrs. Hsieh Chu-Leng (HF!), and my uncle, Mr. Yang Fu-Chih (GJE) iii ACKNOWLEDGEMENTS Many thanks go to my treatise committee members, not only for their suggestions and interest in this treatise but also for their support and encouragement during all the working process. My great admiration goes to my treatise director, Dr. Timothy Hoekman, who spent endless hours reading my paper and making corrections for me, giving me inspiring ideas during each discussion. My special thanks go to my major professor, Dr. Carolyn Bridger, who offered me guidance, advice, and continuous warm support throughout my entire doctoral studies. I am thankful for her understanding and listening to my heart.
    [Show full text]
  • Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works
    Graduate Theses, Dissertations, and Problem Reports 2017 Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works Tzu-Nung Lin Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Lin, Tzu-Nung, "Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works" (2017). Graduate Theses, Dissertations, and Problem Reports. 6092. https://researchrepository.wvu.edu/etd/6092 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works Tzu-Nung Lin Research Document submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree Doctor of Musical Arts in Piano Performance Peter Amstutz, D.M.A., Committee Chair and Research Advisor William
    [Show full text]
  • Benjamin Britten's
    ST. OLAF COLLEGE DEPARTMENT OF MUSIC PRESENTS BENJAMIN BRITTEN’S WAR REQUIEM ’ Following the devastating bombing of the Cathedral at Coventry, England, Cathedral stonemason Jock Forbes saw two wooden beams lying in the shape of a cross and tied them together. A replica of the wooden cross, built in 1964, has replaced the original in the ruins of the old cathedral on an altar of rubble. The original is now kept on the stairs linking the new Cathedral with St. Michael’s Hall below. — photo by Shannon Cordes ’14 “My subject is War, and the pity of War. The Poetry is in the pity … All a poet can do today is warn.” — Wilfred Owen Unauthorized photography or video and audio recording is prohibited. The Boe Chapel performance is archived at http://www.stolaf.edu/multimedia Please silence your cell phone, pager or other personal communication device. WAR REQUIEM, OP. 66 Benjamin Britten (1913-1976) Words from the Missa pro Defuntis and the poems of Wilfred Owen I Requiem aeternam CHORUS Requiem aeternam dona eis Domine, Rest eternal grant them, Lord; et lux perpetua luceat eis and may everlasting light shine upon them. TREBLE CHOIR Te decet hymnus, Deus in Sion; Songs of praise are due to Thee, God, in Zion; et tibi reddetur votum in Jerusalem; and prayers offered up to Thee in Jerusalem; exaudi orationem meam, hear my prayer, ad te omnis caro veniet all flesh shall come to Thee. TENOR SOLO What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles’ rapid rattle Can patter out their hasty orisons.
    [Show full text]
  • The Klaus Pringsheim Collection Is Divided Into the Following Types Ofmaterial
    The Klaus Pringsheim collection is divided into the following types ofmaterial: I. CORRESPONDENCE April 1947-July 1972 [Family correspondence is embargoed] II. MANUSCRIPTS February 1912-0ctober 1972 Mainichi Articles October 1952-August 1971 Kyodo News Service December 1950-February 1963 Asahi Evening News Apri11957-January 1968 III. CLIPPINGS 1911-1972 from 9 different newspapers IV. COMPOSITIONS V. PHOTOGRAPHS VI. MISCELLANEOUS MATERIAL VII. ADDENDUM Correspondence Boxes 1-5 Correspondence has been left in roughly the same order as it was received. Subject headings used by Klaus Pringsheim have also been retained. The heading of each folder is the individual or group from whom Klaus Pringsheim received correspondence. Any exceptions or additional details are noted in the right-hand column. Box 1 Folder 1 Buschi Jan. 30, 1970 ALS 2 pp. Sept. 9, 1969 ALS 1 p. Jan. 23, 1968 ALS 1 p. Sept. 25, 1966 ALS 1 p. Dec. 20, 1965 TLS 1 p. [1965?] ALS 1 p. May 24, 1965 TLS 1 p. April 27, 1965 ALS 1 p. [attached is 1 p. ALS re loan of $200 - signed Rudolph Amendt-Anders] [?1965] Telegram April 8, 1965 ALS 2 pp. Jan. 24, 1965 ALS 1 p. March 2, 1965 ALS 2 pp. March 17, 1961 ALS 2 pp. Dec. 15, 1956 ALS 2 pp. Jan. 4, 1955 TLS 2 pp. Dec. 16, 1951 ALS 3 pp. Folder 2 W.R. Foerster Feb. 20, 1965 TLS 1 p. Oct. 6, 1960 TLS 1 p. Aug. 30, 1960 TLS 1 p. July 20, 1959 TLS 1 p. June 24, 1958 TLS 1 p.
    [Show full text]