The Art of the Ming Dynasty
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SORS-2021-1.2.Pdf
Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.1 (Updated August 2020) Copyright © 2021 by Smithsonian Institution Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 5 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 6 Cooper-Hewitt, National Design Museum (CHNDM) ............................................................................................................................. -
Charles Lang Freer and His Gallery of Art : Turn-Of-The-Century Politics and Aesthetics on the National Mall
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2007 Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall. Patricia L. Guardiola University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Guardiola, Patricia L., "Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall." (2007). Electronic Theses and Dissertations. Paper 543. https://doi.org/10.18297/etd/543 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville In Partial Fulfillment of the Requirements F or the Degree of Master of Arts Department of Fine Arts University of Louisville Louisville, Kentucky August 2007 CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Approved on June 8, 2007 By the following Thesis Committee: Thesis Director ii DEDICATION In memory of my grandfathers, Mr. -
Arthur M. Sackler Gallery/Freer Gallery of Art
ARTHUR M. SACKLER GALLERY/FREER GALLERY OF ART APPLICATION OF OPERATING RESOURCES FEDERAL GENERAL DONOR/SPONSOR- GOV’T GRANTS APPROPRIATIONS TRUST DESIGNATED & CONTRACTS FTE $000 FTE $000 FTE $000 FTE $000 FY 2007 48 5,679 0 0 57 10,543 0 0 ACTUAL FY 2008 57 5,787 0 434 65 12,480 0 0 ESTIMATE FY 2009 57 5,937 0 434 65 12,480 0 0 ESTIMATE STRATEGIC GOALS: INCREASED PUBLIC ENGAGEMENT; STRENGTHENED RESEARCH; AND ENHANCED MANAGEMENT EXCELLENCE Federal Resource Summary by Performance Objective and Program Category Performance Objective/ FY 2008 FY 2009 Change Performance Category FTE $000 FTE $000 FTE $000 Increased Public Engagement Public Programs Engage and inspire diverse audiences 8 812 8 834 0 22 Provide reference services and information to the 8 812 8 833 0 21 public Exhibitions Offer compelling, first-class exhibitions 15 1,523 15 1,562 0 39 Collections Improve the stewardship of the national 14 1,421 14 1,458 0 37 collections Strengthened Research Research Ensure the advancement of knowledge in the 4 406 4 417 0 11 humanities Enhanced Management Excellence Information Technology Modernize the Institution’s information technology 3 305 3 312 0 7 systems and infrastructure Management Operations Modernize the Institution’s financial management 5 508 5 521 0 13 and accounting operations Total 57 5,787 57 5,937 0 150 77 BACKGROUND AND CONTEXT The Freer Gallery of Art and the Arthur M. Sackler Gallery (FSG) celebrate the artistic traditions of Asia and are widely regarded as one of the world’s most important centers for collections of Asian art. -
Freer Sackler Fact Sheet
Fact Sheet Freer|Sackler Smithsonian Institution ABOUT THE FREER|SACKLER The Freer Gallery of Art and Arthur M. Sackler Gallery, located on the National Mall in Washington, DC, comprise the Smithsonian’s museum of Asian art. The Freer|Sackler contains one of the most important collections of Asian art in the world, featuring more than 40,000 objects dating from the Neolithic period to the present day, with especially fine groupings of Islamic art; Chinese jades, bronzes, and paintings; and the art of the ancient Near East. The museum also contains important masterworks from Japan, ancient Egypt, South and Southeast Asia, and Korea, as well as a noted collection of American art. The Freer|Sackler is committed to expanding public knowledge of the collections through exhibitions, research, and publications. As of 2016, the Freer building is closed for renovation. It will reopen in 2017 with modernized technology and infrastructure, refreshed gallery spaces, and an enhanced Eugene and Agnes E. Meyer Auditorium. Visit asia.si.edu/future for more information. BACKGROUND AND COLLECTIONS Charles Lang Freer, a self-taught connoisseur, began purchasing American art in the 1880s. With the encouragement of American artist James McNeill Whistler (1834–1903), Freer also began to collect Asian art, assembling a preeminent group of works. In 1904, Freer offered his collection to the nation, to be held in trust by the Smithsonian Institution. The Freer Gallery of Art opened to the public in 1923—the first Smithsonian museum dedicated to fine art. The Freer’s collection spans six thousand years and many different cultures. Besides Asian art, the Freer houses a collection of nineteenth- and early twentieth-century American art, including the world’s largest number of works by Whistler. -
THIRD PRESENTATION of the CHARLES LANG FREER MEDAL September 15, 1965
--·' FREER GALLERY OF AR1' Smithsonian Institution THIRD PRESENTATION of the CHARLES LANG FREER MEDAJ_, Washington, D.C. September 15. 1965 FREER GALLERY OF ART Smithsonian Institution THIRD PRESENTATION ill of the CHARLES LANG FREER MEDAL PROFESSOR Ymao YASHmo Washington, D. C. September 15, 1965 FOREWORD On February 25, 1956, the one-hundredth anniver sary of the birth of the late Charles Lang Freer, a medal was established in his memory to be presented from time to time to scholars throughout the world "For distin guished contribution to the knowledge and understand ing of Oriental civilizations as reflected in their arts." On February 25, 1956, the first presentation was made to Professor Osvald Siren of Stockholm, Sweden, the eminent scholar of Chinese art. The second presenta tion was made on May 3, 1960, to the Islamic scholar, Professor Ernst Kuhnel of Berlin, Germany. The third presentation is being made today to Professor Yukio Yashiro of Oiso, Japan, for hisoutstanding contributions and achievements in the field of Japanese art. The bronze :t:Qedal was designed by a leading Ameri- can sculptor, Paul Manship. JOH A. POPE Director Freer Galleryof Art WASHINGTON, D. C. SEPTEMBER 15, 1965 iii THIRD PRESENTATION of the CHARLES LANG FREER MEDAL September 15, 1965 Opening Remarks s. DILON RILEY Secretary, Smithsonian Institution THE CAREER OF PROFESSOR YUKIO YASHIRO JOHN A. POPE Director, Freer Gallery of Art PRESENTATION by TH SECRETARY OF T SMITIISONIAN INSTITUTION ADDRESS OF ACCEPTANCE PROFESSOR YUKo YAsHo Following the Address of Acceptance Reception in Gallery 17 V OPENING REMARKS s. DILLON RIPLEY Secretary, Smithsonian Institution Mr. -
The Smithsonian Comprehensive Campaign
1002435_Smithsonian.qxp:Layout 1 6/29/10 10:03 AM Page 1 JUNE 2010 briefing paper for the smithsonian comprehensive campaign Smithsonian Institution 1002435_Smithsonian.qxp:Layout 1 6/29/10 10:03 AM Page 2 SMITHSONIAN CAMPAIGN BRIEFING PAPER Smithsonian Institution at a Glance MUSEUMS Anacostia Community Museum Cooper-Hewitt, National Design Museum Freer Gallery of Art and Arthur M. Sackler Gallery Hirshhorn Museum and Sculpture Garden National Air and Space Museum and Steven F. Udvar-Hazy Center National Museum of African American History and Culture National Museum of African Art National Museum of American History, Kenneth E. Behring Center National Museum of the American Indian and the George Gustav Heye Center National Museum of Natural History National Portrait Gallery National Postal Museum National Zoological Park Smithsonian American Art Museum and the Renwick Gallery RESEARCH CENTERS Archives of American Art Museum Conservation Institute Smithsonian Astrophysical Observatory Smithsonian Environmental Research Center Smithsonian Institution Archives Smithsonian Institution Libraries Smithsonian Marine Station at Fort Pierce Smithsonian Tropical Research Institute (Panama) EDUCATION AND OUTREACH Center for Folklife and Cultural Heritage National Science Resources Center Office of Fellowships Smithsonian Affiliations Smithsonian Asian Pacific American Program Smithsonian Center for Education and Museum Studies Smithsonian Institution Traveling Exhibition Service Smithsonian Latino Center The Smithsonian Associates 1002435_Smithsonian.qxp:Layout 1 6/29/10 10:03 AM Page 1 SMITHSONIAN CAMPAIGN BRIEFING PAPER The Smithsonian Stands in Singular Space WE ARE KEEPERS OF THE AMERICAN SPIRIT and stewards of our sacred objects. We speak with voices that reflect our diversity and tell the stories that define our common experience. -
Download Tour Dossier
SMALL GROUP TOURS All in Japan ALL-INCLUSIVE 12 Nights Tokyo > Hiroshima > Kyoto > Awara Onsen > Kanazawa > Tokyo Visit Himeji, Japan’s largest Tour Overview original feudal castle With all meals, transport, and luggage handling included – there’s nothing for you to do on Enjoy dinner with a performance All-In Japan but sit back and enjoy the ride. by one of Kyoto’s geisha or maiko Covering Japan’s classic destinations with a few unusual twists, this trip is full to bursting with cultural experiences designed to give you Head to the top of Mount a comprehensive and stress-free introduction Misen on Miyajima Island to Japan. Sometimes, a holiday should just be a holiday: a chance to relinquish all responsibilities, make Visit the sobering Hiroshima no decisions, and worry about absolutely Peace Park and museum nothing. On All-In Japan, you’ll do just this. Leaving every aspect of your trip to us, from your lunch to your luggage, you’ll be free to Learn about zazen meditation concentrate on immersing yourself in Japanese Kanazawa at Daianzen-ji Temple culture – safe in the knowledge that you don’t Tokyo have a penny to pay on the ground. Awara Onsen Mount Fuji Try your hand at traditional This tour is an exhilarating journey through Kyoto taiko drumming Japan’s history and traditions, from the refined geisha houses of Kyoto to Tokyo’s exuberant taiko drumming workshops. Tour the ancient temples of Kyoto, visit the biggest original castle in Japan at Himeji, and experience Hiroshima IJT ALL-INCLUSIVE TOURS zazen meditation at a beautiful temple deep in Fukui Prefecture. -
Faith and Power in Japanese Buddhist Art, 1600-2005
japanese art | religions graham FAITH AND POWER IN JAPANESE BUDDHIST ART, 1600–2005 Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. The chapters elucidate the thread of change over time in the practice of Bud- dhism as revealed in sites of devotion and in imagery representing the FAITH AND POWER religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally as- sociated with institutional Buddhism but whose faith inspires their art. IN JAPANESE BUDDHIST ART The author makes a persuasive argument that the neglect of these ma- terials by scholars results from erroneous presumptions about the aes- thetic superiority of early Japanese Buddhist artifacts and an asserted 160 0 – 20 05 decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s persistent and compelling presence at all levels of Japanese society. The book is divided into two chronological sections. The first explores Buddhism in an earlier period of Japanese art (1600–1868), emphasiz- ing the production of Buddhist temples and imagery within the larger political, social, and economic concerns of the time. The second section addresses Buddhism’s visual culture in modern Japan (1868–2005), specifically the relationship between Buddhist institutions prior to World War II and the increasingly militaristic national government that had initially persecuted them. -
Hiroshima Port Tourist Information
Hiroshima Port Tourist Information http://www.mlit.go.jp/kankocho/cruise/ Oysters・Oyster Hut Hiroshima is known throughout Japan for its large and flavorful oysters. Whether you prefer them grilled, fried, boiled or raw, we are certain to have the dish for you. An Oyster Hut offers visitors the casual experience of trying oysters from Hiroshima as a limited time offer, in an atmosphere unique to the Seto Inland Sea area. 1-chome Ujinakaigan, Hiroshima Minami-ku, Location/View Hiroshima ,734-0011 Access 20 min. walk from port(1.5km) Season WinterLate October - Late March Oysters(Explore Hiroshima ) https://www.hiroshima-navi.or.jp/en/gourmet/cooking/oyster Related links .html Contact Us【Hiroshima Prefecture Tourism Federation】 E-MAIL [email protected] l Website :http://visithiroshima.net/ Hiroshima-style Okonomiyaki Okonomiyaki is Soul food in Hiroshima. It has its roots in a pre-war children’s snack of a water-flour mixture grilled on an iron hot plate with toppings including spring onion. After the war this snack was treasured as a staple food when rice could not be obtained. As recovery progressed, cabbage, noodles, eggs and other ingredients were added to make the current style of Okonomiyaki. There are more than 900 Okonomiyaki restaurants in the Hiroshima city. Location/View Access Season Year-round Hiroshima-style Okonomiyaki(Explore Hiroshima) https://www.hiroshima-navi.or.jp/en/gourmet/cooking/okonomiyaki.html Related links Try Hiroshima soul food "Okonomiyaki"!(The Official HIROSHIMA Prefecture Tourism Site VISIT HIROSHIMA) http://visithiroshima.net/plan_your_trip/tour_plans/okonomiyaki.html Contact Us【Hiroshima Prefecture Tourism Federation】 E-MAIL [email protected] l Website :http://visithiroshima.net/ Grilled eel on rice Charcoal grilled eel seasoned with soy sauce and mirin served on boiled rice.The aroma that rises from the cooking eel is mouthwatering. -
The Oscartek Journal
___________________________________________________________________________________________ Volume 102 May 2021 ___________________________________________________________________________________________ New U.S refrigerant The Journal mandate; read below Smithsonian Museum reopens to visitors; Vibrant History is coming alive ________________________________________________________________________________________________________________ CHANTILLY, Va. May 1, 2021 — The Smithsonian reopened the first of several museums on Wednesday after closing because of the COVID-19 crisis. A bit of bright news for the Washington, D.C., cultural scene (and tourism machine): A slew of Smithsonian Institution-operated museums—seven in total—along with the National Zoo will reopen throughout May after being shuttered for over a year, save for a brief phased reopening last summer and fall. The sweeping closures were instituted as part of a second District-wide rollout of COVID-19 shutdowns in November put in place as a new wave of infections swept the nation. With the Smithsonian being a notable holdout, many smaller private museums across the nation’s capital, and the country, have already The Smithsonian, Maryland Ave DC welcomed back (a limited number of) guests in recent weeks with health and safety protocols in place. (Be sure to check out AN’s non- exhaustive list of new exhibitions to check out this spring at reopened museums in D.C. The first Smithsonian institution to reopen will be the Steven F. Udvar-Hazy Center at the National Air and Space Museum in Chantilly, Virginia, on May 5, an event that coincides with the 60th anniversary of Alan Shepard becoming the second man, and first American, to travel to space. The National Museum of African American History and Culture, the National Portrait Gallery, and the Smithsonian American Art Museum and its Renwick Gallery are all slated to reopen on May 14. -
Smithsonian Institution Freer Gallery of Art Water Infiltration Remediation – Third Party Review Washington, District of Columbia
Smithsonian Institution Freer Gallery of Art Water Infiltration Remediation – Third Party Review Washington, District of Columbia Circa 1920, the Freer Gallery of Art was designed by Charles A. Platt in the Renaissance Revival style. The Freer Gallery of Art houses over 26,000 objects from the Neolithic to modern eras. It connects to the Arthur M. Sackler Gallery using an underground passageway. The building’s facade is composed of v-jointed, rusticated-pink granite block walls terminated by a granite entablature and balustrade. The building walls consist of granite face stone with brick masonry back-up. The masonry back-up wall extends up to the underside of the full depth granite coping stone below the balustrade. A skylight system provides natural light to a secondary translucent skylight in the Gallery ceiling. The asphaltic roof membrane extends from the roof skylights down to the flat surface of the concrete deck and then wraps up the parapet wall, terminating five levels below the top of the masonry back-up wall. In 1993, renovations to the Gallery were completed which included a new copper gutter and roof. The roof was replaced in 2011 due to leaks at the roof drains. Concurrent with the roof installation, the granite mortar joints on the inside and outside faces of the parapet wall above the cornice, including the balustrade and top rail, as well as the exposed brick masonry mortar joints on the inside face of the parapet, were repointed. Hoffmann Architects was retained by Lend Lease (US) Construction, Inc. , on behalf of the Smithsonian Institution, to perform a 3rd-party investigation to determine the causes of water infiltration through the mortar and parapets. -
Dangerous Liaisons Revisited
Asian Art hires logo 15/8/05 8:34 am Page 1 ASIAN ART The newspaper for collectors, dealers, museums and galleries june 2005 £5.00/US$8/€10 The Taj Mahal and the Battle of Air Pollution THE GOVERNMENT OF India buy the more expensive ticket if they courtyard and its cloisters were added announced earlier this year that it is to want to get around the limit. Night subsequently and the complex was restrict the number of daily visitors to viewing is still permitted, but restricted fnally completed in 1653, with the the Taj Mahal in an attempt to to fve nights a month (including full tomb being the central focus of the preserve the 17th-century monument. moon). entire complex of the Taj Mahal. One of the best known buildings in Smog and heavy air pollution has It was inscribed on the World the world, and arguably India’s greatest been yellowing the Taj Mahal for Heritage List in 1983. Although the monument, makes it one of the most- many years and conservationists have Taj Trapezium Zone (TTZ), which visited tourist attractions in the world. been fghting through the courts to looks after 40 protected monuments, Millions of mostly Indian tourists visit control the levels of pollution in Agra. including three World Heritage Sites, the Taj Mahal every year and their Te Taj faces numerous threats, not Taj Mahal, Agra Fort and Fatehpur numbers are increasing steadily, as only from air pollution, but also insects, Sikri, delivered a court ban on the use domestic travel becomes easier.