African American Heritage Challenge One Cannot Understand Missouri
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American Jazz Museum
AMERICAN JAZZ MUSEUM ANNUAL REPORT | FISCAL YEAR 2014 OUR MISSION To celebrate and exhibit the experience of jazz as an original American art form through performance, exhibitions, education, and research at one of the country’s jazz crossroads: 18th & Vine. OUR VISION To become a premier destination that will expand the in!uence and knowledge of jazz throughout greater Kansas City and the world. OUR HISTORY Many years ago, 18th & Vine buzzed with the culture and commerce of Kansas City’s African-American community. The infectious energy of the people gave life to a new kind of music… and the music gave it right back to the people. Over the years the area languished, but the music and the musicians became legends! In 1989, the City of Kansas City, Missouri committed $26 million to a revitalization of 18th & Vine, led by the visionary and tireless efforts of then City Councilman and now Congressman Emanuel Cleaver II (former Kansas City Mayor.) By 1997, the city had a vibrant new complex housing the Kansas City Jazz Museum and the Negro Leagues Baseball Museum, as well as the Horace M. Peterson III Visitor Center, with a newly refurbished Gem Theater across the street. Soon after, the Museum and its board and staff determined that the Kansas City Jazz Museum’s name should be changed to the American Jazz Museum to re!ect that the museum is the only museum in the world that is totally devoted to America’s true classical music -- jazz. The American Jazz Museum continues to ful"ll its mission by serving as a good caretaker of its collections and artifacts, as well as managing the Blue Room jazz club, the Gem Theater, the Changing Gallery, and the public spaces of the Museums at 18th & Vine. -
The American Legion Magazine [Volume 51, No. 1 (July 1951)]
THE AMERICAN LEGION MAGAZINE JULY 1951 There's a big difference between a perch percheron —and there is a powerful difference, too, between gasoline and ^^ETHYL^' gasoline! North . East . South or West ^ "Ethyl" gasoline runs engines best When you see the familiar yellow-and-black "Ethyl" emblem on a pump, you know you are getting this better gasoline. "Ethyl" antiknock fluid is the famous ingredient that steps up power and performance. Ethyl Corporation, NewYork 17,N.Y. sodium (metallic) . chlorine (liquid) ... oil soluble dye benzene hexachloride (technical) Other products sold under the "Ethyl" trade-mark: salt coke . ethylene dichloride — ;- VOL. SI Ita. 1 Donfle^ Summer \Siirvl/\/reclcMair LEGION Sun, wind and water gang up on you — make hair dry, unruly . scalp parched, Contents for July 1951 nKjdurn day Betsy flaky. But not when you make a daily habit The Ross portrayed on this "WE CAN WIN ON THESE TERMS" of the Vitalis "60-Second Workout." month's cover reflects the thoughts of many BY CLARENCE MANION 9 this mothers Fourth An old-fashioned Fourth of July speech. of July. Wally Rich- ards got the idea for this cover from a trip THE PRISONER (fiction) he had made through BY WILL R. BIRD 11 a flag factory. In- trigued as he was by They had to get rid of the nazi. The question was how. the flag production, he was impressed, too, by RETURN OF THE WAR SWINDLERS the women's faces, and the many pictures BY CLARENCE WOODBURY 14 of loved ones they The vultures are back, getting fat on the misery had near their work of others, benches. -
Luqman Hamza Luqman Hamza Died in Late April
JUNE + JULY 2018 Mutual Musicians Foundation: History Looking Forward... and Broadcasting Brandon Draper: Never a Single Drum Set Jam’s Wonder Woman Retires TheTheB L U ROOM Mutual Musicians Foundation Saturday Jazz Ambassadors Magazine and July 28, 2018 Jackson County Historical Society 6:00-10:00 p.m. present Bennie, Basie & Bird PHOTO BY HEINRICH KLAFFS Mutual Musicians Foundation 1823 Highland Avenue, Kansas City, MO 64108 Tickets $35 Join us for food, drinks and jazz; an exploration into the sounds and styling from Bennie Moten, Count Basie and Charlie "Bird" Parker. Enjoy live performances with original and contemporary arrangements of their classics. For more information, visit www.mutualmusicianslive.com proceeds benefit PRESIDENT'S CORNER STEPHEN MATLOCK Jam Online...and We Don’t Mean a PDF Jam is about to be showcased its own website. At long last, get together with our members and anyone else who would like you’ll be able to read the magazine not just in print or in an to join us. This time we’re at Hush Speakeasy at 1000 Broadway awkward PDF, but with links to each article on its own web at 5:30 p.m. We start with a quick update meeting followed by page which will automatically adapt to the size of the screen jazz, dining and drinks. Music by Eclipse Trio starts at 6:30. on which you’re viewing it. Our articles, photos and ads – all We’d love to see you there. about Kansas City jazz – are going to be searchable all over the We’d also love to see you at 2018’s Supper Club, an eve- world. -
An Introduction to Baseball in Austin and Marcusen Park
An introduction to Baseball in Austin and Marcusen Park. From 1937 to 1953, the Southern Minny League largely dominated in the state baseball tournament. During those years, the Southern Minny’s post-season tournament champion1 won the state tournament at either the A or AA level twelve times. Only once did the Southern Minny’s representative fail to place first or second when Austin dropped a first round game in the tournament in 1939. Despite the phenomenal success of Austin’s program particularly in the post-World War II era, baseball in Austin did lead a bit of a vagabond life. At times, there simply was no home for baseball at all and others no dedicated home. Even so, Austin has hosted many historic moments, players and teams. The first of which is reflected on the back of this Ted Williams baseball card. The referenced no-hitter in Austin triggered much of my interest in researching baseball in Southern Minnesota. John Donaldson actually lost the game with the no-hitter intact due to an error (or two). This game is believed to have taken place in Lafayette Park. If elected to the Hall of Fame in 2020, Donaldson will join Burleigh Grimes, Jose Mendez and Satchel Paige as the known Hall of Fame members to have played in Austin. 1. The Southern Minny held a post-season tournament to determine the state representative. Speaking of Burleigh Grimes: Became available when Minnesota-Wisconsin League disbanded on July 1, 1912. “Grimes, a new recruit, was on the rubber and won himself a berth with us. -
They Played for the Love of the Game Adding to the Legacy of Minnesota Black Baseball Frank M
“Good Grief!” RAMSEY COUNTY Said Charlie Brown: The Business of Death in Bygone St. Paul Moira F. Harris and Leo J. Harris A Publication of the Ramsey County Historical Society —Page 14 Spring 2010 Volume 44, Number 4 They Played for the Love of the Game Adding to the Legacy of Minnesota Black Baseball Frank M. White Page 3 John Cotton, left, was an outstanding athlete and second baseman for the Twin City Gophers, his Marshall Senior High School team, and other professional teams in the 1940s and ’50s. He and Lloyd “Dulov” Hogan, right, and the other unidentified player in this photo were part of the thriving black baseball scene in Minnesota in the middle of the twentieth century. Photo courtesy of the Cotton family. Photo restoration by Lori Gleason. RAMSEY COUNTY HISTORY RAMSEY COUNTY Executive Director Priscilla Farnham Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 45, Number 1 Spring 2010 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: Thomas H. Boyd The Ramsey County Historical Society inspires current and future generations President Paul A. Verret to learn from and value their history by engaging in a diverse program First Vice President of presenting, publishing and preserving. Joan Higinbotham Second Vice President Julie Brady Secretary C O N T E N T S Carolyn J. Brusseau Treasurer 3 They Played for the Love of the Game Norlin Boyum, Anne Cowie, Nancy Randall Dana, Cheryl Dickson, Charlton Adding to the Legacy of Minnesota Black Baseball Dietz, Joanne A. -
John Donaldson Career Highlights 2020 for EMAIL
THE DONALDSON NETWORK johndonaldson.bravehost.com Document compiled from the files of The Donaldson Network 2020 John Donaldson Career Highlights ! 1227 Washington St. NE Minneapolis, MN 55413 • telephone: 612-325-7815 • johndonaldson.bravehost.com PAGE !1 THE DONALDSON NETWORK johndonaldson.bravehost.com “I am not ashamed of my color. There is no woman whom I love more than my mother, I am light enough so that baseball men told me before I became known that I could be passed off as a Cuban. One prominent baseball man in fact offered me a nice sum [$10,000 in 1917] if I would go to Cuba, change my name and let him take me into this country as a Cuban. It would have meant renouncing my family. One of the agreements was that I was never again to visit my mother or to have anything to do with colored people, I refused, I am clean morally and physically. I go to my church and contribute my share. I keep my body and mind clean. And yet when I go out there to play baseball it is not unusual to hear some fan cry out: ‘Hit the dirty nigger.’ That hurts. For I have no recourse. I am getting paid, I suppose, to take that. But why should fans become personal? If I act the part of a gentleman, am I not entitled to a little respect?” - John Donaldson • Donaldson’s career spanned from 1908 to 1941 (33-years) he played for at least 25 different teams, including influential barnstorming clubs like the All Nations multi-racial team operated by Hall of Fame owner J.L. -
Read Full Job Description Here
www.artskc.org PRESIDENT & CEO ORGANIZATION ArtsKC (Metropolitan Arts Council of Greater Kansas City) is a leading cultural agency for the greater Kansas City area created to support, promote, and advocate for the entire arts and culture sector. Following its move, one year ago, to a newly renovated building in the thriving Crossroads arts district, the organization has rebranded itself as ArtsKC and is poised to move forward and embrace its vision to unleash the power of the arts. Founded in 1999, the arts council was formed in conjunction with the attempt to gain regional funding from local tax sources. Though the public funding did not come to fruition, the Arts Council of Kansas City was formed by a pioneering group of individuals, led by Chair Shirley Bush Helzberg, who saw the need for advocacy and general funding for the regional cultural sector. ArtsKC currently serves five counties in the bi-state region: Clay, Jackson, and Platte counties in Missouri and Johnson and Wyandotte counties in Kansas. Arts in this region account for $250 million in economic impact, and the area boasts over 250 arts nonprofits and 350 arts related businesses. The creative economy accounts for 4.3% of all business, twice the national average. Internationally acclaimed arts venues and performance organizations include: the 285,000-square foot Kauffman Center for the Performing Arts, the Kansas City Symphony, the Kansas City Friends of Alvin Ailey, the Lyric Opera of Kansas City, the Kansas City Ballet, The Kemper Museum of Contemporary Art, The Nelson-Atkins Museum of Art, the American Jazz Museum, and the Kansas City Art Institute. -
July 2013 July Iinntteerrssttaattee Ddaattaa Eexxcchhaannggee Ccoonnssoorrttiiuumm
July 2013 July IInntteerrssttaattee DDaattaa EExxcchhaannggee CCoonnssoorrttiiuumm template. After careful deliberation and discussion between OCSE and the pilot participants, we’re FAST LEVY UPDATE Federally Assisted State Transmitted Levy pleased to announce that the record layout was recently finalized. Several states are coding for FAST Levy and will be working alongside OCSE for an August 2013 implementation. FAST Levy will lessen the burden on both states and FIs when it comes to freezing and seizing assets. If you have any questions or would like more information, please contact Terry Bolger at [email protected]. ERICSA 2013 Cathi Valdes New Mexico Deputy IV-D Director There are two words that are almost always frowned upon in child support: manual process. The Office of Child Support Enforcement (OCSE) believes—along with its partnering agencies—that automation isn’t the future: it’s now! With this in mind, OCSE began an initiative to automate the exchange of information between state child support agencies and multistate financial institutions (MSFI) during the freeze and seize process. The Federally Assisted State Transmitted (FAST) Levy program will allow states FINDER and financial institutions (FI) to exchange Andrew Szymak information electronically and alleviate the need for Oklahoma FIDM Coordinator a paper process. The 2013 ERICSA conference was held in FAST Levy will not affect information that states Orlando, Florida at the Disneyworld Resort on currently receive through the multistate financial May 19th - 23rd. A good time was had by all institution data match (MSFIDM) program. States, attendees, and many interesting training OCSE, and MSFIs developed record layouts sessions covering a wide variety of child support containing data elements required for MSFIs to topics were presented, ranging from updates on respond to freeze/seize requests from states. -
HOLIDAY 2020 TABLE of CONTENTS Next SEAHO Report Submission Deadline SEAHO President
HOLIDAY 2020 TABLE OF CONTENTS Next SEAHO Report submission deadline SEAHO President .........................................................................................3 is February 1, 2021 SEAHO Editor ...............................................................................................5 Editorial Information: CO MMITTEE REPORTS ................................................................................7 SEAHO Editors Corporate Partners Committee ...............................................................7 [email protected] Marketing and Organizational Promotions Committee ...........................8 Mailing Information Available Upon Request SEAHO FEATURE ARTICLES .......................................................................9 SEAHO Report Editorial Teamwork Makes the Dream Work: ........................................................9 Policy: Utilizing Current Staff to Fill Vacancies All members of SEAHO Aramis Douglas, University of Tennessee Chattanooga institutions are encouraged Jessica Watts, University of Tennessee Chattanooga to submit articles for Dismantling Race Conversations and Implementing ..............................12 publication. Articles Practices for Supporting Students should be typed and can Jayla Beeler, University of North Carolina at Greensboro be submitted through the SEAHO website at http:// 5 Tips in Navigating Your New Professional Role ....................................15 www.seaho.org/general/ Alan Rucker, Morehead State University custom.asp?page= Anastasia Chaky, -
Great Futures Start Here
BE SMART. BE SUCCESSFUL. BE AMAZING. BE INCREDIBLE. BE INSPIRED. BE AN INSPIRATION. BE MORE. BE A LEADER. BE A DIFFERENCE MAKER. BE A STAR. BE A GOOD PERSON. BE KIND. BE GENEROUS. BE THE CHANGE. BE HAPPY. BELIEVE. BELONG. BE FIT. BE AN ACHIEVER. BE A GRADUATE. BE RESPONSIBLE. BE COURAGEOUS. BE THE BEST. BE SMART. SUCCESSFUL. INCREDIBLE. AMAZING. BE INSPIRED. BE AN INSPIRATION. BE MORE. BE A LEADER. GREATBE A DIFFERENCE FUTURES MAKER. START HERE. BE A STAR. BE A GOOD PERSON. BE KIND. BE GENEROUS. BE THE CHANGE. BE HAPPY. BELIEVE. BELONG. n every community, boys and girls are left to find their own recreation and companionship in the streets. An increasing number of children are at home with no adult care or supervision. Young people need to know that someone cares about them. The Boys & Girls Clubs offer that and more. Club programs and services promote and enhance the development of boys and girls by instilling a sense of competence, usefulness, belonging and influence. Boys & Girls Clubs are a safe place to learn and grow – all while having fun. It is the place where great futures are started each and every day. Four key characteristics define the essence of a Boys & Girls Club and are critical in exerting a positive impact on youth. Clubs are dedicated spaces, designed solely for youth programs and activities; are open every day after school and often on week- ends; have full-time, trained youth development professionals; and reach out to all kids, including those who cannot afford WHO WE ARE. -
Early Bird: Charlie Parker Centennial Walking Tour Saturday August 29, 2020
Early Bird: Charlie Parker Centennial Walking Tour Saturday August 29, 2020 Tour Hosts: Chuck Haddix: Director of UMKC Marr Sound Archives, host of KCUR 89.3 “Fish Fry” on Fri. and Sat. nights, author of “Bird – The Life and Music of Charlie Parker” and “Kansas City Jazz – From Ragtime to Bebop” Jacob A. Wagner: Associate Professor of Urban Planning + Design, UMKC; Director of Urban Studies Program; and past president of the Historic Kansas City Foundation Charlie Parker came of age as a musician, and a man in Kansas City. The metro area is dotted with buildings and places associated with his life and career. He was born at 852 Freeman in Kansas City, Kansas on August 29, 1920. In 1927, his family moved to 3527 Wyandotte. His father worked as a custodian for the apartment building on the southeast corner of 36th and Wyandotte. In 1930, the apartment was converted into a condo, and the family moved around the corner to 109 W. 34th St. Charlie attended Penn School in Westport, a modest brick building nestled on the limestone outcropping across the street from the Vietnam Veterans Memorial at 43rd and Broadway. A plaque mounted on the face of the limestone marks the spot. In 1932, Charlie’s parents separated, and he moved to 1516 Olive with his mother, Addie. He attended Sumner grade school, and then Lincoln High School. In 1943, Addie moved to 1535 Olive. Charlie often stayed there when he visited town. A number of clubs and dance halls where Charlie played are still standing, including the Century Room at 3605 Broadway; Martin’s Plaza Tavern at 210 W. -
City of Fountains Welcomes the VFW
City of Fountains Welcomes the VFW For the fourth time in the organization’s history, Kansas City will host the VFW’s national convention Jul 06, 2018 Those of you attending VFW’s 119th National Convention in Kansas City, Mo., July 21-25, will be glad you did. Located in the heart of America, Kansas City continues to evolve, making it a superb travel destination. Most importantly, it’s home to VFW National Headquarters. While the business of convention is of the utmost importance, the “Paris of the Plains” has a lot to offer convention-goers. Unlike the last time VFW held its convention in Kansas City, in 2007, a new streetcar is in place to make getting around town much easier. Before your visit, check out kcstreetcar.org to see the restaurants and hotels along the route. If you still are undecided about whether to attend the convention, perhaps the sites featured in this article, some of which feature your fellow VFW members who work at VFW National Headquarters in Kansas City, will convince you. Country Club Plaza www.countryclubplaza.com This 15-block district about three miles south of downtown Kansas City features more than 150 shops and dozens of restaurants and bars. Most impressively, the Plaza is like an outdoor art museum, with Spanish architecture and European art. Designed in 1922 as the nation’s first suburban shopping district, the Plaza has a statue of Sir Winston Churchill and replicas of two of Spain’s landmarks — the Giralda Tower and the Seville Light. In a quiet courtyard sits an original bronze of the Roman goddess Pomona by Italian sculptor Donatello Gabrielli.