Review of Research Impact Factor : 5.7631(Uif) Ugc Approved Journal No
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications -
MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances Du Marché Mondial Du fi Lm
MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances du marché mondial du fi lm FOCUS-COVER-FINAL.indd 1 13/04/11 19:30 focus 2011 World Film Market Trends Tendances du marché mondial du film focus_2011.indd 1 26/04/11 19:11 Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. focus_2011.indd 2 26/04/11 19:11 Editorial We now find ourselves in an era where all chan- À l’heure où toute la filière cinématographique nels of cinematography are undergoing a transfor- poursuit sa mutation, où la VoD se positionne mation: VoD has become a realistic medium, the comme un écran crédible, où le passage au tout switch to all-digital is simply a matter of time and numérique n’est plus qu’une question de calen- 3D is becoming more and more ubiquitous. As drier, où la 3D commence à se banaliser, il est such, it is more crucial than ever for us, as profes- plus que jamais nécessaire, pour les profession- sionals, to identify major industry tendencies. nels que nous sommes, d’appréhender les grands I hope that Focus, now in its 14th year, will indicateurs du secteur. serve as an indispensable tool for you in analyzing Je souhaite que Focus, qui fête son 14e anni- and anticipating the challenges of tomorrow. versaire, vous apporte les clefs indispensables pour analyser et anticiper les enjeux de demain. -
Your Ad Here Your Ad Here
Eye on the News [email protected] Truthful, Factual and Unbiased Vol:X Issue No:143 Price: Afs.15 www.afghanistantimes.af www.facebook.com/ afghanistantimeswww.twitter.com/ afghanistantimes MONDAY. DECEMBER 21 . 2015 -Qaus 30, 1394 HS Yo ur Yo ur ad ad he re he re 0778894038 0708954626 AT News Report to connect with India. KABUL: Briefing members of the This is worth mentioning that Wolesi Jirga or Lower House of leaders of Turkmenistan, Afghani- the parliament on Sunday, the min- stan, Pakistan and India inaugurat- ister of mines Daud Shah Saba said ed $10 billion gas pipeline project the Turkmenistan-Afghanistan- expected to help ease energy defi- Pakistan-India (TAPI) gas pipeline cits in South Asia and stem ten- project would create 7,000 jobs in sions in the divided region. AT Monitoring Desk the country. TAPI gas pipeline project will He said that work on TAPI gas also help promote peace and trade AT News Report pipeline project would be launched in the regional countries. KABUL: The deputy governor of “When Nawzad district was col- in Afghanistan next year, adding southern Helmand province, Mo- lapsed, we lost tens of our soldiers, that physical work on the nearly hammad Jan Rasulyar, took to so- tanks, military vehicles, weapons $10 billion gas pipeline project cial media to urge President Ashraf and other equipments to the ene- would be kicked off in 2017 and Ghani to leave Ghani to send fresh troops to the my,” the Facebook post reads. It would concluded in 2020. restive province. Through a post added that after one month the stra- He furthered that socio-phys- for Azerbaijan on his Facebook page, Rasulyar tegic district of Musa Qala also fell ical survey of the project in Af- tomorrow expressed his deep concerns over to the Taliban insurgents. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
Screen Awards Function, Shah Rukh and Salman Win
PRLog - Global Press Release Distribution Screen Awards Function, Shah Rukh and Salman win The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. Jan. 8, 2011 - PRLog -- The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. We start with Shah Rukh Khan, who bagged the Best Actor Popular Choice award for his film My Name Is Khan. Incidentally, rival Salman Khan bagged a Best Actor award as well, for his work in Dabangg. Teen Deviyaan Jacqueline Fernandez, Mugdha Godse and Tanushree Dutta choose black and white for the occasion. The Sinhas Sonakshi Sinha, who won the Most Promising Newcomer award for Dabbang, arrived with her proud mother Poonam Sinha and brother Luv. Circle of love Dabangg producer Arbaaz Khan greets Prabhu Deva, as Farah Khan looks on. Gorgeous gowns Roshni Chopra, Katrina Kaif and Dia Mirza decided to wear beautiful evening gowns for the event. http://www.funfilms.in/show/awards-funtions.html Katrina bagged the Best Actor Popular Choice award for her films Raajneeti and Tees Maar Khan. What were they thinking! Kalki Koechlin, Mahi Gill and Antara Mali need to take some fashion tips from their contemporaries. Skin show Prachi Desai is obviously looking to change her goody goody image by showing some skin but the Rock On!! actress needs a designer as well! Amrita Rao and Chitrangada Singh, on the other hand, covered up. -
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil. -
Vol 2 Issue-08 September 2015
1 Vol 2, Issue 08 www.syncmag.ca | 01st Sep - 30th Sep 2015 2 Vol 2, Issue 08 www.syncmag.ca | 01st Sep - 30th Sep 2015 3 Vol 2, Issue 08 www.syncmag.ca | 01st Sep - 30th Sep 2015 Sync Rendezvous 32 18 Up Close and Personal with Spark Entertainment Coke Studio 30 In-Sync 06 Coke Studio Season 8 – Rocks The Classics! Australian, N. Zealand Firefighters Leave For Us To Battle Blazes Held Kashmir Leaders Disappointed Over Cancellation Of NSAs Talks Sync Rendezvous 14 Sync Potpurri 28 10 Most Common Dreams And Their Meanings Up close and Personal With Sunidhi Chauhan Dairy Of The Month 41 Welcome Back Title Track Launch! Shiny Toy Guns Releases Dekh Magar Pyaar Say Sync Feature 10 Indo-Pak Cultural Collaborative Platform ‘Shaan-E-Pakistan’ Reveal Participating Designer Sync Sports 49 Amir Khan Visits Lyari In36. Search Of Boxing Champions Prove Fitness And Morality, PCB Tells Spot-Fixing Trio As Ban Ends The Citizens Foundation Imparting Sense Of Credibility! Editor’s Letter Cover Story Dear Readers, We are back with another exciting issue! Hope you’ve enjoyed our last issue. Education has the power to transform children’s futures. It is many children’s route out of poverty. It gives them a chance to gain valuable knowledge and skills, and to improve their lives. And it means when they grow up, their children will have a much better chance of surviving and thriving. But millions of children today never see the inside of a classroom. Many others struggle the lack of the basic skills of their peers while others drop out because their classes are overcrowded or teachers are poorly trained. -
1 CHAPTER I INTRODUCTION A. Background of the Study My Name
CHAPTER I INTRODUCTION A. Background of the Study My Name Is Khan is a 2010 Bollywood movie directed by Karan Johar, with a screenplay by Shibani Bathija. This movie is produced by Hiroo Yash Johar and Gauri Khan, and stars by Shahrukh Khan and Kajol. Karan Johar is an Indian film director, producer, and TV celebrity. He is the son of Hiroo Johar and the late Yash Johar. He is one of the most successful young filmmakers in Bollywood. Karan Johar was born on 25 may 1972 in Mumbai, India to Indian Bollywood film producer Yash Johar, founder of Dharma Productions and Hiroo Johar. He studied at the Green lawns High School and attended H.R. College of Commerce and Economics, both in Mumbai. He received a Masters degree in French. In November 2009, Johar ended shooting for his film My Name Is Khan starring Shahrukh Khan as Rizwan Khan and Kajol Devgan as Mandira. Karan Johar has made them meet after seven years. The movie released to overwhelmingly positive reviews and strong box office figures on February 12, 2010 and then this was launched in Abu Dhabi and Berlin. This movie also starring by Jimmy Shergill as Zakir ( Rizwan’s brother), Sonya Jehan as Haseena (Zakir’s wife) and many actors and actressis support this movie. This story began when Rizwan Khan (he is seven years old), an Asperger’s syndrome person or autism, lived with his mother and his younger 1 2 brother, Zakir in the back alleys of Mumbai. Rizwan has certain gift, particularly a special ability to repair things such as a radio, a fan, a refrigerator, etc. -
Cinépolis in India: a Business Adventure in Bollywood (B)*
127-11-EST-CD Cinépolis in India: A Business Adventure in Bollywood (B)* 1. Introduction On October 16, 2011, it was about 25°C outside but inside the Cinépolis movie theater located in the Royal Meenakshi Mall in Bangalore, India, the temperature was a lot higher. Shahrukh Khan (see insert), “The King of Bollywod,” was hosting an opening of the new movie, Ra.One , currently, the most expensive Bollywood production. Mr. Khan was an executive producer of the movie and also plays one of the leading roles. The same moment that Mr. Khan entered the stage, the Shahrukh Khan, also known as Shah Rukh Khan (SRK), born crowd went crazy. And when he started to November 2, 1965, is an Indian actor, TV host, and movie perform Chammak Challo, one of the songs producer. He acted in more than 70 movies some of which from Ra.One, it was only the crowd’s scream were international hits; for example, Kabhi Khushi Kabhie Gham... (Sometimes Happiness, Sometimes Sadness from that was heard. The lucky few – those who won 2001), Kal Ho Naa Ho (Tomorrow May Or May Not Be from the Cinépolis India Facebook “Meet and greet 2003), Kabhi Alvida Naa Kehna (Never Say Good Bye from SRK” contest – had a chance to meet Shahrukh 2006), or My Name is Khan (from 2010). In India, Shahrukh Khan on stage and shake his hand. The event Khan has hosted famous TV shows such as Kaun Banega was a great promotional success and Ashish Crorepati (Who Wants to Be a Millionaire?) and Kya Aap Paanchvi Pass Se Tez Hain? (Are You Smarter Than a 5th Shukla, the Head of Exhibition of Cinépolis Grader?). -
Viveck Prabhu Vaswani Selected Profile 2019
VIVECK PRABHU VASWANI SELECTED PROFILE 2019 Campion School,’77 Cathedral School,’80 Sydenham College,’83 (Bachelor of Commerce) PART ONE/ THE ACTOR Theatre (Selected Bibliography) 1. Elephant Man/ Pearl Padamsee 2. Love and God by Woody Allen/ Pearl Padamsee 3. Night of Jan 16 by Ayn Rand/ Pearl Padamsee 4. Antigone/ Vijay Crishna 5. Mary Stuart/ Toni Patel 6. Savaksa by Gieve Patel/ Pearl Padamsee 7. Saint Joan/ Vijay Crishna 8. Bedroom Farce/ Adi Marzban 9. Caught On The Hop/ Hosi Vasunia 10. Loot by Joe Orton/ Hosi Vasunia (with Amjad Khan) 11. You Can’t Take It With You/ Kaufman & Hart/ Hima Devi 12. The Soul Of Chein Nu Leaves Her Body/ Producer 13. A Woman In A Dressing Gown/ Adi Marzban Actor in Films (Selected Filmography) 1. Zulm Hi Zulm/ A Salam 2. Zakham/ Irfan Khan 3. Soldier/ Abbas Mustan 4. Chori Chori Chupke Chupke/ Abbas Mustan 5. 36, Chinatown/ Abbas Mustan 1 6. Khel/ Raakesh Roshan 7. King Uncle/ Raakesh Roshan 8. Loafer/ David Dhawan 9. Hum Kisise Kum Nahin/ David Dhawan 10. Maine Pyar Kyun Kiya/ David Dhawan 11. Inspctor Kirron/ Ashok Panjabi 12. Josh/ Mansoor Khan 13. Aa Ab Laut Chalen/ Rishi Kapoor 14. Aashiq Aawara/ Umesh Mehra 15. Barsaat/ Suneel Darshan 16. Shakalaka Boom Boom/ Suneel Darshan 17. Raju Ban Gaya Gentleman/ Aziz Mirza 18. Patthar Ke Phool/ Anant Balani 19. Gawaahi/ Anant Balani 20. Dulha Mil Gaya/ Mudassar Aziz 21. Mastizaade/ Milap Zaveri 22. Buddha In A Traffic Jam/ Vivek Agnihotri 23. Satta/ Madhur Bhandarkar 24. Luv U Soniyo/ Joe Rajan 25. Hum Hain Rahi Car Ke/ Jyotin Goel 26. -
Navigation, Search My Name Is Khan Theatrical Poster Directed By
My Name Is Khan From Wikipedia, the free encyclopedia Jump to: navigation, search My Name Is Khan Theatrical Poster Directed by Karan Johar Produced by Hiroo Yash Johar Gauri Khan Written by Story and Screenplay: Shibani Bathija Dialogues: Shibani Bathija Niranjan Iyengar Starring Shahrukh Khan Kajol Music by ShankarEhsaanLoy Cinematography Ravi K. Chandran Editing by Deepa Bhatia Distributed by Fox Searchlight Pictures Release date(s) 12 February 2010 (global)[1] Running time 161 minutes [1] Country India Language Hindi/Urdu English Budget Rs. 380 million[2] US$ 8.18 million Buyover: Rs. 1 billion US$ 21.53 million My Name Is Khan (Hindi: ??? ??? ??? ????) is a 2010 Bollywood film directed by K aran Johar, with a screenplay by Shibani Bathija, produced by Hiroo Yash Johar a nd Gauri Khan, and starring Shahrukh Khan and Kajol.[3][4] It is overseen by bot h Dharma Productions and Red Chillies Entertainment and will be distributed by F OX Star Entertainment, which bought the rights for the film for the sum of Rs. 1 00 crores, thus becoming the second most expensive Bollywood film, behind Blue.[ 5] Cinematography is by Ravi K. Chandran, ShankarEhsaanLoy composed the film's score, choreography is by Farah Khan, and lyrics were written by Niranjan Iyeng ar.[6] Visual Effects are by Red Chillies VFX. My Name is Khan debuted in Abu Dhabi, UAE on 10 February 2010.[7] It released gl obally in theaters on 12 February 2010.[1] It will also be screened as part of t he 60th Berlin International Film Festival's Official Selection that same month.