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Free mp3 Download The Music and Mayhem of Atari Teenage Riot: An Interview with Alec Empire (Plus Free MP3!) Read More: Atr, UK Riots, Alec Empire, Alec-Empire, Angela Merkel, 9/11, Atari Teenage Riot, Is This Hyperreal?, Tim Mohr, CX Kidtronic, Carl Crack, Atari-Teenage-Riot, Berlin, mp3, Germany, Free mp3 Download, Punk Rock, Digital-Hardcore, Dixie Chicks, Brixton Academy, Hanin Elias, 60 Second Wipe Out, Pirate Bay, Intelligence and Sacrifice, Dhr, Video, Entertainment News Atari Teenage Riot -- Berlin's loudest, most strident, and most influential band -- kicked off a US tour this week. Music: The Warm Sounds Born of Extreme Darkness and Bitter Cold (Includes Free MP3s!) Read More: Fa Fa Fa, Bergen, Free mp3 Download, Whitest Boy Alive, Fot I Hose, Royksopp, La Roux, Erland Oye, Norway, Little Boots, Hanseatic League, Slowpho, Datarock, Turin Brakes, Annie, Chewing Gum, Quiet Is the New Loud, Download, Fever Ray, Belle & Sebastian, Ai Phoenix, Ladytron, Free mp3, Madonna, Free Music, Norge, Robyn, Sondre Lerche, Casiokids, mp3s, Kings of Convenience, Anniemal, Geico, Declaration of Dependence, Talking Heads, Ladyhawke, Free Downloads, Home News The northwesternmost outpost of the Hanseatic league--the drizzly harbor town of Bergen, Norway, nestled on the country's craggy west coast--is an unlikely hotbed for new music. Suburban Home Records giving away free albums To celebrate the label's 14th anniversary, Suburban limewire free how to download music to phones Home Records is giving everyone one free, downloadable album, with no obligation and no ... MP3 Freeloader: Beauty Flash 2 Just got word of youtube download music free apps for ipad a free album from Beauty Flash, a local electro-pop act made up of the dynamic married duo of Colleen and Patrick Lee. The ....

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Atari Teenage Riot Sick to Death EP Mp3, Flac
Atari Teenage Riot Sick To Death E.P. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Sick To Death E.P. Country: UK & Europe Released: 1997 Style: Hardcore, Downtempo, Breakcore MP3 version RAR size: 1753 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1290 mb Rating: 4.9 Votes: 431 Other Formats: MOD ASF VOC MP2 AC3 AU VQF Tracklist 1 Sick To Death 3:44 2 We've Got The Fucking Power 4:44 3 Sick To Death (Remix) 6:00 4 Waves Of Disaster 5:11 Companies, etc. Marketed By – Intercord Record Service Distributed By – Intercord Record Service Licensed To – Intercord Record Service Phonographic Copyright (p) – Digital Hardcore Recordings Ltd. Copyright (c) – Digital Hardcore Recordings Ltd. Published By – Digital Hardcore Music Credits Artwork [Video Pix] – Phillip Virus* Cover [From] – Hell* Engineer [Assistant] – Janek S.* (tracks: 1, 2) MC – Carl Crack Producer, Programmed By, Vocals [Shouts] – Alec Empire Vocals – Hanin Elias Written-By – Alec Empire, Carl Crack (tracks: 2) Notes All tracks produced at Empire Studios, Berlin 1996. Vocal recordings on track 1 and 2 at MK Audio, Berlin. ©+℗ 1997 DHR Ltd. All tracks published by Digital Hardcore Music. Marketed and distributed by Intercord Record Service, Licensee. Barcode and Other Identifiers Barcode (Scanned): 724388359320 Barcode (Printed): 7 24388 35932 0 Label Code: LC 4396 Rights Society: bel BIEM Other versions Category Artist Title (Format) Label Category Country Year Atari Sick To Death Digital Hardcore DHR 12 DHR 12 Germany 1997 Teenage Riot E.P. (12", EP) Recordings (DHR) Atari Sick To Death Digital Hardcore none none 1997 Teenage Riot E.P.
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Catholics and Lutherans Has Intprmpdiatp Court Hinged on the Doctrine of Justification
love lessons Spicy_Hot A student writes about her younger brother, Red Hot Chili Peppers sizzled in their April 8 Tuesday who recently died of meningitis, and concert. according to music critic Dave Fulton. encourages everyone to embrace life as he did. APRIL 18, Scene + page 10 Viewpoint+ page 9 2000 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXIII NO. 124 HTTP://OBSERVER.ND.EDU NEWS ANALYSIS Theologians Bauer: Microsoft could face 01ore lawsuits been absolutely what I expected," discuss By COLLEEN McCARTHY Bauer said. Associate News Editor The third ruling, which Bauer Highlights of the expects could come this summer, justification Tlw April 3 ruling by a federal judge would deal with remedies to the situa Microsoft Case that t~omputnr giant Microsoft violated tion, since Jackson declared Microsoft By ERIN PIROUTEK U.S. antitrust laws dons not mean that in violation of antitrust laws. Associate News Editor tlw ease is ovPr. "The range of remedies extends to the breakup of Microsoft to ending dif In fact. appeals by For centuries the disagreement \1irrosort to the ferent kinds of conduct to changing May 1998 contracts it has with competitors and between Catholics and Lutherans has intPrmPdiatP court hinged on the Doctrine of Justification. of appnals in eustomt'rs," Bauer said. "The ruling Judge Thomas Penfield could also deal with Microsoft's licens Traditionally Lutherans have empha Washington, D.C. Jackson rules Microsoft sized that salvation is by faith alone, and tlwn possibly to ing codes regarding placement of their Web browser. while Catholics maintained that good thP U.S.
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From No Future to Delete Yourself (You Have No Chance to Win)
Journal of Popular Music Studies, Volume 25, Issue 4, Pages 504–536 From “No Future” to “Delete Yourself (You Have No Chance to Win)”: Death, Queerness, and the Sound of Neoliberalism Robin James University of North Carolina, Charlotte Introduction Death is one of the West’s oldest philosophical problems, and it has recently been the focus of heated debates in queer theory. These debates consider the political and aesthetic function of a specific concept of death— death as negation, failure, an-arche, or creative destruction. However, as Michel Foucault (1990) argues, death is an important component of the discourse of sexuality precisely because it isn’t a type of negation. The discourse of sexuality emerges when “the ancient right to take life or let live was,” he argues, “replaced by a power to foster life or disallow it to the point of death” (Foucault 138).1 “Sexuality is the heart and lifeblood of biopolitics” (Winnubst 2012: 79) because it—or rather, as other scholars like Laura Ann Stoler (1995), LaDelle McWhorter (2009), and Jasbir Puar (2013) have demonstrated, racialized sexuality—is one of the main instruments through which liberalism “fosters” or “disallows” life. So, insofar as it pertains to sexuality, death isn’t a negation or a subtraction of life, but a side effect of a particular style of life management. In late capitalist neoliberalism, “death” only appears indirectly, not as a challenge to or interruption of life, but as its unthinkable, imperceptible limit.2 What are the theoretical, political, and aesthetic implications of neoliberalism’sreconceptualization of death as divested, or “bare,” life?3 What if we reframe ongoing debates about queer death, futurity, and antisociality by replacing the punk metaphorics of “No Future” with the cyberpunk/digital hardcore mantra “Delete Yourself (You Have No Chance To Win)”? Asking the question in this way, I use some methods, concepts, and problems from queer theory to think about a few pieces of music; I then use my analyses of these musical works to reflect back on that theory.
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From Silver Apples of the Moon to a Sky of Cloudless Sulphur: V Morton Subotnick & Lillevan 2015 US, Europe & JAPAN
From Silver Apples of the Moon to A Sky of Cloudless Sulphur: V Morton Subotnick & Lillevan 2015 US, Europe & JAPAN February 3 – 7 Oakland, California Jean Macduff Vaux ComposerinResidence at Mills College February 7 Oakland, California Mills College, Littlefield Concert Hall March 7 Moscow Save Festival at Arma March 4 New York the Kitchen: SYNTH Nights May Tel-Aviv, Israel Vertigo Dance Company June 7 London Cafe Oto June 16 Tel-Aviv, Israel Israel Museum June 20 Toronto Luminato Festival/Unsound Toronto July 28 Berlin Babylon Mitte (theatre) September 11 Tokyo TodaysArt.JP Tokyo September 12 Yamaguchi YCAM September 20 Kobe TodaysArt.JP Kobe November 22 Washington, DC National Gallery of Art 1 Morton Subotnick 2015 Other Events photo credit: Adam Kissick for RECORDINGS WERGO released in June 2015 After the Butterfly The Wild Beasts http://www.schott-music.com/news/archive/show,11777.html?newsCategoryId=19 Upcoming re-releases from vinyl on WERGO Fall 2015: Axolotl, Joel Krosnick, cello A Fluttering of Wings with the Juilliard Sting Quartet Ascent into Air from Double life of Amphibians The Last Dream of the Beat for soprano, Two Celli and Ghost electronics; Featuring Joan La Barbara, soprano Upcoming Mode Records: Complete Piano Music of Morton Subotnick The Other Piano, Liquid Strata, Falling Leaves and Three Piano Preludes. Featuring SooJin Anjou, pianist Release of a K-6 online music curriculum: Morton Subotnicks Music Academy https://musicfirst.com/msma 2 TABLE OF CONTENTS PROGRAM INFO Pg 4 CONCERT LISTING AND BIOS Pg 5 CAREER HIGHLIGHTS Pg 6 PRESS PHOTOS Pg 8 AUDIO AND VIDEO LINKS Pg 13 PRESS QUOTES Pg 15 TECH RIDER Pg 19 3 PROGRAM INFO TITLE OF WORK TO BE PRESENTED From Silver Apples of the Moon to A Sky of Cloudless Sulphur Revisited :VI PROGRAM DESCRIPTION A light and sound duet utilizing musical resources from my analog recordings combined with my most recent electronic patches and techniques performed spontaneously on my hybrid Buchla 2003/Ableton Live ’instrument’, with video animation by Lillevan.
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Zine Lq.0F316068.Pdf
Sponsored by Contact & Order 30 4-685-0516 w w w. madeleine maries.co m Visit us & Or d er-i n 260 Green St, Morganto wn W V 26501 @ madeleine mariescateringcarryout @ mad mariescatering info @ madeleine maries.co m Gl ute n free, vegetaria n a nd vega n optio ns by req uest EDITORIAL This e ditio n of Wireless co mes at a very dy na mic poi nt i n U92’s history. Face d wit h t he ever c ha n gi n g l a n ds c a p e of c oll e g e r a di o, o n e t hi n g h as r e m ai n e d str o n g; o ur l o v e f or art, s p e ci ﬁ c all y m usi c. It is t h at a doratio n t hat has drive n us to s pe n d hours of hard work to bri n g you a dee per look at t he worl d of music we live in. Whether it be in the words you rea d here or the progra m ming you hear on the air waves, our goal is to put a s potlight on u p-an d-co ming artists, co m munity ne ws an d collegiate s p orts. I a m c o nti n u all y i m pr ess e d b y t h e l e v el of p assi o n t h at all of o ur st a ﬀ h as f or t h es e t hi n gs, a n d it’s t h at s a m e p assi o n t h at bri n gs y o u t his e diti o n of Wir el ess.
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01 Cover JULY.Indd
B63C:B7;/B35C723B=5/G:=<2=< 4@33 9G:73E=EE=EE=E 7<A723¬D/<1=CD3@>@723:=<2=</<<735/G07<5= EEE=Cb;/51=C9 7AAC3<7<3B33<%& =C :=@3; bZ]`S[ WORDS BY LOREM DELOREM | PHOTOGRAPH BY MAET IPSUM =CbT`]\b Knight Hooson has an EDITORIAL// immigrant’s view of ADVERTISING the British PAGE 46 Editor INTERNATIONAL MR David Hudson LEATHER [email protected] Chris Jepson reports +44 (0)20 7258 1943 from the annual Contributing Editor International Mr Adrian Gillan Leather contest in [email protected] Chicago Design Concept Splicer Design PAGE 51 www.splicerdesign.com OUT THERE Art Director Upcoming scene Markus Scheef highlights for July, plus [email protected] PAGE 20 coverage of Hustlaball, Designer KYLIE XXL Bear Pride and Siv Nilsen Circus Sub Editor Kathryn Fox PAGE 81 Contributors OUTREACH Marc Andrews, Dan Browne, Dr Justin Varney on Paul Burston, Charlotte making your protests Dingle, Adrian Foster, Knight CONTENTS heard Hooson, Cary James, Gary Ryan, Richard Tonks, Michael Turnbull, Justin Varney, Iwan PAGE 04 Watson, Steve Watson LETTERS Photographers Send your Chris Jepson, Dick Goose correspondence to Publisher [email protected] Sarah Garrett//Linda Riley ISDN: 1473-6039 HUDSON’S LETTER PAGE 06 Head of Business Development Walking on the Pride I think I’ve been on every MY LONDON Rob Harkavy London parade last Pride march in London Gaydar radio and [email protected] year, I was struck by the since 1989, and the Classic FM’s Jamie Crick PAGE 54 +44 (0)20 7258 1936 huge number of gay faces numbers taking part on BEAR PRIDE Sales Executive I recognised lining the the parade have dwindled PAGE 08 Dan Goodban route… compared to the over the years.
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Stereo Total Bio English
The Story of Stereo Total The Beginning 1992-1994 In the winter 1992/93 Françoise Cactus and Brezel Göring met while shopping in a bakery in Adalbertstraße, Berlin. Françoise played in the French girl-garage-punk-R'n'R-Band Lolitas (they released 5 albums in Germany and France and toured all over Europe and America) and Brezel had the experimental-noise-copyright-ignoring-tapeloop-soundeffects project called Sigmund Freud Experience (they did 3 vinyl-records, 100 copies each). In 1993 they started playing together. Their first recording was a 10 minute cooking-recipe, in which all ingredients had sexual connotations. The recording is sadly lost. In 1994 Stereo Total started recording in Hamburg at the Alien Sound Studio of Peter Stein. They started to do concerts in Berlin and Germany. The line-up at this time was Françoise Cactus (vocals and drums), Lesley Campell (distortion guitar) from Scotland and Brezel Göring (vocals, guitar, organ, synthesizer). The logo of the band was two tits (shown on the backside of the first record "OH AH"). This sign was painted on a mix-tape Françoise made for Brezel that was named STEREO TOTAL. At this time it was impossible to find a label with this unusual mix of musical influences and languages: the band played French Chanson, Disco, Rockabilly, Garage in a very minimal, simplified, essential way with self built guitars and cheap electronics: the lyrics where French or German. The first 45-EP 1995 In 1995 they released their first 4-track-EP: "Allô j'écoute", which came out on the small label Desert Records.
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San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.
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Aufgekratzte Trauerarbeit
Kultur Annie wirkt auf den ersten Blick, als hät- POP ten übereifrige Plattenfirmen-Talentjäger sie am Computer zurechtgebastelt. Aufgekratzte Sie ist nicht bloß jung, blond und hübsch, sondern beweist auch immer wie- der eindrucksvolles Talent. Hinzu kommt, Trauerarbeit und das ist unbezahlbar: Dank internatio- naler Discjockey-Mundpropaganda gilt sie Die norwegische Sängerin als absolut cool. „Ich ﬁnde es selbst merk- würdig, wenn mir Leute sagen, dass sie Annie wird als Entdeckung zwar meine Musik mögen, aber nie Songs gefeiert – dabei gilt sie von Kylie Minogue oder Britney Spears Discjockeys in aller Welt schon anhören würden“, sagt sie. länger als auffälliges Talent. Zum Elektro-Pop kam Annie Ende der Neunziger durch ihre erste große Liebe, ermutlich entwickelt man fast einen jungen Mann, der sich Erot nannte, zwangsläufig merkwürdige Marot- ein paar lässige Underground-Disco-Hits Vten, wenn man im norwegischen produzierte und mit ihr den Song „The Bergen, einer der niederschlagreichsten Greatest Hit“ aufnahm, in dem sie sehr Städte Europas, aufwächst; in einer Stadt, schön zu einem Madonna-Sample schnurr- in der es im Winter manchmal wochenlang te. Dann wurde Erot sehr krank und starb nicht mehr hell wird: mit 23 an einem Herzleiden. Anne Lilia Berge Strand zum Beispiel Um gegen die Trauer anzukämpfen, erzählt mit großer Begeisterung, dass sie machte sich Annie selbst ans Musikbasteln zum Songtexte-Schreiben gern auf Bäu- und erlangte zudem bald den Ruf einer me klettere: „Wenn ich auf einem Ast erstklassigen Plattenauﬂegerin – auch, weil sitze und von oben auf die Welt sehe, fal- sie die Arbeit ähnlich unkonventionell an- len mir die lustigsten Sachen ein“, be- geht wie das Songtexten: „Ich kombiniere hauptet die Sängerin, die sich schlicht gern Dinge, die eigentlich überhaupt nicht Annie nennt.
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Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released.
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Psaudio Copper
Issue 1 MARCH 7TH, 2016 The birth of a child is always a cause for celebration. For the new parent, it's also a time of uncertainty and anxiety: Am I doing this right? Is THAT normal?? Creating Copper has been pretty much the same for us. There is exhilaration, the excitement of starting something completely new, of charting the course as we go. And of course, there is the desire to do everything perfectly. The first issue of Copper, now before you, requires a little by way of introduction. Copper is dedicated to furthering the art of home audio reproduction, and growing the community that supports it. Whether you call it Hi-Fi, hi-res, or High-End doesn't matter; such labels tend to separate and isolate people, which is exactly what we don't want to do. We'll do our best not to be audio snobs. Any system, technology, or category of product that faithfully reproduces music, honoring its source and intent, qualifies as fair game to us. Vinyl, digital, portable, expensive, inexpensive, new or old: if it makes music, it's of interest to our readers. Copper is not a traditional audio magazine. It is published by a well-established audio manufacturer, and we hope you do buy our products... but that's not the point of this magazine. Copper won't sell or promote products, services, or advertising. Instead, Copper aims to inform, entertain, inspire, motivate and build community. We believe that a diverse, strong, well informed community of like-minded people, sharing ideas, news, and knowledge benefits all.
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Ivan Muñoz Aka Vigilante Is One of the Most Important Electronic Music Artists & Djs in South America
Ivan Muñoz aka Vigilante is one of the most important electronic music artists & Djs in South America. With his mix of electronic and metal, Muñoz has conquered audiences from Chile and all over the world. He has released three albums: "The Heroes Code" (2005), "War of Ideas" (2007), and “The New Resistance” (2011), one EP "Juicio Final" (2006); one DVD + CD "Life is a Battlefield" (2009) and several singles in countries as diverse as Germany, Russia, Chile, Argentina and Japan. His records are distributed both physically and digitally throughout the world. With 6 international tours, Vigilante has brought his music to many countries: United States, Russia, Germany, Netherlands, Peru, Argentina, Chile, Czech Republic, Poland, Denmark, Belgium, France, Portugal, Switzerland, Italy, Norway, Spain, and many more. In addition, he has been the only Chilean musician to participate in some of the more important Festivals in Europe, like Wave Gotik Treffen (Germany, 2006 and 2010), Castle Party (Poland, 2012); and in 2008 Vigilante was the support band of the Industrial legends Nine Inch Nails. Throughout his career, he has worked, remixed and shared stage with the most important bands in the scene such as: Nine Inch Nails, Lacrimosa, Ministry, Strapping Young Lad, Public Enemy, Suicide Commando, S.I.T.D., Die Krupps, VNV Nation, Funker Vogt, Leaether Strip, Agonoize, Soman, Hocico, Birmingham 6, Hanin Elias, Tyske Ludder, Clan of Xymox and many more. His profesionalism and talent made him being endorsed by the most important brands in the music industry like Focusrite, Novation, Schecter, Fxpansion, Presonus, Seymour Duncan, Sony Creative Software and many more.
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