Atari Teenage Riot Reset Mp3, Flac, Wma

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Atari Teenage Riot Reset mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Reset Country: UK & Europe Released: 2015 Style: Hardcore, Industrial, Electro, Noise, Experimental MP3 version RAR size: 1594 mb FLAC version RAR size: 1256 mb WMA version RAR size: 1938 mb Rating: 4.9 Votes: 236 Other Formats: VQF TTA DMF MP2 VOC MP1 AUD Tracklist 1 J1M1 3:15 2 Street Grime 3:12 3 Reset 4:28 4 Death Machine 3:55 5 Modern Liars 4:03 6 Cra$h 3:43 7 New Blood 3:51 8 Transducer 5:21 9 Erase Your Face 6:15 10 We Are From The Internet 4:52 Companies, etc. Phonographic Copyright (p) – Digital Hardcore Recordings (DHR) Copyright (c) – Digital Hardcore Recordings (DHR) Published By – Digital Hardcore Music Recorded At – The Hellish Vortex Studios Mastered At – Calyx Mastering Credits Vocals – Rowdy SS* Vocals, Music By, Producer – Alec Empire, Nic Endo Barcode and Other Identifiers Barcode: 690261004529 Label Code: LC11028 Mastering SID Code: IFPI LV26 Matrix / Runout: 00095 53647 213 01 * 53647216 Matrix / Runout (Mould text): A Other versions Category Artist Title (Format) Label Category Country Year Atari Reset (CD, BRC-413 Teenage Beat Records BRC-413 Japan 2014 Album) Riot Atari Reset (CD, Digital Hardcore UK & none Teenage Album + Box, none 2015 Recordings (DHR) Europe Riot Ltd, S/Edition) Digital Hardcore Atari DHRCD45P, Reset (CD, Recordings (DHR), DHRCD45P, UK & Teenage 2015 DHRCD45 Album, Promo) Digital Hardcore DHRCD45 Europe Riot Recordings (DHR) Comments about Reset - Atari Teenage Riot Anayalore What's the world coming to if even Atari Teenage Riot sells out? Congratulations on taking a giant turd on everything you ever stood for... Vudomuro In this day of age we have the likes of Death Grips, Clipping and the like pushing the electronic music clashed with punk/hip hop genre to new heights, ATR like most of the bands that where the pioneers of such a sound look tired and dated. Been that i love everything that ATR/Empire has put out to a point where regularly still search for rare DHR stuff- This album in particular isn't a step forward in the ATR sound, its more or less a step back. gone are the days of amen breaks set to pitched Slayer guitars and in come the more radio friendly Prodigy-esque beats, which sound awful. It could easily noted Empire lost his aggression after "Futurist" dropped, and hasn't made a lot of good music since. The lyrics are cliched, pointless and have lost meaning too, and whoever told Nic Endo she could sing (i preferred her as the cold staring silent noise maker on the records) was pretty stupid. i rate this 0/5. pure crap and a final nail in ATR's digital coffin. Related Music albums to Reset by Atari Teenage Riot Alec Empire - Digital Hardcore E.P. Atari Teenage Riot - Activate Atari Teenage Riot - Activate! Alec Empire & The Hellish Vortex - Live At Uebel & Gefährlich, Hamburg, Germany Alec Empire - Intelligence And Sacrifice Atari Teenage Riot - 60 Second Wipe Out Alec Empire - Addicted To You Patric Catani - Attitude PC8.

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Atari Teenage Riot Sick to Death EP Mp3, Flac
Atari Teenage Riot Sick To Death E.P. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Sick To Death E.P. Country: UK & Europe Released: 1997 Style: Hardcore, Downtempo, Breakcore MP3 version RAR size: 1753 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1290 mb Rating: 4.9 Votes: 431 Other Formats: MOD ASF VOC MP2 AC3 AU VQF Tracklist 1 Sick To Death 3:44 2 We've Got The Fucking Power 4:44 3 Sick To Death (Remix) 6:00 4 Waves Of Disaster 5:11 Companies, etc. Marketed By – Intercord Record Service Distributed By – Intercord Record Service Licensed To – Intercord Record Service Phonographic Copyright (p) – Digital Hardcore Recordings Ltd. Copyright (c) – Digital Hardcore Recordings Ltd. Published By – Digital Hardcore Music Credits Artwork [Video Pix] – Phillip Virus* Cover [From] – Hell* Engineer [Assistant] – Janek S.* (tracks: 1, 2) MC – Carl Crack Producer, Programmed By, Vocals [Shouts] – Alec Empire Vocals – Hanin Elias Written-By – Alec Empire, Carl Crack (tracks: 2) Notes All tracks produced at Empire Studios, Berlin 1996. Vocal recordings on track 1 and 2 at MK Audio, Berlin. ©+℗ 1997 DHR Ltd. All tracks published by Digital Hardcore Music. Marketed and distributed by Intercord Record Service, Licensee. Barcode and Other Identifiers Barcode (Scanned): 724388359320 Barcode (Printed): 7 24388 35932 0 Label Code: LC 4396 Rights Society: bel BIEM Other versions Category Artist Title (Format) Label Category Country Year Atari Sick To Death Digital Hardcore DHR 12 DHR 12 Germany 1997 Teenage Riot E.P. (12", EP) Recordings (DHR) Atari Sick To Death Digital Hardcore none none 1997 Teenage Riot E.P.
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Catholics and Lutherans Has Intprmpdiatp Court Hinged on the Doctrine of Justification
love lessons Spicy_Hot A student writes about her younger brother, Red Hot Chili Peppers sizzled in their April 8 Tuesday who recently died of meningitis, and concert. according to music critic Dave Fulton. encourages everyone to embrace life as he did. APRIL 18, Scene + page 10 Viewpoint+ page 9 2000 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXIII NO. 124 HTTP://OBSERVER.ND.EDU NEWS ANALYSIS Theologians Bauer: Microsoft could face 01ore lawsuits been absolutely what I expected," discuss By COLLEEN McCARTHY Bauer said. Associate News Editor The third ruling, which Bauer Highlights of the expects could come this summer, justification Tlw April 3 ruling by a federal judge would deal with remedies to the situa Microsoft Case that t~omputnr giant Microsoft violated tion, since Jackson declared Microsoft By ERIN PIROUTEK U.S. antitrust laws dons not mean that in violation of antitrust laws. Associate News Editor tlw ease is ovPr. "The range of remedies extends to the breakup of Microsoft to ending dif In fact. appeals by For centuries the disagreement \1irrosort to the ferent kinds of conduct to changing May 1998 contracts it has with competitors and between Catholics and Lutherans has intPrmPdiatP court hinged on the Doctrine of Justification. of appnals in eustomt'rs," Bauer said. "The ruling Judge Thomas Penfield could also deal with Microsoft's licens Traditionally Lutherans have empha Washington, D.C. Jackson rules Microsoft sized that salvation is by faith alone, and tlwn possibly to ing codes regarding placement of their Web browser. while Catholics maintained that good thP U.S.
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From No Future to Delete Yourself (You Have No Chance to Win)
Journal of Popular Music Studies, Volume 25, Issue 4, Pages 504–536 From “No Future” to “Delete Yourself (You Have No Chance to Win)”: Death, Queerness, and the Sound of Neoliberalism Robin James University of North Carolina, Charlotte Introduction Death is one of the West’s oldest philosophical problems, and it has recently been the focus of heated debates in queer theory. These debates consider the political and aesthetic function of a specific concept of death— death as negation, failure, an-arche, or creative destruction. However, as Michel Foucault (1990) argues, death is an important component of the discourse of sexuality precisely because it isn’t a type of negation. The discourse of sexuality emerges when “the ancient right to take life or let live was,” he argues, “replaced by a power to foster life or disallow it to the point of death” (Foucault 138).1 “Sexuality is the heart and lifeblood of biopolitics” (Winnubst 2012: 79) because it—or rather, as other scholars like Laura Ann Stoler (1995), LaDelle McWhorter (2009), and Jasbir Puar (2013) have demonstrated, racialized sexuality—is one of the main instruments through which liberalism “fosters” or “disallows” life. So, insofar as it pertains to sexuality, death isn’t a negation or a subtraction of life, but a side effect of a particular style of life management. In late capitalist neoliberalism, “death” only appears indirectly, not as a challenge to or interruption of life, but as its unthinkable, imperceptible limit.2 What are the theoretical, political, and aesthetic implications of neoliberalism’sreconceptualization of death as divested, or “bare,” life?3 What if we reframe ongoing debates about queer death, futurity, and antisociality by replacing the punk metaphorics of “No Future” with the cyberpunk/digital hardcore mantra “Delete Yourself (You Have No Chance To Win)”? Asking the question in this way, I use some methods, concepts, and problems from queer theory to think about a few pieces of music; I then use my analyses of these musical works to reflect back on that theory.
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From Silver Apples of the Moon to a Sky of Cloudless Sulphur: V Morton Subotnick & Lillevan 2015 US, Europe & JAPAN
From Silver Apples of the Moon to A Sky of Cloudless Sulphur: V Morton Subotnick & Lillevan 2015 US, Europe & JAPAN February 3 – 7 Oakland, California Jean Macduff Vaux ComposerinResidence at Mills College February 7 Oakland, California Mills College, Littlefield Concert Hall March 7 Moscow Save Festival at Arma March 4 New York the Kitchen: SYNTH Nights May Tel-Aviv, Israel Vertigo Dance Company June 7 London Cafe Oto June 16 Tel-Aviv, Israel Israel Museum June 20 Toronto Luminato Festival/Unsound Toronto July 28 Berlin Babylon Mitte (theatre) September 11 Tokyo TodaysArt.JP Tokyo September 12 Yamaguchi YCAM September 20 Kobe TodaysArt.JP Kobe November 22 Washington, DC National Gallery of Art 1 Morton Subotnick 2015 Other Events photo credit: Adam Kissick for RECORDINGS WERGO released in June 2015 After the Butterfly The Wild Beasts http://www.schott-music.com/news/archive/show,11777.html?newsCategoryId=19 Upcoming re-releases from vinyl on WERGO Fall 2015: Axolotl, Joel Krosnick, cello A Fluttering of Wings with the Juilliard Sting Quartet Ascent into Air from Double life of Amphibians The Last Dream of the Beat for soprano, Two Celli and Ghost electronics; Featuring Joan La Barbara, soprano Upcoming Mode Records: Complete Piano Music of Morton Subotnick The Other Piano, Liquid Strata, Falling Leaves and Three Piano Preludes. Featuring SooJin Anjou, pianist Release of a K-6 online music curriculum: Morton Subotnicks Music Academy https://musicfirst.com/msma 2 TABLE OF CONTENTS PROGRAM INFO Pg 4 CONCERT LISTING AND BIOS Pg 5 CAREER HIGHLIGHTS Pg 6 PRESS PHOTOS Pg 8 AUDIO AND VIDEO LINKS Pg 13 PRESS QUOTES Pg 15 TECH RIDER Pg 19 3 PROGRAM INFO TITLE OF WORK TO BE PRESENTED From Silver Apples of the Moon to A Sky of Cloudless Sulphur Revisited :VI PROGRAM DESCRIPTION A light and sound duet utilizing musical resources from my analog recordings combined with my most recent electronic patches and techniques performed spontaneously on my hybrid Buchla 2003/Ableton Live ’instrument’, with video animation by Lillevan.
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Zine Lq.0F316068.Pdf
Sponsored by Contact & Order 30 4-685-0516 w w w. madeleine maries.co m Visit us & Or d er-i n 260 Green St, Morganto wn W V 26501 @ madeleine mariescateringcarryout @ mad mariescatering info @ madeleine maries.co m Gl ute n free, vegetaria n a nd vega n optio ns by req uest EDITORIAL This e ditio n of Wireless co mes at a very dy na mic poi nt i n U92’s history. Face d wit h t he ever c ha n gi n g l a n ds c a p e of c oll e g e r a di o, o n e t hi n g h as r e m ai n e d str o n g; o ur l o v e f or art, s p e ci ﬁ c all y m usi c. It is t h at a doratio n t hat has drive n us to s pe n d hours of hard work to bri n g you a dee per look at t he worl d of music we live in. Whether it be in the words you rea d here or the progra m ming you hear on the air waves, our goal is to put a s potlight on u p-an d-co ming artists, co m munity ne ws an d collegiate s p orts. I a m c o nti n u all y i m pr ess e d b y t h e l e v el of p assi o n t h at all of o ur st a ﬀ h as f or t h es e t hi n gs, a n d it’s t h at s a m e p assi o n t h at bri n gs y o u t his e diti o n of Wir el ess.
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Stereo Total Bio English
The Story of Stereo Total The Beginning 1992-1994 In the winter 1992/93 Françoise Cactus and Brezel Göring met while shopping in a bakery in Adalbertstraße, Berlin. Françoise played in the French girl-garage-punk-R'n'R-Band Lolitas (they released 5 albums in Germany and France and toured all over Europe and America) and Brezel had the experimental-noise-copyright-ignoring-tapeloop-soundeffects project called Sigmund Freud Experience (they did 3 vinyl-records, 100 copies each). In 1993 they started playing together. Their first recording was a 10 minute cooking-recipe, in which all ingredients had sexual connotations. The recording is sadly lost. In 1994 Stereo Total started recording in Hamburg at the Alien Sound Studio of Peter Stein. They started to do concerts in Berlin and Germany. The line-up at this time was Françoise Cactus (vocals and drums), Lesley Campell (distortion guitar) from Scotland and Brezel Göring (vocals, guitar, organ, synthesizer). The logo of the band was two tits (shown on the backside of the first record "OH AH"). This sign was painted on a mix-tape Françoise made for Brezel that was named STEREO TOTAL. At this time it was impossible to find a label with this unusual mix of musical influences and languages: the band played French Chanson, Disco, Rockabilly, Garage in a very minimal, simplified, essential way with self built guitars and cheap electronics: the lyrics where French or German. The first 45-EP 1995 In 1995 they released their first 4-track-EP: "Allô j'écoute", which came out on the small label Desert Records.
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San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.
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Recordings by Artist
Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt
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Subotnick-Lillevan 2015Edit.2016
Jan. 28, 2016 Washington, DC American University: Song and Dance Feb. 4, 2016 Brooklyn, NY Interpretations at Roulette: Song and Dance April 21, 2016 Copenhagen Jazzhouse: Song and Dance April 23, 2016 Malma, Sweden CTM Festival: Song and Dance May 21, 2016 Durham, NC Moogfest: Song and Dance May 27, 2016 Detroit Trip Metal Fest: Song and Dance Sept. 27, 2016 Brooklyn, NY After 9 Evenings, Issue Project Room: Song and Dance Nov. 1, 2016 London St. John Sessions: Song and Dance Nov. 4, 2016 Berlin Ableton Loop: Song and Dance Dec 27-29, 2016 Israel Colloquium & Performances Feb. 15, 2017 Philadelphia Annenberg Center (w/Lillevan) April 22, 2017 San Francisco Buchla Memorial Festival July 20-22, 2017 NYC Lincoln Center: Crowds and Power Morton Subotnick 2015 Other Events photo credit: Adam Kissick for RECORDINGS WERGO released in June 2015 After the Butterfly The Wild Beasts http://www.schott-music.com/news/archive/show,11777.html?newsCategoryId=19 Upcoming re-releases from vinyl on WERGO Fall 2015: Axolotl, Joel Krosnick, cello A Fluttering of Wings with the Juilliard Sting Quartet Ascent into Air from Double life of Amphibians The Last Dream of the Beat for soprano, Two Celli and Ghost electronics; Featuring Joan La Barbara, soprano Upcoming Mode Records: Complete Piano Music of Morton Subotnick The Other Piano, Liquid Strata, Falling Leaves and Three Piano Preludes. Featuring SooJin Anjou, pianist Release of a K-6 online music curriculum: Morton Subotnicks Music Academy https://musicfirst.com/msma 2 TABLE OF CONTENTS PROGRAM INFO Pg 4 CONCERT LISTING AND BIOS Pg 5 CAREER HIGHLIGHTS Pg 6 PRESS PHOTOS Pg 8 AUDIO AND VIDEO LINKS Pg 13 PRESS QUOTES Pg 15 TECH RIDER Pg 19 3 PROGRAM INFO Song and Dance PROGRAM DESCRIPTION A light and sound duet utilizing musical resources from my analog recordings combined with my most recent electronic patches and techniques performed spontaneously on my hybrid Buchla 200e/Ableton Live ’instrument’, with live video animation by Lillevan.
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Ffiffiffiffi*O*M% I.%Ff, Pesgf#Ffii"T$
&" gr I $ & r gcfuq.1 1GT.uG:' ss,jj o -Y bqrtd-Li"{; oE ffiffiffiffi*o*m% i.%ff, pesgf#ffii"T$ utr) tt, O L \B-) 8^t-b:a *t cE -.THE M&If$ ORCANJI BERS- Ss 1 a 3 c o) c o rgs -u g? it ".; \., PE i<s.' €'d S E.b <oP TQ- r-a6 ?iclore \ Su.a.to.o- d ,9 9; 96 L Ea d go-a gL 3e 'sg sll'g-'a) qf i O:\6 E turl*"f q XgE F f 3 fi refe lrrrP : /l wwu. fodl f,este'' ' "A ennoll f;anue,ro @ rnad.prk@g *k. corw €moTl Strzonra @ Sous!'es dJhot^olt - cor j; d Ladyfest, Ladyfest, Ladyfest, ... What is all this fuss about? You may ask? \{ell, if you stiil havenot heard about it, your grrl-head was under the crowds for the past 16 months at least (or are you one of thosc Hole fanatics that think rioting is putting on eye-liner?). LSDJrrr* ntH,Arrs Ii.ayfedts tttg current happening gathering for worldwide (feminisVactivi st/or just loudmouthed and opinionated) female artists. Born in 2000 with the great efforts of a team of ladies some of us know from bands and labels we cherish, this festival has had successions all over the Us and recently, in Europe. The first European one was in Glasgow, in August 2001. From these two fests, teams were born of more ladies that wanted to bring Ladyfest to their city. For, Ladyfests should be everywhere! For more info on what will happen in2002, go to: www.ladyfest.org and www'ladyfesteurope.org What happens at a Ladlfest? The basic concept of a Ladyfest is: to celebrate female talent in all its forms.
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Insufficient Funds Summer School Scenes
TheUWM JUNE 1,1999 PosServing the UWM Community sincet 1915 Vol.43,N°3 Insufficient funds Summer school scenes Post photos by Sampson Parsons Students annoyed by Union ATMs By Angela McManaman "I needed to make a vitally im portant deposit and the thing was Sal Fricano is tired of waiting in out of envelopes," Harwood said. line. "The Sandburg ATM isn't bro It's5p.m. on a Wednesday after- ken alot,butitis often out of cash," noonjust before the start of finals she added. and the sophomore has friends Time for some new machines? waitingin the Gasthaus—he wants Students are not the only ones to get his money andleave. Unfor who notice the ATM service on tunately, one of the Student campus. Union's two automatic teller ma "I don't know why they are ex chines isn'tworking. periencing a greater frequency of "I think we should all put our out of order," Auxiliary Services money in shoe" boxes, because Director of the Union, Elmer these ATMs aren'treliable,"saida Hamann, said early last month. disgruntled Fricano. "But I have seen the lines. From In all fairness to the automatic my personal observation, I think teller machines (ATM), Fricano thatitprobably is time for another doesn't like computers anyway— ATM." but he is not alone in his grum However, in April the UW Credit bling. The university currendy has Union, the university's sole ATM three Fujitsu Series 7000 ATMs on service provider, decided that an campus to service its 23,000 stu other campus ATM was notfeasible dents and staff and faculty mem at that time, according to Union bers, leavingsome users to wonder Director Tim Wilmot.
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Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP
December, 1997 That Etiquette Magazine from CiTR 101.9 fM FREE! 1. Soupspoon 2. Dinner knife 3. Plate 4. Dessert fork 5. Salad fork 6. Dinner fork 7. Napkin 8. Bread and butter plate 9. Butter spreader 10. Tumbler u Suggested Serving: 1. WOODEN STARS 2. COLDCUT 3. HANIN ELIAS 4. WINDY & CARL 5. SOUTHERN CULTURE on the SKIDS 6. CORNERSHOP 7. CiTR ON-AIR PROGRAMMING GUIDE Dimm 1997 I//W 179 f€fltUf€J HANIN ELIAS 9 WOODEN STARS 11 WINDY & CARL 12 CORNERSHOP 14 SOUTHERN CULTURE ON THE SKIDS 16 COLDCUT 19 GARAGESHOCK 20 COUUAM COWSHEAD CHRONICLES VANCOUVER SPECIAL 4 INTERVIEW HELL 6 SUBCULT. 8 THE KINETOSCOPE 21 BASSLINES 22 SEVEN INCH 22 PRINTED MATTERS 23 UNDER REVIEW 24 REAL LIVE ACTION 26 ON THE DIAL 28 e d i t r i x : miko hoffman CHARTS 30 art director: kenny DECEMBER DATEBOOK 31 paul ad rep: kevin pendergraft production manager: tristan winch Comic* graphic design/ Layout: kenny, atomos, BOTCHED AMPALLANG 4 michael gaudet, tanya GOOD TASTY COMIC 25 Schneider production: Julie colero, kelly donahue, bryce dunn, andrea gin, ann Coucr goncalves, patrick gross, jenny herndier, erin hoage, christa 'Tis THE SEASON FOR EATIN', LEAVING min, katrina mcgee, sara minogue, erin nicholson, stefan YER ELBOWS OFF THE TABLE AND udell, malcolm van deist, shane MINDING YER MANNERS! PROPER van der meer photogra- ETIQUETTE COVER BY ARTIST phy/i L Lustrations: jason da silva, ted dave, TANYA SCHNEIDER. richard folgar, sydney hermant, mary hosick, kris rothstein, corin sworn contribu © "DiSCORDER* 1997 by the Student Radio Society of the University of British Columbia.
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