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Rice Sticking Together
Rice Sticking Together: Cultural Nationalist Logic and the Cinematic Representations of Gay Asian-Caucasian Relationships and Desire Author(s): Kenneth Chan Source: Discourse, Vol. 28, No. 2/3 (Spring & Fall 2006), pp. 178-196 Published by: Wayne State University Press Stable URL: http://www.jstor.org/stable/41389758 Accessed: 29-02-2016 11:44 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wayne State University Press is collaborating with JSTOR to digitize, preserve and extend access to Discourse. http://www.jstor.org This content downloaded from 152.118.148.226 on Mon, 29 Feb 2016 11:44:07 UTC All use subject to JSTOR Terms and Conditions Rice Sticking Together: Cultural Nationalist Logic and the Cinematic Representations of Gay Asian- Caucasian Relationships and Desire Kenneth Chan Interracial relationships often raise a complex set of cultural issues, and gay versions of these relationships are no exception. Any attempt to discuss the question of gay Asian-Caucasian inter- racial relationships, particularly within gay Asian and Asian dias- poric communities, will produce a polarized debate framed by an us Asians-versus-them Caucasian rhetoric. It is this rhetoric that haunts my attempt to examine, in this essay, contemporary cine- matic representations of gay Asian-Caucasian relationships and desire, what some would rather derogatorily call the "rice and potato" phenomenon. -
Bsc (Honours) Tourism Management
Faculty of Organisation and Management BSc (Honours) Tourism Management Title File-induced tourism in Asia: A case study of Taiwanese television drama and Hong Kong adult’s viewers’ motivation to visit Taiwan Name Chan Po Kei Student No 91203295 Month Year April 2009 Sheffield Hallam University Faculty of Organisation and Management Title File-induced tourism in Asia: A case study of Taiwanese television drama and Hong Kong adult’s viewers’ motivation to visit Taiwan FULL NAME Chan Po Kei STUDENT No 91203295 Supervisor: Dr. Connie Mok In partial fulfilment of the requirements for the degree of Bachelor of Science in Tourism Management. Month Year April 2009 Acknowledgments I would like to express my sincere appreciation to my dissertation supervisor, Dr. Connie Mok for her guidance, patience and valuable advice given during the whole process of completing this study. I become relaxed and confident of my dissertation after she shared her self-experience and expression to me. I am pleased with the support and encouragement of my family and friends. I would like to thank Pako, Nick, Yan, Redness, Karen, William, Mayumi, Tracy and Gary. I would also like to thank every participant of the focus groups. They provided useful and valuable information and ideas for the primary research. Abstract It is believed that films or television dramas might have an impact on tourism by encouraging tourists to visit the places or attractions which were screened (Riley and Van Doren 1992, Busby and Klug 2001). Although there has been an increasing trend of tourism research about film-induced tourism, its focus was mostly on specific sites in western countries. -
How New Is from NTCH Ticketing
14 發光的城市 A R O U N D T O W N FRIDAY, DECEMBER 12, 2008 • TAIPEI TIMES ince 1988, the National Theater has things it has to offer modern theater. played host to the New Idea Theater But how to repackage it for audiences SFestival (新點子劇展), which features who lack a detailed knowledge of a selection of the best local experimental Chinese history and legend, or the theater. The 2008 incarnation of this patience to sit through three-hour epics, event opens today with a production of has proved a challenge. Liou Ching-ti’s Hell (劉青提的地獄) by the Tonight’s premiere of Liou Ching- Taiwan Bangzi Company (台灣豫劇團), ti’s Hell brings together Henan directed by Malaysian-born Fu Hung- opera performers with the veteran Stanley Huang is Taiwan’s reigning bad boy. cheng (符宏征). This will establish the experimental theater director Fu PHOTO: TAIPEI TIMES theme of the festival, which runs to Dec. Hung-cheng. It is based on the popular 28 and includes two other productions Buddhist tale Mu Lien Saves His Mother The fallout from paparazzi even more, that are also experiments based on (目蓮救母). According to Fu, the current actress Annie Yi’s (伊能 however, was how much the traditional opera styles. production departs from tradition in 靜) reported affair with son’s mother, Joan Lin (林 This theme of variations on tradition focusing on the psychological factors fellow thespian and hot 鳳嬌), has aged. Lin married is highly appropriate for a year that has that led Mu Lien’s mother, the Liou stud Laurence Huang (黃 Jackie Chan some 20 years seen an almost unprecedented number Ching-ti of the title, to deserve the 維德) continued this week, ago when her career as a of large-scale productions that sought terrible fate of being dragged by demons when Eastern Media Group’s movie superstar was at its to give new life to traditional theater to the very deepest levels of Hell. -
Rub-A-Dub in the Hot
14 發光的城市 A R O U N D T O W N FRIDAY, AUGUST 28, 2009 • TAIPEI TIMES BY ALita RICKards MUSIC STOP Rub-a-dub in the hot tub here is a feeling of decadence when you We hope it will be fresh, with something sit in a hot tub with dozens of your closest for everyone.” friends (at least in terms of proximity) New electronic acts include The Soul Tdrinking a cocktail and bobbing to a DJ. Sweat and Swank Show, vDub, Genetically COMPILED BY Ian BartHOLOmeW Every act interviewed for this story Modified Beats, DJ Charles, Juni, Edify and mentioned the hot tub, with both bands and Supermilkmen, with returning favorites to such an extent that he called DJs playing at this weekend’s Lost Lagoon including Marcus Aurelius and Hooker. the marriage off, making the blowout at Wulai craving a soak as part of Two bands are flying in from Australia particularly hurtful comment that their party experience. to perform: electric glam rock solo artist he wasn’t sure if he loved Chu Add three natural spring-water FutureMan, and God’s Wounds. The latter enough to make the commitment swimming pools, a venue surrounded by formed last year and gained a residency at of marriage. mountains and lush foliage, free camping The Excelsior, in Sydney, with its Nintendo- Lau is not the only superstar and cabins with private hot tubs, and you influenced live punk-electro. Its influences who has worked hard to keep a have an event that combines the best of include car crashes, Japanese monster long-standing relationship secret. -
3. 10 SHANTY Mencari Cinta Sejati (4:05) 4
Disc Bola 1. Judika Sakura (4:12) 2. Firman Esok Kan Masih Ada (3:43) 3. 10 SHANTY Mencari Cinta Sejati (4:05) 4. 14 J ROCK Topeng Sahabat (4:53) 5. Tata AFI Junior feat Rio Febrian There's A Hero (3:26) 6. DSDS Cry On My Shoulder (3:55) 7. Glenn Pengakuan Lelaki Ft.pazto (3:35) 8. Glenn Kisah Romantis (4:23) 9. Guo Mei Mei Lao Shu Ai Da Mi Lao Shu Ai Da Mi (Original Version) (4:31) 10. Indonesian Idol Cinta (4:30) 11. Ismi Azis Kasih (4:25) 12. Jikustik Samudra Mengering (4:24) 13. Keane Somewhere Only We Know (3:57) 14. Once Dealova (4:25) 15. Peterpan Menunggu Pagi [Ost. Alexandria] (3:01) 16. PeterPan Tak Bisakah (3:33) 17. Peterpan soundtrack album menunggu pagi (3:02) 18. Plus One Last Flight Out (3:56) 19. S Club 7 Have You Ever (3:19) 20. Seurieus Band Apanya Dong (4:08) 21. Iwan Fals Selamat Malam, Selamat Tidur Sayang (5:00) 22. 5566 Wo Nan Guo (4:54) 23. Aaron Kwok Wo Shi Bu Shi Gai An Jing De Zou Kai (3:57) 24. Abba Chiquitita (5:26) 25. Abba Dancing Queen (3:50) 26. Abba Fernando (4:11) 27. Ace Of Base The Sign (3:09) 28. Alanis Morissette Uninvited (4:36) 29. Alejandro Sanz & The Corrs Me Iré (The Hardest Day) (4:26) 30. Andy Lau Lian Xi (4:24) 31. Anggun Look Into Yourself (4:06) 32. Anggun Still Reminds Me (3:50) 33. Anggun Want You to Want Me (3:14) 34. -
Rendering the Regional
Rendering the Regional Rendering the Regional LOCAL LANGUAGE IN CONTEMPORARY CHINESE MEDIA Edward M.Gunn University of Hawai`i Press Honolulu Publication of this book was aided by the Hull Memorial Publication Fund of Cornell University. ( 2006 University of Hawai`i Press All rights reserved Printed in the United States of America 111009080706654321 Library of Congress Cataloging-in-Publication Data Gunn, Edward M. Rendering the regional : local language in contemporary Chinese media / Edward M. Gunn. p. cm. Includes bibliographical references and index. ISBN 0-8248-2883-6 (alk. paper) 1. Language and cultureÐChina. 2. Language and cultureÐTaiwan. 3. Popular cultureÐChina. 4. Popular cultureÐTaiwan. I. Title. P35.5.C6G86 2005 306.4400951Ðdc22 2005004866 University of Hawai`i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by University of Hawai`i Press Production Staff Printed by The Maple-Vail Book Manufacturing Group Contents List of Maps and Illustrations /vi Acknowledgments / vii A Note on Romanizations /ix Introduction / 1 1 (Im)pure Culture in Hong Kong / 17 2 Polyglot Pluralism and Taiwan / 60 3 Guilty Pleasures on the Mainland Stage and in Broadcast Media / 108 4 Inadequacies Explored: Fiction and Film in Mainland China / 157 Conclusion: The Rhetoric of Local Languages / 204 Notes / 211 Sources Cited / 231 Index / 251 ±v± List of Maps and Illustrations Figure 1. Map showing distribution of Sinitic (Han) Languages / 2 Figure 2. Map of locations cited in the text / 6 Figure 3. The Hong Kong ®lm Cageman /42 Figure 4. Illustrated romance and pornography in Hong Kong / 46 Figure 5. -
Genders and Sexualities in Asia.Pdf
Central European University (Vienna Campus) Department of Gender Studies GENDERS AND SEXUALITIES IN ASIA MA Level Elective Class, 2 Credits (Synchronous Online) Winter 2020 Course Syllabus INSTRUCTOR INFORMATION Instructor: Dr Hannah Loney Email: [email protected] Virtual Office Hours: Mondays, 11.00am–1.00pm (email for appointment) COURSE INFORMATION Course Description: This online course examines how genders and sexualities are imagined, performed, reproduced, and contested across and beyond Asia. It investigates how colonialism and nation-state formation, sociocultural change, and transnational flows impact on everyday notions of gender and sexuality within, and in discourses about, Asia. Drawing upon historical and anthropological perspectives – with insights from postcolonial, feminist, and queer theories – the course considers the influence of histories, languages, religions, and popular culture on gender and sexual subjectivities in the Asian region and Asian diasporas. While the course is attentive to regional and transnational dynamics that inform the production and transformation of gender and sexual subjectivities, it seeks to locate these subjectivities within particular local contexts and social formations. Each week, the course engages with a key topic related to genders and sexualities in Asia, such as colonialism, nationalism, kinship, the family, religion, race, class, intimacy, labour, the body, mobility, and activism. Case studies discussed within the readings span across the Asian region and Asian diasporas, with a specific -
Screening China China in Popular Geopolitics, 2000-2009 J
Screening China China in Popular Geopolitics, 2000-2009 J. Steffen Braastad Master of East Asian Studies EAST4590 (60SP) Institutt for Kulturstudier og Orientalske Språk Universitetet i Oslo Autumn 2010 J. Steffen Braastad Master of East Asian Studies Autumn 2010 ii J. Steffen Braastad Master of East Asian Studies Autumn 2010 Abstract Looking at global box-office winners from the years 2000-2009, this paper finds that the China we encounter on the silver screen, is rarely an antagonist. It is not a China that follows traditional Yellow Peril stereotypes. On the contrary, China might be the saviour of the world, as it is in 2012. Three broad, slightly overlapping categories have been defined to order the Chinese representations. First we have the 'Magic Kingdom'. Including representations in such movies as Kung Fu Panda, Fantastic Four: Rise of the Silver Surfer and Juno, this is the China that exists on a completely different plane than the rest of the world. It is a China marked out by its difference from the rest of the world. Secondly we have the 'China being China' category. This is the largest group, including such movies as 2012, The Departed, The Dark Knight, Rush Hour 3 and The Mummy: Tomb of the Dragon Emperor. The China we encounter in this group is a China that deals with the world, and participates in international affairs. Thirdly, we have 'America's China'. This group, containing such movies as Rush Hour 2, Transformers: Revenge of the Fallen, and Mission: Impossible 3 denotes movies where any Chinese state is absent. -
On the Scene Bob Bergin
Washington Journal of Modern China Published by the U.S.-China Policy Foundation Editor Marcia R. Ristaino, Ph.D Assistant Editor Kelsey Strampe Publisher/Founder Wang Chi, Ph.D Editor’s Note: One might ask, what is changing in China’s bid for a more prominent voice in world affairs. In responding to this question, the first two Journal articles follow different paths. Pan Guang discusses China’s new emphasis on trying to institutionalize regional cooperation and multilateral interactions in Central Asia through the formation of the Shanghai Cooperative Organization. The new model is said to be based on partnerships rather than alliances, which recall the previous cold war approach. While linking economic cooperation and development with security concerns, the goal is to create a “harmonious Central Asia,” one that will also provide China with a peaceful period for development. Joshua Kurlantzick discusses China’s use of “soft power” or anything outside of military power (culture, diplomacy, aid and economic tools) to enhance its reputation and influence in the world. The field for interactions is greatly expanded under this new approach. Meheroo Jussawalla, by making comparisons between China and India, provides insight as to who the winners and losers will be in responding to the challenges of innovation in the 21st Century global economy. A different and special aspect of the U.S.-China relationship emerges from American adoptions of China’s children. Fang Gann describes this unusual relationship, its successes and pitfalls. Ed McCord, drawing upon the historical evidence of China’s experiences with militia, suggests more effective approaches for handling troublesome and widespread militia organizations in the world today. -
Strategic Representations of Chinese Cultural Elements in Maxine Hong Kingston's and Amy Tan's Works
School of Media, Culture and Creative Arts When Tiger Mothers Meet Sugar Sisters: Strategic Representations of Chinese Cultural Elements in Maxine Hong Kingston's and Amy Tan's Works Sheng Huang This thesis is presented for the Degree of Doctor of Philosophy of Curtin University December 2017 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: …………………………………………. Date: ………………………... i Abstract This thesis examines how two successful Chinese American writers, Maxine Hong Kingston and Amy Tan, use Chinese cultural elements as a strategy to challenge stereotypes of Chinese Americans in the United States. Chinese cultural elements can include institutions, language, religion, arts and literature, martial arts, cuisine, stock characters, and so on, and are seen to reflect the national identity and spirit of China. The thesis begins with a brief critical review of the Chinese elements used in Kingston’s and Tan’s works, followed by an analysis of how they created their distinctive own genre informed by Chinese literary traditions. The central chapters of the thesis elaborate on how three Chinese elements used in their works go on to interact with American mainstream culture: the character of the woman warrior, Fa Mu Lan, who became the inspiration for the popular Disney movie; the archetype of the Tiger Mother, since taken up in Amy Chua’s successful book Battle Hymn of the Tiger Mother; and Chinese style sisterhood which, I argue, is very different from the ‘sugar sisterhood’ sometimes attributed to Tan’s work. -
Title the Cultural Politics of Introducing Popular Music Into China's
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by HKU Scholars Hub The cultural politics of introducing popular music into China's Title music education Author(s) Ho, WC; Law, WW Citation Popular Music And Society, 2012, v. 35 n. 3, p. 399-425 Issued Date 2012 URL http://hdl.handle.net/10722/175532 This is an electronic version of an article published in Popular Music And Society, 2012, v. 35 n. 3, p. 399-425. The Journal Rights article is available online at: http://www.tandfonline.com/doi/abs/10.1080/03007766.2011.5679 16 1 The Cultural Politics of Introducing Popular Music into China’s Music Education The Cultural Politics of Introducing Popular Music into China’s Music Education Wai-Chung Ho and Wing-Wah Law Since embarking on its course of economic reform and opening up to the world in the late 1970s, China has moved from a planned economy to a socialist-market economy; the resultant social and cultural changes have been many, and are reflected in the country’s school music curriculum. This paper first introduces the historical background of popular music in the community and in school music in China in the twentieth century. Second, it explores the reform of music education that has, from the turn of the millennium, included popular music in school music education. This is followed by a discussion of the integration of popular music into the school curriculum in terms of how music education and cultural politics are shaped by the social and political relationships between: (i) contemporary cultural and social values and traditional Chinese ideologies; (ii) collectivism and individualism; and (iii) nationalism and globalism. -
Perceptions of Transnational Security Threats in Malaysia and Singapore
Perceptions of Transnational Security Threats in shortcomings in singapore’s measures and have stopped short Malaysia and Singapore: Windows of Cooperative of giving a full mark to the country’s performance. Opportunities for the United States • cooperative opportunities for the united states are limited. yoichiro sato, Professor, singapore sees itself capable of dealing with most transnational ritsumeikan asia Pacific university (former aPcss Professor) challenges—except for terrorism and maritime security, where the only limits to cooperation with the united states are perceptions of Key Lessons its neighbors, malaysia and Indonesia. malaysia’s perceived • malaysia and singapore face a similar set of transnational security transnational threats are deeply embedded in the country’s challenges, but their perceptions differ considerably due to the domestic political economy, thereby making the government differences in their economic status, ethnic and religious efforts to address these issues half-hearted at best. cooperation composition, and law-enforcement capacity. with the united states on terrorism faces political sensitivity within malaysia’s muslim population, leaving a narrow window • concerns regarding the rise of china are shared by malaysia and of cooperation on the drug problem. singapore. Both have an interest in the increased maritime power of china. Introduction • concerns about transnational criminal activities by chinese the transnational security issues faced by malaysia and singapore are nationals are strong in malaysia, whereas singapore is confident nearly identical, but the two countries’ perceptions of transnational threats of its own ability to control such activities. differ considerably. Being former British colonies—which by twists of history became two separate states—malaysia and singapore have grown • While singapore is confident of its ability to control transnational into two distinct political systems with differing degrees of economic labor flows, malaysia lacks law-enforcement capabilities to deal performance.