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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Lungevity Support Leads to Clinical Trials to Study T-Cell Trials to Study T-Cell Immunotherapy Immunotherapy Page 1 Dr
UPDATES ON PROGRESS IN OUR DRIVE TO END LUNG CANCER Volume 4, Issue 1 SPRING 2015 IN THIS ISSUE LUNGevity Support Leads to Clinical LUNGevity Support Leads to Clinical Trials to Study T-cell Trials to Study T-cell Immunotherapy Immunotherapy page 1 Dr. Prasad Adusumilli, a chest sur- Dr. Adusumilli conducted a pioneer- Making Medical Research geon at Memorial Sloan Kettering ing study to determine whether a Advances Accessible to Cancer Center, is particularly focused patient’s own immune cells can be Patients page 1 on translating novel immunothera- genetically engineered and delivered May is Lung Cancer Hope Month pies to treat patients with aggressive, to the lung cancer patients to target page 2 therapy-resistant lung cancer. T-cell and kill cancer cells. The immune therapies have shown dramatic cells were engineered to recognize a LUNGevity Partners with results in lymphoma and leukemia protein on the tumor cells called Patient Power page 3 patients. With LUNGevity funding, mesothelin. continued on page 7 LUNGevity Receives Innovation Impact Award from Celgene page 4 Making Medical Research Advances Collaboration Creates Lung Cancer Experience Registry page 4 Accessible to Patients LUNGevity’s Fall 2014 Premier Resources on cutting-edge immunotherapy and much more Events page 5 LUNGevity is excited to release its Clinical Trial App Puts Information new education materials on immuno- at Patients’ Fingertips page 6 therapy, supported by an unrestricted WHY LUNGevity? page 6 education grant from Bristol-Myers Meet Two of LUNGevity’s Squibb. Immunotherapy is a promis- ing new area of investigation, with Passionate Volunteers page 7 the first immunotherapy drug, Spring/Summer 2015 Events nivolumab, approved for use in Listing back cover squamous cell lung cancer just this past March. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Record V19.05
Hip-hop historian Inside this edition: ‘PopMaster Fabel’ to offer Scholarships are group effort, page 2 personal perspective Sept. 7 Feel ‘Vibrations of Laughter,’ page 2 see page 8 Tasty fish a ‘Grand Slam’ option, page 6 Get more fit this fall, page 6 a publication for the Middle Tennessee State University community www.mtsunews.com • Sept. 6, 2010 • Vol. 19/No. 5 Aerospace-ISR Birthday present Professor’s 3rd pact will create Fulbright takes new tech jobs him to Malaysia by Tom Tozer by Gina K. Logue [email protected] [email protected] partnership between Middle r. Sean Foley, an assistant Tennessee State University professor of history at Aand ISR Group will provide a D MTSU, will embark in mid- hands-on training ground for MTSU September on a 10-month research students, attract industry and excursion in Southeast Asia after knowledge-based workers to winning the third Fulbright Tennessee and generate permanent Fellowship of his career. jobs that cannot be exported to other Foley will work and study pri- countries. marily in Malaysia, where he will Principal players say the collab- examine religious links between oration is unique to the southeastern Southeast Asia and the Arab- United States and will one day wield dominated Middle East region global influence. under the auspices of International MTSU officials signed a memo- Islamic University Malaysia in the randum of understanding on Aug. capital city of Kuala Lumpur. 20 with ISR Group, a Savannah, In addition, Foley’s study and Tenn.-based provider of Unmanned lecture itinerary will take him to Aircraft System, or UAS, services. -
Collecting Policy for the Center for Popular Music
COLLECTIONS DEVELOPMENT and MANAGEMENT POLICY INTRODUCTION The Center for Popular Music (CPM) archives materials having to do with American popular and vernacular music, terms that are broadly defined here. This Collections Development and Management Policy articulates the scope and content of the CPM’s collections and addresses how the CPM acquires, cares for, and makes its collections accessible for research. This policy is divided into four sections. • Purpose and Scope • Collections Development: Special Collections • Collections Development: Reading Room Books, Videos, DVDs, Periodicals • Collections Development: Sound Recordings. PURPOSE AND SCOPE Mission The Center for Popular Music at Middle Tennessee State University was created in 1985 as a “Center of Excellence” by the Tennessee Higher Education Commission. In 2009 it became a constituent unit in the University's College of Mass Communication, where it supports both student development and scholarly research. The Center’s mission is “to promote research and scholarship on American vernacular music and to foster an understanding of the nation’s diverse musical culture and its global reach.” Establishing Current Collecting Priorities and Targeted Collecting Areas To accomplish this mission, the Center maintains an archive of materials relating to American vernacular music and its dissemination. Collection policy is driven by the belief that this music must be studied through time, within the context of society and culture, and in relation to commercial and technological factors -
"From Receiver to Remote Control: the TV Set" Brochure
FROM RECEIVER TO REMOTE CONTROL: THE TV SET Sept. 14 through Nov. 25, 1990 Exhibition conceived and organized by Matthew Geller THE NEW MUSEUM OF CONTEMPORARY ART A LOOK AT THE TV SET One role of art museums is to coll ect, preserve, and exhibit that would do for the eyes and ears what the automobile had works of art. Another is to help us understand who we are done for feet. No claim seemed too extravagant to describe as individuals and as a society by looking at the culture that its potential. Portrayed as an aid to global communication we produce and which in turn shapes us. In the twentieth and an instrument of global conquest, television represented century this includes mass culture-industrially produced another step forward in the mastery of time and space. material intended for mass consumption. One of the most Yet the utopian rhetoric of television promotions was not influential mechanisms of mass culture is television. matched by television sets developed for the consumer While each of us may have our own favorite television market. For example, the technology for interactive or two- programs, as well as criticisms of the content of TV, we tend way television had existed since the 1920s. But this potential to pay little attention to the television set itself. Frorn Receiver remained largely unrealized. Exploited in early marketing to Rernote Control: The TV Set asks us to shift our gaze from campaigns to garner support for the medium, it was ulti- the TV screen and consider the TV set as an object in the mately incompatible with other socioeconomic agendas. -
The Goldbergs & Schooled Rewind!
THE PALEY CENTER FOR MEDIA PRESENTS: The Goldbergs & Schooled Rewind! An Exhibit Featuring Fashion & Fun from TV’s Flashback Comedies The Exclusive Exhibit Will Feature a Curated Display of Costumes from the ABC and Sony Pictures Television Series, Along with Footage from the Paley Archive and Show Art Exhibit Opens to the Public on October 16, 2019; Admission is Free The Paley Center will Host a Launch Event with the Cast and Creative Team on October 15 BEVERLY HILLS, CA, October 10, 2019 – The Paley Center for Media in Beverly Hills will take visitors back in time for its exclusive new exhibit celebrating the fashion from The Goldbergs and Schooled. The Goldbergs & Schooled Rewind! will immerse visitors into all the nostalgic fun of two acclaimed series, set in two of the most fashion-driven eras in pop- culture history. The exhibit is free and is open to the public from October 16 - November 17, and will kick off with a special preview launch event with the cast and creative team of The Goldbergs on October 15. “The eighties and nineties were all about fun fashion, and no two current shows epitomize this more than The Goldbergs and Schooled,” said Maureen J. Reidy, the Paley Center’s President & CEO. “We are thrilled to present this exclusive exhibit, which is just another example of the many exhibits the Paley Center presents year-round that give visitors an insider’s look at the creative process that brings television’s favorite shows to life.” ABC & Sony Pictures Television’s hit series The Goldbergs and its spin-off Schooled mine their 1980s and 1990s settings for hilarious and heartfelt comedy gold. -
Academic Master Plan Update 2007
Academic Master Plan Update 2007 - 2017 Objectives noted in blue are completed Strategic Direction Strategies 2007-17 Objectives Responsible Time GOAL 1: Enhance Academic Quality Increase retention and graduation rates; Develop Middle Tennessee State University will implement the targeted programs for non-traditional students; Open UP; Associate VP for Admissions and Student Access, Engagement, and Achievement Plan night student services offices; Establish a Annual Middle Tennessee State Enrollment Services; Dean UC University will increase to increase retention and graduation rates. comprehensive tutoring center; Develop more on-line student academic services. attainment and encourage students to engage in life- STATUS UPDATE: long learning. 2007-2008 Fall 2006 - Fall 2007 retention rate 78.69% as compared to 80.85% for Fall 2005 - Fall 2006; 2000-06 graduation rate is 46.84%, 2001-2007 rate is 48.39%, an increase of 1.55%; Activities for non-traditional students include: Expanded Adult Services Center to Off-campus Student Services (90% of MTSU students live off-campus); Revised OSS website; Revised Adult Students Services on-line Handbook; Partnered with Off-Campus Partners (national off-campus housing service); Hosted national ANTSHE conference; Conducted on-line student survey (approximately 2,000 responses) 2008-2009 Fall 2007 - Fall 2008 retention rate was 79.96% as compared to 78.69% Fall 2006 - Fall 2007 (an increase of 1.27%); 2001-07 graduation rate is 48.39%, 2002-08 rate is 50.49% (an increase of 2.1%); OSS activities included: Idea Mapping Workshop for students with Jamie Nast; hosted annual Adult Learning Conference on "Using Technology to Prepare for Your Career!"; initiated 10 students into Pinnacle Honor Society. -
5-22-20 Tribunesentinel.Indd
1144 TTribune/Sentinelribune/Sentinel EEntertainmentntertainment FFriday,riday, MMayay 222,2, 22020020 Well, we’re all still spending loads of time on the couch. TV has become our new national pastime. That being the case, here’s a few shows we think you’ll enjoy. Each is now streaming and available on demand. Read our interviews at www.wnypapers.com. ‘ALL RISE’ New entertainment options have been limited of late, with production on TV shows and major motion pictures shut down due to the outbreak of the coronavirus. Televi- sion series have come to an abrupt halt three-quarters of the way through their planned storylines, as actors and crews can’t get together in this time of physical distancing. Not content to sit around and wait to see what happens next, or when society will reopen, the showrunners of CBS freshman series “All Rise” opted to shoot an episode where the characters are dealing with the state-imposed quarantine. ... Just like the rest of us. As the network described it, “With Los Angeles under a mandatory shelter-in-place order and trials piling up, Judge Benner authorizes Judge Carmichael to preside over a virtual bench trial, a case regarding a dispute between brothers over a car.” ‘THE GOLDBERGS’ This episode also sees these characters, who work in an essential fi eld, experiencing the challenges of romance Regrettably, high school juniors and seniors around and relationships, food availability and hunger, and main- ‘A MILLION LITTLE THINGS’ the country will miss their prom this spring, as schools taining health guidelines in a pandemic. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Doug Robinson Podcast Transcript
This transcript was exported on Jul 13, 2020 - view latest version here. John Boccacino: Hello, and welcome back to the 'Cuse Conversations Podcast. My name is John Boccacino, the communication specialist in Syracuse University's Office of Alumni Engagement. I'm also a 2003 graduate of the SI New House School of Public Communications, with a degree in broadcast journalism. I am so glad you found our podcast. From an early age, Doug Robinson envisioned a career in the entertainment industry, preferably as a producer. After graduating with degrees in marketing management and television radio and film from Syracuse University, Robinson set about accomplishing his career goals, but it was not easy. Robinson worked his way up from the Creative Artists Agency mailroom to become an agent, and eventually he was a partner and cofounder of the talent division at Endeavor Talent Agency. There, he represented talent like Adam Sandler, Chris Farley, Will Smith, Jennifer Garner, Wesley Snipes and Ashton Kutcher. After these successes, Robinson reinvented himself as a television producer, and his executive producer credits include Rules of Engagement, The Goldbergs, and Schooled. Robinson's latest television project, For Life, is a fictionalized legal drama telling the story of a prisoner who becomes a lawyer and fights to overturn his life sentence for a crime he did not commit. Late last summer, we caught up with Robinson in his Los Angeles office on the Sony Picture Studios lot to discuss how he went from the mailroom to a career as a decorated Hollywood agent and producer. We also discussed how Syracuse University taught Robinson to create his own personal narrative, and why he chose to help start the Syracuse University Los Angeles semester program.