View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons 2010 14th InternationalInformation Conference Visualisation Information Visualisation Embodying Affect: the Stolen Generations, the History Wars and PolesApart by Indigenous New Media Artist r e a Christine Nicholls Flinders University, Adelaide, South Australia {
[email protected]} Abstract In her 2009 new media artwork PolesApart, 1. Introduction Australian Aboriginal artist r e a, 1 of the Gamilaraay people in northern New South Wales, explores issues In her 2009 video artwork PolesApart, Australian relating to the Stolen Generations of Aboriginal Aboriginal artist r e a, of the Gamilaraay people in children. Based on the personal experiences of her northern New South Wales, explores issues relating to grandmother and great aunt as ‘stolen children’, r e a the Stolen Generations of Aboriginal children. amplifies the work’s familial dimension by enacting the R e a’s work, based on the experiences of her role of the protagonist fleeing from forced servitude. This grandmother and great aunt, has a strongly personal, paper looks at PolesApart in the broader context of the familial dimension. This paper looks at PolesApart in the interrelated phenomena of the stolen generations and the broader context of the stolen generations (the forcible so-called ‘history wars’. It is posited that the power, removal of Australian Aboriginal children from their immediacy and affective dimensions of (moving) visual families) and the so-called ‘history wars’ (continuing imagery have been instrumental in shifting Australians’ ideological disagreements about the precise nature of the 2 knowledge about the stolen generations from the margins facts about and effects of ‘contact history’).