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Frederica Von Stade
FREDERICA VON STADE Mezzo-soprano Described by the New York Times as "one of America's finest artists and singers," Frederica von Stade continues to be extolled as one of the music world's most beloved figures. Known to family, friends, and fans by her nickname "Flicka," the mezzo-soprano has enriched the world of classical music for three decades. Miss von Stade's career has taken her to the stages of the world's great opera houses and concert halls. She began at the top, when she received a contract from Sir Rudolf Bing during the Metropolitan Opera auditions, and since her debut in 1970 she has sung nearly all of her great roles with that company. In January 2000, the company celebrated the 30th anniversary of her debut with a new production of The Merry Widow specifically for her, and in 1995, as a celebration of her 25th anniversary, the Metropolitan Opera created for her a new production of Pelléas et Mélisande. In addition, Miss von Stade has appeared with every leading American opera company, including San Francisco Opera, Lyric Opera of Chicago, and Los Angeles Opera. Her career in Europe has been no less spectacular, with new productions mounted for her at Teatro alla Scala, Royal Opera Covent Garden, the Vienna State Opera, and the Paris Opera. She is invited regularly by the finest conductors, among them Claudio Abbado, Charles Dutoit, James Levine, Kurt Masur, Riccardo Muti, Seiji Ozawa, André Previn, Leonard Slatkin, and Michael Tilson Thomas, to appear in concert with the world's leading orchestras, including the Boston Symphony Orchestra, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, London Symphony Orchestra, Washington's National Symphony, and the Orchestra of La Scala. -
Celebrating the American Spirit CD with Essential Voices USA, Kelli O’Hara and Ron Raines and Judith Clurman, Conductor
PRESS CONTACT Dan Dutcher Public Relations Dan Dutcher | 917.566.8413 | [email protected] Celebrating the American Spirit CD With Essential Voices USA, Kelli O’Hara and Ron Raines and Judith Clurman, Conductor CD TO BE RELEASED OCTOBER 23, 2012 FOR IMMEDIATE RELEASE, New York, NY Celebrating the American Spirit, performed by Essential Voices USA (EVUSA) and conducted by Judith Clurman along with guest artists, Broadway stars Kelli O’Hara and Ron Raines and composer-arranger Larry Hochman, represents an American songbook for the 21st century. The centerpiece of this CD is Sing Out, Mr. President, a song cycle of sixteen newly commissioned compositions set to quotations by American presidents from Washington to Obama. Originally performed at the Library of Congress and broadcast on National Public Radio, the cycle showcases the American composers Samuel Adler, Milton Babbitt, Robert Beaser, Jason Robert Brown, Thomas Cabaniss, Jake Heggie, Larry Hochman, Michael Gilbertson, Nora Kroll-Rosenbaum, Andrew Lippa, David Ludwig, Paul Moravec, Nico Muhly, Georgia Stitt, Zachary Wadsworth, and Jesse Wiener. The CD also includes individual new and newly arranged works by composers and writers such as Irving Berlin (It Gets Lonely In the White House and God Bless America), Leonard Bernstein (Take Care of This House), Sheldon Harnick (Reason to Be Thankful), Jennifer Higdon (A Quiet Moment), Larry Hochman (Two Paraphrases on American Anthems & American Dream) and Laurie Hochman (The Pledge of Allegiance and American Dream), David Ludwig (The New Colossus), Stephen Paulus (Hymn for America), Marc Shaiman (A Seed of Grain: Theme from The American President), and John Philip Sousa (Stars and Stripe Forever). -
THE CZECH SONGS of RUDOLF FRIML, 1901-1911 by Daniel
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July 2, 2020 – Berlin's Annie, Get Your Gun & Porter's Kiss Me, Kate
July 2, 2020 – Berlin’s Annie, Get Your Gun & Porter’s Kiss Me, Kate On this week’s Thursday Night Opera House, we’re turning to Broadway for a pair of 1940s musicals: Irving Berlin’s Annie, Get Your Gun and Cole Porter’s Kiss Me, Kate. These were among the last such shows that were completely acoustical, with lead actors who could project their voices like opera singers. Jerome Kern was originally hired to set Dorothy Fields’s lyrics and her brother Herbert’s book, but after his unexpected death Berlin was engaged to do both the score and lyrics. Annie, Get Your Gun opened on May 16, 1946 and ran for 1,147 performances. Ethyl Merman and Ray Middleton starred as Annie Oakley and Frank Butler, respectively. Annie Oakley (Kim Criswell) is a poor, but spirited and happy, country girl who lives by her native sharp-shooting quickly makes her the star of Buffalo Bill’s (David Healy) Wild West Show, where she meets and falls in love with expert rifleman Frank Butler (Thomas Hampson). Unfortunately, the tough, outspoken Annie is not Frank’s idea of what a wife should be and the two remain at competitive odds. Then Annie is initiated into an Indian tribe whose chief, Sitting Bull (Alfred Marks), gives her some good advice: only by deliberately, but discreetly, losing a shooting contest can she win Frank’s heart. Annie does so and the show ends with the exuberant climax “There’s No Business Like Show Business.” John McGlinn conducts the London Sinfonietta and the Ambrosian Chorus in this 1991 EMI recording. -
The Fortune Teller the OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director the Fortune Teller
VICTOR HERBERT The Fortune Teller THE OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director The Fortune Teller Music......................................Victor Herbert ENSEMBLE: Book and Lyrics......................Harry B. Smith Jacob Allen, Natalie Ballenger, Sarah Best, Lori Birrer, John Vocal Score Reconstruction........Adam Aceto Callison, Ashley Close, Christopher Cobbett, Mary Griffin, Anna-Lisa Hackett, Geoffrey Kannerberg, Andy Maughan, Ohio Light Opera Olivia Maughan, Evan McCormack, Geoffrey Penar, Will Perkins, Madeline Piscetta, Zachary Rusk, Mark Snyder, Raina Thorne, Artistic Director........................Steven Daigle Angela Vågenes, Joey Wilgenbusch. Conductor.................................Steven Byess Stage Director.......................Ted Christopher Sound Designer..........................Brian Rudell PROGRAM NOTES ...............................Michael D. Miller Choreographer.....................Carol Hageman Victor Herbert, acknowledged as Costume Designer.................Whitney Locher the Father of American Operetta, Scenic Designer...............................Erich Keil was born in Dublin in 1859, the Lighting Designer.....................Krystal Kennel grandson of Irish novelist-artist- Production Stage Manager...Katie Humphrey composer Samuel Lover. The family eventually moved to Stuttgart where CAST: Victor’s initial studies toward a Musette / Irma...........................Amy Maples career in medicine or law were soon Sandor...........................David Kelleher-Flight replaced -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
Marshall University News Letter, March 23, 1979 Office Ofni U Versity Relations
Marshall University Marshall Digital Scholar Marshall University News Letter 1972-1986 Marshall Publications 3-23-1979 Marshall University News Letter, March 23, 1979 Office ofni U versity Relations Follow this and additional works at: http://mds.marshall.edu/oldmu_news_letter Recommended Citation Office of University Relations, "Marshall University News Letter, March 23, 1979" (1979). Marshall University News Letter 1972-1986. Paper 11. http://mds.marshall.edu/oldmu_news_letter/11 This Article is brought to you for free and open access by the Marshall Publications at Marshall Digital Scholar. It has been accepted for inclusion in Marshall University News Letter 1972-1986 by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Faculty and staff achievements, activities ... MARSHALL UNIVERSITY NEW ATHA PERRY, government documents department graduate student, and Dr. Hassan Zavareei, professor of technical assistant at the James E. Morrow Library, has been economics at West Virginia Institute of Technology, elected president of the Huntington Professional and Business participated in a discussion of "The Revolution in Iran" Women's Club, a civic organization. which was broadcast Monday, March 12, by West Virginia March 23 , 1979 JOHN McKERNAN, assistant professor of English, chaired Public Radio WHWP from 7:30 to 8:30 p.m. The program, News Letter a section on Creative Writing and read from a book in progress, "Party Line West Virginia," is a live discussion with listener OFFICE OF UNIVERSITY RELATIONS• NEWS BUREAU• MARSHALL UNIVERSITY• HUNTINGTON, WEST VIRGINIA 25701 "33 Poems," at the Twentieth Century Literature Conference participation which examines current issues. -
Die Lustige Witwe
Franz Lehár Franz Lehár Franz Die Die lustige Witwe lustige Witwe Frankfurter Opern- und Museumsorchester Chor der Oper Frankfurt Joana Mallwitz v OC 983 Franz Lehár (1870 – 1948) Die lustige Witwe Operette in drei Akten I Text von Victor Léon und Leo Stein nach der Komödie L’attaché d’ambassade (1861) von Henri Meilhac Uraufführung am 30. Dezember 1905, Theater an der Wien Live-Aufnahme der Premierenserie im Mai und Juni 2018 Oper Frankfurt Recording System Recording Producer: Teresa Kunz Oper Frankfurt Bernd Loebe, Intendant Sebastian Weigle, Generalmusikdirektor Besetzung | Cast Graf Danilo Danilowitsch Iurii Samoilov Frankfurter Opern- und Museumsorchester Hanna Glawari Marlis Petersen Chor der Oper Frankfurt Baron Mirko Zeta Barnaby Rea Dirigentin / conductor Joana Mallwitz Valencienne Kateryna Kasper Camille de Rosillon Martin Mitterrutzner Inszenierung / director Claus Guth Vicomte de Cascada Theo Lebow Bühnenbild & Kostüme / stage and costume Raoul de St. Brioche Michael Porter design Christian Schmidt Bogdanowitsch Gordon Bintner Dramaturgie / dramaturgy Konrad Kuhn Sylviane Elizabeth Reiter Chor / choir Tilman Michael Kromow Dietrich Volle Olga Maria Pantiukhova Pritschitsch Franz Mayer Dialoge in der Einrichtung Praskowia Margit Neubauer für die Inszenierung von Claus Guth, Njegus/Regisseur Klaus Haderer in gekürzter Form. Ein Pianist Mariusz Kłubczuk Ein Kameramann Stefan Biaesch Ein Scriptgirl Vanessa Schwab Tänzerinnen/Grisetten Gal Fefferman, Evie Poaros, Hannah Dewor, Madeline Ferricks-Rosevear, Marleen Jakob, Nami Miwa, Felicitas Hadzik, Kasia Kizior Tänzer Manuel Gaubatz, Rouven Pabst, Volodymyr Mykhatskyi, Christopher Basile, Robin Rohrmann, Joe Monaghan, Cristian Marlis Petersen – Hanna Glawari Arenas, Andrew Cummings Barnaby Rea – Baron Mirko Zeta Klaus Haderer – Njegus 2 CD 1 CD 2 ERSTER AKT [07] Nr. 6 Finale I: Damenwahl! (Hanna, ZWEITER AKT DRITTER AKT Danilo, St. -
Die Lustige Witwe II the Merry Widow Page 1 of 2 Opera Assn
San Francisco War Memorial 2001-2002 Die Lustige Witwe II The Merry Widow Page 1 of 2 Opera Assn. Opera House This production is made possible, in part, by a generous gift from Mrs. Gorham B. Knowles. Corporate support generously provided by Andersen. Die Lustige Witwe II (in English) Opera in three acts by Franz Lehár Libretto by Victor Léon and Leo Stein Based on Henri Meilhac's comedy "L'attaché d'ambassade" Educational activities associated with this production are sponsored, in part, by generous support from the Koret Foundation. Supertitles made possible by a generous grant from The Stanley S. Langendorf Foundation. Conductor CAST Erich Kunzel Baron Mirko Zeta, Pontevedrian Ambassador Carlo Hartmann Production Valencienne, his wife Isabel Bayrakdarian Lotfi Mansouri Camille de Rosillon, a Parisian gentleman Gregory Turay Set designer Vicomte Cascada, a Latin diplomat Curtis Sullivan Michael Yeargan Raoul de St. Brioche, a French diplomat Jonathan Boyd Costume Designer Kromow, a Pontevedrian military councillor Bob Amaral Thierry Bosquet Olga, his wife Marnie Breckenridge Lighting Designer Pritschitch, Pontevedrian consul William Saetre Jennifer Tipton Praskowia, his wife Jayne Taini Sound Designer Bogdanovitch, Pontevedrian military attaché Peter Strummer Roger Gans Sylviane, his wife Colleen McGrath Chorus Director Njegus, an embassy secretary Elijah Chester Ian Robertson Anna Glawari, the merry widow Frederica von Stade (1/11) Choreographer Nicolle Foland (1/13, 15, 17, 19) Lawrence Pech Count Danilo Danilovitch, first secretary -
61368/Sheet Music/9-36
10 Sheet Music Direct 11 Complete Alphabetical Sheet Listing 30 Wedding Sheet Music 30 Easy Piano Sheet Music 31 Piano Solo Sheet Music 33 Big-Note Piano Sheet Music 34 Five-Finger Sheet Music 34 Piano Duet Sheet Music 34 Vocal Sheet Music 35 Organ Sheet Music 35 Guitar Sheet Music 35 Accordion Sheet Music 35 Instrumental Sheet Music 10 SHEETSHEET MUSICMUSIC DIRECTDIRECT SHEET MUSIC The most popular site on the web for downloading top-quality, accurate, legal sheet music! Sheet Music Direct (www.SheetMusicDirect.com) features nearly 10,000 popular songs in a variety of musical and notation styles, ranging from piano/vocal to guitar tablature. More top songs are added to Sheet Music Direct daily and are searchable by title, artist, composer or format. With state-of-the-art Scorch® 2 technology from Sibelius®, sheet music files are quick to download, fun to interact with, and easy to use; visitors can see the music on screen, transpose the song to any key, and even listen to a MIDI file of the tune before you buy it! We have the strongest encryption commercially available so you can be assured that all transactions are completely safe. Hal Leonard offers excellent in-store and on-line affiliate programs: The In-Store Program allows you to sell your customers sheet music from a computer within your store. You can view the music, transpose to any key, test print it, and listen to it before the customer purchases it. The On-Line Affiliate Program allows you to place a link to SMD on your own website, and earn commissions on the sales that these click- These programs are available to any throughs generate. -
Record Title Artist Recording Label the Peppermint Twisters Joey Dee and the Starlighters Scepter Records Twist Robbie Robber An
Record Title Artist Recording Label The Peppermint Twisters Joey Dee and the Starlighters Scepter Records Twist Robbie Robber and the Hijackers Spinorama Judy at Carnegie Hall Judy Garland Capitol Records That's Life Frank Sinatra Reprise Try a Little Tenderness Frank Sinatra Capitol Records -Pickwick series A Kiss Mario Lanza RCA-Victor A Tribute to Artie Shaw Crown Records Danny Kaye For Rambler Danny Kaye Gypsy Caravan Wayne King Decca Music For Listening TOPS Masterpiece Nine to Five Odd Jobs Dolly Parton RCA South Pacific Columbia Records Brylcreem Presents Sing along with ConnieConnie Francis Francis Mati-Mor Superrecords Remember How Great Various Columbia Records A Hawaiian Paradise 101 Strings Somerset Stereo Fidelity Battle of the Bands Lawrence Welk and Frankie Carle Camay Records Walt Disney's Mary Poppins Julie Andrews and Dick Van Dyke Buena Vista Walt Disney's Mary Poppins Julie Andrews and Dick Van Dyke Buena Vista The 50's Golden Hits to Rememeber Greatest Love Songs Columbia House A Golden Christmas Sing-A-Long Golden LP The Many Moods of Christmas Various CBS Records/ Columbia Christmas with the Happy Crickets Pickwick International, Inc Charles Dickens Christmas Carol Basil Rathbone, Lyn Murray Singers Harmony Columbia Lawrence of Arabia Bell Records Christmas Sing Along Parade Records Sing Along with Me Jayne Mansfield Spinorama Gypsy Campfires 101 Strings Somerset Stereo Fidelity Swing Your Partners Hank Barns and the Country Squares Buckingham Records Play Gypsy Play Harry geller Liberty Records Waltz Time The New -
Famous Five 01
Famous Five 01 Five On A Treasure Island By Enid Blyton Courtesy: Shahid Riaz Islamabad – Pakistan [email protected] http://esnips.com/UserProfileAction.ns?id=ebdaae62-b650-4f30-99a4-376c0a084226 “Famous Five 01 - Five On A Treasure Island” By Enid Blyton 2 Chapter One A GREAT SURPRISE Contents/Next "MOTHER, have you heard about our summer holidays yet?" said Julian, at the breakfast-table. "Can we go to Polseath as usual?" "I'm afraid not," said his mother. "They are quite full up this year." The three children at the breakfast-table looked at one another in great disappointment. They did so love the house at Polseath. The beach was so lovely there, too, and the bathing was fine. "Cheer up," said Daddy. "I dare say we'll find somewhere else just as good for you. And anyway, Mother and I won't be able to go with you this year. Has Mother told you?" "No!" said Anne. "Oh, Mother-is it true? Can't you really come with us on our holidays? You always do." "Well, this time Daddy wants me to go to Scotland with him," said Mother. "All by ourselves! And as you are really getting big enough to look after yourselves now, we thought it would be rather fun for you to have a holiday on your own too. But now that you can't go to Polseath, I don't really quite know where to send you." "What about Quentin's?" suddenly said Daddy. Quentin was his brother, the children's uncle. They had only seen him once, and had been rather frightened of him.