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ajani 3/13/06 11:16 AM Page 1 File Under Street Date Suggested List Price Alternative, Jazz 5/23/06 $12.98 ANJANI BLUE ALERTALERT Producedby 8 2876-82883-2 0 Selections Leonard Cohen “Blue Alert” “Innermost Door” “The Golden Gate” “The Perfect World” “Nightingale” “No One After You” “Never Got to Love You” “The Mist” “Crazy to Love You” 82876828832 “Thanks for the Dance” *cover art is not final SELLING POINTS • Highly anticipated major label debut for the Hawaiian singer-songwriter and keyboardist • Blue Alert is a collection of 10 brand new love songs written and produced by the legendary Leonard Cohen • Over 20 million Leonard Cohen albums sold worldwide • National publicity campaign targeting upscale publications and national television • Videos for “Thanks for the Dance” and “The Mist” • National advertising, lifestyle and online marketing campaigns underway About Ajani Anjani Thomas trained in guitar, piano and voice in her In 2000, Anjani released a self-titled CD with jazz, folk and hometown of Honolulu, Hawaii. She attended Berklee island influences, including a duet with famed Hawaiian College of Music for a year before moving to Manhattan, musician Henry Kapono. The Sacred Names project where she further honed her musicianship in jazz clubs. followed—an inspirational meditation on the Hebrew, Aramaic and Greek names of God. An auspicious meeting with producer John Lissauer resulted in her engagement as a background vocalist on Leonard As an established artist much praised by critics and other Cohen’s seminal song, Hallelujah. That led to a stint as musicians, Anjani took a stylistic leap of faith in 2005, Cohen’s keyboardist on the 1985 Various Positions World when Leonard Cohen suggested a different approach. As Tour, and to more vocal work on his records I’m Your Man, Cohen describes it, “Anjani’s voice dropped from her throat The Future and Dear Heather. to her heart. She was always a great singer, but now she’s She has worked with jazz a world class singer, in full command of an unforgettable luminaries Carl Anderson, voice.” Inspired by the transformation, they wrote Blue Alert, Frank Gambale, and Stanley a collection of bittersweet love songs. Clarke, among others. The artist Osamu Kitajima invited For more on Anjani, visit www.anjani- Anjani to collaborate on music.com Okinawa Time, a modern homage to Check out Sony BMG Central for updated Anjani Okinawa’s most sales copy! renowned group, Rinken Band. www.sonybmgcentral.com.

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Hallelujah Leonard Cohen
Hallelujah Leonard Cohen I've heard that there’s a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this The fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah x 4 You say I took the name in vain But I don't even know the name And if I did, well really, what's it to you? There's a blaze of light In every word It doesn't matter what you’ve heard The holy or the broken Hallelujah Hallelujah x 4 I did my best, it wasn't much I couldn't feel, so I tried to touch I've told the truth, I didn't come to fool you And even though it all went wrong I stand before the Lord of Song With nothing on my tongue but Hallelujah Hallelujah x 4 "Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a recording by John Cale, which inspired a recording by Jeff Buckley. It has been viewed as a "baseline" for secular hymns. Following its increased popularity after being featured in the film Shrek (2001), many other arrangements have been performed in recordings and in concert, with over 300 versions known. The song has been used in film and television soundtracks and televised talent contests. "Hallelujah" experienced renewed interest following Cohen's death in November 2016 and appeared on many international singles charts, including entering the American Billboard Hot 100 for the first time.
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Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man.
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Cohen's Age of Reason
COVER June 2006 COHEN'S AGE OF REASON At 71, this revered Canadian artist is back in the spotlight with a new book of poetry, a CD and concert tour – and a new appreciation for the gift of growing older | by Christine Langlois hen I mention that I will be in- Senior statesman of song is just the latest of many in- terviewing Leonard Cohen at his home in Montreal, female carnations for Cohen, who brought out his first book of po- friends – even a few younger than 50 – gasp. Some offer to etry while still a student at McGill University and, in the Wcome along to carry my nonexistent briefcase. My 23- heady burst of Canada Council-fuelled culture of the early year-old son, on the other hand, teases me by growling out ’60s, became an acclaimed poet and novelist before turning “Closing Time” around the house for days. But he’s inter- to songwriting. Published in 1963, his first novel, The ested enough in Cohen’s songs to advise me on which ones Favourite Game, is a semi-autobiographical tale of a young have been covered recently. Jewish poet coming of age in 1950s Montreal. His second, The interest is somewhat astonishing given that Leonard the sexually graphic Beautiful Losers, published in 1966, has Cohen is now 71. He was born a year before Elvis and in- been called the country’s first post-modern novel (and, at troduced us to “Suzanne” and her perfect body back in 1968. the time, by Toronto critic Robert Fulford, “the most re- For 40 years, he has provided a melancholy – and often mor- volting novel ever published in Canada”).
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The End of the World and Other Times in the Future
University of Richmond UR Scholarship Repository Philosophy Faculty Publications Philosophy 2014 The ndE of the World and Other Times in The Future Gary Shapiro University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/philosophy-faculty- publications Part of the Composition Commons, and the Philosophy of Language Commons Recommended Citation Shapiro, Gary. "The ndE of the World and Other Times in The Future." In Leonard Cohen and Philosophy: Various Positions, edited by Jason Holt, 39-51. Vol. 84. Popular Culture and Philosophy. Chicago: Open Court, 2014. This Book Chapter is brought to you for free and open access by the Philosophy at UR Scholarship Repository. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 4 The End of the World and Other Times in The Future GARY SHAPIRO In an interview with his biographer Sylvie Simmons, Leonard Cohen identifies the main interests in his work as "women, song, religion" (p. 280). These are not merely per sonal concerns for Cohen, they are dimensions of the world that he tries to understand as a poet, singer, and thinker. Now it's something of a cliche to see the modern romantic or post-romantic singer or poet in terms of personal strug gles, failures, triumphs, and reversals. Poets sometimes re spond by adopting elusive, ironic, enigmatic, or parodic voices: think, in their different ways, of Bob Dylan and Anne Carson. Yet Cohen has always worn his heart on his sleeve or some less clothed part of his body: he let us know, for ex ample, that Janis Joplin gave him head in the Chelsea hotel while their celebrity limos were waiting outside.
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The Unified Heart and the Blessing to End Disunity
A Brief Introduction to The Unified Heart and The Blessing to End Disunity And Other Spiritual Themes in Leonard Cohen’s Songs By David Peloquin “There are halls in the heavens above that open but to the voice of song” from the Zohar As I write this (February 2012), Leonard Cohen’s new masterpiece, Old Ideas , is taking the popular music world by storm. The enormous success of the recent world tour and the release of the Live in London (CD, DVD) and Songs From the Road (CD/DVD) have contributed greatly to this much deserved resurgence and appreciation of Leonard’s work. Songs from the new album Old Ideas will figure strongly in this study. This will be a brief introduction to some of the key spiritual themes in Cohen’s songs, especially The Unified Heart, and guide to a meditative approach to Cohen’s work in general. I believe that it is specifically the spiritual depth of Cohen’s work that has touched the hearts of so many in this troubled world for so many years. This kind of spirituality has little to do with theology or organized religion. It is a spirituality of personal experience, which is the essential element of the traditional mystic path. Leonard Cohen has been engaged in a life-long exploration of the great wisdom traditions, East and West. These include, at least: Indian philosophy, (Vedanta), Yoga, Taoism, Zen Buddhism, Judaism, (including Kabbalah) Christianity, Gnosticism, Sufism and Alchemy. He moves with great freedom and creativity within these traditions. Cohen’s focus has always been on esoteric mystical inner experience rather than exoteric doctrines and beliefs.
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Leonard Cohen Reminds Us Why He Still Matters by Joshua Klein Yes, Cohen Has Written the Spring U.S
MUSIC Leonard Cohen reminds us why he still matters By Joshua Klein Yes, Cohen has written the spring U.S. tour.). SPECIAL TO THE TRIBUNE several classics—"Suzanne," Yet that was likely no "So Long, Marianne," "Chel- substitute for the sight of the NEW YORK—Montreal sea Hotel No. 2" and "Bird man himself, dapper and bard Leonard Cohen has on the Wire" among them— fleet of foot as he trotted into written and recorded many but as of late, it's "Hallelu- position to front his ace great songs, and influenced jah" that increasingly pulls band through more than two many times that number of more people into the fold. It's hours of instantly recogniz- peers and followers with his a cryptic but compelling able material. spiritual, morose and occa- masterpiece of hopeful mel- Like Dylan, Reed and sionally carnal poetry and ancholy (and oft overlooked Waits, Cohen is not a conven- music. sensuality) by a man many tionally talented vocalist, But lately one song towers may not even know wrote it. but he still used his impres- over the rest of Cohen's con- Not that Cohen seemed to sive baritone like a master, siderable oeuvre, and that's mind. Though he was no frequently delivering, on "Hallelujah." It has been recluse, the singer/song- bended knee, each perfectly covered countless times by writer grew increasingly phrased line with a mix of the likas of Bob Dylan, Bono, sanguine on the sidelines in menace and knowing mirth. John Gale, Rufus Wain- the'80s, and by the'90s he .
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As a New Generation Discovers Leonard Cohen's Dark Humour Kris Kirk Ruffles the Great Man's Back Pages by Kris Kirk
I stumbled out of bed. I got ready for the struggle. I smoked a cigarette, and I tightened up my gut. I said, This can't be me, must be my double. And I can't forget I can't forget I can't forget but I don't remember what. I Can't Forget I'm Your Man The following article is from Poetry Commotion, June 18, 1988. As a New Generation Discovers Leonard Cohen's Dark Humour Kris Kirk Ruffles the Great Man's Back Pages By Kris Kirk "The American attitude to Leonard Cohen is that I don't know how to sing -- 'These are great songs, sure is sad somebody else ain't singing 'em' - and that I'm marginal, totally outside the mainstream. It may finally be changing with this album, who knows? But I'm lucky I've always had a modest audience in Europe, otherwise I'd really be out of luck." Leonard Cohen chuckles. He chuckles a lot. Like his latest I'm Your Man album - with its famed "Lenny eats a banana" cover and its declaration (in "Tower of Song") that "I was born with the gift of a golden voice" - the so-called master of gloom is dead droll, particularly when he's sending himself up. "I agree this album's probably my best so far," he growls, lighting up yet another fag. "I think maybe I'm beginning to get the hang of it now." After how long? "Oh, after 20-odd years..." With a sell-out European tour culminating in a packed-to-the-gills additional third gig at the Royal Albert Hall, the rehabilitation -- resurrection from the dead -- of Cohen proceeds apace.
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Leonard Cohen's
FOR IMMEDIATE RELEASE – WEDNESDAY, JANUARY 9 LEONARD COHEN’S “OLD IDEAS WORLD TOUR” ADDS SECOND NORTH AMERICAN LEG TO MEET OVERWHELMING POPULAR DEMAND * * * SOLD-OUT SHOWS AND RAVE REVIEWS LEAD TO ADDED DATES * * * Tickets On Sale Friday, January 18 th at 10:00AM Los Angeles, CA – January 9, 2013 – In response to overwhelming fan demand, Leonard Cohen’s acclaimed “Old Ideas World Tour” has just added a second North American leg. After enchanting audiences worldwide, the legendary singer/songwriter/poet culminated the first series of North American dates with breathtaking engagements at New York’s Madison Square Garden and Barclays Center on December 18 th & 20 th – and fans were left wanting more. The new round of dates will begin at the Paramount Theatre in Oakland, CA on March 2nd , and will include encore performances in New York City and Chicago; as well as dates in Miami, Tampa, Atlanta, Milwaukee, Winnipeg, and more. The tour will also visit a number of cities where Cohen will be performing for the very first time, including New Orleans, Memphis and Louisville. Tickets will go on sale beginning Friday, January 18 th at 10:00a.m. (local time). For additional tour information, please visit www.LeonardCohen.com and www.AEGLive.com . Night after night, Leonard Cohen and his band of expert musicians have earned five-star reviews and left audiences spellbound. MTV Hive recounted that “Cohen sprinted to the mic at the beginning of the evening, and skipped offstage at the end, and in between, delivered a reminder of everything that has made him the icon and legend that he is.” MSN gave a glowing assessment that “There are great ones, and then there are the ones where it seems the whole outside world has disappeared and nothing exists but what’s happening between artist and audience.
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Leonard Cohen Interview
Leonard Cohen Interview Broadcast on CBC Radio. 1984. Interviewers: Patricia Keeney and Robert Sward INT: You’ve just released your new album, Various Positions. The range of styles you bring into your music is quite amazing. Some of the pieces have a folk feel, others a spiritual quality and still others a very anxious, uneasy feel. How do the styles emerge? Do you write the lyrics in conjunction with the music? What’s the process? COHEN: Well, it’s not a deluxe operation. One is just trying to finish a song and when you’re not trying to finish a song you’re trying to start one. The form just seems to indicate itself at some point but it’s always just scraping the bottom of the barrel. Sometimes you fall upon a chord change that seems to evoke something and a word or two clings to it. Then you need a resolution of the phrase and a word or a chord comes and that seems to work. It’s a very rag- picking kind of operation. INT: There’s a very definite iambic meter to many of your poems and songs. COHEN: I think that’s the way we talk. The ordinary rhythm of ballads and songs is that simple way of speaking. The first song on Various Positions has an eastern European flavor, a marriage song. The second one has a country and western feel and there is a steel guitar, The third has a reference to reggae and the fourth is a traditional ballad where the whole story is told.
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July-August 295-WEB
jazz now in our 33rd year &blues report www.jazz-blues.com July-August 2007 Issue 295 Free MUDDY WATERS, JOHNNY WINTER & JAMES COTTON Bob Margolin Talks About the Rescued Live Recordings MUDDY WATERS, JOHNNY WINTER Published by Martin Wahl Communications & JAMES COTTON Editor & Founder Bill Wahl Duane Verh Talks With Bob Margolin About the Recordings From the 1977 Live Tour Layout & Design Bill Wahl That Were ‘Rescued From the Dumpster’ Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Kelly Ferjutz, Dewey Forward, Chris Hovan, Nancy Ann Lee, Peanuts, Wanda Simpson, Mark Smith, Dave Sunde, Duane Verh, Emily Wahl and Ron Weinstock. Check out our costantly updated website. Now you can search for CD Reviews by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up and we’ll be going all the way back to 1974. Address all Correspondence to.... Jazz & Blues Report 19885 Detroit Road # 320 Rocky River, Ohio 44116 Bob Margolin & Muddy Waters Photo: Watt Casey Jr. Main Office ...... 216.651.0626 Editor's Desk ... 440.331.1930 By Duane Verh Comments...billwahl@ jazz-blues.com In 1976, blues legend Muddy Waters parted ways with the legendary Chess Web .................. www.jazz-blues.com Records label which, by that time, had only its name in common with the Copyright © 2007 Martin-Wahl Communications Inc. company’s founders. He then hooked up with blues/rock guitar idol Johhny No portion of this publication may be Winter who produced Muddy’s first release for the CBS-distributed Blue Sky reproduced without written permission label.
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Leonard Cohen and Philosophy: Various Positions. Edited by Jason Holt
Leonard Cohen and Philosophy: Various Positions. Edited by Jason Holt. Chicago, Illinois: Open Court, 2014. xii, 281 pp. ISBN 978-0-8126-9856-5. Contents: Leonard Cohen as a Guide to Life / Brendan Shea — The Existential Cohen / Agust Magnusson — Why Cohen's Our Man / Wieland Schwanebeck — The End of the World and Other Times in The future / Gary Shapiro — Is Leonard Cohen a Good Singer? / Jason Holt — Covering Cohen / Adam Auch — Leonard and Lorca / Edward Winters — Irony as Seduction / Christopher Lauer — The Mystery of the Mirror / Lisa Warenski — Leonard Cohen on Romantic Love / Simon Riches — Hallelujah and Atonement / Babette Babich — Politics in Beautiful Losers / Steven Burns — Writing Poetry after Auschwitz / Pawel Dobrosielski and Marcin Napiórkowski — Doom and Gloom in a Cloistered Room / Liane Heller — Dear Heather in a Dark Space / Christopher Ketcham — Can You Touch Someone's Body with Your Mind? / Rachel Haliburton — Is a Tear an Intellectual Thing? / Liam P. Dempsey — The Prophetic Mr. Cohen / Timothy P. Jackson — Clouds of Unknowing / Bernard Wills — The Happy Memes of “Hallelujah” / Peter Stone. 1 In his opening remarks, editor Jason Holt suggests that the cultural positions of the poet and pop star are contradictory. Leonard Cohen, he furthers, is the exception to this rule: a duality between high and low art, a paradox. “The pop star-poet paradox isn’t that Cohen writes poetry and popular music,” he notes, “but rather that his songs count both as poetry and as popular music.” This collection of essays, written by philosophers who share an enthusiasm for Leonard Cohen, analyzes his poetry and songwriting from the perspective of philosophical inquiry.
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Leonard Cohen I
Leonard Cohen I BYAMTHOKY D e CURTIS always experience myself as falling apart, been assured by this one-alone. However, the two and I’m taking emergency measures,” Leon- extraordinary albums that followed, Songs From a ard Cohen said fifteen years ago. “It’s coming Room (1969), which includes his classic song “Bird on apart at every moment. I try Prozac. I try love. a W ire,” and Songs of Love and Hate (1971), provided I try drugs. I try Zen meditation. I try the whatever proof anyone may have required that the monastery.I I try forgetting about all those strategies greatness of his debut was not a fluke. and going straight. And the place where the evaluation Part of the reason why Cohen’s early work revealed happens is where I write the songs, such a high degree of achieve when I get to that place where I For four decades, ment is that he was an accom can’t be dishonest about what I’ve plished literary figure before he been doing.” Cohen has been a m odel ever began to record. His collec For four decades, Cohen has ofgut'wrenching tions of poetry, including Let Us been a model of gut-wrenching emotional honesty Compare Mythologies (1956) and emotional honesty. He is, with Flowers for Hitler (1964), and his out question, one of the most novels, including Beautiful Losers important and influential songwriters of our time, (1966), had already brought him considerable recogni a figure whose body of work achieves greater depths tion in his native Canada.
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