DOCSLIB.ORG

Ro Audio /Video

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ro Audio /Video ro audio/video `Brothers In Arms' Was The Engineer's Production Debut Dorfsman Passes His `Trial By Fire' Ordeal "The Sony is a amazing machine, York, BY PAULA PARISI hoping to find work in a re- and it sounds great, but like all digi- cording studio. Rejected by studios PHILADELPHIA Neil Dorfsman, tal machines, when it messes up, it in L.A., Dorfsman found himself best -known for his work as an engi- really messes up,'' he says. "We working special effects for films neer on such albums as Bruce were about to mix a track when the like "Blacula" and "The Exorcist." Springsteen's "The River," Bob Dy- saxophone we'd recorded earlier in A year later, he returned to New lan's "Infidels," and the last five the week just disappeared. Eventu- York and engineered voiceovers for Dire Straits records, says he's ally, we got it back by fussing with a Manhattan ad agency. A few "rather surprised" at the phenome- the knobs for an entire day." He months later, Dorfsman got a call nal success that has greeted his pro- says he experienced similar prob- from Electric Lady Studios. While duction debut -Dire Straits' lems while engineering Dylan's "In- there, he was summoned to the "Brothers In Arms." fidels" on the 3M 32 -track digital .Power Station to remix tracks for a The work was nominated for six machine. Despite this, Dorfsman Foghat album. He stayed on. Grammy awards, and netted two: endorses digital technology, stating Dire Straits entered the picture best rock vocal, group, for the sin- while Dorfsman was working at the gle "Money For Nothing "; and best Power Station. "I had just done a engineered album. His rise has been record with Mike Manieri, and it What's more, the record has turned out that Mark Knopfler spent the past 47 weeks riding the `amazingly lucky' heard the record and loved it. He Billboard Top Pop Albums chart, was courageous enough to say, 'I'd most of those in the top 10; and has "the advantages far outweigh the like to work with that guy,' even been charting at the top of the Bill- disadvantages." though I didn't have much of a repu- board Top Compact Discs chart for Dorfsman and co- producer Dire tation at the time." an unprecedented 31 weeks. Straits' Mark Knopfler took the dig- The association has obviously According to Dorfsman, "Broth- ital element into consideration at ev- been mutually beneficial. "It takes ers In Arms" was "an amazingly ery stage of production planning for a certain kind of person to get along Better Than Chicken Soup. Motown artist Rockwell was well taken care difficult album to make." "Brothers In Arms." One thing with Mark, and I think we get along of at Granny's House in Reno, Nev., where he recorded and mixed his new album "We kind of did it backwards," he they didn't plan on, though, was well because I have an intuitive with producer Kerry Ashby. says. "After eight weeks of record- Dorfsman's troubled moonlight sense of what he wants. He doesn't The facility, which only opened its doors about four months ago, may not ing, we decided to switch drum- journey up the side of a volcano in like to get real verbal, even though offer homemade chicken soup, but it does boast an SSL 6000 Series E console mers. We already had tracks down Montserrat. While the band was re- he's a very literate guy. He sort of and a comfortable resort environment. Pictured (from for bass and synthesizer, then we cording at Air Studios there, Dorfs- wants to see what the people left) are Rockwell, studio owner Robert Fofman, engineer Norman Whitfield Jr., and producer Kerry Ashby. decided we didn't like the drums. So man made the climb carrying porta- around him will come up with." we overdubbed new drums to stuff ble digital gear in order to capture Dorfsman is now producing an al- that was played slightly out of time the sound of chirping crickets in the bum for Bricklin, a new A &M Rec- to the original drummer. Without a night air. ords act he says sounds "nothing Linn Drum to keep everyone in I almost killed myself up there," like Dire Straits." London Site To Get A 48 -Track Studio time, it was kind of like every man he says. "It was supposed to take an "People have given me this repu- for himself." hour, and instead it took nine and a tation for creating a nice acoustic Laughingly describing the project half. Our flashlights died, and we sound," he says. "They'll call and Nomis Grows To `Complex' as "trial by fire," Dorfsman recalls had to climb down the mountain in offer me a job and say, 'Make it LONDON West London rehearsal foot Studio A which opened late last many of the "disasters" which the middle of the night with all this sound like Dire Straits.' That's complex Nomis has completed an year, bringing to 10 the total num- plagued the production. Though he digital equipment." something I try to steer away from. expansion program its owner claims ber of rehearsal rooms at the loca- gays that reports citing a lost sax Despite a few such misadven- The Bricklin thing is pretty will make it the most complete facil- tion. solo were "greatly exaggerated," tures along the way, Dorfsman says straightforward. We all describe it ity for touring and rehearsing Both Studios A and B have 5,000 - he does admit encountering glitches his rise to the top has been "ama- as bubble metal." bands in Europe, if not the world. watt PA systems and DDA 16/24 with the band's Sony 3324 digital re- zingly lucky." The engineer- turned- Leading studio designer Tom Hid- channel desks, and according to No- corder, a unit purchased by Dire producer headed for Hollywood af- ley was brought in to oversee con- mis owner David Panton are "ideal" Straits specifically for the record. ter graduating high school in New struction of the new 1,200 -square- for band showcases or longterm re- hearsal projects. The other rooms average 700-800 square feet and are 4th AES International Conference equipped with 400 -watt Yamaha or 1,500 -watt Turbosound /Rauch PAs. Renamed as The Complex, the fa- cility also houses more than a dozen fully equipped offices available for Stereo Audio Technology rental on a six -month basis, and a basement instrument storage area with 26 high security cages. A for Television and Video range of back and frontline equip- ment is available for hire, and a new sales department offers equipment 1986 May 15 -18 Westin O'Hare Hotel for trial and purchase at discount Rosemont, Illinois rates. Swedish manufacturer DDrum last fall appointed Robert B. Schulein, Chairman, Shure Brothers, Inc., Evanston, IL, Nomis its exclu- USA (312) 866 -2374 sive U.K. distributor. A comprehensive 27/2-day Following its involvement in re- event designed to address the new opportunities and the new hearsal and insurance aspects of the problems of the emerging stereo audio technology Live Aid concert, Nomis set up Complex Insurance Services to pro- Experience to date has vividly demonstrated that the con- elaborate demonstrations, vide "a specialized and competitive and panel discussions. The 4th service that ventional audio practices in broadcast and recording are AES International understands music Conference is an event that promises to business needs and can interpret inadequate to meet the needs of stereo audio production. be of immediate and lasting benefit to professionals in the them in the City's financial terms." With an eye to providing practical solutions to these short- audio /video industry. This move was followed late last comings- problems of phase, level match, lack of stand- Advance registration for the conference including year by the launch of Complex Man- ards, the need for a solid center channel image, and preprints is: $345.00 members; $395.00 nonmembers. On agement, which plans to sign up to economic uncertainties -and to promote industry growth site registration: $420.00 members; $470.00 nonmembers. five new acts in the coming months and will be headed jointly by Lloyd through better understanding of stereo audio for television For an additional $100.00 you may purchase a meal package, Beiny and David Panton. and video, Conference Chairman and AES President Robert which includes dinner on May 15, 16, and 17; lunch on May Panton acquired the facility after B. Schulein has organized a program of technical sessions, 16 and 17; and brunch on May 18. first visiting it as the manager of an aspiring band. Wham! manager Si- To register for the AES 4th International Conference, call (212) 661 -8528, telex 620298 AES UW, or write: mon Napier-Bell had opened it a few months previously, Audio Engineering Society, Inc., 60 East 42nd St., New York, NY 10165 -0075 USA. but by February (Continued on page 56) 54 BILLBOARD APRIL 26. 1986 www.americanradiohistory.com.
Load more

Recommended publications
  • AES 123Rd Convention Program October 5 – 8, 2007 Jacob Javits Convention Center, New York, NY
    AES 123rd Convention Program October 5 – 8, 2007 Jacob Javits Convention Center, New York, NY Special Event Program: LIVE SOUND SYMPOSIUM: SURROUND LIVE V Delivering the Experience 8:15 am – Registration and Continental Breakfast Thursday, October 4, 9:00 am – 4:00 pm 9:00 am – Event Introduction – Frederick Ampel Broad Street Ballroom 9:10 am – Andrew Goldberg – K&H System Overview 41 Broad Street, New York, NY 10004 9:20 am –The Why and How of Surround – Kurt Graffy Arup Preconvention Special Event; additional fee applies 9:50 am – Coffee Break 10:00 am – Neural Audio Overview Chair: Frederick J. Ampel, Technology Visions, 10:10 am – TiMax Overview and Demonstration Overland Park, KS, USA 10:20 am – Fred Aldous – Fox Sports 10:55 am – Jim Hilson – Dolby Labs Panelists: Kurt Graffy 11:40 am – Mike Pappas – KUVO Radio Fred Aldous 12:25 pm – Lunch Randy Conrod Jim Hilson 1:00 pm – Tom Sahara – Turner Networks Michael Nunan 1:40 pm – Sports Video Group Panel – Ken Michael Pappas Kirschenbaumer Tom Sahara 2:45 pm – Afternoon Break beyerdynamic, Neural Audio, and others 3:00 pm – beyerdynamic – Headzone Overview Once again the extremely popular Surround Live event 3:10 pm – Mike Nunan – CTV Specialty Television, returns to AES’s 123rd Convention in New York City. Canada 4:00 pm – Q&A; Closing Remarks Created and Produced by Frederick Ampel of Technology Visions with major support from the Sports PLEASE NOTE: PROGRAM SUBJECT TO CHANGE Video Group, this marks the event’s fifth consecutive PRIOR TO THE EVENT. FINAL PROGRAM WILL workshop exclusively provided to the AES.
    [Show full text]
  • Washington University Record, April 24, 2008
    Washington University School of Medicine Digital Commons@Becker Washington University Record Washington University Publications 4-24-2008 Washington University Record, April 24, 2008 Follow this and additional works at: http://digitalcommons.wustl.edu/record Recommended Citation "Washington University Record, April 24, 2008" (2008). Washington University Record. Book 1142. http://digitalcommons.wustl.edu/record/1142 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University Record by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. Medical News: Rare genetic Rockin' opera: Electric Washington People: Thakor is Olin disease prevented in zebrafish arrangements at Edison Business School's franchise player B ^)feshlngtDn University in St iDuis April 24, 2008 record.wustl.edu Advance in atrial fibrillation surgery boosts outcomes BY GWEN ERICSON tion to the series of ablations typ- ically made during the Cox-Maze School of Medicine heart sur- procedure, and that short step geons report that by adding improved how well patients did a simple 10- to 20-second after surgery. As a result, they rec- step to an operative procedure, ommend using this extra ablation they achieved a significant in all patients undergoing the improvement in the outcome for procedure. the surgical treatment of atrial "The single additional abla- fibrillation (AF). tion creates what we call a Reporting in the April box lesion," said Ralph issue of the Journal of J. Damiano Jr., M.D., the Thoracic and Cardiovas- John M. Shoenberg Pro- cular Surgery, the sur- fessor of Surgery and geons describe an en- chief of cardiac surgery.
    [Show full text]
  • Recording Secrets for the Small Studio This Page Intentionally Left Blank Recording Secrets for the Small Studio
    Recording Secrets for the Small Studio This page intentionally left blank Recording Secrets for the Small Studio Mike Senior First published 2015 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2015 Mike Senior The right of Mike Senior to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Application submitted ISBN: 978-0-415-71670-3 (pbk) ISBN: 978-1-135-87950-5 (ebk) Typeset in ITC Giovanni Std By MPS Limited, Chennai, India, www.adi-mps.com To my parents.
    [Show full text]
  • The Backstreets Liner Notes
    the backstreets liner notes BY ERIK FLANNIGAN AND CHRISTOPHER PHILLIPS eyond his insightful introductory note, Bruce Springsteen elected not to annotate the 66 songs 5. Bishop Danced RECORDING LOCATION: Max’s Kansas City, New included on Tracks. However, with the release York, NY of the box set, he did give an unprecedented RECORDING DATE: Listed as February 19, 1973, but Bnumber of interviews to publications like Billboard and MOJO there is some confusion about this date. Most assign the which revealed fascinating background details about these performance to August 30, 1972, the date given by the King songs, how he chose them, and why they were left off of Biscuit Flower Hour broadcast (see below), while a bootleg the albums in the first place. Over the last 19 years that this release of the complete Max’s set, including “Bishop Danced,” magazine has been published, the editors of Backstreets dated the show as March 7, 1973. Based on the known tour have attempted to catalog Springsteen’s recording and per- chronology and on comments Bruce made during the show, formance history from a fan’s perspective, albeit at times an the date of this performance is most likely January 31, 1973. obsessive one. This booklet takes a comprehensive look at HISTORY: One of two live cuts on Tracks, “Bishop Danced” all 66 songs on Tracks by presenting some of Springsteen’s was also aired on the inaugural King Biscuit Flower Hour and own comments about the material in context with each track’s reprised in the pre-show special to the 1988 Tunnel of Love researched history (correcting a few Tracks typos along the radio broadcast from Stockholm.
    [Show full text]
  • Case 1:06-Cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page
    Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 1 of 3 Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 2 of 3 Case 1:06-cv-03252-GBD-KNF Document 112 Filed 03/26/14 Page 3 of 3 EXHIBIT C Sony Proposed Accounting of Payments and Credits to Authorized Past Claimants With 28,500 or More Qualifying Downloads Pursuant to Stipulation in Shropshire v. Sony Music Entertainment , 06 Civ. 3252 (GBD) (KNF) Percent of Total Wholesale Value SONY Past Revenue Total Amount of Authorized Past Attributable to Settlement Attributable to all SONY Past Claimant Claimant's Class Allocation to Claimants’ Class Settlement Relief Contracts Claimant Contracts Andre Kostelanetz $20,287 0.11% $3,251,250 $3,705.50 Art Garfunkel $93,815 0.53% $3,251,250 $17,135.68 Boston Symphony Orchestra, Inc. $185,265 1.04% $3,251,250 $33,839.38 Branford Marsalis $55,837 0.31% $3,251,250 $10,198.85 Cheryl Lynn $258,994 1.46% $3,251,250 $47,306.27 Chicago Symphony Orchestra $14,217 0.08% $3,251,250 $2,596.79 Crescent Moon Records, Inc. $49,937 0.28% $3,251,250 $9,121.19 Cypress Hill $1,461,834 8.21% $3,251,250 $267,009.71 Diana King $30,558 0.17% $3,251,250 $5,581.54 Elmo & Patsy $140,952 0.79% $3,251,250 $25,745.44 Exile $66,186 0.37% $3,251,250 $12,089.13 Firehouse $262,763 1.48% $3,251,250 $47,994.69 Gloria Estefan $731,697 4.11% $3,251,250 $133,647.33 Gregg Allman $114,156 0.64% $3,251,250 $20,851.04 Gregory Abbott $55,486 0.31% $3,251,250 $10,134.74 Hiroshima $58,906 0.33% $3,251,250 $10,759.41 Joe Satriani $491,345 2.76% $3,251,250 $89,746.09 John Williams
    [Show full text]
  • Who's Who in Pop Record Production
    WHO'S WHO IN POP RECORD PRODUCTION The following is a list of producers who had at least one single and/or album in the Top Pop 100 charts last year (1986). The producer's name is followed by the (S) song title(s) and/or (LP) album title(s) in quotes, with the artist's name in all capitol letters, followed by a slash and the name(s) of any co- producer(s). Colonel Abrams (S)-(LP)-"Colonel Abrams"-COLONEL ABRAMS-/ /Richard The Bunnymen (S)-(LP)-"Songs To Learn And Sing"-ECHO & THE James Burgess/Rick Dees BUNNYMEN-/Ian Broudie/Bill Drummond/Hugh Jones William Ackerman (S)-(LP)-"Winter's Solstice"-VARIOUS-/Dawn Atkinson Richard James (S)-"Can't Wait Another Minute"-FIVE Alabama (S)-(LP)-"Christmas"-ALABAMA-/Harold Shedd Burgess STAR-/(LP)-"Colonel Abrams"-COLONEL ABRAMS-/Colonel "Alabama Greatest Hits"-ALABAMA-/Harold Shedd Abrams/ /Rick Dees "The Touch"-ALABAMA-/Harold Shedd T-Bone Burnett (S)-(LP)-"King Of America"-ELVIS COSTELLO & THE Teneen Ali (S)-"For Tonight"-NANCY MARTINEZ-/Sergio Munzibal(LP)- ATTRACTIONS-/Declan Patrick A. MacManus Dave Allen (S)-"In Between Days"-THE CURE-/Robert Smith(LP)- Joe Busby (S)-(LP)-"Al I In Love"-NEW EDITION-/Bill Dern Tom Allom (S)-"This Could Be The Night"-LOVERBOY-/Paul Dean Jonathan Cain (S)-"Working Class Man"-JIMMY BARNES-/UP)- "Lead A Double Life"-LOVERBOY-/Paul Richard Calandra (S)-(LP)-"Breakout"-SPYRO GYRA-/Jay Becknestein Dean(LP)-"Turbo"-JUDAS PRIEST-/ The Call (S)-(LP)-"Reconciled"-THE CALL-/Michael Been Pete Anderson (S)-(LP)-"Guitars, Cadillacs, Etc., Etc."-DWIGHT Reggie Calloway (S)-"Headlines"-MIDNIGHT
    [Show full text]
  • Dire Straits Love Over Gold Mp3, Flac, Wma
    Dire Straits Love Over Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Love Over Gold Country: Canada Released: 1996 Style: Blues Rock, Classic Rock MP3 version RAR size: 1186 mb FLAC version RAR size: 1823 mb WMA version RAR size: 1527 mb Rating: 4.3 Votes: 933 Other Formats: ASF MPC AAC AA TTA FLAC AC3 Tracklist A1 Telegraph Road 14:20 A2 Private Investigations 7:00 B1 Industrial Disease 5:50 B2 Love Over Gold 6:15 B3 It Never Rains 7:55 Companies, etc. Mastered At – Masterdisk Marketed By – PolyGram TV Merchandising Division Phonographic Copyright (p) – Phonogram Ltd. (London) Copyright (c) – Chariscourt Ltd. Made By – Polygram Records Credits Bass – John Illsley Composed By – Mark Knopfler Drums – Pick Withers Engineer – Neil Dorfsman Engineer [Assistant] – Barry Bongiovi Guitar – Hal Lindes Keyboards – Alan Clark Management – Damage Management Mastered By – Robert Ludwig* Photography By – Alan Lobel, Peter Cunningham Producer – Mark Knopfler Programmed By [Synths] – Ed Walsh Sleeve, Design – Michael Rowe Vibraphone, Marimba – Mike Mainieri (tracks: A2, B2) Vocals, Guitar – Mark Knopfler Notes Mastered at Masterdisk, N.Y. Labels: ℗ Copyright 1982 Phonogram Ltd. (London). Original sound recording made by Phonogram Ltd. (London) - first published in 1982. Made by PolyGram Records under exclusive licence. Sleeve: (P) Copyright 1982 Phonogram Ltd. (U.K.) Original Sound Recording made by Phonogram Ltd. (U.K.) First Published in 1982 in U.K.. Marketed in Australasia by PolyGram T.V. Merchandising Division under Exclusive Licence Barcode and Other Identifiers Matrix / Runout (Runout A, hand-etched): 6359109A #8 …… Matrix / Runout (Runout B, hand-etched): #6 6359109B ………….. Other versions Category Artist Title (Format) Label Category Country Year Love Over Gold (LP, 6359 109 Dire Straits Vertigo 6359 109 UK 1982 Album) Love Over Gold (CD, 800 088-2 Dire Straits Vertigo 800 088-2 Unknown Album, Unofficial) Love Over Gold (CD, 800 088-2 Dire Straits Vertigo 800 088-2 Europe 1996 Album, RM) Warner Bros.
    [Show full text]
  • Viagra and Antidepressants
    Mixing Secrets for the Small Studio Mike Senior Amsterdam • Boston • Heidelberg • London • New York • Oxford • Paris San Diego • San Francisco • Singapore • Sydney • Tokyo Focal Press is an imprint of Elsevier FocalPress is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Mike Senior. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.
    [Show full text]
  • Szving Szultánok
    Lunkán Katalin Szving szultánok MINTA © Lunkán Katalin, 2011 ISBN 978-615-5056-14-7 © Aposztróf Kiadó, 2011 Felelős kiadó: Hetyei László, Nagy Milada www.aposztrof.hu 1161 Budapest, Rákóczi út 36. Nyomdai kivitelezés: Print Invest Magyarország Kft. MINTAFelelős vezető: Ványik László ügyvezető igazgató Lunkán Katalin Szving szultánok Végszükségből világsiker A Dire Straits története MINTAAposztróf MINTA Előszó Amikor a ’70-es évek végén már minden új hang és új ötlet unal- masnak tűnt, felbukkant egy ismeretlen kvartett, mely rövid időn belül új fejezetet nyitott a ’80-as évek felé a rock történetében. Nevük ma már évtizedek óta világhírű: Dire Straits. Megemlíthetjük még azt is, hogy a Dire Straits stílust teremtett, de iskolát nem. Ez a stílus pedig aligha viselne el még egy ilyen előadót. Követők tehát nemigen akadnak. Meg aztán a Dire Straits zenéje 1985-ig nem vált olyan értékűvé, mint mondjuk a Pink Floyd vagy a Genesis munkássága. A divat már csak ilyen. A Dire Straitset ismerik, szeretik, méltányolják, de nem másolják. Akad még ilyen a műfajban, mégha kevés is. S talán ezért marad ez az együttes is magányos csillag a rock egén. 1977 óta jószerivel csak ezt az együttest fogadta be a szakma és egyúttal a közönség is a komoly, vagy „értékes” rockzenét művelők közé. És minden bizonnyal egyetlen magyar származású skót tanár- ember sem futott be olyan fényes karriert a show-businessben, mint Mark Knopfler. S hogyan jutott el a Dire Straits az első demokazettától a sikerlis- ták tetejére? Hogyan került a „tönkrement” Mark Knopfler Anglia húsz leggazdagabb embere közé? Az kiderül ebből a könyvből, s talán a mondás is bizonyossá válik, miszerint „a rock örök és el- pusztíthatatlan!” MINTA 5 1.
    [Show full text]
  • But We Didn't Have the Time
    Pop rhythms join American Indian chants on The Circle & The Square, the debut Mick Fleetwood of the soon- to -hereleased album by Fleetwood Mac. Excerpts album from Red Box. Comprised of Simon Toulson Clarke and Julian Close, plus from the long- awaited album, which features a Rousseau -like painting on the cover, a bevy of caroling back-up singers, the duo hit big in their native l'K with "Lean created a major buzz at the WEA annual sales meeting last year. Co- produced by guitar playing. In 1984, Slash Records On 11e ( ah-li-ayo )" (co-produced by Tears For Fears producer Chris Hughes) and Richard Dashut and Lindsey Buckingham. the LP reunites Mick. Christine McVie, unleashed a new hand. It took a while for the strengths For America"( produced by LP producer David Motion) - both on the album. There's John McYie, Lindsey and Stevie Nicks.. This year marks the debut of Farrenheit, of the Del Fuegos to sink in, hut when they won a Best something for everyone on this debut disk, including, for Buffy Sainte -Marie fans, a the Boston -based trio fronted by lead singer Charlie Farren. Watch for Farrenheit New Band Of The year honor from Rolling Stone's Critics Poll, it didn't surprise Red Box version Of her "Saskatchewan:' Big musical appetites require The Big to send pop temperatures rising with their trademark hard rock. Keith Olsen pro- the hand's fans. The Fuegos' third album, Stand Up, is an impressive expansion Dish and their debut album. Swimmer. The three -member group from Scotland is duced this first -time outing.
    [Show full text]
  • November 1991
    VOLUME 15, NUMBER 11 FEATURES AKIRA TANA BOBBY Akira Tana has tastefully sup- ported jazzers like Kenny Barron, ROCK Sonny Rollins, Phil Woods, Jim WILLIAM Hall, and Dizzy Gillespie for Nelson drummer Bobby Rock years. Now he and master bass KENNEDY sees his fitness-minded lifestyle man Rufus Reid are making as inseparable from his perfor- some sounds with their own Through his jazz chart-topping mance on the drums. In this group, TanaReid. Here Akira band, the Yellowjackets, rising interview, this unusual player talks about jazz from drum star William Kennedy is takes us behind the scenes of his the bottom up. thrilling audiences with his musi- own success and that of his hot •by Jeff Potter cal playing, serious technique, new band. 30 and thoroughly fresh approach. •by Michael Lee Briggs In this exclusive interview, MD digs a little deeper, and inspects what all the chit-chat 26 is about. •by William F. Miller 20 INSIDE TAMA This month our roving reporter finds himself in the land of the rising sun. While there he inves- tigates the high-tech Tama operation, and uncovers the unique history of this leading 34 drum manufacturer. •by Rick Van Horn COVER PHOTO BY EBET ROBERTS COLUMNS Education 48 ROCK 'N' JAZZ CLINIC 84 CONCEPTS In The Pocket Confidence Vs. BY DAVID GARIBALDI Arrogance BY ROY BURNS 50 IN THE STUDIO Departments Creating A Percussion Arrangement Equipment BY SUE HADJOPOULOS 4 EDITOR'S News OVERVIEW 52 JAZZ 40 PRODUCT 8 UPDATE DRUMMERS' CLOSE-UP 6 READERS' Dave Samuels, Billy Yamaha Maple Ward of the Knack, WORKSHOP Custom Kit PLATFORM Queen Ida's Ben Dave Weckl: BY ADAM J.
    [Show full text]
  • Top • 100 • Albums
    TOP • 100 •ALBUMS 9 THE WHOLE STORY ** EMI KBTV 1 (6). C: TC K111V 1CD: CDP 746414.2 51 43 1, VariousLOVERS (Various) • Telstor STARCr STAC 2279 2279 (RI 12 • Kate Bush (Kate Bush (6) Kate Bush/Jon Kelfy (3) Andrew Powell (3)) oGRACELAND ** * Worm Brothers W% 52 (WI 52 34 11 HIT MIX '860 Stylus SMR 624 (STY) 24 Paul Simon (Paul Simon) C: WO 52C; CD: 925 447-2 Various (Various) C: SMC 624 „„ TRUE BLUE *** Sire WI 54 (W) Cr W% 54C; CD: 925 44 2-2 53 51 14 THE AUTOBIOGRAPHY OF SUPERTRAMP • A&M TRAMP 1(F) 33 " Madonna (Madonna (all 9tracks) Stephen Bray (6) Patrick Leonard 14) ) Supertramp (Supertramp/Various) C: TRAMC 1; CD: TRACD 1 , NOW, THAT'S WHAT ICALL MUSIC 8* * * EMI/VirgiarPolygrom NOW 81E1 54 um N * CBS 10029 ICI 4 , ' Various (Various) CITC WOWS;CD: CDNOW 8 Tse2205e2=5;E? C: 40-10029; CD: CD 24005 LIVE MAGIC EMI EMC 35191E) 55 60 39 STREET LIFE-20 GREAT HITS * EG/Polydor EON 1 (F) 5. 6 Queen (Queen/Trip Khaki') C. IC EMC 3519; CD CDP 746 413-2 Bryan Ferry Roxy Music (Various) Cr EGMTV 1; CD:829 136-2 i, SLIPPERY WHEN WET • Ver6go/Phonogram VERH 38 (F) 5638 18 BREAK EVERY Rug • Capitol EST 2018 (E) 68 " Bon Jovi (Bruce Fairbairn) C: VERHC 38, CD. 830 264-2 Tina Turner (Terry Britten) C: TC EST 2018; CD: CDP 746323-2 EVERY BREATH YOU TAKE—THE SINGLES Aam EVERY 1 (FI c: EVERC 1 5753 4 THE FIRST ALBUM * Site VfX 22 (W) 7 ' The Police (Police (all 13)/Padgham (6) Gray (3) Latham (1)) ** CD: EVECD 1 Madonna (Regale Lucas) CI WX 22C; CD: 923 867-2 8 DIFFERENT LIGHT * CBS 26659 (c) 5882 33 INTO THE LIGHT * A&M AMA 5/21 (F) Bangles (David Kahne) Cr 40-26659; CD: OCRS 26659 r Chris De Burgh (Paul Hardiman) Cr AMC 5121; CD: CDA 5121 REVENGE ** RCA PL 71050 (Rj 59 66 20 WHILE THE crrySLEEPS ..
    [Show full text]