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Terry Gilliam Roberto Abbado

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Terry Gilliam Roberto Abbado Roberto Abbado Terry Gilliam Il piglio drammatico, l’istintivo lirismo coniugato all’evocativa pa- Terry Gilliam è nato il 22 novembre 1940 a Minneapolis, nel Min- dronanza di diversi stili e compositori hanno fatto di Roberto Ab- nesota ed è giunto alla notorietà per la prima volta nel 1969 come Foto Miro Zagnoli bado uno dei più apprezzati direttori d’orchestra della sua gene- l’unico membro americano del popolare show televisivo Il circo vo- Foto Alex Sturrock razione. Roberto Abbado ha studiato direzione d’orchestra con Fran- lante dei Monty Python, per il quale ha realizzato le sequenze ani- co Ferrara al Teatro La Fenice e all’Accademia di Santa Cecilia. Di- mate. Nel 1975 , ha co-diretto il suo primo lungometraggio, Monty rettore Musicale del Palau de les Arts Reina Sofía di Valencia, è sa- Python e il Sacro Graal a cui è seguito il debutto alla regia da solo lito sul podio della Concertgebouworkest,deiWiener Symphoniker, con Jabberwocky. I suoi film successivi sono I banditi del tempo,Bra- dell’Orchestre National de France, dell’Orchestre de Paris, della Sta- zil con Jonathan Pryce e Robert De Niro, per il quale ha ricevuto una atskapelle Dresden, della Gewandhausorchester, della NDR Sinfo- nomination all’Oscar per la miglior sceneggiatura originale e un Los nieorchester, della Los Angeles Philharmonic, della Saint Paul Angeles Film Critics Award come miglior film, Le avventure del Ba- Chamber Orchestra, dell’Orchestra del Maggio Musicale Fiorenti- rone di Münchausen e La leggenda del re pescatore, che gli è valso no, dell’Orchestra Sinfonica Nazionale della Rai, della Filarmonica una candidatura ai Golden Globe per la miglior regia e il Leone d’ar- della Scala, dell’Orchestra del Teatro Comunale di Bologna,solo per gento al Festival di Venezia. Dopo il film epico di fantascienza con nominarne alcune.Roberto Abbado ha diretto numerose nuove pro- un cast di stelle del cinema L’esercito delle dodici scimmie, ha pro- duzioni e prime mondiali di opere liriche, tra le quali Fedora ed Er- seguito con Paura e delirio a Las Vegas, adattamento del romanzo nani al Metropolitan; La Gioconda, Lucia di Lammermoor, La donna di Hunter S.Thompson.Nel 2005 Gilliam ha realizzato I fratelli Grimm del lago alla Scala; Aida e La traviata alla Bayerische Staatsoper; Le e l’incantevole strega con Matt Damon e Heath Ledger, seguito da comte Ory,Attila,I lombardi alla prima crociata,Il barbiere di Siviglia, Tideland - il mondo capovolto interpretato da Jeff Bridges e Janet Phaedra e Anna Bolena al Maggio Musicale Fiorentino.Recentemente McTeer. Nel 2006 Gilliam è co-auotre e regista di Parnassus - l’uo- è salito sul podio del Festival di Salisburgo con La Favorite, e ha di- mo che voleva ingannare il diavolo, con cui ha ottenuto due candi- retto Don Pasquale e Samson et Dalila al Palau de les Arts, Lucia di dature agli Academy Award. Nel 2011 ha scritto e diretto un corto- Lammermoor all’Opera di Roma, Norma al Teatro Regio di Torino, metraggio, The Wholly Family, che è stato premiato come miglior Macbeth e Parsifal al Teatro Comunale di Bologna e Rigoletto al Me- cortometraggio dalla European Film Academy.Gilliam ha fatto il suo tropolitan. Nel febbraio 2016 ha accompagnato ilTeatro Regio diTo- debutto operistico nello stesso anno alla English National Opera di rino ad Hong Kong, dirigendo Simon Boccanegra e un concerto de- Londra,con la regia di La damnation de Faust di Hector Berlioz. È tor- dicato a Verdi e a Wagner. Appassionato interprete di musica con- nato al cinema con The Zero Theorem, interpretato da Christoph temporanea, il suo repertorio abbraccia compositori quali Luciano Waltz,Matt Damon,Melanie Thierry e un cast stellare con i migliori Berio, Salvatore Sciarrino, Luca Francesconi, Pascal Dusapin, Henri attori britannici. Il 2014 ha visto la sua seconda opera di successo Dutilleux, Olivier Messaien, Hans Werner Henze, John Adams. Tra per la ENO:Benvenuto Cellini di Berlioz. Se questo non è stato suffi- i suoi CD e DVD più apprezzati figurano I Capuleti e i Montecchi (“Mi- ciente per tenerlo occupato, si è aggiunta la reunion finale di Mon- glior CD dell’anno”per BBC Magazine), Tancredi, Don Pasquale, Tu- ty Python una messinscena spettacolare chiamata Monty Python randot, Verismo Arias con Mirella Freni,L’amour e Arias for Rubini con Live (più o meno)... fuori uno ne rimangono cinque. Nel 2015 è stata Juan Diego Flórez, Bel Canto (“Echo Klassic Deutscher Schallplat- pubblicata la sua “autobiografia pre-postuma” Gilliamesque. tenpreis” 2009) con Elina Garancˇa, Fedora con Freni e Domingo, Er- mione, Zelmira e Mosè in Egitto. 170 171 Leah Hausman Roberto Gabbiani Aaron Marsden Rae Smith Leah Hausman ha lavorato come regista e co- Nato a Prato, dopo gli studi umanistici si è di- Scenografo, dopo aver conseguito la laurea in Tra i lavori firmati da Rae Smith si annoverano reografa su entrambe le sponde dell’Atlantico. plomato in pianoforte e composizione presso il Theatre Design presso il National Institute of Cavalleria rusticana e Pagliacci per il Met di New Ha studiato danza e recitazione a New York e al- Conservatorio di Firenze. Giovanissimo viene Dramatic Art in Australia ha lavorato su diver- York, The Tempest per il Birmingham Royal Bal- l’École Jacques Lecoq a Parigi. Come coreogra- chiamato al Teatro Comunale di Firenze, allora si progetti, tra cui la realizzazione del disegno let, War Horse (vincitore del Tony e dell’Olivier fa e regista per la lirica tra i suoi lavori si ricor- sotto la guida artistica di Riccardo Muti,che nel per il set del film Moulin Rouge!. Si è quindi tra- Award per la migliore scenografia) in tournée dano Roberto Devereux e Maria Stuarda al Me- 1974 lo nomina Maestro del Coro del Maggio sferito a Londra per approfondire il percorso for- in Inghilterra, Europa, Giappone e Cina. tropolitan Opera; Giovanna d’Arco per il Teatro Musicale Fiorentino.Collabora con i maggiori di- mativo. Ha lavorato da assistente con i designer Per il NationalTheatre lavora agli spettacoli Light alla Scala; Les Troyens, anche alla Scala; Aida, Le rettori d’orchestra internazionali e contribuisce teatrali Rae Smith, Katrina Lindsay,Paul Brown, Princess di Tori Amos, War Horse (anche per nozze di F igaro, Elektra, Die Zauberflöte e Rigo- alla realizzazione delle stagioni sinfoniche e dei Mark Thompson e Anthony Ward. Ha lavorato l’omonimo libro illustrato),This House,Season’s letto (anche a Madrid) per la Royal Opera Hou- festival. Ha diretto l’Orchestra e il Coro del come primo assistente di Soutra Gilmour ed è Greetings,All’sWell That EndsWell,St Joan,A Pil- se; L’elisir d’amore, Il cavaliere avaro e La bohè- Maggio Musicale Fiorentino firmando prime stato nominato scenografo associato per The lar of the Community, The Veil, The Seafarer, Or me per Glyndebourne, La damnation de Faust esecuzioni mondiali di Aldo Clementi, Luciano Commitments. Ha lavorato inoltre al National You Could Kiss Me, Theatre of Blood con Impro- (anche a Palermo e ad Anversa), la co-regia di Berio, Luigi Nono, Goffredo Petrassi. Dal 1990 al Theatre in diverse produzioni e come scenografo bable theatre company, e Street of Crocodiles e Benvenuto Cellini (anche ad Amsterdam e a Bar- 2002 è stato chiamato da Riccardo Muti alla di- associato per This House collaborando con Rae The Visit con la compagnia Complicite. Firma le cellona) e La clemenza di Tito per English Na- rezione del Coro del Teatro alla Scala di Milano, Smith, oltre a realizzare egli stesso le scene per scene del ciclo del Ring diWagner per l’Opéra Na- tional Opera, Copenhagen, Brema e Aix-en- dove ha diretto le prime mondiali di composi- diverse opere, tra cui Eugene Onegin, La bohè- tional du Rhin (Grand Prix per il favore del pub- Provence; Lohengrin a Ginevra e San Francisco; zioni di Azio Corghi,Fabio Vacchi,Adriano Guar- me, La traviata,Orfeo ed Euridice,The Lighthouse blico per l’Opera), Le Sacre du printemps/Pe- Rusalka a Chicago;Il trovatore a Chicago,al Me- nieri. Al contempo, ha riscoperto diverse opere e Trouble in Tahiti. trouschka per il Fabulous Beast Dance Theatre, tropolitan e a San Francisco. I suoi lavori per il dimenticate o “minori”del Cinque e Seicento ita- Il principe delle pagode per il Birmingham Royal teatro includono Romeo e Giulietta, La dodice- liano. Ha effettuato tournée al fianco del Mae- Ballet, Benvenuto Cellini per l’English National sima notte, Pedro the Magnificent, e As you like stro Muti e partecipato alle trasferte del Teatro Theatre, Rusalka per Glyndebourne e A Little it per la Royal Shakespeare Company,Il gioco del- alla Scala in tutto il mondo. Ha collaborato con Night Music per il Théâtre du Châtelet. l’amore e del caso per il National Theatre, For- l’Accademia Nazionale di Santa Cecilia e Myung- tune’s Fool all’Old Vic; La dodicesima notte per Whun Chung e con il Coro di Radio France. Nel il Goodman Theatre di Chicago, The Lamenta- 2002 Luciano Berio lo ha nominato Direttore del tions of Thel e The Phantom Violin per il Thea- Coro dell’Accademia di Santa Cecilia, iniziando tre de Complicité,e Great Dates di Howard Goo- così una collaborazione durata fino al 2006 con dall per Channel 4TV.Tra gli impegni futuri,una progetti rivolti alla valorizzazione e alla scoperta nuova produzione a Vienna e progetti con il Fe- di musiche polifoniche.Dal 2008 è Direttore del stival d’Aix-en- Provence. Coro delTeatro Regio diTorino,chiamato dal suo Direttore Musicale Gianandrea Noseda.Dopo la acclamata tournée del Regio in Giappone e in Cina, dalla stagione 2010-11 è nominato Diret- tore del Coro del Teatro dell’Opera di Roma.
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