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British Academy Review • 17
British Academy Review • 17 A MEDIEVAL MÊLÉE BRITISH ACADEMY British Academy Review Issue 17 March 2011 THE BRITISH ACADEMY 10–11 Carlton House Terrace, London SW1Y 5AH Telephone: 020 7969 5200 Fax: 020 7969 5300 Web site: www.britac.ac.uk © The British Academy 2011 The British Academy Review contains articles illustrating the wide range of scholarship which the British Academy promotes in its role as the UKs national academy for the humanities and social sciences. Views of named writers are the views exclusively of those writers; publication does not constitute endorsement by the British Academy. Suggestions for articles by current and former British Academy grant- and post-holders, as well as by Fellows of the British Academy, are very welcome. Suggestions may be sent to the Editor, James Rivington, at [email protected] Page make-up by Don Friston Printed in Great Britain on recycled paper by Henry Ling Limited at the Dorset Press Dorchester, Dorset Cover image: from the Jami al-Tawarikh manuscript, Edinburgh University Library iii Contents The coalition starts its white-knuckle ride 1 Martin Kettle The recession and stress at work 4 Professor Tarani Chandola Britain, Germany and Social Europe, 1973-2020 5 Sir Tony Atkinson FBA Social mobility: drivers and policy responses revisited 8 Professor Anthony Heath FBA and Dr Anna Zimdars Conflict resolution and reconciliation: An Irish perspective 11 Dáithí O’Ceallaigh British Academy President’s Medal 13 Medieval scenes Personifications of Old Age in medieval poetry: Charles d’Orléans 15 Professor Ad Putter The medieval Welsh poetry associated with Owain Glyndwˆr 18 Professor Gruffydd Aled Williams Forging the Anglo-Saxon past: Beverley Minster in the 14th century 23 Dr David Woodman The acts of medieval English bishops, illustrated 25 Dr Martin Brett Propaganda in the Mongol ‘World History’ 29 Professor Robert Hillenbrand FBA Portable Christianity: Relics in the Medieval West (c.700-1200) 39 Professor Julia Smith The stone sculptures of Anglo-Saxon England 41 Professor Rosemary Cramp FBA and Professor Richard N. -
April 2021 Auction Prices Realized
APRIL 2021 AUCTION PRICES REALIZED Lot # Name 1933-36 Zeenut PCL Joe DeMaggio (DiMaggio)(Batting) with Coupon PSA 5 EX 1 Final Price: Pass 1951 Bowman #305 Willie Mays PSA 8 NM/MT 2 Final Price: $209,225.46 1951 Bowman #1 Whitey Ford PSA 8 NM/MT 3 Final Price: $15,500.46 1951 Bowman Near Complete Set (318/324) All PSA 8 or Better #10 on PSA Set Registry 4 Final Price: $48,140.97 1952 Topps #333 Pee Wee Reese PSA 9 MINT 5 Final Price: $62,882.52 1952 Topps #311 Mickey Mantle PSA 2 GOOD 6 Final Price: $66,027.63 1953 Topps #82 Mickey Mantle PSA 7 NM 7 Final Price: $24,080.94 1954 Topps #128 Hank Aaron PSA 8 NM-MT 8 Final Price: $62,455.71 1959 Topps #514 Bob Gibson PSA 9 MINT 9 Final Price: $36,761.01 1969 Topps #260 Reggie Jackson PSA 9 MINT 10 Final Price: $66,027.63 1972 Topps #79 Red Sox Rookies Garman/Cooper/Fisk PSA 10 GEM MT 11 Final Price: $24,670.11 1968 Topps Baseball Full Unopened Wax Box Series 1 BBCE 12 Final Price: $96,732.12 1975 Topps Baseball Full Unopened Rack Box with Brett/Yount RCs and Many Stars Showing BBCE 13 Final Price: $104,882.10 1957 Topps #138 John Unitas PSA 8.5 NM-MT+ 14 Final Price: $38,273.91 1965 Topps #122 Joe Namath PSA 8 NM-MT 15 Final Price: $52,985.94 16 1981 Topps #216 Joe Montana PSA 10 GEM MINT Final Price: $70,418.73 2000 Bowman Chrome #236 Tom Brady PSA 10 GEM MINT 17 Final Price: $17,676.33 WITHDRAWN 18 Final Price: W/D 1986 Fleer #57 Michael Jordan PSA 10 GEM MINT 19 Final Price: $421,428.75 1980 Topps Bird / Erving / Johnson PSA 9 MINT 20 Final Price: $43,195.14 1986-87 Fleer #57 Michael Jordan -
The Iowa Homemaker Vol.2, No.5-6
Volume 2 Article 1 Number 5 The Iowa Homemaker vol.2, no.5-6 2016 The oI wa Homemaker vol.2, no.5-6 Belle Lowe Iowa State College Blanche Ingersoll Iowa State College Mildred B. Elder Iowa State College Paul E. Cox Iowa State College Helen Paschal Iowa State College See next page for additional authors Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Lowe, Belle; Ingersoll, Blanche; Elder, Mildred B.; Cox, Paul E.; Paschal, Helen; Wilson, Ruth; Lord Murphy, Eda; Beyer, Jeanette; Murphy, Eleanor; Wind, Opal; Peterson, Helen T.; and Morris, Dorothy (2016) "The oI wa Homemaker vol.2, no.5-6," The Iowa Homemaker: Vol. 2 : No. 5 , Article 1. Available at: http://lib.dr.iastate.edu/homemaker/vol2/iss5/1 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. The oI wa Homemaker vol.2, no.5-6 Authors Belle Lowe, Blanche Ingersoll, Mildred B. Elder, Paul E. Cox, Helen Paschal, Ruth Wilson, Eda Lord Murphy, Jeanette Beyer, Eleanor Murphy, Opal Wind, Helen T. Peterson, and Dorothy Morris This article is available in The oI wa Homemaker: http://lib.dr.iastate.edu/homemaker/vol2/iss5/1 VOL 11 AUGUST AND SEPTEMBER, 1922 Ncs. 5 and 6 + K - •11 - u - ww - • n- uu - •ll - llll - u - ~~ - •• - u - u - • •- u - u - lll - n - u - u - ••- u - u -.w• - •• - ~M -- MM - IIII - •• - u -- •• - u --u- n!l - llr.-n - •• - •• - u - n - n- •• - u - •• - ••- u - u -••- ••-u-- n - n - ••-••-n- •• - u - n- •• -• • -u-+i j . -
Broadway Costumes 2012 Rental List
Broadway Costumes Costume Rentals How-To’s, Contract Terms & Conditions Rental Rates & Deposits: The basic rental period is 2 nights. We do not charge for any days that Broadway Costumes is closed. Additional days rent at the rate of 20% per day plus tax. Special weekly rates and “play” rates may apply. Just inquire as to your special needs. Deposits are required and are usually twice the amount required as the stated rental rate up to and including the current retail value. Minimum deposit is $20. Deposits are not refundable for any cancellations unless 1 (one) week or more in advance, then 50% refunded. The deposit is NOT part of the rental balance. The entire rental balance is due when the costume is picked up. Deposits may be made by credit card (Visa, MasterCard, American Express) or by cash. Deposits are refunded after costume return and any applicable fees are paid. Rental Return: You must return all rented items by the date stated on the contract. Items not returned on the specified date are subject to a late fee of 20% of the basic rental rate per day late plus tax. Alterations by Broadway Costumes: Alterations and cleaning are normally included in the rental price. However, alterations may take up to two weeks at peak seasons; faster service may require an additional service charge. Alterations by Customer: NO ALTERATIONS are allowed by the customer. Any alterations done outside of Broadway Costumes will be considered as damage and will result in assessed fees. Smoking and Eating While in Costume: Be very cautious. -
Want and Bait 11 27 2020.Xlsx
Year Maker Set # Var Beckett Name Upgrade High 1967 Topps Base/Regular 128 a $ 50.00 Ed Spiezio (most of "SPIE" missing at top) 1967 Topps Base/Regular 149 a $ 20.00 Joe Moeller (white streak btwn "M" & cap) 1967 Topps Base/Regular 252 a $ 40.00 Bob Bolin (white streak btwn Bob & Bolin) 1967 Topps Base/Regular 374 a $ 20.00 Mel Queen ERR (underscore after totals is missing) 1967 Topps Base/Regular 402 a $ 20.00 Jackson/Wilson ERR (incomplete stat line) 1967 Topps Base/Regular 427 a $ 20.00 Ruben Gomez ERR (incomplete stat line) 1967 Topps Base/Regular 447 a $ 4.00 Bo Belinsky ERR (incomplete stat line) 1968 Topps Base/Regular 400 b $ 800 Mike McCormick White Team Name 1969 Topps Base/Regular 47 c $ 25.00 Paul Popovich ("C" on helmet) 1969 Topps Base/Regular 440 b $ 100 Willie McCovey White Letters 1969 Topps Base/Regular 447 b $ 25.00 Ralph Houk MG White Letters 1969 Topps Base/Regular 451 b $ 25.00 Rich Rollins White Letters 1969 Topps Base/Regular 511 b $ 25.00 Diego Segui White Letters 1971 Topps Base/Regular 265 c $ 2.00 Jim Northrup (DARK black blob near right hand) 1971 Topps Base/Regular 619 c $ 6.00 Checklist 6 644-752 (cprt on back, wave on brim) 1973 Topps Base/Regular 338 $ 3.00 Checklist 265-396 1973 Topps Base/Regular 588 $ 20.00 Checklist 529-660 upgrd exmt+ 1974 Topps Base/Regular 263 $ 3.00 Checklist 133-264 upgrd exmt+ 1974 Topps Base/Regular 273 $ 3.00 Checklist 265-396 upgrd exmt+ 1956 Topps Pins 1 $ 500 Chuck Diering SP 1956 Topps Pins 2 $ 30.00 Willie Miranda 1956 Topps Pins 3 $ 30.00 Hal Smith 1956 Topps Pins 4 $ -
View This Year's Acquisitions
Yale University Art Gallery Bulletin 2017 Recent Acquisitions online supplement Within these lists, objects in the Circa (ca.) is used to denote that a Acquisitions departments of American Decorative work was executed sometime within or July 1, 2016– Arts, American Paintings and Sculpture, around the date given. For all objects, Asian Art, European Art, Modern and principal medium is given first, followed June 30, 2017 Contemporary Art, Photography, and by other media in order of prevalence. Prints and Drawings are alphabetized Dimensions are given in inches followed by artist, then ordered by date, then by centimeters in parentheses; height alphabetized by title, then ordered by precedes width. For three-dimensional accession number. Objects in the sculpture and most decorative objects, departments of African Art, Ancient such as furniture, height precedes Art, Art of the Ancient Americas, Indo- width precedes depth. For drawings, Pacific Art, and Numismatics are ordered dimensions are of the sheet; for relief chronologically, then alphabetized by and intaglio prints, the matrix; and for title, then ordered by accession number. screenprints, planographic prints, and photographs, the image, unless otherwise noted. For coins and medals, weight is given in grams, axis in clock hours, and diameter in millimeters. If an object is shaped irregularly, maximum measure- ments are given. 2 African Art Unidentified Sapi artists Unidentified Vai artist Unidentified Dan artists 3 figures Female Ancestral Mask (Ndoli Jowi/Nòwo) 3 necklaces Sierra Leone, 14th–15th century Liberia, 19th to mid-20th century Liberia, late 19th–early 20th century Stone, ranging from 3 x 1½ x 2⅝ in. Wood, 18 x 9½ x 13 in. -
Bazooka Baseball Card Checklist
1959 Bazooka Baseball Checklist Richie Ashburn Hank Aaron (Name In White ) Hank Aaron (Name In Yellow ) Ernie Banks Ken Boyer Orlando Cepeda Bob Cerv Rocky Colavito Del Crandall Jim Davenport Don Drysdale Nellie Fox Jackie Jensen Harvey Kuenn Mickey Mantle Willie Mays Bill Mazeroski Roy McMillan Billy Pierce Roy Sievers Duke Snider Gus Triandos Bob Turley Vic Wertz 1960 Bazooka Baseball Checklist 1 Ernie Banks (Hand Cut) 2 Bud Daley (Hand Cut) 3 Wally Moon (Hand Cut) 4 Hank Aaron (Hand Cut) 5 Milt Pappas (Hand Cut) 6 Dick Stuart (Hand Cut) 7 Bob Clemente (Hand Cut) 8 Yogi Berra (Hand Cut) 9 Ken Boyer (Hand Cut) 10 Orlando Cepeda (Hand Cut) 11 Gus Triandos (Hand Cut) 12 Frank Malzone (Hand Cut) 13 Willie Mays (Hand Cut) 14 Camilo Pascual (Hand Cut) 15 Bob Cerv (Hand Cut) 16 Vic Power (Hand Cut) Compliments of BaseballCardBinders.com© 2019 1 17 Larry Sherry (Hand Cut) 18 Al Kaline (Hand Cut) 19 Warren Spahn (Hand Cut) 20 Harmon Killebrew (Hand Cut) 21 Jackie Jensen (Hand Cut) 22 Luis Aparicio (Hand Cut) 23 Gil Hodges (Hand Cut) 24 Richie Ashburn (Hand Cut) 25 Nellie Fox (Hand Cut) 26 Robin Roberts (Hand Cut) 27 Joe Cunningham (Hand Cut) 28 Early Wynn (Hand Cut) 29 Frank Robinson (Hand Cut) 30 Rocky Colavito (Hand Cut) 31 Mickey Mantle (Hand Cut) 32 Glen Hobbie (Hand Cut) 33 Roy McMillan (Hand Cut) 34 Harvey Kuenn (Hand Cut) 35 Johnny Antonelli (Hand Cut) 36 Del Crandall (Hand Cut) 34 Al Kaline (Hand Cut-Holding Two Bats) 35 Ken Boyer (Hand Cut-Cap To Waist) 36 Tommy Davis (Hand Cut-Batting) 1961 Bazooka Baseball Checklist 1 Art Mahaffey -
Kit Young's Sale #131
page 1 KIT YOUNG’S SALE #131 1952-55 DORMAND POSTCARDS We are breaking a sharp set of the scarce 1950’s Dormand cards. These are gorgeous full color postcards used as premiums to honor fan autograph requests. These are 3-1/2” x 5-1/2” and feature many of the game’s greats. We have a few of the blank back versions plus other variations. Also, some have been mailed so they usually include a person’s address (or a date) plus the 2 cent stamp. These are marked with an asterisk (*). 109 Allie Reynolds .................................................................................. NR-MT 35.00; EX-MT 25.00 110 Gil McDougald (small signature) ..................................................................... autographed 50.00 110 Gil McDougald (small signature) ..............................................................................NR-MT 50.00 110 Gil McDougald (large signature) ....................................................... NR-MT 30.00; EX-MT 25.00 111 Mickey Mantle (bat on shoulder) ................................................. EX 99.00; GD watermark 49.00 111 Mickey Mantle (batting) ........................................................................................ EX-MT 199.00 111 Mickey Mantle (jumbo 6” x 9” blank back) ..................................................... EX-MT rare 495.00 111 Mickey Mantle (jumbo 6” x 9” postcard back) ................................................ GD-VG rare 229.00 111 Mickey Mantle (super jumbo 9” x 12” postcard back) .......................VG/VG-EX tape back 325.00 112 -
Pictorial. Magazine
EK'S COMPLETE TELEVISION PROGRAMS THE SUNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL. MAGAZINE ews Highlights of Clifton East Paters4n Fair Lawn Garfield Haledon Hawthorne Lodi Little Falls Mountain View h Haledon Paterson Passaic Pompton Lakes rospect Park Sidgac To owa oyne West Paterson DOWNTOWN CAMPUS MARCH 27, 1960 VOL. XXXII, No. 13 435 STRAIGHT STREET PATERSON, N.J. MUlberry 4-7880 GiftDep•rtment Living Rooms Bedrooms- Bedding Dining Rooms Furni.'•• Accessories Carpeting Appliances THE IDEAL PLACE TO DINE AND WINE -- l•/.t,,..•. ITALIAN.AMERICAkKITCHEN q,•n-.-*. :.,,,• 'i• t SEA OOD :*• q ß BROILED LOBSTER --, -- DAILY FROGS' I,EG$ - SY)FT SHELL CRAL•:• - BLUEFISH - RAINBO%% 21/2-HOUR OPERA COLORCAST-- Cesare Siepi (left) as Don TROUT - ]-iALIBUI' - SALMON - SHRIMPS- SCALLOPB- Giovanni -- title character in the Mozart work to be presented in English by the NBC Opera Company Sunday, April 10- threat- 168 BELMONTAVE. {Cor. Burhans).HALEDON - - - LAmbert 5-911S ens his servant Leporello (James Pease, kneeling) as Donna OYSTERS- CLAM- COD FISH - SP•ORD FISH- DAILY Elyira (Helen George) intervenes. Masetto (John Reardon) and his fiancee Zerlina (Judith Raskin) look on. Also in the cast of the NBC-TV Network presentation are Leontyne Price, Charles K..L. Davis and John McCurdy. I. PARRILLO TheMan from Equitable asks- YouwaKt your child to havea better placein the sun, don't you? OF'COURSE YOU DO. But like someparents you f•g- ure,"there's still plenty of time."Then, bdore you knowit, they'reall grown up and need your help •o givethem that important start toward a pro•ion, careeror business,or in settingup a home.Make surenow that your "helpinghand" will be there whenit isneeded. -
HOLGER ERIKSSON Catalog 2012 HOLGER ERIKSSON the ”GRAND MASTER” of SWEDISH MINIATURE FIGURES
HOLGER ERIKSSON Catalog 2012 HOLGER ERIKSSON THE ”GRAND MASTER” OF SWEDISH MINIATURE FIGURES Holger Eriksson cast his first miniature figure in 1934, an event that became the start of a unique artistic career. The figure was produced entirely by him, from sketch to modelling, mould, casting and cleaning to painting. Holger Eriksson was born in 1899, in the village of Bolhyttan, Sweden. The family moved to the town of Filipstad in 1901, were he later went to school. At the age of fifteen he was employed as an errand-boy at a drawing office and advanced to draughtsman. In 1929 he moved to Karlstad, to become a designer and drawing office manager. He had had an interest in miniature figures ever since he was a young boy. But it wasn’t playing with tin-soldiers that fascinated him, it was rather the small sized sculpturing. Already in his childhood and youth he drew horses, in motion or resting, with or without riders. The riders were mostly soldiers and they naturally had as correct a uniform as possible. An interest in uniforms, and later regimental history, was awakened. National service in the garrison town of Boden, where most of the army’s arms were represented, gave rich opportunities for detailed studies. About 1925, Holger Eriksson started to sculpt in wood. He carved horses, cowboys and indians, camel riders, knights, foot soldiers and a field gun, all in 54 mm. Later, the idea of casting figures matured and he cast the first figure with the initials HE on the base, as already mentioned, in 1934. -
Playing King
ISSN 2002-3898 © Maria Berlova and Nordic Theatre Studies DOI: https://doi.org/10.7146/nts.v26i1.109744 Published with support from Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS) Playing King Maria Berlova ABSTRACT The Swedish King Gustav III ruled from 1771 to 1792. His departure to the Russian war in 1788 was staged as a grandiose spectacle. The King, who was also a playwright, made the day of his departure coincide with the symbolic date of June 23. This was the date that Gustav II Adolph (ruled 1611-32) went off to the Thirty Years? War in 1628. The parallel between Gustav III and the great Swedish warrior King was further emphasized by his costume made in the style of Gustav Adolph. In this article, the author analyzes Gustav III?s departure to war as a theatrical event and explores the borders of theatrical events in the late eighteenth century. Gustav III?s ceremonial departure is placed in the framework of Nikolai Evreinov?s and Yuri Lotman?s theories of theatricality which show how the King applied theatrical means to everyday life in order to theatricalize it, i.e. to make it spectacular and symbolic. By theatricalizing life Gustav III idealized his role of king and thus performed his power. Theatricalization of political life not only adorned life but it also significantly changed reality; the theatrical playing of the King entailed real consequences ? Gustav III enacted his role of a monarch in a memorable way and achieved his political goals. The interaction between politics and theater is the main focus of the article. -
Le Costume De Préfet Les Préfets Et Sous-Préfets Portent Un Uniforme Brodé Lors Des Cérémonies Ou Visites Officielles
Le costume de préfet Les préfets et sous-préfets portent un uniforme brodé lors des cérémonies ou visites officielles. Les nombreuses broderies de feuilles de chêne et d'olivier entrelacées sur les parements de l'uniforme symbolisent l'autorité et le souci de la paix publique. Les costumes ont fait dès l'an VIII ministère de l'intérieur apportent l'objet de trois arrêtés du quelques modifications tout en restant gouvernement: 17 ventôse (8 mars), fidèles aux dispositions établies en l'an 17 floréal (7 mai) et 8 messidor (27 VIII (circulaires du 24 septembre 1830, juin). Depuis, à chaque changement du 26 janvier 1849, du 20 mars 1852 et de régime, des circulaires du du 10 avril 1873). La circulaire du 10 avril 1873 fixe ainsi l'uniforme du préfet : Grande tenue : habit bleu, broderie en argent, Petite tenue : tunique chapeau français à plumes noires, droite en drap bleu, gilet pantalon blanc ou bleu avec bandes blanc ou bleu, pantalon d'argent, épée à poignée de nacre, bleu, képi bleu à bandeau écharpe tricolore, gilet blanc. Les brodé argent, l'épée sous-préfets, secrétaires comme pour la grande généraux, conseillers de préfecture ont la tenue. même tenue avec des broderies différentes. L'arrêté du général de Gaulle du 1er août 1945 supprime la grande tenue avec bicorne, habit brodé, ceinturon de soie noire, écharpe à glands d'or et épée. Bicorne Aujourd'hui le costume de préfet comprend désormais trois tenues : • une tenue de cérémonie, constituée d'un veston croisé avec pattes d'épaules brodées et parements de manches brodés amovibles.