Flapper by Miss Anderson
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The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
The Concept of the Flapper in the Early Writings of F. Scott Fitzgerald
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1967 The onceptC of the Flapper in the Early Writings of F. Scott itF zgerald Janet Foster Carroll Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Carroll, Janet Foster, "The oncC ept of the Flapper in the Early Writings of F. Scott itzF gerald" (1967). Electronic Theses and Dissertations. 3283. https://openprairie.sdstate.edu/etd/3283 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. THE CONCEPT OF THEFLAPP:m IN THE EARLY WRITINJS OFF. SCOTT FIT'lGmwJ> BY JANETFOSTm CARROLL A thesis subnitted in partial .fulfillment of the requirements tor the degree Master of Arts, Major in English, South Dakota State University 1967 SOUTH DAKOTA STATS UNJYeR51TY LIBRARY THE CONCEPT OF THE FLAPPER IN THE FARLY WRITIIDS OFF. SCOTT FITZGERALD This thesis is approved as a creditable and independent investigation by a candidate for the degree, M�ster of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department. Thesis Adviser / Date The writer wishes to express her sincere appreciation to Mrs. Ruth Alexander for her guidance and encouragement in the preparation of this essay. -
Alan Crosland Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Alan Crosland 电影 串行 (大全) The Whirlpool https://zh.listvote.com/lists/film/movies/the-whirlpool-30731260/actors Is Life Worth https://zh.listvote.com/lists/film/movies/is-life-worth-living%3F-42306746/actors Living? Room and https://zh.listvote.com/lists/film/movies/room-and-board-19363793/actors Board Worlds Apart https://zh.listvote.com/lists/film/movies/worlds-apart-64187679/actors Slim Shoulders https://zh.listvote.com/lists/film/movies/slim-shoulders-24892442/actors Shadows of the https://zh.listvote.com/lists/film/movies/shadows-of-the-sea-64577382/actors Sea Contraband https://zh.listvote.com/lists/film/movies/contraband-5165623/actors The Light in https://zh.listvote.com/lists/film/movies/the-light-in-darkness-64577371/actors Darkness The Prophet's https://zh.listvote.com/lists/film/movies/the-prophet%27s-paradise-65045681/actors Paradise Broadway and https://zh.listvote.com/lists/film/movies/broadway-and-home-64181865/actors Home The Snitching https://zh.listvote.com/lists/film/movies/the-snitching-hour-64577376/actors Hour The Little https://zh.listvote.com/lists/film/movies/the-little-chevalier-64577372/actors Chevalier The Apple Tree https://zh.listvote.com/lists/film/movies/the-apple-tree-girl-64577374/actors Girl Greater Than https://zh.listvote.com/lists/film/movies/greater-than-fame-20814693/actors Fame The Beloved https://zh.listvote.com/lists/film/movies/the-beloved-rogue-1192504/actors Rogue Big Boy https://zh.listvote.com/lists/film/movies/big-boy-12102320/actors Captain https://zh.listvote.com/lists/film/movies/captain-thunder-12105497/actors -
THE AMERICAN YAWP READER a Documentary Companion to the American Yawp Volume II
THE AMERICAN YAWP READER A Documentary Companion to the American Yawp Volume II [http://www.americanyawp.com/reader.html] 1 Table of Contents Introduction .................................................................................................................... 7 16. Capital and Labor ....................................................................................................... 9 William Graham Sumner on Social Darwinism (ca.1880s) .............................................10 Henry George, Progress and Poverty, Selections (1879)......................................................12 Andrew Carnegie’s Gospel of Wealth (June 1889) ........................................................14 Grover Cleveland’s Veto of the Texas Seed Bill (February 16, 1887) ..............................16 The “Omaha Platform” of the People’s Party (1892) ....................................................18 Dispatch from a Mississippi Colored Farmers’ Alliance (1889) ......................................23 The Tournament of Today – A Set-To Between Labor and Monopoly ..........................27 Lawrence Textile Strike (1912) .....................................................................................28 17. The West ..................................................................................................................29 Chief Joseph on Indian Affairs (1877, 1879) .................................................................30 William T. Hornady on the Extermination of the American Bison (1889) ......................32 -
Alan Crosland, the JAZZ SINGER (1927, 88 Min)
August 27, 2013 (XXVII:1) Alan Crosland, THE JAZZ SINGER (1927, 88 min) Academy Awards—1929—Honorary Award (Warner Bros.) for producing The Jazz Singer, the pioneer outstanding talking picture, which has revolutionized the industry. National Film Registry—1996 Directed by Alan Crosland Adapted for film by Alfred A. Cohn Based on the short story by Samson Raphaelson (“The Day of Atonement”) Original music by Louis Silvers Cinematography by Hal Mohr Edited by Harold McCord Al Jolson...Jakie Rabinowitz May McAvoy...Mary Dale Warner Oland...The Cantor Eugenie Besserer...Sara Rabinowitz Otto Lederer...Moisha Yudelson Crossland directed John Barrymore in Don Juan, which had sync Richard Tucker...Harry Lee sound effects and music, but no dialogue, using Vitaphone. Cantor Joseff Rosenblatt…Cantor Rosenblatt - Concert Recital SAMSON RAPHAELSON (b. March 30, 1894, New York City, ALAN CROSLAND (b. August 10, 1894, New York City, New New York—d. July 16, 1983, New York City, New York) has 45 York—d. July 16, 1936, Hollywood, California, car accident) writing credits, among them 1988 “American Playhouse,” 1980 directed 68 films, among them 1936 The Case of the Black Cat, The Jazz Singer (play), 1965 “Wolken am Himmel,” 1959 1935 The Great Impersonation, 1935 King Solomon of “Startime,” 1956 Hilda Crane (play), 1955 “Lux Video Theatre,” Broadway, 1935 It Happened in New York, 1935 The White 1952 “Broadway Television Theatre,” 1949 “The Ford Theatre Cockatoo, 1934 The Case of the Howling Dog, 1934 Massacre, Hour” 1949 In the Good Old Summertime, 1947 -
SMM History 1998-2019
Seattle Theatre Group Silent Film History 1998-2019 1998 Film Title/Year Screen date Director Star Legends of Comedy The General, 1926 August 10,1998 Clyde Bruckman Buster Keaton & Buster Keaton The Pale Face, 1922 August 10, 1998 Edward F. Cline Buster Keaton & Buster Keaton The Gold Rush, 1925 August 17, 1998 Charlie Chaplin Charlie Chaplin Safety Last, 1923 August 24, 1998 Fred C. Newmeyer Harold Lloyd Two Tars, 1928 August 24, 1998 James Parrott Stan Laurel & Oliver Hardy 1999 Film Title/Year Screen date Director Star Funny Money Show People, 1928 June 7, 1999 King Vidor Marion Davis A Dog’s Life, 1918 June 14, 1999 Charlie Chaplin Charlie Chaplin The Pilgrim, 1916 June 14, 1999 Frank Borzage Frank Borzage Seven Changes, 1925 June 21, 1999 Buster Keaton Buster Keaton That Certain Thing, 1928 June 28, 1999 Frank Capra Viola Dana Heroes and Villains The Bat, 1926 July 5, 1999 Roland West George Beranger The Black Pirate, 1926 July 12,1999 Albert Parker Douglas Fairbanks Dr. Jekyll and Mr. Hyde, 1920 July, 19,1999 John S. Robertson John Barrymore Special Engagement Faust, 1926 October 31, 1999 F.W Murnau Emily Jannings Seattle Theatre Group Silent Film History 1998-2019 2000 Film Title/Year Screen date Director Star DW Griffith & Lillian Gish Orphans of The Storm, 1921 July 3, 2000 DW Griffith Lillian and Dorothy Gish Way Down East, 1920 July 10, 2000 DW Griffith Lillian Gish Intolerance, 1916 July 17, 2000 DW Griffith Lillian Gish & Sci-Fi & Adventure The Lost World, 1925 October 2, 2000 Harry O. Hoyt Wallace Beery Aelita- Queen of Mars,1924 October 9, 2000 Yakov Protazanov Yuliya Solntseva Peter Pan, 1924 October 16, 2000 Herbert Brenon Betty Bronson Submarine, 1928 October 23, 2000 Frank Capra Jack Holt The Phantom of the Opera, 1929 October 20, 2000 Rupert Julian Lon Chaney 2001 Film Title/Year Screen date Director Star Women in Film La Boheme, 1926 July 9, 2001 King Vidor Lillian Gish My Best Girl, 1927 July 16, 2001 Sam Taylor Mary Pickford IT, 1927 July 23, 2001 Clarence G. -
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) -
Complete Issue Gender and Consumerism
Issue 2013 40 Gender and Consumerism Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As English Department an electronic journal, gender forum offers a free-of- Albertus-Magnus-Platz charge platform for the discussion of gender-related D-50923 Köln/Cologne topics in the fields of literary and cultural production, Germany media and the arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Tel +49-(0)221-470 2284 Inaugurated by Prof. Dr. Beate Neumeier in 2002, the Fax +49-(0)221-470 6725 quarterly issues of the journal have focused on a email: [email protected] multitude of questions from different theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews Editorial Office and occasionally interviews, fictional pieces and poetry Laura-Marie Schnitzler, MA with a gender studies angle. Sarah Youssef, MA Christian Zeitz (General Assistant, Reviews) Opinions expressed in articles published in gender forum are those of individual authors and not necessarily Tel.: +49-(0)221-470 3030/3035 endorsed by the editors of gender forum. email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th Prof. Dr. Mita Banerjee, edition) and should be between 5,000 and 8,000 words in Johannes Gutenberg University Mainz (Germany) length. Please make sure to number your paragraphs Prof. Dr. Nilufer E. Bharucha, and include a bio-blurb and an abstract of roughly 300 University of Mumbai (India) words. -
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. -
Current As of 10.23.2019 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
1 Current as of 10.23.2019 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (October 2019) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at [email protected] 20 21 • Some recent “finds” now removed from this list: Devil’s Claim (1920), 22 Foreman of the Bar-Z Ranch (1915), Secrets of the Night (1924), Sinews of 23 Steel (1927), Broadway Billy (1926), Broadway Gold (1923), Dancer and the 24 King (1914), Dark Angel (1925), Double-Fisted (1925), Earth Woman (1926), 25 Man-Made Women/Woman (1928), Eye of Envy (1917), Between Dangers 26 (1927), Pursued (1925), On-the-Square Girl (1917), Two Lovers (1928), 27 Win(k)some Widow (1914), Clear the Decks (1917), Grim Game (1917), The 28 Noose (1928), In Slumberland (1917) 29 30 31 $1,000 Reward (1923), Charles R. -
Teacher's Instructional Guide
GOODSPEED MUSICALS TEACHER’S INSTRUCTIONAL GUIDE is madepossiblethroughthe generosity of Goodspeed’s Teacher’s InstructionalGuide Teacher’s Goodspeed’s The Max Showalter Centerfor Education inMusical Theatre MY ONE AND ONLY Goodspeed Opera House April 15 - June 25, 2011 _________ MUSIC & LYRICS BY GEORGE AND IRA GERSHWIN BOOK BY PETER STONE & Teacher’s Instructional Guide TIMOTHY S. MAYER TABLE OF CONTENTS PROJECTION DESIGN BY MICHAEL CLARK How To Use The Guides.......................................................................................3 LIGHTING DESIGN BY ABOUT THE SHOW: PAUL MILLER Show Synopsis........................………………………………………………...4 COSTUME DESIGN BY Character Summary.........................………………………………………..5 ROBIN MCGEE The Gershwins............................................................................................6 SCENIC DESIGN BY JAMES YOUMANS BACKGROUND AND THEMATIC MATERIAL: CHOREOGRAPHED BY The Roaring Twenties...............………………………………………………9 KELLI BARCLAY The 1920s: Music......................……………………………………………..10 DIRECTED BY The 1920s: Film................…………………………………………………….12 RAY RODERICK Prohibition.....................................................................................14 PRODUCED FOR GOODSPEED Flappers.............................................................................................15 MUSICALS BY MICHAEL P. PRICE Charles Lindbergh..............………………………………………………....16 Barnstormers.....................………………………………………………...17 LESSONS: Middle School Language Arts..........……………………………….........18 -
“A Room and the Right Kind of People:” the Ideology Of
“A ROOM AND THE RIGHT KIND OF PEOPLE:” THE IDEOLOGY OF ROMANTIC COMEDY IN CLASSICAL HOLLYWOOD CINEMA by CLAIRE E. GRAMAN A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy. March 2020 DISSERTATION APPROVAL PAGE Student: Claire E. Graman Title: “A Room and the Right Kind of People:” The Ideology of Romantic Comedy in Classical Hollywood Cinema This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the English Department by: Dr. Michael Aronson Chairperson/Advisor Dr. Sangita Gopal Core Member Dr. Priscilla Peña Ovalle Core Member Dr. Sergio Rigoletto Institutional Representative and Kate Mondloch Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2020 ii © 2020 Claire Elise Graman This work is licensed under a Creative Commons Attribution license iii DISSERTATION ABSTRACT Claire Graman Doctor of Philosophy Department of English March 2020 Title: “A Room and the Right Kind of People:” The Ideology of Romantic Comedy in Classical Hollywood Cinema Screwball comedy was a unique subgenre of romantic comedy occurring in American film of the 1930s and 40s, with an emphasis on fast-paced, witty dialogue, zany physical humor, and strong female characters. This dissertation examines the origins of screwball comedy in many subgenres of romantic comedy in the 1920s and 1930s, including slapstick, sophisticated comedies, flapper comedies, sentimental comedies, and anarchic pre-Code comedies, with particular focus on the way women are represented in these comedies.