Mirror of Auras: Chen Tuan on Physiognomy

Livia Kohn Boston University, Bostony M A 02215-1401

“ Gongsun Ao 公孫敷 had heard that Shu Fu 叔月艮 was a master of physiognomy and introduced his two sons to him. Shu Fu said: ‘ Gu 榖 will feed you, No 難 will bury you. The lower part of Gu’s face is large, he will have posterity in the state of Lu 會 ” {.Zuozhuan, Wen 1 ;Legge 1960，229).

This record of the Zuozhuan 左傳 is one of the earliest known in­ stances where the application of physiognomy by a professional sooth­ sayer in China is mentioned. Many are the cases throughout Chinese history where the bounties or hazards of future occurrences were rec­ ognized early in a person’s features. Heirs apparent were nominated on the aavice of the physiognomists, just as officials or nobles were re­ duced in rank or even killed on the basis of predictions made by prog­ nostication specialists. Even the most notorious Empress Wu 吳太后 was recognized while still in her diapers:

When Empress Wu was in her infancy, the famous physiog­ nomist Yuan 1 langang 袁天綱 happened to visit her house. He said to her mother: “ Your bone structure shows that you will have noble children.” Thereupon she called all the children and had them examined by Tiangang. mrst he looked at Yuanjing 元慶 and Yuanshuang 元爽 and explained: ‘‘ These two will be­ come heads of great families, in office they may advance to the third rank.” Then he analyzed the later Lady Helan 河蘭： “ This young lady certainly shows signs of great nobility, yet she will not act to the advantage of her husband.” Then the wet-nurse brought

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in little Zetian 則天 who happened to wear boy’s clothes at the time. Tiangang at once said: “ This young lord has a spiritual color and radiates liveliness and high intelligence. But I can’t distinguish the details, so please let me look a little closer! ” He thus took a step towards the cradle and asked the nurse to hold the head up a little higher so that he could examine the eyes. Alas, he exclaimed with astonishment: “ The young lord has dragon eyes and a phoenix neck, the highest possible indicators of nobility! ” When he then continued to examine the child from the side, he was even more surprised: “ Should this child be a girl, then her career would be beyond all estimation. She might well become ruler of the empire.”1

In the two stories quoted above one can already gain a glimpse of the system that underlay traditional Cninese physiognomy, certain parts of the face are identified with specific periods of one’s life so that a large chin section comes to indicate numerous descendants. Single features are isolated, analyzed in terms of their similarity to animal fea­ tures and interpreted according to the quality commonly associated with the beast. Therefore dragon and phoenix features are considered most outstanding, while wolf and tiger characteristics show a cruel and dan­ gerous disposition. In addition to the obvious patterns of one’s features, the general ‘‘ aura，，(feng 風）is judged. The physiognomist then speaks about the client’s energy [qi 氣）or his color (se 色)，an expression used in a wider and more general sense as well as in the rather technical mean­ ing of facial complexion, in which it is also founa in the classics of tradi­ tional Chinese medicine.2

M a n u a l s o f P h y s io g n o m y The first systematic exposition or manual of the rules and principles of applied physiognomy in China, as extant today, is found among the Dunhuang manuscripts. Ascribed to Xu Fu 許負 of the Han dynasty, the Xiangshu 木目書，“ Physiognomy,” has survived in three different manuscript versions (P. 25フ2，P. 2フ9フ，P. 3589). It gives a survey of the human body from top to bottom, explaining the significance or its different features (Hou 1979，57; Kohn 1986，249). From the tenth century onward physiognomic materials increase in number, while the systems presented grow in complexity. Yet one can identify a unified tradition of physiognomy from the early Song to the present day, a tradi­ tion which is still alive in Taiwan and Japan.3 1 his modern standard type of physiognomy is characterized by its emphasis on the theory of body-spint interaction and by its frequent reliance on the model of the PHYSIOGNOMY: MIRROR OF AURAS 217 five phases in the analysis of body forms and facial complexions. A variety of texts—each emphasizing a specific aspect of physiognomy— connect the early masters with their modern followers. The Mirror of Auras {Fengjian 風鑑）is the first of the manuals of the modern tradition. It is ascribed to Chen Tuan 陳搏，th e famous Taoist saint and philosopher of the tenth century.4 He is praised by the tradi­ tion as the founder of modern standard physignomy and is also claimed as the original author of its foremost textbook, the Shenxiang auanbian 神 相 全 編 （“ Complete Guide to Spirit Physiognomy ”). As I pointed out in an earlier article (Kohn 1986)，this book was compiled by Yuan Zhongche 袁忠徹，zi Gongda 公達 or Jingsi 静思 of the early Ming 明 dy­ nasty (136フー1458)，who was a well-known physiognomist at the imperial court. It is now extant in a late Ming edition preserved in the National Central Library in Taipei, Taiwan. In addition, it has been reprinted in its entirely in the great Chinese encyclopedia Gujin tushu jicheng 古今 圖書集成（ch.s 631-644). This latter text in turn served as a basis for modern Taiwanese pocketbook editions such as the one prepared by Liang Xiangrun 梁 湘 潤 （Liang 1980). There is an abridged Japanese translation of the Shenxiang quart- bian by the Tokyo shrine Administration which is used today as the standard physiognomic manual of Japan (Jingukan 1982). In English we have a summarizing account of the major methods outlined in the text (Lessa 1968) and a discussion or its alleged tradition based on an analysis of the materials quoted (Kohn 1980；. The standard modern type of physiognomy as represented by the Shenxiang quanbian does indeed go back to the tenth century. The ear­ liest textbook that can be considered a direct forerunner of the Shenxiang quanbian is the Yuguan zhaoshen ju 玉管照神局，(“ Jade Office Instruc­ tions on How to Clarify Spirit ”）allegedly by Song Qiqiu 宋齊邱 of the Southern Tang, but probably dating from the early Song period. Be­ sides the Yuguan zhaoshen ju ’ materials of the Shenxiang quanbian could be traced to the Renlun datongfu 人倫大通賦（‘‘ Comprehensive Rhap­ sody on Human Relations ’ ’）o f the Jin and the Taiqing shenjian 太清神鑑 (“ Great Clarity Mirror of Spirit ”) dated to the late Song. The Mirror of Auras ascribed to Chen Tuan is contained in the Yu- ^uan zhaoshen ju of the early Song {Yuguan, l,4b-9b). It is also found in the Shenxiang quanbian under the title Fengjian 風 鑑 歌 (“ Song of the Mirror of Auras ”) (ch. 6; Liang 1980，178-181) and in the Taiqing shenjian of the late Song under the title Shenbi lun 神 秘 論 （“ On the Se­ crets of Spirits ”)• More than that, it is quoted frequently in commen­ tary sections of the Shenxiang quanbian and in other physiognomic texts. We can distinguish two major editions of the Mirror of Auras，an 218 L IV IA K O H N older one in the Yuguan zhaoshen ju and a later version found both in the Shenxiang quanbian and in the Taiqing shenjian. Whereas the older text is in prose, the more recent version is rhymed. Although in con­ tent the editions are rather similar, giving a general survey or the theory and practice of physiognomy, they are not at all alike in structure and phrasing. The Mirror of Auras proposes a theory on the interaction of body and spirit; it gives detailed rules and examples for analysis of body types and features according to the theory of the five phases as well as accord­ ing to animal types; it uses facial complexion analysis, again in accor­ dance with five-phases theory (Kohn 1986). However, the Fengjian does not give an exhaustive survey of phy­ siognomy. Rather it exemplifies the basic principles and main methods of analysis by discussing specific types, such as the “ wood type ” with its different developments and the “ thin type ” with its main character evaluations. Edited already in the early Song in the Yuguan zhaoshen ju , the Fengjian might actually go back to the teachings of Chen Tuan. The fact that it is extensively quoted in most manuals after the tenth century, moreover, shows the importance attributed to Chen Tuan and his work in modern standard physiognomy.

Chen Tuan as an Author of Physiognomic Texts In the Tushu jicheng edition of the Shenxiang quanbian, Chen Tuan is credited with the Dongxuan jing 洞 玄 經 (“ Scripture of Pervading My­ stery ，，）(L ia n g 1980，25フー259). In the Ming edition of the text, how­ ever, this text is cited without any author’s name under the title Dong­ xuan jing xing you qixiang 洞玄經形有七相（‘‘ Seven Types of Bodies Ac­ cording to the Scripture of Pervading M y ste ry ，，). Under the title Dongxuan jing zaduan ge 洞玄經雜斷歌（“ Sonp- Containing Miscellaneous Fragments of the Scripture of Pervading M u s te r y ，，) a completely dif­ ferent text is found in the Yuguan zhaoshen ju ( l，llb-12b). It is not ascribed to anybody. In addition, the Shenxiang quanbian contains a text “ On Energy and Complexion，，，Qis e lun 氣色論，attributed to Xiyizi 希 夷 子 （Liang 1980，^z5-32o;. Chen Tuan might be referred to by this name, as he was commonly known as Xiyi xiansheng 希夷先生，th e title given to him by Song Taizong in 984. However, as the Yuguan zhaoshen ju does not contain any similar text, the ascription to Xiyizi might also intend a different personage. The Yuguan zhaoshen ju ，on the other hand, cites Chen Tuan as the author of two other texts which are not contained in any of the later col­ lections. There is first the X iu li jin 袖裏金，（“ Gold Up the Sleeve，，） PHYSIOGNOMY: MIRROR OF AURAS 219

(l,9a-lla), and then there is the Xiang ge 相歌，（“ Song on Physiogno­ my ”）（1，llab). The teaching of these two texts is quite similar to the concepts set forth in the Fengjian, yet as they are not usually quoted in later texts and are otherwise unconnected with Chen Tuan, we will not discuss them in further detail. All in all one may say that although Chen Tuan has been credited with quite a number of physiognomic texts, yet evidence gained from the tradition of physiognomy itself is spurious. We cannot be sure that he really was involved in physiognomy and/or wrote anything on the sub­ ject at all. We only know that he occupied an important position in the estimate of the later tradition: the Mirror of Auras is quoted frequently in later texts. The early date ot its older edition in the Yuguan together with the mention of Chen Tuan as an outstanding master might be an indication of some historical fact. Yet one would wish for some more substantial link of Chen Tuan with the art of physiognomy. Let us therefore take a look at his life and legend.

P h y s io g n o m y in C h e n T u a n L eg e n d s In legends concerning Chen Tuan we do find quite a number of anecdo­ tes telling how he skillfully predicted a person’s fate by merely looking at his or her facial features.1 here is, e.g., his spontaneous recognition or Zhang Yong’s 張詠 outstanding military talent and of his future chances to apply it in the service of the empire, despite the fact that Zhang had railed to pass the official examination:

While Zhang Yong was still a commoner he once visited Chen Tuan and asked his permission to come and study with him on on Mount Hua 華山. Chen refused steadfastly, but when Zhang de­ parted he gave him a slip of paper with a poem in which he foretold Zhang’s career, mentioning to him: “ Your wish to study with me would entangle me too much in secular duties.” He then hand­ ed mm the poem:

You will pacify Wu 吳 and go to Shu 蜀，striving for universal order; In the middle of the party while food’s in the pot and singing is go­ ing on you will save all from the outbreaking fire. You will apply for appointment in the Southeast, as it’s marvellous there, And you will end up feeling grateful to an ulcer on your head.5

Needless to say, Zhang Yong was very successful in his career and very much involved in the world. He was sent to pacify various parts or the 220 L IV IA K O H N

empire and in the end was excused from official service due to an ulcer he developed. According to another story, Chen Tuan evaluated the future of Qian Ruoshui 錢若水 together with the Hempclad Taoist, Mayi daozhe 麻衣 道者，telling him that he would end ms career prematurely (see below). Another official, Wang ohize 王世則 who came to mm in the guise of a humble servant was at once recognized for his true position and asked to occupy the seat of the right of everybody else, i.e., the seat of honor. Chen Tuan told him: ‘‘ In the future you will be higher than all the others! ，’ Only a year after this incident Wang Shize did indeed pass the official examination ahead of everyone else.6 The practice of seating people according to their future rank on the basis of physiognomic analysis is also mentioned m another episode:

When Song Taizu 太祖 and Taizong 太宗 were not yet emperors, they once went to Chang’an in the company or Zhao Pu 趙普. Chen Tuan met them and together they visited a winehouse. Zhao unintentionally seated mmself on the mat to the right. Chen Tuan reproved him: “ You are merely a minor star in the constellation of the Emperor of Purple Tenuity (Ziwei 紫微，th e highest agency governing the universe). How dare you take the seat of honor? ” 7

Again, when he was at the imperial court in 984，Taizong requested his help in the nomination of the heir apparent. He had only to look at the attendants of the future Zhenzong 眞宗 to know that he would be the emperor:

Although "1 aizong had already thought of the later Zhenzong as a good candidate for heir apparent, he yet wanted Chen Tuan to have a look at all the princes . . . He went to the various residences of the princes and upon returning handed in the following memoran­ dum: “ ohouwang 壽王 is truly the future ruler of the empire! When I first approached his residence, I saw two men at the gate. I asked their names which they gave as Zhang Q i 張耆 and Yang Chongxun 楊崇動、. Both were in the service of the prince. As far as I can judge these two, they will both become prime ministers eventually. Thus I had no problems judging the qualities of their master.” Taizong was very happy . . . 8

Chen Tuan also practised his skill with less illustrious persons and used his insights into the future to do them a good turn. One example for this is the magical drug he gave to a local magistrate near his home PHYSIOGNOMY: MIRROR OF AURAS 221 on Mount Hua who was thereby saved from death by drowning (Knaul 1981, 73); in another instance he warned a youngster serving at his her­ mitage that his mother was seriously ill and got him to save her in time (Knaul 1981，92); in yet a different case he knew from his appearance that Jia Xiufu 賈休復 had come to him not for company’s sake，but only because he desired Chen’s huge gourd. He graciously let him have it (Knaul 1981，91).

C h e n T u a n i n P hysiognomic L e g e n d s Within physiognomic literature there is mainly one anecdote concern­ ing the skill of Chen Tuan. It runs as follows:

Formerly Wang Kezheng 王克正 died without a male heir. 1 he family were devout Buddmsts and at the time of his funeral his only daughter—then about ten years old—knelt before his image presenting the incense burner. Chen Tuan entered the hall to mourn the dead man and upon coming out again he said to the other guests: “ I could not see the face of Mr Wang’s daughter, but only had a glance at her hands holding up the incense burner. Their physiognomy reveals out­ standing nobility. If she were a man she would certainly earn the white robe and enter the Hanlin Academy. As it is, she will marry to be the first lady of a region.” Later Chen Jingong 陳晉公 was appointed second privy coun­ cilor. He was as yet unmarried. Taizong told him: “ There is the old Jiangnan family of Wang Kezheng. His only daughter is pure and virtuous, she would be the right match for you.” When Taizong repeated his advice, Chen made her his wife. A few days later she was given the title Lady of a Prefecture.9

A more explicit description of of Chen Tuan’s role in the modern standard tradition of physiognomy is found in the Shenyi fu 神異賦， (“ Rhapsody on the Marvels of Spirit ”) a physiognomic treatise which is listed as the first as well as the longest of the theoretical treatises con­ tained in the central part of the Shenxiang quanbian. Here Chen Tuan is described as receiving the physiognomic tradition from the Hemp- clad Taoist: “ In mid-winter [they were] sitting round the fire set up in a raised mound of earth in Mayi’s grotto on Mount Hua . . . There were no words used in the transmission of the teaching. Mayi gave it to him in secrecy.” The transmission was in fact effected, as the com­ mentator explains, “ by using glowing sticks of wood and writing characters in the ashes of the fire ’’ (Liang 1980, 125). The text 222 L IV IA K O H N

Shenyi fu then consists of the these very instructions first given to Chen Tuan with so much secrecy. This text is divided in 250 lines with short commentary. It deals with general principles and methods of physiognomy. The introduc­ tion mentions that Chen Tuan was a famous sage of the Five Dynasties’ period, on whom Song Taizong bestowed the title Xiyi xiansheng，and who served the Hemp-clad Taoist as his teacher (Liang 1980，125). The commentary to the introduction supplements legendary information on Chen Tuan, such as his early recognition of the first Song emperor and his later knowledge that the empire would be at peace when Taizu ascended the throne. A probably fictitious audience with Taizu is men­ tioned. The particular story dealing with the secret transmission of the teachings of physiognomy from Mayi to Chen Tuan ties in well with the legends surrounding him, especially with one story which extolls his skill as a practising physiognomist. The story runs as follows:

When he was a jushi 擧士，Qian Ruoshui once visited Chen Xiyi on Mount Hua. Xiyi told him to come back on the next day. When Ruoshui arrived at the appointed time, he saw an old monk had joined Xiyi. They were sitting close to the fire set up in a rais­ ed mound of earth. The monk stared intensely at Ruoshui, but he did not speak for a long time. finally he used a glowing stick of wood and wrote into the ashes of the fire. But before he had written three characters he said abruptly: “ He will withdraw from the most rapid flow of events, from the excitement at the center of aftairs.” Ruoshui bade farewell and lett Xiyi never to stay with him again. Later he climbed the official ladder and reached the position of an assistant commissioner of military affairs. But he withdrew from official service at the early age of forty. Xiyi had originally thought that Ruoshui possessed the radi­ ance or immortality and the bones of the Tao. At that time his fate had not yet been decided by his conscious intentions. But then the old monk had looked at Ruoshui and told him that a Taoist career was impossible. It was because of this that Ruoshui had never come back to Xiyi again. Yet, withdrawing from involvement in society in the midst of ongoing activities is quite close to being a spirit immortal.—The old monk was the Hemp- clad Taoist. Chen Tuan is supposed to have been ms disciple.10

In three points this anecdote on Chen Tuan’s physiognomic talents PHYSIOGNOMY: MIRROR OF AURAS 223 is very similar to the transmission legend cited above: 1 . Chen Tuan is desribed as being closely related to Mayi, his senior and his teacher. 2. The story is set in a grotto on Mount Hua where a fire is glowing on a mound of earth. 3. Higher insights are communicated non-verbally by using parts of the fire. According to a variant version of the story, Mayi uses physiognomy to foretell Ruoshui’s future (Guier ji 貴耳記 29). Chen Tuan’s renown as a physiognomist must therefore be under­ stood as originating from both sources—from the stories about his skill­ ful practice of the art as much as from his authorship of physiognomic manuals, notably the Fengjian. The isomorphic nature of the two stories shows how closely the legend surrounding its alleged founder is related to the transmission of physiognomy. Moreover it becomes clear how much Chen Tuan’s popular fame owes to ms skillful practice of physiognomy. To sum up, both aspects of Chen Tuan’s relation to physiognomy —anecdotes and authorsmp—seem to be not entirely without historical substantiation.Ihe prognostication for Qian Ruoshui, certainly one of the more important stories of this type, is mentioned in his official biography in ch. 266 of the Songshi 宋史，“ History of the Song.” The Mirror of Auras, the main physiognomic work going back to him, is al­ ready contained in early Song manual Yuguan zhaoshen ju . Chen T u a n ，s outstanding skill as a physiognomist is amply documented in a variety of sources. The Mirror of Auras might well be considered as a document of his physiognomic teaching.

Contents of the M i r r o r o f A u r a s The text can roughly be divided into eighteen sections: 1 . Definitions of main terms. Human life is made up from energy (qi 氣）and physical form (xing 形)，i.e., water and fire. These in turn correspond to essence {jtng 精) and spirit (shen 神) ，to the will {zhi 志) and the mind (xin 心) . Human beings come to life according to the fol­ lowing evolution: essence, spirit, physical form, complexion (se 色). Analysis proceeds in the reverse order. 2. Physical appearance according to the five phases (wuxing 五行). Here correspondences are given between “ metal ” and angular appear­ ance, ‘‘ wood ” and slimness, “ water ’’ and obesity, ‘‘ fire ’’ and sharp­ ly-cut features, “ earth ” and coarse, solid looks. In addition certain psychological dispositions are associated with the five types. They are in the above order: deep resolution, wealth, literary talent, courage, and 224 L IV IA K O H N caution. 3. Types of bodies according to animal morphology. The main distinction here is between bird-types, who are usually slim, and beast- types，who tend to be fat. Fat birds, it is said, cannot fly, meager beasts do not possess enough strength. The phoenix, the rhinoceros, and the tiger are explained in some detail. 4. The appearance of the wood-type. A person who belongs to the phase “ wood ’’ is usually slim in body and fresh in complexion. Yet one cannot be sure of his or her inner qualities, since the person might resemble a rather coarse kind of tree or might be like a tree with a hollow stem. 5. Impure or mixed types. For instance, wood-types often have some features typical for the phase “ metal/' water-types have some af­ finities toward “ earth,” fire-types tend to encompass some charac­ teristics of “ water/* and earth-types will be found to show some “ wood ” features. 6. Mixtures according to the dynamics of phases. Generally in mixed types it is auspicious when the two phases are in a producing ra­ ther than overcoming relationsnip. The phases turn up in a person in a certain order; however, it is not clear from the text whether the phases succeed each other are 1)physically within the same person from top to bot­ tom, 2) chronologically in the course of the person’s life, or 3) practically while the analysis proceeds toward subtler levels. Someone might first be a wood-type, but there may be some “ metal ” features. Or someone tends to get fat and looks like “ earth.” In the first instance we speak of an obstruction {zhi 滞) ，in the second of a development (Ja 發). フ. Spirit as deep or shallow. The deeper the spirit the better for the person, because then he or she will have much wisdom for guidance in life. Much spirit will make the eyes sparkle and radiate with power. A weak spirit is revealed in dull eyes. 8. Energy as pure or turbid. The purer the energy, the stronger and clearer one’s voice will be. This in turn shows the sincerity and power of one’s will. Energy might either be of one kind or it might be mixed. It tends to develop according to the climate of one’s home coun­ try. 9. Complexion as full or transparent. Although only skindeep， complexion should be full and deep, it is not only related to the healthy functioning of the five orbes {wuzang 五臟）b u t also to one’s radiance of spirit. The more radiance there is the better one feels’ “ glowing ” with joy. 10. Complexion as young or old. Getting older and having a “ young ” complexion means there is some obstruction, while “ o ld ，’ PHYSIOGNOMY: MIRROR OF AURAS 225 is used to refer to a look corresponding to one’s real age. 1 1 .Physical form and spirit in terms of surplus and deficiency. The more one has of physical form and spirit the more one will be liked by others. One who is insufficient in both will inspire immediate loath­ ing. 12. Interaction patterns of the various constituent parts. All the basic constituents of human beings, form and spirit, energy and com­ plexion, should be in harmony, they should be whole and full. Of all the constituents, spirit is the strongest and most basic, followed by en­ ergy which is responsible for complexion. Form only gives a frame­ work for the working of the others. 13. Thin appearance. It is not good to be thin. Thin people tend to be nervous and hectic, they easily fall ill and usually do not live very long. In nature the weakest are usually thin, a thin earth cannot support any life. Thin people are nasty and treacherous, unkind to their elders, of a frivolous and unreliable nature. They tend to give themselves airs and show off their positions. 14. Signs of long life. People with a powerful physique and steady eyes live longest. Imposing looks reveal a harmonious interac­ tion of physical form and energy, while steady eyes show the strength of the spirit. In addition, certain bones of the skull are reliable indica­ tors of long life inasmuch as the bones themselves are made from solidi­ fied energy. 15. The importance of the mind. All physical typology is quali­ fied when someone develops goodness of heart and an inner psychological stability in accordance with fate. Frequently people who are judged unfavorably at first turn out to be quite selfless and agreeable upon closer inspection. Despite their obvious disadvantages they have found ‘‘ free­ dom of mind.” lb. Obstruction. Already a short period of obstruction can do permanent harm to the constituents of an individual. When someone, e.g., develops too much yin energy, he or she will be weak and the spirit will be distressed. 17. Yin and yang. Men should be strong and not effeminate, women should be soft and obedient in due accordance with their station in life. 18. Noble and humble. More than anything else, the cheek bones and the jaws tell about one’s inherent nobility. Their form can reveal exactly the position one is likely to attain in life. In addition, the pupiis of the eyes will show the nature of one’s attitude toward life. Far-seeing eyes express a far-sighted attitude, slanted eyes mean that one’s wisdom is poisoned. 226 L IV IA K O H N

Most of the eighteen sections found in the Song dynasty version of the Mirror of Auras have survived in the later editions. However, no trace could be found of sections 4, 5，12,13, and 14. That is to say, the more detailed and personal descriptions given especially of the wood- type and the ‘‘ thin ” character are lost in the Shenxiang quanbian and the Taiqmg shenjian editions of the text. On the other hand, there are some minor additions found in these texts, such as e.g., a typology of man according to seven types (Liang 1980, 180; also found in Taiqing shenjian 8a):

“ Clear ” (qing 清) without spirit is deeply obstructed; “ slated ” (qi 奇) without spirit will never hold office; “ old ’’ (gu 古）without spirit is really common; “ strange ” (guai 1圣) without spirit will end in disgrace; “ elegant ” {xiu 秀) without spirit is called the tmn type; “ unusual ’，(yi 異）without spirit, such a one is weak; ‘‘ pointed ” (duan 端) without spirit is truly coarse. Yet all of these with spirit would be extraordinary indeed.

similarly the edition of the Mirror of Auras found in the Shenxiang quanbian (Liang 1980，181) eoes into some more detail about one’s family circumstances in life: When the lachrymal bags {leitang 涙堂）are deeply sunk in, one will never stop crying in one’s youth. Troubles with one’s family are recognized by the height of the bones above the eyebrows. No brothers and sisters are shown in short and bushy eyebrows, the lack of a rim around the ears is a sign that one will not find a wife. The version contained in the Taiqmg shenjian, in turn，has certain sections not found in the other versions of the Mirror of Auras, e.g., it says (p. 7b):

The ears should be white, the mouth should be red, the eyebrows clear, the eyes elegant, and the nose very straight; Moreover, the six departments should be in harmony. Then one will certainly be noble all one’s lite.

In contrast to the earlier version of the Fengjian, later editions appear to place a stronger emphasis on the role of the spirit. Also, they seem to favor a higher appraisal of practical application and a more descrip­ tive form of pysiognomic teaching.1 hese differences do not, however, imply the development of new traditions, they only indicate a shift in emphasis. PHYSIOGNOMY: MIRROR OF AURAS 227

C h e n T u a n ’s S y s t e m o f P h y s io g n o m y The Mirror of Auras is organized along the same lines as later texts on the theory and practice of physiognomy. That is to say, it begins with an outline of the principles of human origination and explains the basic physical and psychological constituents of people. It then goes on to outline the basic principles of analysis, viz., the five phases and animal morphology or theriology. Only then the text describes certain types in detail. At this point it appears to stop being systematic, because it does not list all the combinations and variants possible. The text rather limits itself to the elucidation of certain telling examples. The tree mo­ tif is very strong in the text, the comparison of a human being to a tree comes up again and again, much more so than in later systematic phy­ siognomic manuals. Again, one is confronted with the particular pre­ judices of the author in the description of thin people, not found in such frightful openness in later texts. Also, there is the emphasis on the im­ portance of the mind or spirit which in a way goes against the very basic raison d'etre of physiognomy: if spirit can cause all analysis of outward features to be invalid, what good is the analysis after all? Despite these individual specialties of the Mirror of Auras, it gen­ erally follows the fundamental principles of physiognomy in China. As Lessa has pointed out, divination in China is based on the laws of coor­ dinate or correlative thinking, formulated in the principles of the inter­ relation between macrocosm and microcosm, yin and yang, the five phases, the eight trigrams of the Yijing 易經，as well as in the systems of analysis according to animal morphology, numerology, and the overall harmony of things (Lessa 1968，16—33). The system presented in the Mirror of Auras allows a deeper insight into the underlying principles and world view of physiognomy as conceiv­ ed by the Chinese themselves. Human beings thought of as “an as- semblance of energy ’’ already in ancient China (Zhuangzi 莊子，ch. 22), are here described as consisting of spirit, essence, and energy. They come to life only through the positive interaction of fire and water, i.e., the trigrams li 離EE and kan 欠三 of the 1 yme• As these trigrams, hu­ man beings consist of a combination of the basic energies yin and yang. They are formed through the coming together of spirit and physical form. Though common to all Chinese tmnKing，the concepts found in physiognomy are also described very explicitly in Taoist texts. Du Guangting 杜光庭，almost Chen Tuan’s contemporary (850-933), puts them in the following manner:

All human life comes from spirit. When spirit assembles there 228 L IV IA K O H N

is life, when it disperses there is death. Concentrated energy turns into essence. Concentrated essence turns into spirit. Only when spirit is concentrated will there be long life ( Yongcheng pxtan lu ±康 城集仙録 “ Record of the Host of Immortals of the Walled City，，， Daozang, hereafter abbreviated D Z ，n o .フ8 3 ;1.6a).

The origination of humanity according to Taoist literature can be depicted as in diagram 1 (based on the Xisheng jing 西 昇 經 （‘‘ Scripture of Western A scensio n，，，D Z 726; 4.14b):

TAO physical form

inner nature destiny

The interest that the Taoist have in the physical and psychological de­ velopment of human beings, however, is fundamentally different from that of the physiognomists. They do not want to find out why people are what they are or what they should be in the world according to their heaven-given inner nature and destiny. Rather, they strive to under­ stand how they can get out of worldly defilements, how they can become what they should be as part of the Tao, i.e., pure and energetic, long- lived and utterly at-one with the universe. In this context, however, the Taoists warn against developments that would lead in the opposite direction, i.e., that cause human beings to get deeper into mundane strife and lose purity forever :

When one hankers after life and loathes death, resisting the natural transformations, one’s spirit-consciousness will be confused and led into error. It will consequently lose its proper role. The result will be that when one is entrusted to life again [after deathJ and receives the constituting energy, one will not lean toward the pure and refined, but end up with a lot of turbid and coarse energy. Generally all the stupid and dull, the dumb and greedy come into being like this {Zuowanglun 坐忘論，“ Treatise on Sitting in Obli- PHYSIOGNOMY: MIRROR OF AURAS 229

v io n ，” DZ 1036, llab; Kohn 1987，102).

In addition, the Taoists provide a typology of character so that people know what they are up against in the struggle for the purity of the Tao:

People are born between heaven and earth. Thus they are endowed with energy that might be pure or turbid, soft or hard ....A person of pure energy is clever, alert, wise, and intelligent. One of turbid energy is unlucky, harsh, dumb, and foolish. Some­ one endowed with hard energy is haughty, strong, vigorous, and violent. One who has mostly soft energy is compassionate, bene­ volent, honest, and magnanimous. In the same sense, a wood-type character {xing 性）tends to be energetic and impulsive. An earth- type is benevolent and harmonious. A water-type tends to be mo­ dest and cautious. A fire-type is fierce and violent. And a metal- type is severe and abrupt ( Yongcheng jixian lu 1.5b).

But while the Taoists emphasize that “an intelligent person will restrain and suppress these inborn characteristics and thereby prolong his life ” {Yongcheng jixian lu 1.5b), the physiognomists try to find out what people can and should do in accordance with their inner natures. People cannot help being what they are—but while according to the Tao­ ists, they are at-one with the Tao, according to the physiognomists, they are determined by destiny. Nevertheless Chen Tuan emphasizes the importance of the mind, he allows for the possibility of the individual to go beyond his heaven-given fate, to overrule all adverse circumstances apparent in his physical body through the power of the spiritual force within. Here he meets with the Taoists’ contention by saying, “ those whose spirit and energy are at peace and tranquil within are unconcerned and enjoy freedom at heart ” (section 15). The structure of the individual’s body is entirely determined by the quality of his constituents, i.e., of spirit, essence, and energy. The bones develop directly from pure essence, whereas the blood consists basically of energy. Thus one can judge the quality of a persons’s es­ sence from the structure and shape of the bones. Likewise, one can recognize the nature of someone’s energy from the complexion, i.e., the outside counterpart of the blood. In the analysis of the bones, the five fundamental types of pure wood, metal, fire, water, and earth can be distinguished together with the various mixtures of the five phases. In addition, one can describe the body structure by applying an ana­ logy to animal-types, the most noble of which are the phoenix, dragon, tiger, and rmnoceros, but which also include a large variety of household 230 L IV IA K O H N

Figr.1 . Chart of the Six Departments and the Three Agents As Signified in the Three Pavilions 1 . Upper Pavilion of Heaven 2. Middle Pavilion of Humanity 3. Lower Pavilion of Earth 4. Upper Department of the Temples 5. Middle Department of the Cheeks 6. Lower Department of the Chin (Shenxiang quanbian, Liang 1980, 64) animals, wild beasts and birds (Lessa 19o8, 59). More subtly, the bones of the face will reveal the length of one’s live, one’s position, and one’s material wealth. Here the three major bones are the forehead, i.e., the part of heaven, the cheeks and the nose, PHYSIOGNOMY: MIRROR OF AURAS 231 i.e., the part of humanity, and the jaws and the chin, i.e., the part of earth. The forms which these bones take to the right and the left are also called the liufu 六府，six departments (Fig.1 ) . A well-developed forehead reveals nobility, a straight nose and high, knob-like cheekbones show a long and successful lire, and a broad, even lower jaw indicates wealth. complexion is more dependent on outward circumstance than the bone structure of the body. Although general types tend to be in­ fluenced by the climate of the respective birth place (see note 23 for a typology), everyone’s outward appearance is so individual that one can judge character and destiny quite reliably. Other than the bones, com­ plexion tends to change more rapidly with time. It is therefore an in­ dicator of specific tendencies in a given period and does not provide such profound insights into the destiny of a lifetime. Yet even complexion can be categorized according to basic types, and again the system or the five phases is applied frequently (Hou 1979). For Chen Tuan, the ma­ jor types are that of resting, withheld, dead, and prospering complexion (cf. note 27), but he also distinguishes between young and old, full and transparent, intense and scattered types. In addition to complexion, human energy can also be judged by the sound of the voice. In tms, the more generic meaning of energy as breath or wind is still obvious. The concept that all life is wind and makes sound is very old in Chinese mstory. Already the Daode jing 道 (ch. 5) compares heaven and earth to a bellows, and in the Zhuangzi (ch. 2) it is stated about the world that “ the Great Clod belches out breath and its name is wind. So long as it doesn’t come forth, nothing happens. But when it does, then ten thousand hollows begin crying wildly.” It distinguishes the piping of earth, i.e., the sound of the hol­ lows, the piping of human beings, i.e., the breath and the sounds of the flutes and whistles, and the piping of heaven, i.e., the way in which the cosmic energy blows on the ten thousand things so that each can be itself” {Zhuangzi 2; Watson 1968, 36). In ancient China sound was one of the most common means of di­ vination, the energy of the earth was judged by the means of pitch-pipes (Bodde 1959), just as the voice of man would reveal the nature of his energy. More than that, “ armies were appraised by the sound of their approach . . . bird calls were analyzed for their prognosticatory import . . . and pitches were used to determine surnames ’，(DeWoskin 1982， 37). The energy of the earth was thought to be responsible for sick­ nesses in man, as the Huangdi netjtng 黄 帝 内 經 Inner Classic of the Yellow Emperor ”）has it: “ Wind enters the body and exhausts man’s energy ” (ch. 3). So it is not surprising that we find the analysis of the 232 L IV IA K O H N voice as one of the basic methods to examine energy in the Mirror of Au­ ras. The strongest and most primordial of all constituents of humanity is the spirit. It is understood as light (ming 明）or radiance (guang 光 ； section 7 )，a notion which goes back far in Cninese antiquity. Originally the idea of light was closely associated with the ancestral cult, the word for ancestral spirits meaning “ blossom of radiance ’’ {bixian 不顯). Among the moral principles of early Confucian thought, virtue {de 徳) was defined as “ the light or inner vision which directs outer behavior toward the good ” (Vandermeersch 1985). Thus spirit is the light of the ancestors, it is also the light active within people as virtue, it is the pure energy of yang, the force of heaven and the sun. The personal light of inner vision is thus the same as the light of the ancestral spirits, it is one with the yang energy oi the cosmos. The more these different aspects of the light of the universe radiate in harmony, the stronger they become. The more the adept of Taoism strengthens his inner light the more he is bound to become one with the Tao. Thus the descrip­ tion of higher stages of Taoist realization abound in light imagery. It is said that the practitioner of Taoist cultivation will begin to “ radiate a heavenly light ” {zhao tianguang 照天光; Zhuangzi 23; Zuowanglun 12a). The radiance of the light of heaven, of the spirit within human be­ ings is compared to the light that is brought forth from a lamp. As the Neiguan jing 内 觀 經 （“Scripture on Inner Observation，” DZ 641,5b) describes it:

Light arises from fire, fire arises from burning. Burning in turn arises because of the oil, and the oil needs the wick and the body of the lamp to be contained . . . The same pattern holds true for spirit radiating through the fate of people. Spirit is only present when it rests in the mind. The mind exists only within the body, and the body is only complete through the Tao. Thus we say that spirit is like a light.

The light of the spirit is outwardly visible in the eyes, thus the ex- mination of the eyes reveals more of a person’s inner character than the bones or the complexion. Spirited eyes, as Chen Tuan has it, are fasci­ nating or aweinspiring (section 7); unsteady eyes reveal a failure in so­ ciety or even a criminal (section 14). The eyes are the direct link to the mind of the individual— a notion emphasized again and again in Taoist texts as well (cf. Wu Yun’s 吳鶴 Xinmulun 心目論 （“ On Mind and Eyes,” DZ 1038). When human beings are in harmony with the spirit, when the mina is at peace, they will radiate the qualitites of heaven, purity, PHYSIOGNOMY: MIRROR OF AURAS 233 joy, and brilliance, through the eyes. The analysis of a person’s glance, of his or her vision in life, is thus the deepest and most important part of the physiognomist’s task. But whereas the professional physiognomist goes to the very depth of a person’s being, ordinary people— criticized again and again in the Mirror of Auras—know only popular prejudices (some of which might even be shared by the specialist). They rely on an easy typology which can be summarized by the statement that all nicely rounded forms are auspicious and reveal good characters, while all sharp and pointed shapes are indications of an evil disposition and therefore unlucky. For the Western student of Chinese thought, value judgments of the early Song period are revealed in such criticism or repetition of pop­ ular judgments. Adam’s apple and prominent teeth are inauspicious signs, thin people cannot be trusted: they boast and cheat, maltreat their kin and take advantage of others. Women—who always merit special attention in the physiognomists’ textbooks and with whom many of the common signs take on an entirely different significance—should not look like men or behave as such. They should not assert themselves, but remain in the background. All in all, the system of physiognomy presented in the Mirror of Auras of the early Song is quite comprehensive and provides some in­ sight into the logic of physiognomic analysis as conceived by the Chinese themselves. Of course, the system is only one of many, the understand­ ing of the basic constituents energy, essence, and spirit and the inter­ pretation of their respective appearances in human beings vary greatly from text to text, even though from Song times onwards all texts follow the same basic schema. Chen Tuan’s conceptions are deeply rooted in the Chinese tradition, they tally frequently with the notions expressed in the texts of organized Taoism. He does not limit the factors of mun­ dane success and longevity to the physical indicators of physiognomy, but_ as becomes a Taoist saint— allows for the influence of spirit and the power of humans to rise above themselves.

Translation and Text Mirror of Auras

The following translation renders the prose version of the Mirror of Auras as found in the Yuguan zhaoshen ju 1.4b-9b. The annotation provides variant readings of the version in verse, found both in the Tai­ qing shenjian 1.5b-8a and in the Shenxian quanbian ch. 6, Liang 1980，179- 234 L IV IA K O H N 火不嫌尖土不嫌濁似金得金剛毅深似木得木資財一之象有飛禽走獸之倫金不嫌方木不嫌瘦水不嫌肥■曰 疋 _于外者謂之形生於心者謂之神在於血肉者久之生也受氣於水禀形於火水則爲精爲志久則爲 之氣在於皮腐者謂之笆形之を八 陳搏先生風： 精合而後神生神生而後形全形全而後包具

^ を木水夂

±

一 |

181. The two latter texts are abbreviated rl'Q and SX respectively and cited with their corresponding page numbers. Passages found in the variant versions that supply additional information to the basic text have been included in the translation proper. They are marked off by paran- theses { レ While the older prose version contains about 1700 characters, the two more recent editions in verse arc made up of about two hundred lines of seven characters each, i.e., of about 1400 characters altogether. The two later editions give largely the same text，but differ considerably PHYSIOGNOMY: MIRROR OF AURAS 235 from the earlier Yuguan text. Though many sections are identical in contents, phrasing frequently varies and the same or similar ideas may be found in different sections of the text. Section numeration and headings are my own; parallel structures of the text have been imitated as closely as possible.

/. Definitions of main terms. Human life receives energy (qi 氣) from water (shut 水) and is endow­ ed with physical form (xing 形）by fire (huo 火) .11 In people, water is the essence \jmg 精）an d also the will {zhi 志) ；fire is the spirit {shen 神) and also the mind {xin』匕、). When essence is harmonized, spirit is brought forth. When spirit is brought forth, physical form is complete. When physical form is complete, complexion (se 色) will be whole.12 Thus we know that what is apparent on the outside is called physical form; what is arising in the mind is called spirit; what is found in blood and flesh is called energy; what is evident on the skin is called complexion.

2. Physical appearance according to the five phases. Physical form in human beings follows the different images of me­ tal, wood, water, fire, or earth; it can also be compared to that or birds and beasts. Metal appearance tends to be angular {fang 方) ; wood appearance tends to be slim (shou 痩) ; water appearance tends to be fat (ba 月巴）； fire appearance tends to be pointed {pan 尖 ）; earth appearance tends to be coarse (zhuo 濁 ).13 Resembling metal and realizing metal: this person has deep resolu­ tion. Resembling wood and realizing wood: this person will be rich in material goods. Resembling water and realizing water: this person will excel in litera­ ture. Resembling fire and realizing fire: this person will be a great warrior. Resembling earth and realizing earth: this person will have many a store­ house.14 {Resembling metal but not realizing metal: this person will meet with sufferings and grieve. Resembling wood but not realizing wood: this person will be orphaned and lonely. 236 L IV IA K O H N 「 逢如1 # | 氣靑謂之細實至如梧裯之木其內本虛其外不牢謂知其痩取形不知其 則不浮靑瘦則細而實露浮則貧而虚世之諭木者伹此者皆賤矣形之在人木形本痩其色靑痩則不露之象則頭角高聲與夫頤腮豐滿如此之類皆...... II 阜似水得水文 似禽者不嫌瘦似獸者不嫌肥禽肥則不飛獸瘦 ■ は形則

t 一養似$火兵機大似土得土多櫃 1 1 «!麁如松桕之木其本以實其莖^ 秀與夫霞 » HK ;

:. |4 ^ / • :! . .

... « • . 1 * ... 1 « 8 ..

, 1 . I n

. t I I 犀虞 . | i i - n tff

; ? Resembling water but not realizing water: this person willf suffer frequent t I

« defeat. i l Resembling fire but not realizing fire: this person will- encounter li—■ disas­

— 一 m ters and misfortunes. » i : Resembling earth and not realizing earth: this person < will feel unhappy » l » and miserable. SX 179, TQ 6a.} ......

3.1 vpes of oodies uccorauw to animal morphologv.

Those resembling birds arc usually slim. - ...... Those resembling beasts arc usually stout.

--•

i f

■ 一 三 15 ■ 一 ■ 一 t . — ...

a . •• PHYSIOGNOMY: MIRROR OF AURAS 237 A fat bird cannot fly, a thin beast has no strength. For example, one who resembles the form of the luan 繁 or the phoenix has highly curv­ ed eyebrows and elegant eyes. His form and bodily structure (ti 體 ) will be clear and slim. One who resembles the rhinoceros or the tiger has highrising bones of the forehead. His chin and cheeks are round and full. These types are noble, those of opposite characteristics are low. {Birds and beasts are many a kind, Never should one group a bird with a beast. All slim and long types belong to Dirds; All fat and short types belong to beasts. Those like birds would rather be slim, For those like beasts it’s best to be fat. Ii birds are fat they’ll never fly, If beasts were thin, how would they run? For people like tigers see their necks; For people like rhinos check their backs; Phoenix-people have long eyes; Those like cranes have pointed shapes. SX 180，TQ 8a}15

4. The appearance oj the wood-type. A person with the appearance of wood is basically slim. His com­ plexion is fresh {qing 青 ) . He should be slim but not skinny and look fresh but not transparent.16 If his physical form is slim and his complexion fresh, he is delicate and full. If his physical form is skinny and his complexion transparent, he is coarse and empty. When people of the world speak of the appearance of the wood-type, they only know that it should show as slimness in one’s physical form. They do not realize that it could yet be coarse as, for instance, in the case of the pine-tree or the cypress. A tree is considered delicate when its stem is full and its leaves are fresh. Perfect fullness is found in the wutong 梧 桐 tree (sterculia plat- anifolia). When the stem is empty on the inside and the outside cor­ respondingly is lacking in firmness, we say the tree is coarse. Empty inside and yet having the physical form of a tree, how can one say it is one integrated whole?

5. Impure or mixed types. When a wood-type is not entirely mire, it tends to encompass {dai 帯 ) metal, but it will also contain fire, water, and earth. When a water-type is not entirely pure, it tends to encompass earth, 238 L IV IA KOH N | g 形也始瘦次肥爲水生於木次又！此木之得土也也中則麄是金形也次而肥是水形也其次厚實是土者有帶金火木者火之形罪在其一有帶水者有帶金一 _金者有帶水火土者水之形非在其一有帶土 若痤次奪爲滯也始瘦次肥厚此爲發也庶人進財其 | 土 之 相|木 M 生 者 虡 則 土 然 吉 1之 [ 取 帶 ：形

其丨非 I 相 ：在 1 蔡丨其 貝1] 丨1— ^ 可 \； I 麵_■

如 ，?#• 槪 A 丨本 而 之 | 者 ロ而 始 有

則 帶 果.

瘦 i 水 之 此 火 形 木 ：金 非 之 真 套 形 帶 but it will also contain metal, fire, and wood. When a fire-type is not entirely pure, it tends to encompass water, but it will also contain metal, earth, and wood. When an earth-type is not entirely pure, it tends to encompass wood, but it will also contain water, fire, and metal.

6. Mixtures according to the dynamics oj thases. When the major phases that make up man’s physical form bring forth one another the combination is auspicious. When they overcome PHYSIOGNOMY: MIRROR OF AURAS 239 one another it is unlucky.17 For instance, a person’s physical form may at first look slim, i.e., he is a wood-type. Around the middle, however, he is coarser and ap­ pears more like the metal-type. Again, he may then look fat, i.e., re­ semble the water-type. Or he may look really stout as is typical for an earth-type. First slim, then fat means that water is brought forth from wood. When, in addition, he looks solid and stout we have wood realiz­ ing earth. The first instance going from slim to coarse is an obstruction {zhi 滞 ); the second case going from slim to fat or stout is a development (Ja 發)‘ As concerns official position and personal wealth, a wood-type slightly obstructed by earth might become a district overseer. But if the obstruction is deep he will be a prefect. Again, if the face is square and the back stout, we say that there is both wood and earth. Someone with such an appearance entering an official career will be an overseer of troops, when in the military, and an official waiting for appointment, when in the civil service.18 Yet, if he was pure wood without any earth he would attain the Highest possible rank.

7. Spirit as deep or shallow. Witnin human beings it is desirable for spirit to be deep and not desirable for spirit to be shallow.19 When spirit is aeep, wisdom (zhi 智）will also be deep. When spirit is shallow, wisdom will also be shallow. When spirit functions, it radiates through the eyes. When spirit rests, it is gathered in the mind/heart. Looking at spirited eyes closely, one is fascinated. Looking at spirited eyes from afar, one is awed.20 One with such eyes has a very- powerful glance and is easily alerted when asleep. One can compare such eyes to a big lamp. Just as one calls the acting part (fen 分 ）of the mind “ spirit ” so one calls the flame of the lamp ‘‘ spirit light.” Peo­ ple’s light, limited within, is the material soul.1 he oil corresponds to the essence. When the oil is pure the lamp is bright. This is what we mean by “ shining forth.”21

8. Energy as pure or turbid. Energy in people should manifest in strong resonance and clear expression, it should not be of robust vigor and sound like a martial yell. When one is at peace within, the will is sincere. When one is relaxed without, the energy is in harmony. 240 LIV IA KOH N a 後燈則謂之胂光其因畔之光則謂之魄油邂臥易醒替如A 其深不欲其淺神深則智深神瀵則厚此爲有木有土則作職官貰加職木滯土淺爲知髁土深爲郡守灭或面方背 « lii ••) !' 則 <• 則收於心近觀剧有媚遠觀则有威其 s f i 止 t

K ; « ii - H AT M 此謂之著， 也 II 於 ' i m ! 選 - * I! • • • f• U - ’ J U 人 ® 是 __ 之大其心之分則謂之神其燈之木

____ ; 掘 ^ f ^ —- «» . l # a ia 土 1. « 之在人要其堅書清領而不在 i un ». 也 . . . i * i . . * > i . i . 宜 i'H 在 或武則止. 於列職之官文 職

4 1 ___ : . I 司 3T 之 75 精也 _ 用則開於眼 しV ^ 職有力 " 之 1 ? 而 在 ! i i I 人

| 羞

There are those whose energy is pure {qing 淸)• There are those whose energy is turbid {zhuo 湖 ). There are those whose energy is turbid in purity. rrhere are those whose energy is pure in turbidity.22 Speaking now of the energy of people in the regions of the Zhe 漸 or the Huai 淮 we find that the energy of the Zhe people is heavy but not bright, whereas that of the Huai people is bright but not heavy. The energy of southern people is clear, but not thick, that of northern people is thick, but not clear.23 PHYSIOGNOMY: MIRROR OF AURAS 241 (A Southerner who looks like he is from the north (big and fat and very dark) will be wealthy and noble. A Northerner who looks as if he stems from the south (slim and light and very sharp) will excel in many ways. SX 180，TQ 7a.} When yang energy expands, the mountains and rivers are beautiful and luxuriant. When the sun or the moon rise, heaven and earth are bathed in light. This is the evidence of energy.

9. Complexion as fu ll or transparent. Complexion in man—though only found on the skin—should be full, and not transparent. It should be intense and not scattered. Complexion is brought forth from within and without the five orbs. It adorns the whole body with radiance and smoothness.24 Mistress Tang Ju 唐 擧 says:25 ‘‘Anything less than direct sunlight appears as color or complexion. When man participates in the light he reveals joy on the outside of ms physical body. When he loses it, depression settles in his mind•”

10, Complexion as young or old. There is old (lao 老 ）and young (nen 嫩 ） complexion. * Young， is used to refer to a complexion inappropriate to a person’s age.26 Thus in complexion, ‘ old ’ is auspicious, ‘ young ’ is inauspicious. However, within the methods of physiognomy there are other ways to evaluate complexion. Besides the obstruction of complexion called ‘ young ’ there are also three kinds of radiance and five sorts of glossiness of the skin. There are moreover three types of dullness and five kinds of dryness.27

/ /. Physical form and spirit in terms of surplus and deficiency,28 Among the combinations of physical form and spirit, there are too much form and insufficient spirit, and too much spirit and insufficient form. In the first case, the person at first sight seems awe-inspiring, but upon longer examination appears rather dull. In the second case, the person at first appears rather dull, but the longer one examines him the more radiant he seems to become.29 When someone has a surplus of both, physical form and spirit, one feels delighted at ms sight, whether he is one’s acquaintance or not. When, on the other hand, someone has an insufficiency of both, one need not ask any further: he will be universally disliked.

12. Interaction patterns of the various constituents Physical form and spirit should radiate in mutual harmony. En- 242 L IV IA K O H N

ergy and complexion should support each other.30 When spirit is whole, physical form is also whole. When energy is full, complexion is also full. Spirit can make energy stay, but energy cannot make spirit stay. Energy can make complexion stay, but complexion cannot make stay.31 Physical form, finally, only supports the other forces. It may be stout, it may be thin. Stout is auspicious, thin is unlucky. PHYSIOGNOMY: MIRROR OF AURAS 243 一神全則形全氣全一不足者不必更問佘入可亞ー晦久視愈明一足者初見似威久視而晦神有餘而形不足者初見似餘而神不足者有神商餘而形不足眷一一一光焉有五澤焉有一一ー暗焉有五祜焉^神者有形有w 嫩者謂年紀深而帶後生ナ 法之中不唯其色之如此者滯几形嫌者亦如之有

神形. 1

II色全神能留(*有餘者識與不識見而傥之祌形

形與神相照氣與£相扶_ ) 色芭老耄

f氣 f X 能留神 f 色嫩者凶遵2 餘而神不 * 选

13. Thin appearance. Among the people of the world one often meets some who easily get their will. They initially attain all that they desire without any prob­ lems. But then they encounter some obstacle in their course and in the end they die prematurely. This is because their judgment is superficial and narrow-minded and they can never bear things out in patience. Thin walls easily collapse; thin wine easily turns sour; 244 LIVIA KOHN 化驕未學先滿此大溥矣若此者不唯破相又損其壽か輕率侔爲沉重玫常棄舊忘恩忽人未貴先盈未含如爲囊面前警善後說非不睦親長馨外入性則不足以致陰', 及其中則躇末則卒皆电度量淺狭不能容載也墙厚者吉薄者 雲之附不度已短專談入遇侵削入物留色色不能留氣至於形則载之而已有厚焉有薄 喷 _

3

8 st 丨 l i . 世人有遭時得志者其始皆欲有爲也一 霞蘭

I

人 i

易亡水，

S a i | 1

1 | |

thin paper easily tears; thin people easily die. When water and earth are thin, they arc not strong enough to support the rain-bringing clouds. Thin people do not account for their own shortcomings and only talk about the bad characteristics of others. They gradually encroach on others, using them for their own advantage. They say “ right ” to one’s face, but “ wrong ” behind one’s back. They are unkind to their kin and their elders, but serve strangers with preat enthusiasm. Their PHYSIOGNOMY: MIRROR OF AURAS 245

character is fundamentally frivolous and arbitrary, but they make it look profound and sincere. They change traditions and do away with the old. They don’t know kindness and are indifferent to others. Not yet noble, they already give themselves airs. Not even rich, they al­ ready parade their pride. Not even graduate, they yet boast of their attainments. This is the typical behavior of the very thin type. Types like this not only have a disastrous physique, but they also tend to have shortened life-spans. Worse than that, they pass their misfortune on to their children and grandchildren.

14. Signs of long life. However, the physiognomy of long life is not found in an imposing and powerful physical appearance. Rather, one sees it in the eyes. When the pupils move nervously early death is indicated. People with an imposing and powerful appearance, if and when they are magnani­ mous and goodnatured, are good examples for the mutual support of physical form and energy. But if they are narrow-minded and preju­ diced in their judgments, we say that the mind is not in proper accor­ dance. Common folk usually only know that signs of longevity are hair growing above the eyebrows and inside the ears. They have heard that it shows a ripe old age when the bone of the forehead goes as far as the ear, when the nose is straight and long, and when the proportions of the face are even and clear. But they don’t realize how these things come about.32 Actually, the bones are nothing but essence and energy solidified within. Only when essence and marrow penetrate to the outside does hair grow above the eyebrows and inside the ears. Only then are the proportions even and clear, and only then can the nose be really straight and long. One can compare this phenomenon to a tree. Its trunk must be strong and solid before any branches or leaves can sprout forth on its surface. It is also comparable to a lamp. A lamp only shines bright when it contains plenty of oil. Similarly the human body is only at peace when it contains sufficient essence. As Mistress Tang says: “ Everybody knows that tiger’s bones and dragon’s pupils are aus­ picious. Everybody knows that an Adam’s apple and prominent teeth are unlucky. But the auspicious may not always mean good luck and the unlucky may not always indicate misfortune.”

To. The importance of the mind. Though Adam’s apple and prominent teeth are indicators of a point- 246 UVI八 K O H N

ed physique,33 yet sometimes there is some auspicious factor in the mind. A person like this might actually he found in a noble position. He will then, however, only think of his personal advantage and have no con­ sideration for his wife and children. So we have quite a number of no­ ble people who belong among the type of threefold pointed ness and five­ fold prominence.34 If only their spirit and energy is profound and pure, they can yet he accepted.35 People whose spirit and energy is profound and pure are at peace in their bodies and tranquil within themselves. They do P H Y S IO G N O M Y : MIRROR OF AURAS 247

not go bccausc someone says so, they do not stop because someone keeps silent. They do not become agitated because of sexual attraction, nor do they turn away because of it. They are stable and at peace, careful and polite. People like this always know their limits. Most people these days are very fond of wealth and high position, but they arc never content at heart. There arc so many who arc not happy at all. Yet those whose spirit and energy are at peace and tran­ quil are usually unconcerncd and relaxed in their minds. That is what we call “ freedom at heart.”36 248 LIV IA K O H N

16. Obstruction. However, there are many whose physical form, energy, and com­ plexion suffer from obstruction. When physical form is obstructed for eight years, it is completely defiled. When spirit is obstructed for four years, one’s personality becomes inflexible and obstinate. When energy is obstructed for three years, the mind suffers a break-down. When complexion is obstructed for one year, the spirit is exhausted and worn out. {When form is obstructed, the walk will be heavy; when spirit is obstructed, the body will be vulnerable; when energy is obstructed, the voice will be harsh; when complexion is obstructed, the face will be swarthy. SX 180, TQ 8a.}

17. Yin and Yang. There is yin and yang involved in this process. Yang cannot en­ compass yiny and yin cannot encompass yang. For example, if a man has a female physique, he is weak and cannot maintain his position. If a woman shows male features, she is dominant and will not find a hus­ band. Women should be soft and obedient; men should be strong and upright. The wife of an honest citizen should have authority and not be seductive. A winehouse girl should be very seductive and not show any authority.37 But ordinary people usually only examine the faces of others and never go to the roots of their appearance.38

18. Noble and humble. Let us now look at the bones protruding above the eyebrows, the nose and the jaws. Everyone equally has them. In noble persons these bones have grown directly from essence and marrow, thus they are fine and elegant. In lowly and poor people, on the other hand, these bones are rather floating on the surface and thus appear very coarse. Therefore the cheekbone in common people goes as far as the ears. If it does not go any further than that, it indicates long life. If it goes nei­ ther beyond nor stands out visibly, it shows future wealth. In people who will become overseers，these bones go only as far as the whiskers. In those who will serve in a prefecture, they go as far as the temples. In those who will be Grand Prefects, they appear like rounded mounds and end at the corner of the eyes.39 The lower jawbone indicates the possession of storehouses and slaves. One whose lower portion of the face is well developed and PHYSIOGNOMY: MIRROR OF AURAS 249 | * : • * : 「 - ; 一 ■ 位庶人人耳不過有毒; 骨乃秀而鉤及貧賤之人則w 者但自面部之多而不究其相本加骨者凡人於. 尺之婦有烕而少媚娼有媚而少威然世之女懷 身硬氣滯三

. 雨頓之上皆有也在貴入划有從淸髓內生出故其- • 者不 I

i f — I i / :

V ; ur :: :: . : s, • 主失其夫婦人要柔而順男子要f ^ v fe陰者不可帶朦_ . >- • • - • AT • ••- >- -^v, . V : - :' 則心傾色滯

- / • - %t ' K

二 露 - ,. • . • K & 1 p p M 於上而麄如顴骨上 年則神軋有陰有陽 有富至若作監司之 帶女相懦

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......

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...... _ 而 正無立 ー

« >?* •. i ; - f; ii -■ii f; 1 — 一 « « 1 1

* ♦ * ! >. strong will have granaries, servants and • slaves. If the lower port : is undeveloped, however, he will not， even have a proper residence for j himself. How could he have slaves to drive and granaries to fill? Who sees far will have far-reaching wisdom. Who sees high will have high-reaching wisdom.40 Who sees low will have low-reaching wisdom. Who sees slanted will have poisoned wisdom. One whose pupils keep revolving unsteadily will kill others.41 One who wavers in his glance, is drawn above and below, will never LIVIA K O H N

I 不常之人不可共立事矣有天表貴有地者富有八氣下視斜智毒睛屢轉者殺人戍流觎廹上廹下此？_ 地| 服成峯而人雨眼之瑋而已至下植あ倉黑蘇若其ー

— 闇濶厚自冇 奴窆 7生人雨鬚兩府之八則生入天倉其作太守V 天 有

i 也 囊倉庫哉視奮逍幾稽. 人 $ 事 不 奴蚀設使她閽缺

疋 徒 有 ；:0 也 陷是無宅可. 倉里

； 」 1 i I 1 V | MA solidly established in anything. Those who have strong parts of heaven (forehead) are noble. rI'hosc who have strong parts of earth (chin) arc wealthy. Those who have strong parts of humanity (nose) are long-lived. But anyone who has strongly developed parts of heaven and earth, yet in dealing with the world does not cultivate himself, will waste his aus­ picious looks. PHYSIOGNOMY: MIRROR OF AURAS 251

NOTES

1 . This story is told in Yuan Tiangang，s biography in Jiu Tangshu 舊唐書 biogr. 61，p. 5093 of the Beying: Jinghua edition. It is also found in Xtn Tangshu 新座書 biogr. 95, p. 5801; Taiping guang ji 太平廣記 ch. 221, p. 1694; as well as in Tushu jicheng 624. Mention of the story is also made in Fitzgerald 1955: prologue. 2. The analysis of complexion is closely connected with diagnostics in Chinese medicine (cf. H uangdi netjtng suwen 菌帝内經素問 ch. 5 on the “ Interaction of Yin and Yang ”)• The various colors of man’s face were also used as indicators for possession in Taoist exorcism. For a detailed discussion of their use in physiognomy see Hou 1979. 3. Physiognomic texts dating prior to the tenth century tend to represent only parts of later integrated methods. The manuals found in Dunhuang 敦煌，e.g., can generally be considered forerunners of modern standard physiognomy, but some of them are still written in a quite different cultural atmosphere, i.e., under less restric­ tions regarding physical exposure. Another early text on physiognomy, the Yuebodong zhongjt 月波?同中記, has a much stronger and more explicit connection to the Taoist tradition than later works. Also, some systems it presents are entirely different from the later standard methods (Kohn 1986). 4. Chen Tuan was born in Henan 河南 toward the end of the ninth century. From an early age he turned to the Tao which he studied first on Mount Wudang 武當 山 in Hunan and later in Sichuan 四川. He settled on Mount Hua in the first half of the tenth century. Summoned to the throne several times, in 956, 976, and 984, he was famous for his \tpng 易經 exegesis, which supposedly influenced Zhou Dunyi’s 周敦頭 T atji tu 太極圖, as well as for his exceptional mastery of Taoist meditation and, last not least, for his skill in prognostication. For more information on ms life and legend see Knaul 1981. 5. This story is discussed in Knaul 1981,64. It is found in Chen Tuan’s bio­ graphy in Zhao Daoyi’s 趙道一■ Lishi zhenxian tidao tongjian 歴世眞仙體道通鑑 of the early Yuan 元 dynasty: 47.6b; in Zhang L u ，s 張路 Taihua xiyi zhi 太華希夷志 of the year 1314: 2.1ab; in the Songshi jishi 宋史紀事 5.23b; and in the Xiangshan yelu 湘山野 録 as quoted in Tushu jicheng 62.454. 6. Wang Shize passed the jinsht 進士 examination under the reign of Taizong (976-984). His official biography is recorded in Songshi 488, The story connecting him with Chen Tuan is found in Lishi zhenxian tidao tongjian 47.7b; Taihua xiyi zhi 2.3a and Mianshuiyantan lu 漣 水 燕 談 録 l_lb. 7. See Knaul 1981, 114. The most detailed version of this story is found in the Xu Xiangshan yelu as quoted in Tushu jicheng 62,454; shorter variants are given in Lishi zhenxian tidao tongjian 47,6a, Taihua xtyt zhi 1.2a; Liexian quanzkuan 歹Ijf山全傳 247; Xuanpin lu 玄品録 5.11a; Sandong qunxian lu 三洞群仙録 20.1b. 8. See Knaul 1981, 121. The original text is contained in Dongxuan bilu 東軒筆 録 3.1a. In an abbreviated version the story is also mentioned in Fozu tongjt 佛市且統糸己 43.401; Xuanpin lu 5.11b; Dongdu shilue 東 都 事 略 118.1b; Wenjian qianlu 聞見前録 7.11a; Guier j i 貴耳記 30. 9. Shenxiang quanbian 8 ; しlang 1980, 230. Wang Kezheng is mentioned in ch. 250 of the Songshi as one of the more distant relatives of Wang Shenqi 王審攝. Chen Jingong could not be identified. 10. Knaul 1981,フ7; vjian Ruoshui passed the official examination around the year 980, later he served as a minister in the government. He is the author of the 252 LIV IA K O H N

Taizong huangdi shilu 太 宗 皇 帝 實 録 (Songshi 266). The story is told in Fozu tongji 43, 369; Taihua xiyi zhi 2，lb-2b; Guier j i 29; Wenjian qianlu 7,11a. Mayi daozhe is cited as Chen Tuan’s teacher in other stories as well. He supposedly received his teaching from the famous L ii Dongbin 3 洞寶，patriarch of inner alchemy and various Taoist techniques since the Song as well as of the Quanzhen 全眞 school of Taoism. Like Chen Tuan, Mayi is known for his physiognomic talents as well as for his \i]tng speculation. A text allegedly going back to him is found in the Jinaat bishu 津逮秘書, the M ayi daozhe zhengyi xinfa 麻衣道者正易心法. This work consists of forty-two poems of 4 x 4 characters. They deal with a type of Ytjtng exegesis which links phy­ siognomy with the trigrams and the hexagrams. In the Song dynasty, this is especially found in Shao Yong、 邵雍 Huangji jingshi 皇極經世. 1 1 .The variant version (SX 178，TQ Sb) reads: “ Human life is endowed with essence (SX: energy) and spirit.，’ 12. This section is found in the variant edition, too, but here essence is located in the kidneys. The text then continues (SX 178, TQ 5b): “ Thus we know that complexion arises from physical form while energy appears through the sound and voice.’’ 13. The same categories are found in the variant version, but only after the first quarter of the text (SX i 79, TQ 6a). The passage is also quoted as from the M irror o f Auras in the commentary part of SX 1 ; Liang 1980, 2 1 .The five phases are the most important foundation of physiognomy and many different categorizations are based on them. See, e.g., SX 4; Liang 1980, 116. 14. Tms is also found in the other version (SX 179, TQ 6a) with minor changes. For bingji da 兵機大 it reads weiwu da 威武大. 15. The latter part of this passage runs in the SX variant: “ For tigers see the jaws, for rhinos check the horn. For phoenixes the eyes； and for cranes the body’s form.” The ‘‘ horn ” that likens a person to a rhinoceros is the vertical bone in the center of the forehead (TQ l,lba). Further details in the description of these types are found: Tiger—SX 9, p. 261; Yuguan 3.3b-41. Rhinoceros— SX 9, p. 270; Yuguan 3.4b-5a. Phoenix— SX 9，p. 266; Lessa 1968, 35. Crane— SX 9，p. 266. 16. Alhough not found in the later variants, this description is yet quoted under the name of Chen Tunan 陳 圖 南 (Tunan being Chen Tuan’s agnomen) in the com­ mentary of c h .1 of the SX (Liang 1980, 15). Here it forms part of a list including all the five phases: “A metal body is angular and upright, its complexion is pale and whitish. It shows neither fullness of flesh nor thinness of bones. A wood body is slim and erect, its bones and joints are strong. W ith fresh (greenish) complexion such a one is truly eminent. A water body is round and thickset, heavy and of damish complexion. W ith a hanging belly and a curved-in back he is truly of po 魄 energy. A fire body is exquisite and sharp; it looks reddish and always hot. The fa n bone standing out, all energy dried up, such a one is never well for long. An earth body is staunch and well formed with a radiant (yellowish) complexion. W ith buttocks and back standing out a tranquil and happy character is found.” 17. These two sentences are also found in SX 179. In addition, the subsequent section is given in SX 179 and TQ 6b, if somewhat abbreviated. Here the text runs (commentary sections are included in paratheses): “ If a body (of the wood-type) is primarily slim and only later fat, this is most auspicious (i.e., water produces wood). If, on the other hand, a body is primarily slim and later dried and emaciated, then PHYSIOGNOMY: MIRROR OF AURAS 253 wood is obstructed by metal and many calamities will arise.” Whereas the older edi­ tion limits the discussion of the dynamics of the phases to the case of the wood-type, the more recent versions go on to delineate possible developments of the metal-type: “ Similarly if a body is basically angular and upright, yet shows signs of being staunch and erect, this is most appropriate. Yet when an angular type develops pointed fea­ tures and leanness, metal is obstructed by fire and many misfortunes will result.，’ 18. According to the variants (SX 180, TQ 7b), someone with a square face and a stout back would look “ vulgar and ordinary and his back would not be erect.” 19. Here the variants state that a strong spirit will be obvious in strong and clear bones, whereas a shallow spirit will make the bones look like they were sticking out

20. This is also found in SX 179, TQ 6b and continued with: “ Looking at them for a long time one will find the first dark traces in their brightness. 2 1 . The comparison of spirit or essence in man to the oil in the lamp is mentioned again later (section 14). The variant version reads (SX 178, TQ 5b): “ Spirit and energy are like the oil, people are like the lamp. When spirit (SX: the person) is tran­ quil, essence (SX: spirit) is full. When the oil is clear, the lamp will shine bright. At night it rests in the mind in complete quiet. During the day it sparkles through the eyes.” Not limited to physiognomic literature, the metaphor of the lamp is quite common in Taoist mystical texts. 22. The variants cite this passage directly after what is section 9 in the older edi­ tion (SX 178; TQ 5b-6a): “ Sometimes it is turbid in purity; sometimes it is pure in turbidity.” Following the image of the lamp and the oil, reference here is made to an occasional phenomenon rather than to a specific type. 23. The typology of people according to their country of origin is already found in the H u ain an zi 淮南子，ch. 4: “All regions bring forth particular types. An area with mountainous energy has more men, one with marshy energy more women. Places in which energy is obstructed have more dumb people, those with lots of wind more deaf. Forest-type energy is responsible for an abundance of people with heart dis­ eases, and hunchbacks are frequently found in regions where trees are standing alone. On the riverbanks one often finds men suffering from swellings, whereas one is more likely to encounter strong men in places full of strong energy. A constantly rising and falling energy brings forth plenty of goitres. Heat can be said to cause people’s early death, while colder climates make for longer lives. The energy of valleys causes rheu­ matism, that of hills, madness. In places with fertile breath people tend to be rather compassionate, while those who come from areas with deteriorated energy are rather avaricious • • . . ” In this early reference the connection between medical diagnosis, physical ap­ pearance and climate is already quite obvious. The Huainanzi also gives a clear defi­ nition of southern, northern, eastern and western types, categories frequently referred to in physiognomic literature. On the southern type, for instance, it says: “ The south is where yang energy accumulates, it is hot and humid. People there are tall, slightly thinner in the upper parts of the body, and have big mouths and sharp corners of the eyes. Their major sense is hearing. The ears are related to blood and the pulse. Their complexion is reddish, rea is the color of the heart. Such men are strong while still young, yet they tend to die at a rather early age.” A person from the northern part if the world is described as “ usually thickset with short neck, Dig shoulders and low buttocks. His or her major sense is the yin-feeling to which the bones are related. The complexion is darkish, the color blacK is related to the kidneys. Such a person is simple and dull, but lives very long.” 254 LIV IA K O H N

24. The variants here have (SX 180，TQ 7b): “ Energy and complexion should be in harmony, because complexion shows on the skin when there is energy in the blood. It comes to the surface like a silk thread spun in a cocoon, it leaves again like a horse-tail suddenly vanishing.，’ 25. Tang Ju, originally from the state of Liang, was one of the most famous phys­ iognomists under the Han. She lived in the third century B.C. and is reported to have made a prediction for L i & i李期，prime minister to the first emperor of China, Qin Shihuang 秦始皇• “ W ithin a hundred days you will obtzin the power of the empire.，， (S h iji 史記 79，Qianfu lun 潛夫論 27). Tang Ju is also mentioned in Xunzi’s 荀子 Feixiang pian 非相篇. None of her works survive or are mentioned in the dynastic histories. The Shenxian兒 auanbian quotes two titles as well as various shorter sections in her name (Kohn 1986, 233). 26. The variant found in S X 179, TQ 6a reads: ‘‘An old person with a young complexion will decline rapidly.” T Q ob has: “ • • • his star of long life will soon s e t .，’ These versions emphasize also in a more general way that “ old people should not look like youngsters. Yet, it is quite auspicious for a young person to look older.，， 27. The analysis of complexion as described in the final chapters of the SX does not proceed according to any of the categories mentioned here. The standard cate­ gories are rather the five phases, the four seasons, and the months of the year. Some insight into the theoretical worldview regarding complexion can, however, be gained from c h .11 of the SX (Liang 1980，310ノ which quotes Chen Tuan as follows: “A complexion without radiance cannot properly be called complexion. Rather, it is an * empty complexion.， Calamities and joys are not yet developed, yet no one can avoid them. So first check complexion according to the the major types of resting {xiu 休)， withheld (qin 囚），de a d (si 死），o r prospering (wattg 旺)• Then go on to analyze all the different positions according to good ( ji 吉）or bad (xiong 凶）fortune, good (shan 善） and e v il(o 惡）attitude. They can be clearly told, you will not be wrong even once in ten thousand times. The sky itself will show you the proper complexion in the clouds and the mists. People’s lives and bodies are as predestined as heaven and earth them­ selves. Whatever energy an individual receives it will move and change. Whatever complexion arises thus will have a definite structure.，’ 28. These categories have been taken up independently by the TQ where we find sections on the surplus and insufficiency of spirit (3.4ab) as well as on the surplus and insufficiency of physical form (4.3ab). The text has then found its way into the SX 1 (Liang 1980，42). 29. This is also found in SX 180, T Q 7b. 30. SX 180 states that “ energy and complexion should be in harmony, because complexion shows on the skin where energy is in the blood.” 3 1 .In the later editions (SX 178, T Q 5b) the interaction of the different forces is described in the very beginning of the text: “After spirit has arisen, enere^y is com­ plete. After physical form has been completed, complexion will arise. Thus we know that complexion arises from spirit. It makes it visible. The power of energy can be judged from the sound of the voice. Examining physical form is not as good as an­ alyzing the bones, but the bones provide as much information as the spirit itself. Still better than examining spirit, look at energy. When spirit is in harmony with energy, it blossoms like spring.” 32. SX 180 states: ‘‘ You should know that appearance comes from heaven. Whatever I look like, it’s not mere polish on the surface.” 33. These signs are mentioned in TQ 7b as indicating trouble with one’s family. 34. SX 181, T Q 7a state that these signs are very unlucky. PHYSIOGNOMY: MIRROR OF AURAS 255

35. This is also mentioned in SX 180，but not in the TQ. 36. The variants (SX 181, T Q 7a) do not grant man such freedom from circum­ stance. Rather they state: “ Talking of physiognomy without regarding the mind is like looKing at the affairs of man with disrespect to the rhythm of heaven. Just as heaven’s rhythm and the affairs of man go together, so the physique will reflect the mind in its true fo r m • ，’ 37. The later versions (SX 179，TQ 6a) give the following variant: “A man should not have female features, a woman should not look like a man. Yin and yang are opposites— combined wrongly they will reduce one’s life. Husband and wife be­ long to different types~women should be soft and obedient, men should be strong and firm. Women are yin, thus basically quiet. To laugh without being spoken to first does not become them. An honest wife should be strong and not seductive, while a winehouse girl needs qualities of seduction and not of authority.” 38. This complaint is also voiced in SX 180, TQ 8a. 39. The same evaluation is also found in SX 179, TQ 7a. 40. SX 180, T Q 7a have: “ One who sees far will have far-reaching ambition, one who sees high will have a strong will.’’ 4 1 . SX 180 describes the criminal type as one whose eyes are heavily bloodshot.

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