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Parking Who Was J 60P NAMES WARREN Gary Cooper
Metro, is still working on the same tator state that she was going to thing cute.” He takes me into the day,* had to dye her brown hair is his six- contract she signed when she was marry Lew Ayres when she gets her television room, and there yellow. Because, Director George wife. Seems to year-old daughter Jerilyn dining Mickey Rooney’s freedom from Ronald Reagan. She Seaton reasoned, "They wouldn't me she rates something new in alone, while at the same time she Hollywood: that’s because have a brunette daughter.” the way of remuneration. says quite interesting, watches a grueling boxing match on Back in Film is from Business, Draft May Take Nancy Guild, now recovered from she hasn’t yet had a date with Lew. the radio. Charles Grapewin retiring Hughes, making pictures when he finishes her session with Orson Welles in John Garfield is doing a Bing Gregory Peck gets Robyt Siod- Kay Thompson’s into two his present film, "Sand,” after 52 “Cagliostro,” goes pictures for his Franchot Tone. mak to direct him in "Great Sinner.” Minus Brilliance of Crosby pal, years in the business. And they Schary Williams Bros. —the Clifton Webb “Belvedere Goes That's a break for them both. He in a bit role in Fran- used to the movies were a By Jay Carmody to College,” and “Bastille” for Wal- appears Celeste Holm and Dan Dailey are say pre- carious ferocious whose last Hollywood Sheilah Graham ter Wanger. chot's picture, “Jigsaw.” both so their Coleen profession! Howard Hughes, the independent By blond, daughter North American Richard under (Released by sensation was production of the stupid, bad-taste "The Outlaw," has Burt Lancaster, thwarted in his Conte, suspension Nina Foch is the only star to beat Townsend, in "Chicken Every Sun- Newspaper Alliance.) at 20thtFox for refusing to work in come up with another that has the movie capital talking. -
Chapters 1-10 Notes
Notes and Sources Chapter 1 1. Carol Steinbeck - see Dramatis Personae. 2. Little Bit of Sweden on Sunset Boulevard - the restaurant where Gwyn and John went on their first date. 3. Black Marigolds - a thousand year’s old love poem (in translation) written by Kasmiri poet Bilhana Kavi. 4. Robert Louis Stevenson - Scottish novelist, most famous for Treasure Island, Kidnapped and The Strange Case of Dr Jekyll and Mr Hyde. Stevenson met with one of the Wagner family on his travels. He died aged 44 in Samoa. 5. Synge – probably the Irish poet and playwright. 6. Matt Dennis - band leader, pianist and musical arranger, who wrote the music for Let’s Get Away From It All, recorded by Frank Sinatra, and others. 7. Dr Paul de Kruif - an American micro-biologist and author who helped American writer Sinclair Lewis with the novel Arrowsmith, which won a Pulitzer Prize. 8. Ed Ricketts - see Dramatis Personae. 9. The San Francisco State Fair - this was the Golden Gate International Exposition of 1939 and 1940, held to celebrate the city’s two newly built bridges – The San Francisco-Oakland Bay Bridge and The Golden Gate Bridge. It ran from February to October 1939, and part of 1940. At the State Fair, early experiments were being made with television and radio; Steinbeck heard Gwyn singing on the radio and called her, some months after their initial meeting. Chapter 2 1. Forgotten Village - a screenplay written by John Steinbeck and released in 1941. Narrated by Burgess Meredith - see Dramatis Personae. The New York authorities banned it, due to the portrayal of childbirth and breast feeding. -
Selznick Memos Concerning Gone with the Wind-A Selection
Selznick memos concerning Gone with the Wind-a selection Memo from David O. Se/znick, selected and edited by Rudy Behlmer (New York: Viking, 1972) 144 :: MEMO FROM DAVID O. SELZNICK Gone With the Wind :: 145 To: Mr. Wm. Wright January 5, 1937 atmosphere, or because of the splendid performances, or because of cc: Mr. M. C. Cooper George's masterful job of direction; but also because such cuts as we . Even more extensive than the second-unit work on Zenda is the made in individual scenes defied discernment. work on Gone With the Wind, which requires a man really capable, We have an even greater problem in Gone With the Wind, because literate, and with a respect for research to re-create, in combination it is so fresh in people's minds. In the case of ninety-nine people out with Cukor, the evacuation of Atlanta and other episodes of the war of a hundred who read and saw Copperfield, there were many years and Reconstruction Period. I have even thought about [silent-fllm between the reading and the seeing. In the case of Gone With the director1 D. W. Griffith for this job. Wind there will be only a matter of months, and people seem to be simply passionate about the details of the book. All ofthis is a prologue to saying that I urge you very strongly indeed Mr. Sidney Howard January 6, 1937 against making minor changes, a few of which you have indicated in 157 East 8znd Street your adaptation, and which I will note fully. -
Film Essay for "Modern Times"
Modern Times By Jeffrey Vance No human being is more responsible for cinema’s ascendance as the domi- nant form of art and entertainment in the twentieth century than Charles Chaplin. Yet, Chaplin’s importance as a historic figure is eclipsed only by his creation, the Little Tramp, who be- came an iconic figure in world cinema and culture. Chaplin translated tradi- tional theatrical forms into an emerg- ing medium and changed both cinema and culture in the process. Modern screen comedy began the moment Chaplin donned his derby hat, affixed his toothbrush moustache, and Charlie Chaplin’s Tramp character finds he has become a cog in the stepped into his impossibly large wheels of industry. Courtesy Library of Congress Collection. shoes for the first time. “Modern Times” is Chaplin’s self-conscious subjects such as strikes, riots, unemployment, pov- valedictory to the pantomime of silent film he had pio- erty, and the tyranny of automation. neered and nurtured into one of the great art forms of the twentieth century. Although technically a sound The opening title to the film reads, “Modern Times: a film, very little of the soundtrack to “Modern Times” story of industry, of individual enterprise, humanity contains dialogue. The soundtrack is primarily crusading in the pursuit of happiness.” At the Electro Chaplin’s own musical score and sound effects, as Steel Corporation, the Tramp is a worker on a factory well as a performance of a song by the Tramp in gib- conveyor belt. The little fellow’s early misadventures berish. This remarkable performance marks the only at the factory include being volunteered for a feeding time the Tramp ever spoke. -
Greatest Year with 476 Films Released, and Many of Them Classics, 1939 Is Often Considered the Pinnacle of Hollywood Filmmaking
The Greatest Year With 476 films released, and many of them classics, 1939 is often considered the pinnacle of Hollywood filmmaking. To celebrate that year’s 75th anniversary, we look back at directors creating some of the high points—from Mounument Valley to Kansas. OVER THE RAINBOW: (opposite) Victor Fleming (holding Toto), Judy Garland and producer Mervyn LeRoy on The Wizard of Oz Munchkinland set on the MGM lot. Fleming was held in high regard by the munchkins because he never raised his voice to them; (above) Annie the elephant shakes a rope bridge as Cary Grant and Sam Jaffe try to cross in George Stevens’ Gunga Din. Filmed in Lone Pine, Calif., the bridge was just eight feet off the ground; a matte painting created the chasm. 54 dga quarterly photos: (Left) AMpAs; (Right) WARneR BRos./eveRett dga quarterly 55 ON THEIR OWN: George Cukor’s reputation as a “woman’s director” was promoted SWEPT AWAY: Victor Fleming (bottom center) directs the scene from Gone s A by MGM after he directed The Women with (left to right) Joan Fontaine, Norma p with the Wind in which Scarlett O’Hara (Vivien Leigh) ascends the staircase at Shearer, Mary Boland and Paulette Goddard. The studio made sure there was not a Twelve Oaks and Rhett Butler (Clark Gable) sees her for the first time. The set single male character in the film, including the extras and the animals. was built on stage 16 at Selznick International Studios in Culver City. ight) AM R M ection; (Botto LL o c ett R ve e eft) L M ection; (Botto LL o c BAL o k M/ g znick/M L e s s A p WAR TIME: William Dieterle (right) directing Juarez, starring Paul Muni (center) CROSS COUNTRY: Cecil B. -
Mla Style for Citing Media Sources
MLA STYLE FOR CITING MEDIA SOURCES This guide illustrates the most frequently used citation types for media resources. Media sources can include films, television programs, art works, etc. For other citations or style questions, refer to the MLA Handbook for Writers of Research Papers, 7th edition, available at the library reference desk. • Use the heading Works Cited; center the heading on the top of the first page. • List each entry alphabetically by the first word of each citation (skip a, an, or the if it is the first word). • Double space within and between each citation entry (examples below are single spaced to save room). • Use hanging indent if citation has more than one line. • Keep publishing information minimal: ex: UP for University Press. Omit Inc., Books, etc. • If page numbers are not contiguous, type in the first page no. and a plus sign, e.g., 16+. • Use N.p. if no publisher or place of publication is found, use n.d. if no date is found and n.pag. if no page is found. If other numbering is used (such as section or paragraph numbering) cite the relevant numbers. • For sources found directly on the web, include the URL as supplementary information only when the reader cannot locate the source without it or when your instructor requires it. Parenthetical Citation in Text: If author’s name is used within the sentence, cite only the numbering (but if no numbering, then there will be no citation). Abbreviate corporate authors in parenthetical citations, although it’s better to include the long name in the text so your citation includes only page numbers. -
1946-05-10, [P ]
Friday, May W, 1946 THE TOLEDO UNION JOURN AJ, Page Five Paramount’s Picture “Kitty Delightful Film Fare By Burny Zawodny Granddaddv Of Them A Hub! >a Hui .ba Girl Take a combination like Paulette Goddard and Ray Milland, Hewnomor Wins Vote New Acting Honors put them together in a spicy" story of Eighteenth Century vintage and top it all off with Mitchell Leisen at the directorial helm, Makas Movie Debut ? t For Peter Lawford and you have as entertaining a picture as moviegoers could hope HOLLYWOOD. — Douglas to see. Adapted from Rosamond Marshall’s sensational book, Dick, a new Hal Wallis find, HOLLYWOOD — Firmly Paramount’s “Kitty,” which whose discovery is one of those establishing him as one of the opened at the Paramount The- stories that makes Hollywood leading young actors of the 4re to an enthusiastic audience, Midgets Are the fabulous place that it is, has year. Peter Lawford has been is the kind of been handed a prize role in signed for a featured role in the film t h ■ t i “The Searching Wind,” the new Metro-Goldwyn-Mayer musical, breezes merri Real Live Wallis production at Paramount, “It Happened in Brooklyn,” co- ly along from with Robert Young, Sylvia Sid starring Frank Sinatra and start to finish '• ney and Ann Richards. Kathryn Grayson. with never a ^g Pixies To Star The sandy-haired youth !n his Young Lawford won the role dull moment, on the strength of his outstand An excellent early twenties, who has had no previous ew York or screen ex ing performance in the musical, supporting cast HOLLYWOOD (Special) — “Two Sisters From Boston,” includes Patrie perience, has been signed to play The life of a midget, in Holly Sam, the soldier-son and one of and his recent work in “My Knowles, Reg wood or anywhere else for that Brother Who Talked to Horses.” inald Owen, the five principals in the picturi- Cecil Kella- matter, has its advantages to zation o fthe Lillian Hellman “It Happened in Brooklyn,” is Burny Zawudtiy way, Constance gether with its probles. -
DT Filmography
Dolly Tree Filmography Legend The date after the title is the release date and the number following is the production number Main actresses and actors are listed, producer (P) and director (D) are given, along with dates for when the film was in production, if known. All credits sourced from AFI, IMDB and screen credit, except where listed Included are contentious or unclear credits (listed as Possible credits with a ? along with notes or sources) FOX FILMS 1930-1932 1930 Just Imagine (23/11/30) Maureen O’Sullivan, Marjorie White David Butler (D) Possible Credits 1930 ? Soup to Nuts ? Part Time Wife 1931 Are You There? (3/5/31) Hamilton MacFadden (D) Annabelle’s Affairs (14/6/31) Jeanette Macdonald Alfred Werker (D) Goldie (28/6/31) Jean Harlow Benjamin Stoloff (D) In production mid April – mid May 1931 Bad Girl (12/9/31) Sally Eilers, Minna Gombell Frank Borzage (D) In production July 1931 Hush Money (5/7/31) Joan Bennett, Myrna Loy Sidney Lanfield (D) In production mid April – mid May 1931 The Black Camel (June 1931) Sally Eilers, Dorothy Revier Hamilton MacFadden (D) In production mid April – early May 1931 Transatlantic (30/8/31) Myrna Loy, Greta Nissen William K. Howard (D) In production mid April – early May 1931 Page 1 The Spider (27/9/31) Lois Moran William C. Menzies (D) In production mid June – early July 1931 Wicked (4/10/31) Una Merkel, Elissa Landi Allan Dwan (D) In production mid June – early July 1931 Skyline (11/10/31) Myrna Loy, Maureen O’Sullivan Sam Taylor (D) In production June 1931 The Brat (20/9/31) Sally O’Neill, -
Open Tiffany Wesner Thesis Final
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DIVISION OF HUMANITIES, ARTS AND SOCIAL SCIENCES GONE WITH THE WIND AND ITS ENDURING APPEAL TIFFANY WESNER SPRING 2014 A thesis submitted in partial fulfillment of the requirements for a Baccalaureate Degree in American Studies with honors in American Studies Reviewed and approved* by the following: Raymond Allan Mazurek Associate Professor of English Thesis Supervisor Sandy Feinstein Associate Professor of English Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT The white antebellum woman has occupied an evolving archetypal status in American culture throughout the twentieth century. In 1936, Margaret Mitchell published Gone with the Wind and extended the tradition of featuring Southern belles in novels. However, Mitchell chose to alter stereotypical depictions of her heroine and incorporate a theme of survival. Her main character, Scarlett O'Hara, was a prototypical Southern woman of her day. Scarlett was expected to conform to rigidly defined social boundaries but, through acts of defiance and independence, she forged new paths for herself and her family along her route to survival. This thesis investigates the 1939 film adaptation of Mitchell's novel and the contributions of David O. Selznick, Vivien Leigh, and Hattie McDaniel to the story that chronicled Scarlett's transformation from stereotypical Southern belle to independent survivor. This analysis demonstrates that Scarlett depicted the new Southern Woman whose rising to define a diversity of roles embodied the characteristics of the New Woman. The film’s feminist message, romantic grandeur, ground-breaking performances, themes of survival through times of crisis, and opulent feminine appeal all combined in Gone With the Wind to create an American classic with enduring appeal. -
Robert C. Schmitt
ROBERT C. SCHMITT Hawai'i in the Movies, 1898—1959, Part IV THIS RESEARCH NOTE further amends the lists of feature films made in or about Hawai'i previously published by the Hawaiian His- torical Society. In 1988, the Society issued a monograph describing 120 such motion pictures produced prior to statehood.1 Three years later an addendum listed twelve others, plus further details about three of the films previously cited.2 Three others were added in 1992.3 Here are twenty-six more that have come to the author's attention since then, plus new material on one noted earlier. 1933 Lucky Devils RKO Radio. 3 Feb. 1933; Hon., NA. Sound, b&w, 60, 64, or 70 min. Dir., Ralph Ince. With Bill Boyd, Dorothy Wilson, William Gargan. Adventure-drama about Hollywood stuntmen. Halfway through the picture, the hero marries and honeymoons in Hawai'i.4 !934 Song of the Islands Palmer Miller and Curtis Nagel for the Hawaii Tourist Bureau. 1934; Hon., NA. Sound, Vericolor (an early two-color process), 40 min. Robert C. Schmitt, an associate editor of the Journal and a frequent contributor to its pages, is a retired statistician for the Hawai'i State Department of Business, Economic Develop- ment and Tourism. The Hawaiian Journal of History, vol. 30 (1996) 211 2 12 THE HAWAIIAN JOURNAL OF HISTORY Dir., NA. With Pualani Mossman, Sam Kapu, Ray Kinney, Don Blanding. A travelogue about the Islands, made for the Hawaii Tourist Bureau. The same title was used in a 1942 Betty Grable musical. Four ten- minute travelogues, one each for the major islands, were produced by the same group and also released in 1934. -
Mitchell Leisen Papers
Finding Aid for the Mitchell Leisen Papers Collection Processed by: Samuel A. Henley, 5.8.2019 Finding Aid Written by: Samuel A. Henley, 5.8.2019 OVERVIEW OF THE COLLECTION: Origination/Creator: Leisen, Mitchell Title of Collection: Mitchell Leisen Papers Date of Collection: 1898 -- 1972 Physical Description: 12 boxes, 33 Bound scripts Identification: Special Collection #24 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Eleanor Broder (personal assistant) for Mitchell Leisen, from September 28, 1970 up until his death in 1971. BIOGRAPHICAL/HISTORY NOTE: Mitchell Leisen, (born October 6, 1898, Menominee, Michigan, U.S. — died October 28, 1972, Los Angeles, California), American costume designer, art director, and film and television director. He entered the film industry in the 1920s, beginning in the art and costume departments. He directed his first film in 1933 with CRADLE SONG and became known for his keen sense of aesthetics in the glossy Hollywood melodramas and screwball comedies he turned out. His motion pictures — almost all of them made at Paramount — were often dominated by strong female leads such as Barbara Stanwyck, Paulette Goddard, Olivia de Havilland, Claudette Colbert, and Carole Lombard, who rarely were paired with a male actor of equal stature or presence. His best-known films include the Alberto Casella adaptation DEATH TAKES A HOLIDAY (1934) and MURDER AT THE VANITIES (1934), a musical mystery story with Duke Ellington’s Orchestra, as well as MIDNIGHT (1939) and HOLD BACK THE DAWN (1941), both scripted by Billy Wilder. -
Exe Pages DP/Mtanglais 25/04/03 15:59 Page 1
exe_pages DP/MTanglais 25/04/03 15:59 Page 1 SELECTION OFFICIELLE • FESTIVAL DE CANNES 2003 • CLÔTURE MARIN KARMITZ présente / presents Un film de / a film by CHARLES CHAPLIN USA / 1936 / 87 mn / 1.33/ mono / Visa : 16.028 DISTRIBUTION MK2 55, rue traversière 75012 Paris Tél : 33 (0)1 44 67 30 80 / Fax : 33 (0)1 43 44 20 18 PRESSE MONICA DONATI Tél : 33 (0)1 43 07 55 22 / Fax: 33 (0)1 43 07 17 97 / Mob: 33 (0)6 85 52 72 97 e-mail: [email protected] VENTES INTERNATIONALES MK2 55, rue traversière 75012 Paris Tél : 33 (0)1 43 07 55 22 / Fax: 33 (0)1 43 07 17 97 AU FESTIVAL DE CANNES RÉSIDENCE DU GRAND HOTEL 47, BD DE LA CROISETTE 06400 CANNES Tél : 33 (0)4 93 38 48 95 SORTIE FRANCE LE 04 JUIN 2003 EN DVD LE 12 JUIN 2003 exe_pages DP/MTanglais 25/04/03 15:59 Page 2 Synopsis The Tramp works on the production line in a gigantic factory. Day after day, he tightens screws. He is very soon alienated by the working conditions and finds himself first in the hospital, then in prison. Once outside, he becomes friends with a runaway orphan girl who the police are searching for. The tramp and the girl join forces to face life's hardships together... exe_pages DP/MTanglais 25/04/03 15:59 Page 4 1931 - Chaplin leaves Hollywood for an 18-month tour of the world. He The Historical Context meets Gandhi and Einstein, and travels widely in Europe.