DOCSLIB.ORG

Magnificent Mozart

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Magnificent Mozart NCE ORMA EXCEL ERF LEN P CE OR A F N Y D IT M N U U S M IC M A O P C P R A E G C I N A I T D I L O I th N U B 45 SEASON 1974-2019 Salisbury Singers present MAGNIFICENT MOZART With the Bach Consort of Worcester Saturday April 6, 2019 Trinity Lutheran Church, 73 Lancaster St., Worcester, MA Board of Trustees President Naome M. Fearing Vice President Kirk A. Carter Secretary Kathleen A. Powers Treasurer Martin J. Pellegrino Stephen Beaton III Theodore E. Haringa, Ex Officio Debra Leach Bernard J. Conlin, Emeritus Charles J. Manero Kathleen Martin-Estus, Emeritus Samuel K. Stewart Joyce Messinger, Emeritus Founder Malama Robbins Collinsworth Artistic Staff Artistic Director Michelle Graveline Assistant Conductor Bradford Dumont F Accompanist William Ness Vocal Assistant Margaret M. Tartaglia Chorus Council Council President Maria Laverty Treasurer/Librarian James Monroe Secretary Carolyn Farley Ticket Sales Debra Leach Communications Dianne Smith Concert Facilitator Margaret Tartaglia Venue Coordinator Andrew Tomaski Member-at-Large Kathleen Powers Section Leaders Chris Adams Marla Hirsch Donald Adams Joseph Horton Mary Eichholz Janet Knowlton Victoria Heidorn Business Staff Graphics & Program Patricia Burns Fiore, P.S. Communications Publicity Tyler Alderson Web Hosting Eva Alvarez-Vigneault, Dynamic Design Online MAGNIFICENT MOZART Featuring F Salisbury Singers With The Bach Consort Of Worcester Michelle Graveline, Artistic Director Bradford Dumont, Assistant Conductor William Ness, Pianist Soloists for the Mozart Mass sponsored by a generous grant from the Fletcher Foundation This program is funded in part by: Even and Malama Collinsworth Advised Fund of the Community Foundation of Sarasota County The Fred Harris Daniels Foundation George E. and Sybil H. Fuller Foundation UniBank Harvard Pilgrim Health Care Greater Worcester Community Foundation 1 NCE ORMA EXCEL From the President ERF LEN P CE OR A F N Y D IT M We welcome you tonight to share in the music of N U U S M IC M A Salisbury Singers during our 45th season. Research done O P C P R A E G C I N A under the auspices of Chorus America and by leaders I T D I L O I th N U in the field of choral music validates the increase in B choruses around United States and their important 45 benefits to the community. No matter the size of the SEASON community, where arts programs flourish, there is a 1974-2019 measurable economic impact as well as the ability to bring people together from diverse walks of life. We hope that the opportunities for both participants and audiences at Salisbury Singers concerts this season will create an occasion to connect with family and friends as well as others in our community through the beautiful music being performed. Salisbury Singers continues on these many years because of the support from each of you, both financially and through your presence here tonight. Thank you for coming. Please visit our web site at www.salisburysingers.org to learn more about us and our 45th season programs. Naome Fearing, President From the Artistic Director Tonight, in addition to the professional soloists we have singing the Mass, we are pleased to showcase some of the talent within the Salisbury Singers. The four soloists for the Regina Coeli are drawn from the ranks of the chorus, and we thank them for their willingness to perform in the solo quartet. Next month, our Assistant Conductor, Brad Dumont, will receive the Master of Music degree in Choral Conducting and we congratulate him on this achievement. Salisbury Singers has been the beneficiary of his talent, skill, and passion for choral music these last two years. We look forward to continued association with him and to great performances from him in the future! As we look forward to our final concert of the year on June 8, I’d like to point out that two days before, June 6, is the 75th anniversary of D-Day, a day so instrumental in changing the course of WWII, and a sober reminder of what we owe to our veterans. Our June 8 program, D-Day meets Broadway, will feature music from musicals that emerged at that time that helped a war-weary public escape their troubles: South Pacific, Oklahoma! and Carousel. We will also honor our veterans and servicemen and women with a musical tribute. I hope to see you there! Michelle Graveline, Artistic Director 2 SALISBURY SINGERS WITH THE BACH CONSORT OF WORCESTER Michelle Graveline, Artistic Director Present MUSIC OF WOLFGANG AMADEUS MOZART 1756-1791 REGINA COELI, KV276 Conducted by Bradford Dumont Soloists Sarah Mombourquette, Soprano Brooke David Workman, Tenor Mega, Mezzo-soprano Andrew Tomaski, Bass BRIEF INTERMISSION GRAND MASS IN C MINOR, KV427 Conducted by Michelle Graveline Soloists Diana McVey, Soprano Jonas Budris, Tenor Pamela Dellal, Mezzo-soprano James Demler, Bass 1. Kyrie eleison chorus, soprano 2. Gloria chorus 3. Laudamus te mezzo-soprano 4. Gratias chorus 5. Domine Deus soprano/mezzo-soprano duet 6. Qui tollis chorus 7. Quoniam soprano/mezzo-soprano/tenor trio 8. Jesu Christe/Cum Sancto chorus 9. Credo chorus 10. Et incarnatus est soprano solo 11. Sanctus/Osanna chorus 12. Benedictus/Osanna solo quartet/chorus Please hold your applause until the end of the entire Mass. This concert is being recorded for archival purposes. Please silence all electronic devices. 3 TEXTS AND TRANSLTIONS REGINA COELI Regina coeli, laetare, alleluia. Queen of Heaven, rejoice, alleluia. Quia, quem meruisti, portare, alleluia. For he whom you merited to bear, alleluia. Resurrexit sicut dixit, alleluia. He has risen, as he said, alleluia. Ora pro nobis Deum, alleluia. Pray for us to God, alleluia. MASS IN C MINOR KYRIE KYRIE Kyrie eleison. Christe eleison. Kyrie Lord, have mercy on us. Christ, have eleison. mercy on us. Lord, have mercy on us. GLORIA GLORIA Gloria in excelsis Deo. Et in terra pax Glory to God in the highest, and on hominibus bonae voluntatis. earth peace to men of good will. Laudamus te. Benedicimus te. We praise Thee, we bless Thee, we Adoramus te. Glorificamus te. adore Thee, we glorify Thee. Gratias agimus tibi propter magnam We give Thee thanks for Thy great gloriam tuam. glory. Domine Deus, Rex coelestis, Deus Pater O Lord God, heavenly King, God the omnipotens. Domine Fili unigenite, Father almighty. O Lord Jesus Christ, Jesu Christe. Domine Deus, Agnus Dei, the only-begotten Son! O Lord God, Filius Patris. Lamb of God, Son of the Father, Qui tollis peccata mundi, miserere Who takest away the sins of the world nobis. have mercy upon us. Qui tollis peccata mundi, suscipe Who takest away the sins of the world, deprecationem nostram. receive our prayer. Qui sedes ad dexteram Patris, miserere Who sittest at the right hand of the nobis. Father, have mercy on us. Quoniam tu solus Sanctus. Tu solus For Thou only art holy. Thou only art Dominus. Tu solus Altissimus, Lord. Thou only, Jesu Christe. Cum Sancto Spiritu, O Jesus Christ, art most high together with the Holy Ghost, in gloria Dei Patris. Amen. in the glory of God the Father. Amen. We invite you to join us for a Reception in Jeppson Hall after the concert. Please visit our archives table and enjoy a retrospective of Salisbury Singers’ 45 years of performances. 4 TEXT CREDO CREDO Credo in unum Deum, Patrem I believe in one God, the Father omnipotentem, factorem coeli et terrae, almighty maker of heaven and earth, visibilum omnium et invisibillium. and of all things visible and invisible. Credo in unum Dominium Jesum I believe in one Lord Jesus Christ, the Christum, Filium Dei unigenitum. Et ex only begotten Son of God, born of the Patre natum ante omnia saecula. Deum Father before all ages; God of God, de Deo, lumen de lumine, Deum verum light of light, true God of true God; de Deo vero. Genitum, non factum, begotten not made; consubstantial with consubstantialem Patri: per quem the Father; by Whom all things were omnia facta sunt. Qui propter nos made. Who for us men, and for our homines et propter nostram salutem salvation, came down from heaven; descendit de coelis. Et incarnatus est de Spiritu Sancto ex and was incarnate by the Holy Ghost, Maria Virgine: of the Virgin Mary; Et homo factus est. and was made man. SANCTUS SANCTUS Sanctus, Sanctus, Sanctus Dominus, Holy, Holy, Holy, Lord God of hosts. Deus Sabaoth. Pleni sunt coeli et terra gloria tua. Heaven and earth are full of Thy glory. Osanna in excelsis. Hosanna in the highest. Benedictus, qui venit in nomine Blessed is He that cometh in the name Domini. Osanna in excelsis. of the Lord. Hosanna in the highest. PROGRAM NOTES The Regina Coeli KV276 is based on a liturgical chant, one of the Marian antiphons sung at the end of Compline during the church year. This particular text with its alleluias would have been used during the Easter season. Mozart composed three settings of this text. KV276 was his last, composed in 1779 while he was still in the employ of the Archbishop of Salzburg, and probably for use in Salzburg Cathedral. The music for the chorus and solo quartet alternates frequently throughout the piece, and each line of text ends with a full choral Alleluia. We know Mozart was studying the works of Bach and Handel during this period, and if one listens closely, one can hear a direct quote of a famous Handel work. The piece is filled with youthful exuberance and a joyful spirit. Of all Mozart’s choral works, two stand head and shoulders above the rest: his Requiem and the great Mass in C minor.
Load more

Recommended publications
  • 2 Fifteenth Berkeley Festival & Exhibition 2
    2 FIFTEENTH BERKELEY FESTIVAL & EXHIBITION 2 june 3–10, 2018 Festival Advisory Committee, Board of Directors & Staff ...............................................................................................2 Festival Supporters ...........................................................................................................................................................3 Welcome ..........................................................................................................................................................................6 Festival Calendar .............................................................................................................................................................8 Main Stage Players Sunday, June 3 Seattle Historical Arts for Kids ...............................................................................................................................14 California Bach Society ..........................................................................................................................................17 Monday, June 4 Christine Brandes & Elizabeth Blumenstock ..........................................................................................................23 Tuesday, June 5 San Francisco Conservatory Baroque Ensemble Students and Alumni ...................................................................27 Davis Senior High School Baroque Ensemble ........................................................................................................30
    [Show full text]
  • St. John Passion March 2018
    Music of the Baroque Chorus and Orchestra Jane Glover, Music Director Soprano Violin 1 Flute Laura Amend Gina DiBello, Mary Stolper, principal Alyssa Bennett concertmaster Alyce Johnson Bethany Clearfield Kevin Case, co-assistant Katelyn Lee concertmaster Hannah Dixon Kathleen Brauer, Oboe McConnell co-assistant Anne Bach, principal Susan Nelson concertmaster Peggy Michel Bahareh Poureslami Teresa Fream Emily Yiannias Michael Shelton Bassoon William Buchman Alto Violin 2 Margaret Fox Sharon Polifrone, Julia Hardin principal Organ Amanda Koopman Ann Palen Michael Beattie Maggie Mascal Paul Vanderwerf Ilana Goldstein Kiju Joh Anna VanDeKerchove Lori Ashikawa Theorbo Daniel Swenberg Tenor Viola Sam Grosby Elizabeth Hagen, Supertitles Brendon Marsh principal Robert McConnell Josh R. Pritchett Terri Van Valkinburgh Ryan Townsend Strand Claudia Lasareff- Zachary Vanderburg Mironoff Christopher Windle Amy Hess Bass Cello Corey Grigg Barbara Haffner, Jan Jarvis principal Keven Keys Judy Stone Kevin Krasinsky Craig Trompeter Kyle Sackett Max Seiffert Viola da gamba Craig Trompeter Bass Collins Trier, principal Michael Hovnanian The St. John Passion Biographies Acclaimed British conductor Jane Glover has been Jane Glover, conductor Music of the Baroque’s music director since 2002. She William Jon Gray, chorus director made her professional debut at the Wexford Festival in 1975, conducting her own edition of Cavalli’s L’Eritrea. Sunday, March 25, 2018, 3:00 PM She joined Glyndebourne in 1979 and was music North Shore Center for the Performing Arts, Skokie director of Glyndebourne Touring Opera from 1981 until 1985. She was artistic director of the London Mozart Players from 1984 to 1991 and has also held Monday, March 26, 2018, 7:30 PM principal conductorships of both the Huddersfield and Harris Theater for Music and Dance, Chicago the London Choral Societies.
    [Show full text]
  • Christmas in Medieval England
    Christmas in Medieval England Friday, December 16, 2011 · 8 pm Saturday, December 17, 2011 · 8 pm First Church in Cambridge, Congregational Christmas in Medieval England Friday, December 16, 2011 · 8 pm Saturday, December 17, 2011 · 8 pm First Church in Cambridge, Congregational Program I. Advent Veni, veni, Emanuel DM & men hymn (13th-century French?) II. Annunciation Angelus ad virginem DT SM 13th-century monophonic song, Arundel MS text by Philippe the Chancellor? (d. 1236) Gabriel fram Heven-King PD MB SM Cotton fragments (14th century) Gaude virgo salutata / Gaude virgo singularis isorhythmic motet for Annunciation John Dunstaple (d. 1453) Hayl, Mary, ful of grace MN GP / JM DS / MB MS / SM Trinity roll (early 15th century) Gloria (Old Hall MS, no. 21) JM MS DS DM PG Leonel Power (d. 1445) Ther is no rose of swych vertu DT MB PG SM Trinity roll Ibo michi ad montem mirre GP JM MS Power III. Christmas Eve Blue Heron Veni redemptor gencium PG & men cantus hymn for first Vespers of the Nativity on Christmas Eve Pamela Dellal Sarum plainchant, text by St Ambrose (c. 340–97) Martin Near Gerrod Pagenkopf intermission Daniela Tošić tenor & contratenor IV. Christmas Michael Barrett Jason McStoots Dominus dixit ad me David Scott Introit for the Mass at Cock-Crow on Christmas Day Mark Sprinkle Sarum plainchant bassus Nowel: Owt of your slepe aryse DT PD GP Paul Guttry Selden MS (15th century) David McFerrin Gloria (Old Hall MS, no. 27) MN GP PD / JM DS / MB MS Scott Metcalfe,harp, director Pycard (?fl. 1410–20) Ecce, quod natura PD DS MB Pre-concert talk by Daniel Donoghue Selden MS (Harvard University) sponsored in part by The Cambridge Society for Sanctus / Missa Veterem hominem Early Music.
    [Show full text]
  • Fall 2020 Courses to Know
    Fall 2020 Courses to Know CATALYST COURSES NEW COURSES PROJECT-BASED We are pleased to share new courses and project-based classes for the upcoming fall semester. This brochure also lists the Catalyst Curriculum classes that will run in the fall. Core Catalyst Classes Teaching Artistry INSTRUCTOR: Deborah Palmer or Eve Boltax Required of all students, this course includes active learning experiences, discussions, foundational readings, and interactive presentations. Students explore and strengthen the skills required to engage and communicate with audiences of all ages and backgrounds and are challenged to think more deeply and broadly about music, its role in society, their career options, and how artists can create social change. Violinist Deborah Ferry Palmer began her violin studies at the age of 3 and made her solo debut at the age of 8 with the Utah Symphony. At her third appearance with the Utah Symphony at the age of 17, performing the first movement of Tchaikovsky’s Violin Concerto in D Major, Deborah “dazzled the audience” and “gave a commanding reading of one of the violin literature’s most challenging and famous works” (The Desert News). An experienced chamber musician and avid teacher, Deborah is Suzuki and El Sistema trained and maintains a private violin and viola studio. Violist Eve Boltax is an active solo and chamber performer, teacher, and teaching artist. As part of the saxophone/viola duo Patchtax, she toured the US and Canada, and she was the founding violist of the Cardamom Quartet, which championed music by women and non- binary composers. She has trained as a teaching artist at Lincoln Center Education and is currently in training to become a certified Feldenkrais practitioner and teaches Suzuki violin and viola privately.
    [Show full text]
  • Spring 2020 Courses to Know
    Spring 2020 Courses to Know CONTENTS Catalyst Courses ..............p. 2 Project-Based ................... p. 5 New Courses ................... p. 13 We are pleased to share new courses and project-based classes for the upcoming spring semester. This brochure also lists the Catalyst Curriculum classes that will run in the spring. Core Catalyst Classes Music and Civic Engagement INSTRUCTORS: Sarah Darling & Ashley Pinakiewicz Students will use human-centered design to conceive and execute music-based projects that seek to address needs of our local Boston community. In this interactive and collaborative course, students will become practitioners of human-centered design while deepening their knowledge of topics including civic engagement, cultural/implicit bias, asset-based community development, and creative problem-solving. Integrating classroom theory with practical application, students will ultimately design and produce a music project that synthesizes their learning, uses audience feedback as assessment, and is documented (e.g., video, recording, journalism). Sarah Darling enjoys a varied musical career that spans many centuries and styles and holds a variety of leading roles on viola and violin with A Far Cry, the Harvard Baroque Chamber Orchestra, Musicians of the Old Post Road, Boston Baroque, Musical Offering, Les Bostonades, and Gut Reaction, while also performing with the Boston Early Music Festival, the Carmel Bach Festival, Emmanuel Music, Antico Moderno, Grand Harmonie, and Boston Ballet. She is active as a teacher and coach, with a special interest in body mechanics and musical rhetoric. Sarah has been described as “focused, nuanced, and arresting” (Boston Musical Intelligencer) and praised for “excellent solos” (Boston Globe), “absolute concentration and astonishing precision” (Badischer Zeitung), and “sympathy and spirit” (Hub Review).
    [Show full text]
  • Lorraine at Emmanuel Celebrating the Lives of Craig Smith and Lorraine Hunt Lieberson
    LORRAINE AT EMMANUEL CELEBRATING THE LIVES OF CRAIG SMITH AND LORRAINE HUNT LIEBERSON ARIAS FROM BACH HANDEL HANDEL CANTATAS HERCULES HERCULES THTHEE ORCHORCHESTRAESTRA OF EMMANUEL MUSIC Pilgrim’s Progress Window AND at Emmanuel Church, Boston, CRAIG SMITH AND JOHN HARBISON where Emmanuel Music is AV2130 the Ensemble-in-Residence Page 36 Page 1 PMS PMS 000 000 0 Johann Sebastian Bach (1685–1750) 1 from Cantata BWV 30: “Kommt ihr angefochtnen Sünder” (c. 1738) 8:46 George Frideric Handel (1685–1759): Hercules (HWV 60, 1744-5) Lorraine Hunt Lieberson sings the role of Dejanira 2 recit. O Hercules! Why art thou absent from me? (Act 1 Scene 1) 0:46 3 aria The world when day’s career is run (Act 1 Scene 1) 4:38 4 recit. Then I am lost! O dreadful oracle! (Act 1 Scene 2) 0:54 5 aria There in myrtle shades reclined (Act 1 Scene 2) 3:26 Shannon Snapp, continuo cello 6 recit. Ye lying omens, hence! (Act 1 Scene 3) 0:10 7 aria Begone, my fears, fly, hence, away (Act 1 Scene 3) 4:31 8 recit. It must be so! fame speaks aloud my wrongs (Act 2 Scene 2) with Jayne West, soprano (Iole) 0:51 9 aria When beauty sorrow’s liv’ry wears (Act 2 Scene 2) 4:46 Danielle Maddon and Lena Wong, violins 10 recit. O glorious pattern of heroic deeds! (Act 2 Scene 5) 0:38 11 aria Resign thy club and lion’s spoils (Act 2 Scene 5) 6:06 12 aria Cease, ruler of the day, to rise (Act 2 Scene 6) 3:59 13 duet Joys of freedom, joys of pow’r (Act 2 Scene 8) 3:56 with Jayne West, soprano (Iole) 14 Mad Scene: Where shall I fly? Where hide this guilty head? (Act 3 Scene 3) 6:39 Johann Sebastian Bach 15 from Cantata BWV 33: “Wie fürchtsam wankten meine Schritte” (c.
    [Show full text]
  • Beasts Beasts
    sic | David Hoose Mu , c w ond Ne uc e to ag r Beasts ll | o El C iz Martin Brody a b e t h K e u s c Acknowledgments h , Recorded at St. Mary of the Hills Church, Milton, Milton, s o Massachusetts and Rogers Center for the Arts at Merrimack p r a College in North Andover, Massachusetts — March 20, 26 n o and April, 24, 2006. Beasts | Martin Brody o Recording Engineer: Joel Gordon n a Recording Production: Joel Gordon & Martin Brody r p o s - Cover image: “A Wild Cat,” Zakariya ibn Muhammed o z Qazwini, 13th c., ‘Aja’ib al-makhluqat (Wonders of creation), z e 18th . ms., the Walters Collection m l, a ll Photo of Pamela Dellal: Kate L Photography e D a el Martin Brody’s music is available from the composer. m Pa | Ja ano nice opr WWW.ALBANYRECORDS.COM Felty, ezzo-s TROY1595 ALBANY RECORDS U.S. m 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2015 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Collage New Music Performs Martin Brody Martin Brody TROY1595 Beasts 1 Refrain [1:28] 2 The Octopus [4:49] 3 Refrain [1:27] 4 A Noiseless Patient Spider [3:16] 5 Beasts [6:02] Elizabeth Keusch, soprano Collage New Music David Hoose, conductor Millennium Sightings 6 Trina Voce [3:36] Collage New Music 7 Zechariahu, the Deliverer [3:55] David Hoose, musical director 8 Solitude [8:04] Frank Epstein, founder Janice Felty, mezzo-soprano flute bass Collage New Music Christopher Kreuger, * James Orleans,
    [Show full text]
  • Richard Pygott's Missaveni Sancte Spiritus
    Music from the Peterhouse Partbooks Richard Pygot’s Missa Veni sance siritus SATURDAY, FEBRUARY 3, 2018 SUNDAY, FEBRUARY 4, 2018 First Church in CambriDge, Congregational S. Stephen’s Church, ProviDence Music from the Peterhouse Partbooks Music from the Peterhouse partbooks, continued… Richard Pygot’s Missa Veni sance siritus With today’s program, Blue Heron continues Reformation in 1547. (Compare this to, for Kyrie fons bonitatis treble its exploration of music from one of the example, the sixteen choirbooks owned Sonja DuToit Tengblad Sarum chant largest and most important extant sources by Magdalen College alone in 1524.) Te Brenna Wells of sacred English polyphony from before rest were deliberately destroyed afer the Shari Alise Wilson Missa Veni sancte spiritus the Reformation, the Peterhouse partbooks Reformation or were simply lost to neglect or mean (so called because they are now housed at decay. Indeed, the tenor book and part of the Gloria & Credo Jennifer Ashe Peterhouse, the oldest and smallest of the Richard Pygot (c. 1485-1549) Pamela Dellal treble book of the Peterhouse set disappeared Martin Near Cambridge colleges). Te partbooks were centuries ago, and it is only through the copied around 1540 by Tomas Bull of astonishing creative eforts of the English Ave vulnus lateris contratenor Owen McIntosh Magdalen College, Oxford, for Canterbury musicologist Nick Sandon, who has restored Walter Erle (c. 1515-1581) Mark Sprinkle Cathedral, which had recently been dissolved the missing parts, that we are able to sing this by Henry VIII as a monastic foundation and music today. tenor Michael Barret refounded shortly aferwards as a secular intermission Jason McStoots cathedral that boasted a topnotch new choral Detailed accounts of the history of the bass establishment consisting of ten choristers, Peterhouse partbooks and their restoration, Cameron Beauchamp their master, and twelve professional singing as well as lengthy essays on many aspects of Missa Veni sancte spiritus Paul Gutry men.
    [Show full text]
  • John Harbison: Winter's Tale
    JOHN Harbison: Winter’S TALE 1 DISC 1 ACT I JOHN HARBISON b. 1938 Sicilia. Leontes’s palace. PAGE Winter’S TALE (1974, REV. 1991) [1] DUMBSHOW 1 2:01 16 [2] SCENE I Too hot, too hot! 1:16 16 BOSTON MODERN ORCHESTRA PROJECT [3] Is he won yet? 1:38 16 [4] Inch thick, knee-deep! Over head and ears a fork’d one. 3:00 17 GIL ROSE, CONDUCTOR [5] Camillo, this great sir will stay here longer. 2:43 17 DAVID KRAVITZ baritone [6] Who does infect her? 2:03 17 [7] DUMBSHOW 2 1:18 18 JANNA BATY mezzo-soprano [8] SCENE II Come now, sit by us, and tell a tale. 2:49 18 ANNE HARLEY soprano [9] Do not weep, good fools 1:43 19 MATTHEW ANDERSON tenor [10] Be certain what you do, sir 1:22 19 PAMELA DELLAL mezzo-soprano [11] Nor night, nor day, no rest 2:06 19 [ ] DANA WHITESIDE bass 12 My lord! I come from your good queen. 4:02 19 [13] SCENE III Hermione, queen to Leontes, thou art here accused 3:40 20 CHRISTIAN FIGUEROA tenor [14] To me can life be no commodity. 3:09 20 PAUL GUTTRY bass [15] Then in Apollo’s name the oracle 2:26 21 AARON ENGEBRETH baritone [16] This news is mortal to our queen 3:28 21 JERAMIE HAMMOND bass [17] DUMBSHOW 3 2:33 21 TOTAL 41:19 DISC 2 ACT II Bohemia. Sixteen years later. PAGE [1] DUMBSHOW 4 1:21 22 [2] SCENE I A country sheep-shearing festival begins.
    [Show full text]
  • A Mass for St. Augustine of Canterbury
    A Mass for St. Augustine of Canterbury FRIDAY, OcTOBER 17, 2014 St. Peter’s Episcopal Church, Weston SATURDAY, OcTOBER 18, 2014 First Church in Cambridge, Congregational late summer of 1540 Canterbury Cathedral had PROGRAM NOTES put together a roster including ten “queresters” (choristers, “quire” being the normal sixteenth- century spelling of the word), their master, and A Mass for St. Augustine of Canterbury MUSIC BY THE ANONYMOUS twelve vicars-choral, the professional singing- AND THE UNKNOWN men. Thomas Tallis is listed first of the “vyccars”; Introit: Sacerdotes dei benedicite Sarum plainchant Bull is sixth. But besides singers, the new choral establishment required an entire library of up-to- Kyrie Orbis factor This program is part of Blue Heron’s long-range project of performing and recording long- date polyphonic repertory, and this Bull supplied, unsung music from the so-called Henrician set of bringing about 70 works with him from Oxford. Gloria / Missa sine nomine Anonymous (Peterhouse partbooks, c.1540) partbooks now residing at Peterhouse, Cambridge. The brilliant choral institution at Canterbury Credo / Missa sine nomine The partbooks, originally five in number, contain a large collection of Masses, Magnificats, and would not last long. Henry died in 1547 and the votive antiphons. They were copied in the latter Protestant refomers who came to power with the —intermission— years of the reign of Henry VIII at Magdalen ascension of his young son, Edward, took a dim College, Oxford, by the professional singer and view of such popish decorations as professional music scribe Thomas Bull, just before Bull left choirs and the highly sophisticated Latin music Votive antiphon: Ave Maria, mater dei Robert Hunt (early 16th century) Oxford to take up a new position at Canterbury they sang.
    [Show full text]
  • A Blue Heron Christmas Special December 19, 2020
    22ND Blue Heron 20 SEASON21 A Blue Heron Christmas Special december 19, 2020 cantus Jennifer Ashe, Pamela Dellal, I. THE MORNING STAR Sophie Michaux, Martin Near, Margot Rood, Veni, veni, Emanuel DM & men Sonja DuToit Tengblad, Daniela Tošić 13th-century French tenor & contratenor Michael Barrett, Owen McIntosh, II. THE VIRGIN & THE ANGEL Jason McStoots, Aaron Sheehan, Mark Sprinkle Angelus ad virginem DT SM Arundel MS (late 13th century) bassus PD MB SM Paul Guttry, David McFerrin Gabriel fram Heven-King Cotton fragments (14th century) instrumentalists Hayl Mary, ful of grace JA MN OM JM MB MS SM Laura Jeppesen, fiddle & rebec Charles Weaver, lute Trinity Roll (early 15th century) Scott Metcalfe, fiddle & harp Ave Maria I say to that blessyd mayde MR AS Cambridge MS Add. 5943 (c. 1400) members of dark horse consort Erik Schmalz, sackbut Quam pulcra es MN JM MB Mack Ramsey, sackbut John Dunstaple (d. 1453) artistic director Gloria JM MS OM DM PG Scott Metcalfe Leonel Power (d. 1445), Old Hall MS, no. 21 Ther is no rose of swych vertu DT MB DM SM Trinity Roll III. CHRISTMAS DAY Puer natus est nobis SDT ES MR Cristóbal de Morales (c. 1500-1553) Yblessid be that lord in mageste MR AS Childe, Selden MS (15th century) Thys yol the beste red that y kan DM SM Edmundus, Cambridge MS Add. 5943 Thys yol (instrumental) LJ CW SM Contratenor by Scotus Viridis Montis 22ND Blue Heron 20 SEASON21 A Blue Heron Christmas Special recorded In concert at First Church in Cambridge, IV. NEW YEAR’S DAY Congregational, December 22, 2017 La plus belle et doulce figure DT CW SM At the Church of the Redeemer Nicolas Grenon (c.
    [Show full text]
  • Translations
    emmanuel music Ryan Turner ARTISTIC DIRECTOR John Harbison PRINCIPAL GUEST CONDUCTOR Craig Smith FOUNDER (1947 - 2007) Patricia Krol EXECUTIVE DIRECTOR Michael Beattie ARTISTIC ADMINISTRATOR Jude Epsztein Bedel DEVELOPMENT DIRECTOR Joan Ellersick ORCHESTRA PERSONNEL MANAGER Don Firth CONTROLLER Dayla Santurri PR/MARKETING ASSOCIATE Joanna Springer COMMUNICATIONS MANAGER Jayne West COMMUNITY CONNECTIONS COORDINATOR BOARD OF DIRECTORS ADVISORY BOARD Kate Kush PRESIDENT Belden Hull Daniels James Olesen Dale Flecker VICE PRESIDENT Richard Dyer Richard Ortner David Vargo TREASURER Anthony Fogg Ellis L. Phillips, III Eric Reustle CLERK John Harbison Peter Sellars Elizabeth S. Boveroux Rose Mary Harbison Russell Sherman Marion Bullitt Ellen Harris Sanford Sylvan H. Franklin Bunn David Hoose Christoph Wolff Coventry Edwards-Pitt Richard Knisely Benjamin Zander David Kravitz Sara Lawrence-Lightfoot Patrice Moskow Robert Levin Vincent Stanton, Jr. Errol Morris Dana Whiteside Mark Morris The Rev. Pamela L. Werntz, Joan Nordell ex-officio 15 Newbury Street | Boston, MA 02116 | 617.536.3356 | emmanuelmusic.org emmanuel music Ryan Turner, Artistic Director John Harbison, principal Guest Conductor MENDELSSOHN/WOLF CHAMBER SERIES YEAR I Sunday, November 2, 2014 – 4:00 PM Mörike Lieder Hugo Wolf Gesang Weylas (1860-1903) Der Genesene an die Hoffnung Schlafendes Jesukind Seufzer Auf eine Christblume II Pamela Dellal, mezzo-soprano Ryan Turner, tenor Brett Hodgdon, piano Variations Concertantes in D Major for Cello and Piano, Op. 17 Felix Mendelssohn (1809-1847) Rafael Popper-Keizer, cello Ya-Fei Chuang, piano Mörike Lieder Hugo Wolf Begegnung Lebe wohl Nimmersatte Liebe Agnes An die Geliebte An eine Äolsharfe Pamela Dellal, mezzo-soprano Ryan Turner, tenor Brett Hodgdon, piano * * * INTERMISSION * * * Piano Quartet in C minor, Op.
    [Show full text]