UK Rejection of Restitution of Artefacts: Confirmation Or Surprise?
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The Frick Collection Staff As of June 30, 2008
The Frick Collection annual report july 2007–june 2008 The Frick Collection annual report july 2007–june 2008 leadership 2 Board of Trustees, Council of The Frick Collection, and Young Fellows Steering Committee reports 3 Margot Bogert, Chairman 5 Anne L. Poulet, Director 8 Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator 11 Patricia Barnett, Andrew W. Mellon Chief Librarian financial statements 13 Statement of Financial Position 14 Statement of Activities public programming 15 Exhibitions and Lectures 16 Symposia, Publications, and Concerts notable library acquisitions 17 Gifts and Exchanges 18 Purchases donor support and membership 19 Gifts and Grants 23 Fellows and Friends 30 Corporate Members and Sponsors staff 31 The Frick Collection 34 Frick Art Reference Library on our cover: Maiolica dish with The Judgment of Paris after Raphael, Fontana workshop, tin-glazed earthenware, c. 1565, The Frick Collection, gift of Dianne Dwyer Modestini in memory of Mario Modestini; photograph by Michael Bodycomb The Frick Collection Council of Young Fellows Board of Trustees The Frick Collection Steering Committee As of June 30, 2008 As of June 30, 2008 As of June 30, 2008 Margot Bogert, Chairman George C. Wachter, Chairman Lydia Fenet, Chairman Howard Phipps Jr., Vice Chairman Jonathan Brown, Vice Chairman Elisabeth Saint-Amand, Secretary L. F. Boker Doyle, Treasurer Caitlin Davis, Coordinator John P. Birkelund, Secretary Julian Agnew Irene Roosevelt Aitken Fiona Benenson Peter P. Blanchard III W. Mark Brady Genevieve Wheeler Brown I. Townsend Burden III Vivien R. Clark Kipton Cronkite Walter A. Eberstadt Anne Goldrach Paul Cruickshank Emily T. Frick Nicholas H. -
Neil Macgregor, a History of the World in 100 Objects
TERMINUS tom 15 (2013), z. 2 (27), s. 275–282 doi:10.4467/20843844TE.13.016.1573 www.ejournals.eu/Terminus NCEIL MA GREGOR, A HISTORY OF THE WORLD IN 100 OBJECTS, FIRST PUBLISHED IN PRINT IN OCTOBER 2010 BY ALLEN LANE IMPRINT OF PENGUIN BOOKS, PP. 640 Edition used for the review: Kindle Edition, 6 October 2011, Penguin KAJA SZYMAńSKA Uniwersytet Jagielloński, Kraków Only stable, rich and powerful states can commission great art and architectu- re that, unlike text or language, can be instantly understood by anyone – a gre- at advantage in multilingual empires. Neil MacGregor1 The book A History of the World in 100 Objects is a result of a multi-plat- form BBC and British Museum joint enterprise released in 2010. It of- fered an innovative look at history and the role of a museum, and was a great success in popularising knowledge, and history in particular. The whole project involved 550 heritage partners and comprised several me- dia outlets: a six-month long series of daily broadcasts by BBC Radio 4, a website through which individual users and other institutions could also contribute, uploading objects of their own choice, and finally, the book to which this review specifically relates. The radio programme drew 4 million listeners and podcast downloads amounted to over 10 million during the 1 N. MacGregor, loc. 3542/9008. Publikacja objęta jest prawem autorskim. Wszelkie prawa zastrzeżone. Kopiowanie i rozpowszechnianie zabronione. Publikacja przeznaczona jedynie dla klientów indywidualnych. Zakaz rozpowszechniania i udostępniania w serwisach bibliotecznych 276 Kaja Szymańska following year (only just over 5.7 million from the UK). -
P36-37 Neil Macgregor.Indd
MEXICO Moctezuma: Aztec ruler BY NEIL MACGREGOR DIRECTOR OF THE BRITISH MUSEUM n behalf of the Trustees of the British Moctezuma’s life and dramatic death are explained Museum, I would like to take this through a variety of stunning objects, generously opportunity to welcome President Felipe lent from Mexico, from monumental sculpture, gold Calderón Hinojosa to the UK on his and mosaic items to codices and European paintings. OState Visit. The British Museum has a long-standing Recent finds and research will shed light on Moctezuma commitment to the presentation of Mexican cultures, and offer a re-assessment of his reign and legacy. The millions have visited the Museum’s permanent gallery exhibition will allow visitors to rediscover the Aztec devoted to Mexico since it opened in 1994. world and trace the foundation of modern Mexico. 2009 is a particularly apt time to be thinking about The exhibition is supported by ArcelorMittal and has Mexico and its rich history in advance of the celebration been conceived in partnership with the National Institute NEIL MACGREGOR of the centenary of the Mexican Revolution and bi- for Anthroplogy and History (INAH), Mexico City. has been Director of centenary of Mexican Independence in 2010. The Mexicana is the airline partner and additional support has the British Museum coincidence of these two anniversaries will allow the come from Visit Mexico. The exhibition would not have since 2002. He is an world to reconsider the history of Mexico. It has offered been possible without the personal commitment of the honorary Fellow of New an opportunity for us here at the British Museum, in Mexican Ambassador to the UK, Juan José Bremer and College, Oxford and partnership with colleagues in Mexico, to examine his colleagues, the Museum is greatly indebted to them the British Academy, a afresh the role of one of the key figures at a pivotal for their help and assistance. -
The British Museum Annual Reports and Accounts 2019
The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 HC 432 The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 Presented to Parliament pursuant to Section 9(8) of the Museums and Galleries Act 1992 Ordered by The House of Commons to be printed on 19 November 2020 HC 432 The British Museum Report and Accounts 2019-20 © The British Museum copyright 2020 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Museum copyright and the document title specifed. Where third party material has been identifed, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected]. This publication is available at www.gov.uk/ofcial-documents. ISBN 978-1-5286-2095-6 CCS0320321972 11/20 Printed on paper containing 75% recycled fbre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Ofce The British Museum Report and Accounts 2019-20 Contents Trustees’ and Accounting Ofcer’s Annual Report 3 Chairman’s Foreword 3 Structure, governance and management 4 Constitution and operating environment 4 Subsidiaries 4 Friends’ organisations 4 Strategic direction and performance against objectives 4 Collections and research 4 Audiences and Engagement 5 Investing -
'The Wealth of Nations: the Health of Society': 60 Years of the Wolfson
‘The Wealth of Nations: the Health of Society’: 60 Years of the Wolfson Foundation Neil MacGregor OM, Director, The British Museum Lecture given at Wolfson College, Oxford, 8 June 2015, on the occasion of the 60th anniversary of the Wolfson Foundation Janet thank you very much indeed for that generous introduction, and thank you above all for inviting me to pay tribute to the Foundation and to your father and grandfather, and what the Foundation has done and what it represents. This is as you all know a year of anniversaries, and indeed June the month of anniversaries: 800 years of Magna Carta and two hundred years since the Battle of Waterloo, which has also cast along historical shadow. It is also, and for this evening’s purposes, above all, the 60th anniversary of the creation of the Wolfson Foundation, and the history of that Foundation is in the excellent booklet that has just been published, but I would like to pay tribute to its two founding figures, its founding Chairmen: the grandfather and the father of the current Chairman, Janet Wolfson de Botton. Isaac Wolfson, who was born in poverty in Glasgow in 1897, came to London to make a fortune with Great Universal Stores, and used that fortune, as you know, to endow the Foundation. And his son, Leonard Wolfson, who continued not just GUS, but also the Foundation, developed it remarkably. I never knew Isaac Wolfson, but I did frequently meet Leonard, and was the recipient of enormous generosity and encouragement, and also extremely testing conversations. It was always the first thing: this extraordinarily generous man, already committed to helping the institution that one was trying to ask for money for, always began with a very firm and ringing endorsement that the one thing he would not pay was VAT. -
The New Encyclopedia of Benin
Barbara Plankensteiner. Benin: Kings and Rituals. Gent: Snoeck, 2007. 535 pp. $85.00, cloth, ISBN 978-90-5349-626-8. Reviewed by Kate Ezra Published on H-AfrArts (December, 2008) Commissioned by Jean M. Borgatti (Clark Univeristy) The exhibition "Benin Kings and Rituals: This section of the catalog features 301 ob‐ Court Arts from Nigeria," organized by Barbara jects discussed in 205 entries by 19 authors. The Plankensteiner, is an extraordinary opportunity objects, all illustrated in full color, are drawn to see hundreds of masterworks of Benin art to‐ from twenty-five museums in Europe, the United gether in one place. It will be on view at the Art States, and Nigeria, and also include several Institute of Chicago, its only American venue, works privately owned by Oba Erediauwa and from July 10 to September 21, 2008. The colossal High Priest Osemwegie Ebohen of Benin City. exhibition catalog provides a permanent record Most of the international team of authors who of this remarkable exhibition and will soon be‐ wrote the catalog entries are renowned Benin come the essential reference work on Benin art, scholars; the others are Africanists who serve as culture, and history. The frst half of the book curators of collections that lent objects to the exhi‐ Benin Kings and Rituals: Court Arts from Nigeria, bition. A full half of the entries were written by edited by Barbara Plankensteiner, consists of Barbara Blackmun (forty-nine) , Kathy Curnow twenty-two essays by a world-class roster of schol‐ (twenty-six), Paula Ben-Amos Girshick (fourteen), ars on a broad range of topics and themes related and Joseph Nevadomsky (thirteen). -
Wikimedia with Liam Wyatt
Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values. -
018-245 ING Primavera CORR 24,5 X 29.Qxp
Under the High Patronage of the President of the Italian Republic !e Springtime of the Renaissance. Sculpture and the Arts in Florence – Florence, Palazzo Strozzi, March– August Paris, Musée du Louvre, September – January With the patronage of Concept by Website Ministero degli Affari Esteri Beatrice Paolozzi Strozzi Netribe Ministero per i Beni e le Attività Culturali Marc Bormand Ambassade de France en Italie Programming for families, youth and adults Curated by Fondazione Palazzo Strozzi Beatrice Paolozzi Strozzi Promoted and organized by Marc Bormand School groups and activities Sigma CSC With the collaboration of Ilaria Ciseri Exhibition reservation office Sigma CSC Realized by Fondazione Palazzo Strozzi Exhibition and ticket office staff TML Service Scholarly and editorial coordination and accompanying texts in the exhibition Multichannel ticket office Ludovica Sebregondi TicketOne Installation design Audioguide Luigi Cupellini START with the collaboration of Carlo Pellegrini Insurance Exhibition installation AON Artscope Galli Allestimenti Lloyd’s Atlas e Livelux Light Designers CS Insurance Service Stampa in Stampa Alessandro Terzo Transportation Franco Bianchi Arterìa Installation and condition report works on paper with Julie Guilmette Head of security Ulderigo Frusi Exhibition graphics and communication design RovaiWeber design Head of prevention and protection service Translation of accompanying texts in the exhibition Andrea Bonciani Stephen Tobin (Italian–English) Lara Fantoni (English–Italian) Electrical system assistance Xue Cheng (Italian–Chinese) and maintenance Mila Alieva (English–Russian) Bagnoli srl Gabrielle Giraudeau (Italian–French) Alarm system assistance Family itinerary and maintenance James M. Bradburne Professional Security srl Cristina Bucci Chiara Lachi Air-conditioning/heating system assistance and and maintenance Communication and promotion R.S. -
Sir Hugh Casson Interviewed by Cathy Courtney: Full Transcript of the Interview
IN PARTNERSHIP WITH NATIONAL LIFE STORIES LEADERS OF NATIONAL LIFE Sir Hugh Casson Interviewed by Cathy Courtney C408/16 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] IMPORTANT Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ([email protected]) British Library Sound Archive National Life Stories Interview Summary Sheet Title Page Ref no: C408/16/01-24 Playback no: F1084 – F1093; F1156 – F1161; F1878 – F1881; F2837 – F2838; F6797 Collection title: Leaders of National Life Interviewee’s surname: Casson Title: Mr Interviewee’s forename: Hugh Sex: Male Occupation: Architect Date and place of birth: 1910 - 1999 Mother’s occupation: Father’s occupation: Dates of recording: 1990.02.13, 1990.02.16, 1990.02.19, 1990.03.13, 1990.04.19, 1990.05.11, 1990.05.22, 1990.08.28, 1990.07.31, 1990.08.07, 1991.05.22, 1991.06.03, 1991.06.18, 1991.07.13 Location of interview: Interviewer's home, National Sound Archive and Interviewee's home Name of interviewer: Cathy Courtney Type of recorder: Marantz CP430 Type of tape: TDK 60 Mono or stereo: Stereo Speed: N/A Noise reduction: Dolby B Original or copy: Original Additional material: Copyright/Clearance: Interviewer’s comments: Sir Hugh Casson C408/016/F1084-A Page 1 F1084 Side A First interview with Hugh Casson - February 13th, 1990. -
The Translation of the Benin Bronzes in 19
Golf in the City of Blood: the Translation of the Benin Bronzes in th 19 Century Britain and Germany Manuela Husemann Sir,—Foreigners have often been known to state that wherever an Englishman wanders in distant parts of the globe, the safety-valve to his excessive vitality must be appealed by knocking about a ball in some form or other. Now, few people reading their morning papers three months ago at home, with the horrors of city so graphically depicted, would have conjectured that within four weeks of the final charge on the city walls, the ringing sound of the cleek and the call of "Fore!" would be heard resounding in the same sanguinary vicinity. Such was the case, however, a good nine-hole course (which would compare very favourably with many British inland courses) being at that time in full swing and working order. […] The chief drawback we found on first starting was the huge quantity of human skulls and bones which littered the course ; and, sad as it is to state, our best green happens to have been made on the turf immediately beneath a tree known as the "crucifixion tree," on which many a poor slave breathed his last. I am, Sir, &c, Benin City, West Africa, C. H. P. C. April 18th. 1897.1 This letter, originally headed Golf in ‘the City of Blood,’ was written by an officer stationed in Benin City. It does not just provide an interesting title for this paper, but it additionally gives 1 Friday June the 18th 1897 Golf: A Weekly Record of Ye Royal and Ancient Game, p. -
Renouncing the Universal Museum's Imperial Past: a Call to Return The
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Fall 12-14-2018 Renouncing the Universal Museum’s Imperial Past: A Call to Return the Rosetta Stone Through Collaborative Museology Anna Volante [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Museum Studies Commons Recommended Citation Volante, Anna, "Renouncing the Universal Museum’s Imperial Past: A Call to Return the Rosetta Stone Through Collaborative Museology" (2018). Master's Projects and Capstones. 876. https://repository.usfca.edu/capstone/876 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Renouncing the Universal Museum’s Imperial Past: A Call to Return the Rosetta Stone Through Collaborative Museology Keywords : Cultural Heritage, Rosetta Stone, Rashid, Egypt, Colonialism, Imperialism, Orientalism, Repatriation, Collaborative Museology, Universal Museums, Museum Studies by Anna J. Volante Capstone project submitted in partial fulfillment of the requirements for the Degree of Master of Arts in Museum Studies Department of Art + Architecture University of San Francisco ______________________________________________________________________________ Faculty Advisor: Stephanie A. Brown ______________________________________________________________________________ Academic Director: Paula Birnbaum December 14, 2018 Abstract In colonial times, Western empires used orientalism to justify and perpetuate colonialism and imperialism over countries that they believed inferior to their own. -
Basic Information
BRITISH MUSEUM Caroline Tully School of Historical and Philosophical Studies University of Melbourne Melbourne, Victoria Australia [email protected] Basic Information Situated in Great Russell Street, London, the British Museum (http://www.britishmuseum.org/) was created by an Act of Parliament in 1753 and opened to the public in 1759. Governed by a board of 25 trustees in accordance with the British Museum Act of 1963 and the Museums and Galleries Act of 1992, the museum is a non-departmental public body, sponsored by the Department for Culture, Media and Sport. The museum’s stated purpose is “to hold for the benefit and education of humanity a collection representative of world cultures and to ensure that the collection is housed in safety, conserved, curated, researched and exhibited” (British Museum n.d.). The British Museum originated with the collection belonging to physician and naturalist, Sir Hans Sloane (1660–1753), which consisted of natural history specimens, ethnographic material, antiquities, jewellery, coins, medals, prints, and orientalia. This was combined with a large library of manuscripts assembled by Sir Robert Cotton, and the Harleian Library, the manuscript collection of the earls of Oxford. Expanded in 1757 with the addition of King George II’s donation of the old Royal Library, the museum thus originally mainly consisted of natural history specimens, books and manuscripts. In 1772 the museum acquired its first collection of notable antiquities with the Greek vases belonging to Sir William Hamilton. In 1807 it created a specific Department of Antiquities which, in 1860, was divided into three: Greek and Roman Antiquities; Oriental Antiquities; and Coins and Medals.