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THE CLEVELAN ORCHESTRA California Masterwor S
����������������������� �������������� ��������������������������������������������� ������������������������ �������������������������������������� �������� ������������������������������� ��������������������������� ��������������������������������������������������� �������������������� ������������������������������������������������������� �������������������������� ��������������������������������������������� ������������������������ ������������������������������������������������� ���������������������������� ����������������������������� ����� ������������������������������������������������ ���������������� ���������������������������������������� ��������������������������� ���������������������������������������� ��������� ������������������������������������� ���������� ��������������� ������������� ������ ������������� ��������� ������������� ������������������ ��������������� ����������� �������������������������������� ����������������� ����� �������� �������������� ��������� ���������������������� Welcome to the Cleveland Museum of Art The Cleveland Orchestra’s performances in the museum California Masterworks – Program 1 in May 2011 were a milestone event and, according to the Gartner Auditorium, The Cleveland Museum of Art Plain Dealer, among the year’s “high notes” in classical Wednesday evening, May 1, 2013, at 7:30 p.m. music. We are delighted to once again welcome The James Feddeck, conductor Cleveland Orchestra to the Cleveland Museum of Art as this groundbreaking collaboration between two of HENRY COWELL Sinfonietta -
The Art & Architecture of the Basilica of Saint Lawrence
Chapel of Our Lady Exterior Rafael Guastavino The Art & Architecture of The style, chosen by the architect, is Guastavino (1842-1908) an architect and builder of To the left of the main altar is the Chapel of Our Lady. Spanish origin, emigrated to the United States from The white marble statue depicts Our Lady of the Spanish Renaissance. The central figure Barcelona in 1881. There he The Basilica of Assumption, patterned after the famous painting by on the main facade is that of our patron, had been a successful Murillo. Inserted in the upper part of the altar is a faience the 3"I century archdeacon, St. The Guastavino architect and builder, D.M. entitled The Crucifixion, which is attributed to an old Lawrence, holding in one hand a palm system represents a Saint Lawrence, renowned pottery in Capo di Monte, Italy. On either side designing large factories and unique architectural A Roman Catholic Church frond and in the other a gridiron, the homes for the industrialists of the tabernacle are niches containing statues of the treatment that has instrument of his torture. On the left of of the region of Catalan. He following: from the extreme left, Sts. Margaret, Lucia, given America some Cecilia, Catherine of Alexandria, Barbara, Agnes, Agatha, St. Lawrence is the first martyr, St. was also credited there with and Rose of Lima. Framing the base of the altar is a series Stephen, holding a stone, the method of being responsible for the of its most of tiles with some titles his martyrdom. He also holds a palm. -
Annual Catalogue of the University Of
lTIJEN T Beginning July I, 1943 The College of Engineering and the College of Mines will operate entirely on the semester system. No classes will be conducted on the quarter system. Summer Session HB" will start on July 1 and end on October 30. The first (or Wincer) semester will begin on November 1, 1943 and end on February 28, 1944. The second (or Spring) semester will begin March 1, 1944 and end on June 30. The two semesters will con stitute an academic year and are to be considered the equivalent of the academic year of three quarters. In all other Schools and Colleges the regular Autumn and Winter terms will be operated on dle quarter s)'Stem as usual. See University Calendar, page 8. THE CAMPUS UNIVERSITY Of WASHINGTON ~~~~~~~~~~ N SYMBOLSt f) _.MlAS --- ---MUIICIM.""UNtS - _.- ~TY LUI'S _·····-N-"OWOLS _ ••• - lUna. lUllS + srC;TlC)IIc;o~ -tS(CflON CO""'II$ A 9-33 The University and its various colleges and schools reserve the right to change the rules regulating admission to, instruction in and graduation from the University and its various divisions and any other regulations affecting the student body, Such regulations shall go into force whenever the proper authorities may determine, and shall apply not only to prospective students, but also to those who may at such time be matriculated in the University. The University also reserves the right to withdraw courses or change fees at any time. \ BULLETIN UNIVERSITY OF WASHINGTON CATALOGUE 1943-1944 GENERAL SERIES JULY 3, 1943 No. 132 Published twice monthly at Seattle, Washington, by the University of Washington from October to July, inclusive. -
PHILOSOPHY HALL Page 1 United States Department of the Interior, National Park Service______National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 PHILOSOPHY HALL Page 1 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Philosophy Hall Other Name/Site Number: 2. LOCATION Street & Number: 1150 Amsterdam Avenue Not for publication:_ City/Town: New York Vicinity_ State: NY County: New York Code: 061 Zip Code: 10027 3. CLASSIFICATION Ownership of Property Category of Property Private: X_ Building(s): X. Public-Local: _ District: _ Public-State: _ Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 1 _ buildings _ sites _ structures _ objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: 0 Name of Related Multiple Property Listing: NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 PHILOSOPHY HALL Page 2 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property __ meets __ does not meet the National Register criteria. -
Barnard College Bulletin 2017-18 3
English .................................................................................... 201 TABLE OF CONTENTS Environmental Biology ........................................................... 221 Barnard College ........................................................................................ 2 Environmental Science .......................................................... 226 Message from the President ............................................................ 2 European Studies ................................................................... 234 The College ........................................................................................ 2 Film Studies ........................................................................... 238 Admissions ........................................................................................ 4 First-Year Writing ................................................................... 242 Financial Information ........................................................................ 6 First-Year Seminar ................................................................. 244 Financial Aid ...................................................................................... 6 French ..................................................................................... 253 Academic Policies & Procedures ..................................................... 6 German ................................................................................... 259 Enrollment Confirmation ........................................................... -
Download on to Your Computer Or Device
Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival. -
Structural Assessment of the Guastavino Masonry Dome of the Cathedral of Saint John the Divine
Structural Assessment of the Guastavino Masonry Dome of the Cathedral of Saint John the Divine by Hussam Dugum Bachelor of Engineering in Civil Engineering and Applied Mechanics McGill University, Montreal, 2012 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering at the Massachusetts Institute of Technology June 2013 c 2013 Massachusetts Institute of Technology. All rights reserved. Signature of the Author: Department of Civil and Environmental Engineering May 10, 2013 Certified by: John A. Ochsendorf Professor of Building Technology and Civil and Environmental Engineering Thesis Supervisor Accepted by: Heidi M. Nepf Chair, Departmental Committee for Graduate Students Structural Assessment of the Guastavino Masonry Dome of the Cathedral of Saint John the Divine by Hussam Dugum Submitted to the Department of Civil and Environmental Engineering on May 10, 2013 in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering Abstract Historic masonry structures have survived many centuries so far, yet there is a need to better understand their history and structural safety. This thesis applies structural analysis techniques to assess the Guastavino masonry dome of the Cathedral of Saint John the Divine. This dome is incredibly thin with a L/t ratio of 200. Thus, it is important to assess this dome and its supporting arches, and confirm they are within adequate safety limits. This thesis gives an overview of the basic principles of masonry structural analysis methods, including equilibrium and elastic methods. Equilibrium methods are well suited to assess masonry structures as their stability is typically a matter of geometry and equilibrium rather than material strength. -
Hiroya Miura
CURRICULUM VITAE HIROYA MIURA Department of Music 30 Preble Street, #253 Bates College Portland, ME 04101 75 Russell Street Mobile Phone: (917) 488-4085 Lewiston, ME 04240 [email protected] http://www.myspace.com/hiroyamusic EDUCATION 2007 D.M.A. (Doctor of Musical Arts) in Composition Graduate School of Arts and Sciences Columbia University, New York, NY Advisor: Professor Fred Lerdahl Dissertation: Cut for Satsuma Biwa and Chamber Orchestra 2001 M.A. in Composition Graduate School of Arts and Sciences Columbia University, New York, NY 1998 B.Mus. in Composition (Honors with Distinction) Faculty of Music McGill University, Montréal, QC 1995 D.E.C. (Diplôme d’études collégiales) in Pure and Applied Sciences Marianopolis College, Montréal, QC TEACHING EXPERIENCE 2005-Present Bates College Assistant Professor of Music Conductor of College Orchestra Courses Taught: Music Theory I, Music Theory III and IV, Music Composition, Music and Cinema, Introduction to Listening, Orchestration, Undergraduate Theses in Composition 1999-2005 Columbia University Teaching Fellow (2002-2005), Assistant Conductor of University Orchestra (1999-2002) Courses Taught: Introductory Ear Training (Instructor), Chromatic Harmony and Advanced Composition (Teaching Assistant) Hiroya Miura Curriculum Vitae CONDUCTING / PERFORMANCE EXPERIENCE Calling ---Opera of Forgiveness---* Principal Conductor Electronic Quartet with Jorge Sad, Santiago Diez, and Matias Giuliani at CCMOCA* No-Input Mixer performer Bates College Orchestra Music Director/ Principal Conductor Columbia -
LOW MEMORIAL LIBRARY, COLUMBIA UNIVERSITY, North of the College Walk (West 116Th Street Between Broadway and Amsterdam Avenue), Borough of Manhattan
Landmarks Preservation Commission September 20, 1966, Number S LP-0304 LOW MEMORIAL LIBRARY, COLUMBIA UNIVERSITY, north of the College Walk (West 116th Street between Broadway and Amsterdam Avenue), Borough of Manhattan. Begun 1895, completed 1897, architects McKim, Mead & White. Landmark Site: Borough of Manhattan Tax Map Block 1973, Lot 1 in part, consisting of the land on which the described building is situated. On June 14, 1966, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of Low Memorial Library, Columbia University and the proposed designation of the related Landmark Site. (Item No. 36). The hearing had been duly advertised in accordance with the provisions of law. Two witnesses spoke in favor of designation. There were no speakers in opposition to designation. In a letter to the Commission, Grayson Kirk, President of Columbia University, said that the University was "happy to accept this designation." DESCRIPTION AND ANALYSIS Low Memorial Library is a majestic building of truly monumental proportions. It is situated on a slight rise overlooking the south campus of Columbia University. This Roman stone building, designed in the form of a Greek cross, displays great classic grandeur. One of its chief features is an imposing Ionic portico (porch), consisting of ten superb fluted columns, supporting a simple cornice and high attic story, inscribed with references to the original King's College charter. An oct~gonal shaped drum, containing large semi-circular (lunette) windows, rises above the central portion of the building. Crowning the whole is a round low dome. Modelled on the Pantheon in Rome, the library building exhibits but little orna mental decoration and relies for its beauty on the strength of its pure classic form. -
2018 Annual Report Alfred P
2018 Annual Report Alfred P. Sloan Foundation $ 2018 Annual Report Contents Preface II Mission Statement III From the President IV The Year in Discovery VI About the Grants Listing 1 2018 Grants by Program 2 2018 Financial Review 101 Audited Financial Statements and Schedules 103 Board of Trustees 133 Officers and Staff 134 Index of 2018 Grant Recipients 135 Cover: The Sloan Foundation Telescope at Apache Point Observatory, New Mexico as it appeared in May 1998, when it achieved first light as the primary instrument of the Sloan Digital Sky Survey. An early set of images is shown superimposed on the sky behind it. (CREDIT: DAN LONG, APACHE POINT OBSERVATORY) I Alfred P. Sloan Foundation $ 2018 Annual Report Preface The ALFRED P. SLOAN FOUNDATION administers a private fund for the benefit of the public. It accordingly recognizes the responsibility of making periodic reports to the public on the management of this fund. The Foundation therefore submits this public report for the year 2018. II Alfred P. Sloan Foundation $ 2018 Annual Report Mission Statement The ALFRED P. SLOAN FOUNDATION makes grants primarily to support original research and education related to science, technology, engineering, mathematics, and economics. The Foundation believes that these fields—and the scholars and practitioners who work in them—are chief drivers of the nation’s health and prosperity. The Foundation also believes that a reasoned, systematic understanding of the forces of nature and society, when applied inventively and wisely, can lead to a better world for all. III Alfred P. Sloan Foundation $ 2018 Annual Report From the President ADAM F. -
Caldwell University Celebrates 76Th Annual
FALL 2018 CALDWELL UNIVERSITY MAGAZINE EOFEDUCATIONAL OPPORTUNITY FUND CELEBRATES 50 YEARS ALSO INSIDE: BRINGING STUDENTS FROM RECORD-BREAKING NUMBER REMEMBERING SISTER THE PAGE TO THE STAGE OF GRADUATES VIVIEN JENNINGS VOLUME 10 ISSUE 2 CALDWELL UNIVERSITY MAGAZINE FALL 2018 Caldwell University Magazine is produced for alumni and friends twice each year by the News and Media Relations Office at Caldwell University. Its goal is to provide news and information about Caldwell University’s students, faculty, staff, alumni, and administration. We welcome your comments and suggestions! Please email us at [email protected]. 20 Blessed by the Holy Father EDITOR Colette M. Liddy ’13 M.A. 28 WRITERS & CONTRIBUTORS Remembering Sister Vivien Jennings Nicole M. Burrell ’09 Lori Funicello Christina Hall Meghan Moran ’07 John Tagliaferri COPY EDITOR John Jurich STUDENT ASSISTANT Andrew Timothy PHOTOGRAPHY table of contents Pushparaj Aitwal Gene Gabelli 4 Celebrating 50 Years of EOF Prasad Gyawali Marina Maret 14 Commencement 2018: Record-breaking Alan Schindler Number of Graduates DESIGN Graphic Imagery, Inc. 25 Coming Home: Hasani Whitfield Returns to Caldwell to SPECIAL THANKS Kimberly Reamer Lead the Baseball Program 14 Reference Services & Archives 30 Beatriz Gomez-Klein ’73: Librarian How Scholarship Forged a New Future Address comments and 32 Caldwell Alumna Builds questions to: Cultural Bridges [email protected] Caldwell University Magazine 120 Bloomfield Avenue Caldwell, NJ 07006 General information COVER: Andrei St. Felix, director -
William Keylor
WILLIAM KEYLOR Graduate student, History/Fayerweather Hall occupier THE SPECIAL CASE OF THE FAYERWEATHER OCCUPATION s a second-year graduate student in Columbia University’s History Department during the spring of 1968, I heard the daily speeches A reverberating from the sundial by Students for a Democratic Soci- ety (SDS) militants with a mixture of approval and dismay: approval of the ardent denunciations of the war in Vietnam and the demand that the university sever its connections to a think tank that conducted weap- ons research for the Pentagon; dismay at the infammatory revolutionary verbiage that accompanied what I considered that eminently reasonable demand. Te occupation of Low Memorial Library in the early hours of April 24 by SDS students—afer they had been gently evicted by the Students’ Afro-American Society (SAS) from their joint occupation of Hamilton Hall—flled me with the same feelings of ambivalence. On the one hand, my deeply felt opposition to America’s war in Southeast Asia prompted me to support the Low occupation as an appropriate gesture of condem- nation directed at our university’s complicity, however indirect, in the conduct of that war. On the other hand, I was disconcerted by the stream of diatribes emanating from Low Memorial Library that revealed the SDS regarded opposition to this particular war as merely a pretext for a full- scale ideological indictment of “Amerika.” I was an enthusiastic supporter of the antiwar campaign of Sen. Eugene McCarthy, whose strong show- ing in the New Hampshire Democratic primary a few months earlier had cron10954_book.indb 170 28/08/17 5:30 PM THE SPECIAL CASE OF THE FAYERWEATHER OCCUPATION 171 precipitated the withdrawal of President Lyndon Johnson from and the entrance of Sen.