Sahib Shihab La Marche Dans Le Désert Mp3, Flac, Wma

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Sahib Shihab La Marche Dans Le Désert mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: La Marche Dans Le Désert Country: France Released: 1972 Style: Avant-garde Jazz MP3 version RAR size: 1449 mb FLAC version RAR size: 1587 mb WMA version RAR size: 1986 mb Rating: 4.1 Votes: 342 Other Formats: VOC AAC FLAC DTS VQF AHX WMA Tracklist Hide Credits A Mirage I 21:01 La Marche Dans Le Désert "Orcha Damidbar" B1 1:05 Arranged By – Jef GilsonWritten-By – David Zahavi*, Ya'akov Fichman B2 Les Touches Noires 2:15 B3 Mirage II 19:20 Credits Baritone Saxophone – Sahib Shihab (tracks: B1, B2) Double Bass – Jef Catoire* Electric Piano [Electra] – Jef Gilson (tracks: B2) Flute, Balafon, Bongos – Bruno Di Gioa (tracks: A, B3) Flute, Drums, Percussion – Maurice Bouhana Organ [Hohner] – Pierre Moret (tracks: B1, B2) Percussion – Jef Gilson (tracks: A), Pierre Moret (tracks: B3) Photography By [Booklet] – François-Jérôme Quiévreux, Thierry Chevalier Photography By [Cover] – Jean-Claude Planchet Producer – Gérard Terronès Soprano Saxophone [Varitone] – Sahib Shihab (tracks: A, B3) Synthesizer [Ondioline] – Jef Gilson (tracks: B1, B3), Pierre Moret (tracks: A) Translated By – Alan Jones Whistle, Drums, Percussion – Jean-Claude Pourtier Written-By – Jef Gilson (tracks: A, B2, B3) Notes Recorded on February 15, 1972 at the Montorgueil 46 residence in Paris. Other versions Category Artist Title (Format) Label Category Country Year Sahib Shihab + Gilson Sahib FUTURA GER Unit - La Marche Dans Le Futura FUTURA GER Shihab + France 2013 34 Désert (CD, Album, RE, Records 34 Gilson Unit Dig) Sahib Sahib Shihab + Gilson FUTURA GER Futura FUTURA GER Shihab + Unit - La Marche Dans Le France 2009 34 Records 34 Gilson Unit Désert (CD, Album, RE) Sahib Sahib Shihab + Gilson Futura FUTURA GER FUTURA GER Shihab + Unit - La Marche Dans Le Records , France 2009 34, DUJ-051 34, DUJ-051 Gilson Unit Désert (CD, Album, RE) Disk Union Comments about La Marche Dans Le Désert - Sahib Shihab Pettalo This is probably my favorite avante-garde jazz record I own . Could probably use a repress Related Music albums to La Marche Dans Le Désert by Sahib Shihab "A Suivre..." X'Tet Bruno Regnier - Variations Altérées Pierre Drevet - Grains De Folie Henri Sauguet, Claude Garden - The Garden's concerto / Deux mouvements pour archets à la mémoire de Paul Gilson Abbey Lincoln - Abbey Is Blue + It's Magic Phil Woods, Gene Quill, Sahib Shihab, Hal Stein - Four Altos Zox - Zox Sylvain Lelièvre - Programme Double Palm Unit - Hommage A Jef Gilson Pierre Chastellain - Partage Gérard Rinaldi - Chansons De Ma Jeunesse.

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TOSHIKO AKIYOSHI NEA Jazz Master (2007)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOSHIKO AKIYOSHI NEA Jazz Master (2007) Interviewee: Toshiko Akiyoshi 穐吉敏子 (December 12, 1929 - ) Interviewer: Dr. Anthony Brown with recording engineer Ken Kimery Dates: June 29, 2008 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript 97 pp. Brown: Today is June 29th, 2008, and this is the oral history interview conducted with Toshiko Akiyoshi in her house on 38 W. 94th Street in Manhattan, New York. Good afternoon, Toshiko-san! Akiyoshi: Good afternoon! Brown: At long last, I‟m so honored to be able to conduct this oral history interview with you. It‟s been about ten years since we last saw each other—we had a chance to talk at the Monterey Jazz Festival—but this interview we want you to tell your life history, so we want to start at the very beginning, starting [with] as much information as you can tell us about your family. First, if you can give us your birth name, your complete birth name. Akiyoshi: To-shi-ko. Brown: Akiyoshi. Akiyoshi: Just the way you pronounced. Brown: Oh, okay [laughs]. So, Toshiko Akiyoshi. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Akiyoshi: Yes. Brown: And does “Toshiko” mean anything special in Japanese? Akiyoshi: Well, I think,…all names, as you know, Japanese names depends on the kanji [Chinese ideographs]. Different kanji means different [things], pronounce it the same way. And mine is “Toshiko,” [which means] something like “sensitive,” “susceptible,” something to do with a dark sort of nature.
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Donald Byrd House of Byrd Mp3, Flac, Wma
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Phil Woods and Cherokee
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The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis LISA BAUER (BRXLISOOl) A [minor] dissertation submitted in [partial} fulfillment of the requirements for the award of the degree of Master of Music own T ape Faculty of the Humanities University of Cape Town 2011 COMPULSORY DECLARATIONUniversity of C This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: ___~+-- __________Date: __o_~....,I_o_'_~--j/,---II_ r , 1 UNIVERSITY OF CAPE TOWN GRADUATE SCHOOL IN HUMANITIES DECLARATION BY CANDIDATE FOR THE DEGREE OF MASTER IN THE FACULTV OF HUMANITIES I, (name of candidate) Lisa Bauer of (address of candidate) own 1 Lock Rd T Kalk Bay 7975, Cape Town ape do hereby declare that I empower the University of Cape Town to produce for the purpose of research either the whole or any portion of the contents of my dissertation entitled Holistic influence on contemporary jazz vocal improvisation with reference to the works of Gloria Cooper and Kitty Margolis University of C DATE 2 Acknowledgements Firstly I would like to acknowledge Dr.
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