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482 Netmage 08 Catalogo.Pdf Non c’è nulla di peggio che nascondere programma del Live-Media Floor formato dai l’inquietudine. 15 progetti che costituiscono l’ossatura del O forse sì, negarla. festival. La mangrovia è una pianta subtropicale piuttosto particolare. Evoca densità, rami Netmage è un festival inquieto, niente affatto aggrovigliati, acque e soprattutto coesistenza accomodante. Soprattutto perché instabile, di mondi fra loro lontani: subacqueo, cangiante e fondamentalmente inquieta è la acquatico, terrestre ed aereo. D’altra parte, forma di cui abbiamo deciso di occuparci, il live la mangrovia è metafora per eccellenza media. Un territorio che, nel corso degli anni, dell’habitat della biodiversità. Nessuna abbiamo prima circoscritto, poi definito, quindi immagine più della mangrovia sembra più osservato evolversi (o contraddirsi) ed infine pertinente per uno spazio specifico che, lungo tradito. La scorsa edizione, Netmage 07, tre giorni, ospita irriverenze e percorsi sonori riprendeva una tensione postcinematografica inauditi come in una pianta-giardino-mondo; espandendola sino a verificare la disponibilità un ambiente dedicato ad una percezione del live media ad accogliere racconti che, ora contemplativa ora tempestosa, dove per quanto destrutturati, dialogassero con la le diversità - di generazioni, di provenienze tradizione del cinema. (musicisti, artisti e performer), di ambiti Uno sforzo soddisfacente, ma denso di rischi (musica elettronica, sound art e arti visive) collaterali. Su tutti, lo scivolamento possibile del - si sfiorano, si incrociano, si scontrano e si centro - o dei centri - verso lo sfondo. aprono a collaborazioni temporanee più o Con Netmage 08 sprofondiamo radicalmente meno improvvisate. Altri spazi ancora, dal nella questione chiave su cui scommette ogni cortile d’ingresso del palazzo che ospiterà il forma di sperimentazione artistica, compreso il Pneumatic Sound Field, alla sala predisposta live media: gli immaginari. Abbiamo cercato di per il cinema da camera per proiezione penetrare nelle figure e nelle rappresentazioni, anaglifa, completano il circuito del festival. Un spingendoci in profondità nell’intercettare recupero inestricabilmente ri-mediato di utopie, brandelli di gusto e riflessi di comportamento. desideri e cascami disciplinari minoritari del Mettendo in evidenza le tracce che ci hanno più XX secolo, fra expanded cinema, elettronica, stranito nei duecento e oltre progetti pervenuti arte video, sonorità eterodosse, noise, musiche nella sezione a bando, fino a farle collidere con postdance, margini artistico-visivi. i mondi eterogenei degli altri ospiti invitati e con le nuove produzioni commissionate dal festival. Un insieme di immaginari instabili, intrecciati dai Ci saranno per certo rumore e intensità. fili dell’ansia ma profondamente personali. Ed è cosi che per consentire uno sviluppo Impossibile tenerli nascosti. articolato e molteplice dei possibili incontri, abbiamo dato vita a Mangrovia, la nuova sezione che va ad affiancare l’ormai classico AL/DK There is nothing worse than trying to hide the now classical program of the Live-Media Floor, unsettling. formatted by the 15 projects that constitute the Unless it’s to negate it. skeletal structure of festival. The mangrove is a very peculiar subtropical Netmage is an unsettling festival, nothing plant. It evokes density, tangled branches, entirely comforting. Above all because waters and above all the coexistence of unstable, fluctuating and fundamentally separate worlds: sub-aquatic, aquatic, unsettling is how we’ve decided to work in terrestrial and aerial. On the other hand, the live media. A territory that, over the years, we mangrove is a metaphor for excellence in have first circumscribed, then defined, then habitat and biodiversity. No image more than watched evolve (or contradict itself) and finally the mangrove seems more pertinent for a betray itself. The previous edition, Netmage 07, specific space that, for three days, invites recovered a post-cinematographic tension and irreverence and unheard - of sonic journeys expanded on it, in order to verify the availability found in a plant-garden-world; an environment of live media to welcome stories which, dedicated to a perception, now contemplative fragmented as they were, spurred dialogue with now tempestuous, where diversity - of the traditions of cinema. generations, origins (musicians, artists and A satisfying effort, while heavy with collateral performers), arenas (electronic music, sound art and visual arts) - brush against each risks. With everything, the possible sliding other, mingle, clash and open themselves of the center - or centers - toward the edge. to temporary, more or less improvised With Netmage 08 we sink radically into collaborations. Again this year other spaces key questions that every form of artistic complete the circuit of the festival, from the experimentation including live media gambles palazzo’s courtyard entry which will host with: the imageries. We tried to penetrate Pneumatic Sound Field, to the hall given over to into the figures and representations, lowering the cinema da camera for anagliph screening. ourselves into the depths of the uncertain A recovery inextricably remodeled from utopias, scraps of taste and reflections on behavior. desires and the debris from minor XX Century Placing in evidence the most alienating traces disciplines from expanded cinema, electronics, of the more than two hundred projects that and art video to unorthodox sonorities, noise, arrived in the banishment section, until they postdance musics, and visual artistic margins. collided with the mixed worlds of the invited guests and other productions commissioned A collection of unstable imagineries, by the festival. For certain there will be noise interlaced with lines of anxiety that yet remain and intensity. To come to terms with multiple profoundly personal. and articulate developments of possible Impossible to keep hidden. encounters, we have given life to a Mangrovia, the new edition which aims to flank the by AL/DK Giovedì 24 Gennaio Thursday 24 January Palazzo Re Enzo Palazzo Re Enzo Palazzo Re Enzo Mangrovia Live-Media Floor Sala dell’Orologio h 19.00>22.00 h 22.00 Performative Environment Visomat inc. Anaisa Franco/ Errorsmith Theo Firmo (BR/E) h 21.00 h 22.30 h 24.00 Telematique (D) Zapruder filmmakersgroup (I) Halbzeug - h 22.30 Daemon* Surface Refinement Jade Boyd/ Cinema da camera/ Simona Barbera (AUS/I-N) proiezione anaglifa Derek Holzer/ Overground -- Sara Kolster (USA/NL) Tonewheels h 23.00 Cortile Palazzo Re Enzo Dafne Boggeri/ Nastro Mortal (I) Rhythm King & Her Friends Edwin van der Heide (NL) (I/D) Pneumatic Sound Field VON (ES/IT) -- Choir h 23.30 Olyvetty (I) Casa privata Private Flat Pita/Jade (UK/A) Riccardo Benassi/ -- Claudio Rocchetti h 18.00 Mirco Santi/Andrea Belfi (I) h 24.00 Stillivingrooms* Chelpa Ferro (BR) -- featuring Multiplicidade -- Venerdì 25 Gennaio Friday 25 January Palazzo Re Enzo Palazzo Re Enzo Palazzo Re Enzo Mangrovia Live-Media Floor Sala dell’Orologio h 19.00>20.00 h 22.00 Performative Environment Visomat inc. Ricardo Caballero (Mex) Errorsmith Zapruder filmmakersgroup (I) Telematique (D) h 22.30 Daemon* Halbzeug - Emiter_franczak Cinema da camera/ Surface Refinement Marcin Dymiter/ proiezione anaglifa Ludomir Franczak (PL) h 21.00 h 22.30 h 24.00 Russell Haswell/ -- Florian Hecker (UK/D) h 23.00 Upic Diffusion Session #15 Luka Dekleva Cortile Palazzo Re Enzo -- Luka Princic/ Miha Ciglar (Slo) Edwin van der Heide (NL) Pneumatic Sound Field h 23.30 -- Safy Sniper (Isr/D) Dora Video (J) Casa privata Private Flat h 01.20 Mirco Santi/Andrea Belfi (I) Nero magazine presenta: Stillivingrooms* Julieta Aranda (BR) h 18.00 -- -- Sabato 26 Gennaio Saturday 26 January Palazzo Re Enzo Palazzo Re Enzo Palazzo Re Enzo Mangrovia Live-Media Floor Sala dell’Orologio h 23.00>02.00 h 22.00 Performative Environment Visomat inc. Rev. 99 Errorsmith 99 Hooker/Jin Hi Kim Zapruder filmmakersgroup (I) Telematique (D) (USA/south Korea) Daemon* Halbzeug - Cinema da camera/ Surface Refinement h 23.00 proiezione anaglifa The Joshua Light Show h19.30 h 21.00 h 22.30 h 24.00 Mylicon/EN (I) played by Silver Apples in -- live (USA) Prurient (USA) Cortile Palazzo Re Enzo Demons (USA) h 24.00 Carlos Giffoni (Venezuela) Los Super Elegantes Edwin van der Heide (NL) featuring No Fun Festival (Mex/Argentina) Pneumatic Sound Field -- Russell Haswell/ h 01.30 Florian Hecker (UK/D) Il Cassero presenta: Casa privata Private Flat Upic Diffusion Session #16 Ben Klock (D) -- Paul Kalkbrenner (D) Mirco Santi/Andrea Belfi (I) -- Stillivingrooms* h 18.00 -- Da Giovedì 31 Gennaio a Domenica 3 Febbraio From Thursday 31 January To Sunday 3 February Ferrara Piazza del Municipio Edwin van der Heide (NL) Pneumatic Sound Field -- Sedi festival Venues Biglietti Tickets Zapruder filmmakersgroup Daemon* Bologna Giovedì 24 Gennaio prenotazione reservations Palazzo Re Enzo Thursday 24 January Piazza Nettuno Venerdì 25Gennaio Mirco Santi/Andrea Belfi Friday 25 January Stillivingrooms* Ferrara 10 euro prenotazione reservations Piazza del Municipio -- Sabato 26 Gennaio *Info e prenotazioni Saturday 26 January *reservations 15 euro Tel +39.051.331099 -- -- tra arte e tecnologia. Edwin van der Heide, artista olandese con alla spalle studi di Sonologia presso il Royal Conservatory de L’ Aja, e di Tecnologia musicale allo HKU di Utrecht, lavora nel campo del suono, dello spazio e dell’interazione, della sound art o della media art. Van der Heide si muove sui confini e sugli intrecci dei differenti media utilizzati. Di difficile collocazione
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