Introduction and Biography
Introduction and Biography Joshua Byron Smith Geoffrey of Monmouth has suffered a glorious indignity that few writers have ever achieved: his creation has completely outstripped the maker. Few members of the general public, even well-educated ones, recognize the name Geoffrey of Monmouth. (A fact that the personal experience of this chatty me- dievalist has confirmed on numerous awkward occasions). But his creation is another matter altogether. The names of King Arthur, Guinevere, and their at- tendant knights perk up the ears of taxi drivers, coal mining fathers and grand- fathers, and even scholars of contemporary literature. Medievalists, though we may know Geoffrey’s name, have found him hard to contain and classify. So far-ranging is Geoffrey’s work that he falls under the purview of several schol- arly fields, many of which remain relatively isolated from one another: folklore, history, romance, manuscript studies, Celtic studies, classical reception, and medieval Latin – not to mention the seemingly endless expanse of Geoffrey’s Nachleben, with its parade of translations, adaptations, and inspirations that continues to the present day. This volume aims to bring together, for the first time, many of these fields and to offer something close to a comprehensive overview of Geoffrey’s life and work. It is our hope that this volume will serve as a current snapshot of Galfridian scholarship, incite more interest in Geoffrey and his work, and bring his artistry into greater prominence, all of which – if one is allowed to dream – might ultimately lead to slightly fewer blank stares for some of us. Geoffrey’s fame rests on three Latin works, the earliest of which is the Prophetiae Merlini (“The Prophecies of Merlin”, hereafter abbreviated PM), a collection of prophecies completed before Henry I’s death in 1135.1 With ba- roque animalistic imagery and apocalyptic fervor, its meaning sometimes seems transparent, and yet at other times playfully obscure.
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