The Pacific Alumni October 1928
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Lonesome (1928)
Lonesome (1928) By Raquel Stecher they’re really neighbors. The audience “In the whirlpool of modern life -- The suspends their disbelief for the joyous most difficult thing is to live alone.” reunion of the two lovebirds who will never be lonesome again. For the film industry, 1928 was a turbulent year. A major transition was If it wasn’t for the insistence of Fejos, occurring; one that would forever alter Lonesome might never have been how movies were made. Just one year made. Much like the industry itself, prior, The Jazz Singer (1927), a part- Fejos was in a state of transition. Born talkie, a silent film with a few talking and raised in Hungary, he studied sequences added in, would make a medicine, became a medical orderly splash in Hollywood. Audiences flocked during WWI and then switched careers to the theatres and the once reluctant and worked on films in his native studio heads realized that the transition country. He moved to New York City in to sound was inevitable. Filmmakers the 1920s but struggled to make ends scrambled to learn the new technology meet. He then moved to Hollywood and develop movies to go with it. In determined to make his first feature film. 1929 all-talking films became the With some hard work, ingenuity and standard and once the industry was well some help, he produced The Last into the 1930s silent filmmaking was Moment (1927). The film was officially a thing of the past. The time successful and Universal Pictures came between 1927 and 1929 was pivotal and calling. -
The Foreign Service Journal, December 1928
AMERICAN FOREIGN SERVICE JOURNAL Photo from E. G. Greenie TEMPLE OF HEAVEN, PEKING Vol. V "DECEMBER, 1928 No. 12 The Second, the Third —and the Tenth When an owner of a Graham Brothers Truck or Bus needs another—for replacement or to take care of business expansion—he buys another Graham .... No testimony could be more convincing. Repeat orders, constantly increasing sales, the growth of fleets—all are proof conclusive of economy, de¬ pendability, value. Six cylinder power and speed, the safety of 4-wheel brakes, the known money-making ability of Graham Brothers Trucks cause operators to buy and buy again. GRAHAM BROTHERS Detroit, U.S.A. A DIVISION QF D D n G & BRDTHE-RS C a R P . GRAHAM BROTHERS TRUCKS AND BUSES BUILT BY TRUCK DIVISION OF DODGE BROTHERS SOLD BY DODGE BROTHERS DEALERS EVERYWHERE FOREIGN JOURNAL PUBLISHED MONTHLY BY THE AMERICAN FOREIGN SERVICE ASSOCIATION VOL. V, No. 12 WASHINGTON, D. C. DECEMBER, 1928 The Election THE final count of electoral votes cast in One of the striking features of the election was the election of November 6 shows a total the heavy popular vote for Governor Smith in of 444 votes for Herbert Hoover to 87 for spite of the overwhelming majority of electoral Gov. Alfred E. Smith, of New York, a margin votes for Hoover. The total popular vote was of 178 electoral votes over the 266 necessary for the largest ever polled in any country. The votes a majority. cast in presidential election from 1904 on, taking The popular vote has been variously estimated into account only the major parties, are as to be in the neighborhood of 20,000,000 for follows: Hoover to 14,500,000 for Smith. -
Visual Metaphors for the People a Study of Cinematic Propoganda in Sergei Eisenstein’S Film
VIsual Metaphors for the people A Study of Cinematic Propoganda in Sergei Eisenstein’s Film ashley brown This paper attempTs To undersTand how The celebraTed and conTroversial figure of sergei eisensTein undersTood and conTribuTed To The formaTion of The sovieT union Through his films of The 1920s. The lens of visual meTaphors offer a specific insighT inTo how arTisTic choices of The direcTor were informed by his own pedagogy for The russian revoluTion. The paper asks The quesTions: did eisensTein’s films reflecT The official parTy rheToric? how did They inform or moTivaTe The public Toward The communisT ideology of The early sovieT union? The primary sources used in This pa- per are from The films Strike (1925), BattleShip potemkin (1926), octoBer (1928), and the General line (1929). eisensTein creaTed visual meTaphors Through The juxTaposi- Tion of images in his films which alluded To higher concepTs. a shoT of a worker followed by The shoT of gears Turning creaTed The concepT of indusTry in The minds of The audience. Through visual meTaphors, iT is possible To undersTand The moTives of eisensTein and The communisT parTy. iT is also possible, wiTh The aid of secondary sources, To see how Those moTives differed. “Language is much closer to film than painting is. For example, aimed at the “... organization of the psychology of the in painting the form arises from abstract elements of line and masses.”6 Works about Eisenstein in the field of film color, while in cinema the material concreteness of the image theory examine Eisenstein’s career in theater, the evolution within the frame presents—as an element—the greatest of his approach to montage, and his artistic expression.7 difficulty in manipulation. -
United States Department of Agriculture SERVICE and REGULATORY ANNOUNCEMENTS
S. R. A.-B. A. I. 260 Issued January, 1929 United States Department of Agriculture SERVICE AND REGULATORY ANNOUNCEMENTS BUREAU OF ANIMAL INDUSTRY DECEMBER, 1928 [This publication is issued monthly for the dissemination of information, instructions, rulings, etc, concerning the work of the Bureau of Animal Industry. Free distribution service of the bureau, is limited to persons in the establishments at which the Federal meat inspection is conducted, public officers whose duties make it desirable for them to have such information, and journals desiring copies especially concerned. Others may obtain them from the Superintendent of Documents, Government Printing Office, Washington, D. C., at 5 cents each, or 25 cents a year. A supply will a station or branch be sent to each official in charge of of the bureau service, who should promptly distribute copies to members of his A file should be kept at each station for references.] force. CONTENTS rag# Changes in directory----------------------------------------------------------------------- 105 Notices regarding meat inspection_ -. _-------------------------- ------------ --------------------- 106 Animal casings for Canada -------------------------------------------------------- 106 Certificate for animal casings destined to Australia ------------------------------------- 106 Mineral oil used as a denaturant ---------------------------------------------------- 106 Animals slaughtered under Federal meat inspection----------------------------------------------- 107 Extent of tuberculosis in animals -
The London Gazette, 5 October, 1928. 6415
THE LONDON GAZETTE, 5 OCTOBER, 1928. 6415 COMMANDS AND STAFF. MEMORANDA. Gapt. 0. Mucklow, R.A., relinquishes the The grant of the temp, rank of Maj. to appt. of Oapt. Instr. in Gunn., Plymouth. Capt. (Actg. Maj.) now Maj. F. E. Buller, 24th Sept. 1928. O.B.E., M.C., R.E., whilst Admin. Comdt., India, 1st Sept. to 20th Nov. 1920, is The undermentioned appts. are made: — cancelled. Capt. J. G. D. Weir, E.A., to be Capt. Capt. W. H. Heaney, h.p. list, late Instr. in Gunn., Plymouth. 24th Sept. 1928. R.A.V.C., retiras on account of ill-health, Capt. L. F. B. Groube, M.C., R. Fus., to receiving a gratuity. 27th Aug. 1928. be Staff Can't., War Office. 1st Oct. 1928. REGULAR ARMY RESERVE OF OFFICERS. ROYAL REGIMENT OF ARTILLERY. GENERAL LIST. Maj. (D.O.) T. H. Walker, M.C., retires The undermentioned having attained the on ret. pay on attaining the age limit for age limit of liability to recall, cease t» retirement. 5th Oct. 1928. belong to the Res. of Off.: — Capt. W. F. H. Mallins to be Adjt., 6th Oct. 1928, vice Lt. A. L. Trundle. CAVALRY. Lt. J. H. Leather retires, receiving a Maj. J. A. MacDonald, O.B.E. 3rd Oct. gratuity, 6th Oct. 1928, and is granted the 1928. rank of Capt. 1st Cl. Mr.-Gnr. Frederick George Arthur RAILWAY BRANCH. Kent to be Lt. (D.O.). 5th Oct. 1928. Capt. D. Miller. 4th Oct. 1928. MISCELLANEOUS. CORPS OP ROYAL ENGINEERS. E. O. Rake (2nd Lt., Gold Coast Def. -
Hurricane of 1928 African American Mass Burial Site______Other Names/Site Number Pauper's Cemetery/ FBI 1548______2
NPS Form 10-900 \ \ C^ l - T'»\ OMB No. 1024-0018 (Rev. 10-90 United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM This form is for use in nominating or requesting determinations for individual properties and dfiSTncts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Completereach item byroarklfig "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documenteo\«jnje>!1N77Y! for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategoriesTrorn the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property______________________________________________________ historic name Hurricane of 1928 African American Mass Burial Site_________________________________ other names/site number Pauper's Cemetery/ FBI 1548_____________________________________ 2. Location street & number SW corner of 25th Street and Tamarind Avenue n/a D not for oublication citv or town West Palm Beach___________________ ____n/a D vicinitv state Florida FL county Palm Beach .code 099 zio code 33407 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, 1 hereby certify that this ^ nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property (3 meets Q does not meet the National Register criteria. -
Montage October : Dialectic of the Shot*
Montage October : Dialectic of the Shot* ROSALIND E. KRAUSS While the conventional film directs the emotions, this suggests an opportunity to encourage and direct the whole thought process, as well. —Eisenstein Ten years after the event, Grigory Alexandrov, Sergei Eisenstein’s colleague and codirector, wrote about their one audience with Joseph Stalin in the tones of childlike reverence and obedience that reveal the loss of innocence rather than its opposite. “The idea,” his account began, “that we, young Soviet filmmakers, were to see the great leader of the people, to talk with him personally, filled us with excitement and joy.” And it ended with, “We were sincerely sorry that the talk with Cde Stalin had not taken place before we made our film. It would have been a very different film. .” 1 The interview had been held in the spring of 1929, in the interval between the completion and the official release of The General Line , Eisenstein’s fourth film. Stalin had expressed displeasure about the ending of the film, which purported to express the official position on the collectivization of agriculture. And his criticism had resonated through the Communist Party ranks to deprive the film of its origi - nal release title, substituting instead Old and New , a title that would no longer sig - nal the work as an embodiment of official Soviet directive. During that same meet - ing, Stalin had said something else. The “great friend of Soviet cinema” had spo - ken of the weakness of his comrade filmmakers’ grasp of Marxism. “Cde Stalin spoke heatedly,” reports Alexandrov, “about the slight acquaintance that masters of Soviet film art had with the works of Marx. -
King of Jazz by Jonas Nordin
The King of Jazz By Jonas Nordin Universal Pictures had contracted Paul Whiteman and his orchestra for a movie project as early as October 1928. The band was one of the most popular in the world by then and to feature Whiteman in an all talking musical picture built around his band simply had to be done. Director Wesley Ruggles was signed and the studio immediately sent out Paul Shofield, a staff writer on tour with the band, culminating in filming the band's entire concert at Carnegie Hall December 23, 1928. This footage however, was never used and is not known to have sur- vived. Filming was planned to start Janu- Bing Crosby harmonizes with Rhythm Boys Harry Barris and Al Rinker ary 15, 1929 but was immediately de- on the lively ditty “Happy Feet.” Courtesy Universal Pictures. layed as no script existed. Whiteman movie a revue is very understandable. The band left the east coast for Hollywood and re- Once this was decided the studio replaced Paul ported to Universal Studios for the filming of the mov- Fejös with Broadway stage director John Murray ie on June 28th, 1929. The musicians included Bix Anderson at the suggestion of Paul Whiteman. This Beiderbecke, The Rhythm Boys with Bing Crosby, was to be Anderson's first attempt at directing a mo- violinist Joe Venuti and guitarist Eddie Lang. tion picture. Fejös initially stayed on, working as an assistant director under Anderson, but left this posi- When Whiteman and the band arrived in Los Ange- tion soon afterwards, and was replaced by Robert les to begin filming, director Wesley Ruggles had Ross who had worked closely with Anderson on been replaced by Paul Fejös who had made Broadway. -
November 1929
iii .(1 MONTHLY REVIEW OF AGRICULTURAL AND BUSINESS CONDITIONS IN THE NINTH FEDERAL RESERVE DISTRICT Currier L. Ifosnaa F. M. BAILIOY OLIVRR S. Powers. Jon a R. Afircava.i., Chairman of the Board and Federal Reserve Agent Assistant Federal Reserve Agents Statistician Vol. IV (4:19) Minneapolis, Minnesota November 29, 1929 DISTRICT SUMMARY OF BUSINESS October were chiefly those cities in the mixed farm- ing sections of this district. Due to the early marketing of wheat supplies in the Northwest this fall, October business records Daily Averages of Debits to Individual Accounts did not contain the usual share of the autumn grain Shown as Percentages of the Corresponding business. The early marketing movement is best Periods in 1928 illustrated by a comparative statement of wheat First Sec. Third Sept. Oct. receipts at Minneapolis and Duluth-Superior from Quar. Quer. Quer, 929 1929 the Northwest during the past four months. These Duluth 05 90 27 90 69 figures are given in the table below, and exclude Minneapolis 14 00 28 22 108 southwestern wheat. It will be noted that in July St. Paul 04 03 10 06 104 and August receipts were much heavier during the South St. Paul .. 97 10 02 94 103 current year than a year ago, but that in September Rural Minnesota 04 05 11 14 1 i 1 ,and October wheat receipts have been running far Montana . 15 16 24 13 94 behind last years volume. No. Michigan 15 09 07 06 104 North Dakota 15 11 05 06 93 Net Wheat Receipts at Minneapolis and Duluth-Superior South Dakota 10 08 08 01 105 July-October, 1928 and 1929 N. -
“A Chicken in Every Pot” Political Ad, October 30, 1928
“A Chicken in Every Pot” Political Ad, October 30, 1928 “A Chicken in Every Pot,” The New York Times, 30 October 1928. Courtesy of National Archives and Records Administration Inaugural Address of Herbert Hoover, March 4, 1929 (Contains Transcribed Excerpts, Pg. 8 of Document) Courtesy of State Historical Society of Iowa, Hoover, Herbert, 4 March 1929 Inaugural Address of Herbert Hoover, March 4, 1929 (Contains Transcribed Excerpts, Pg. 9 of Document) Courtesy of State Historical Society of Iowa, Hoover, Herbert, 4 March 1929 Inaugural Address of Herbert Hoover, March 4, 1929 (Contains Transcribed Excerpts, Pg. 10 of Document) Courtesy of State Historical Society of Iowa, Hoover, Herbert, 4 March 1929 Inaugural Address of Herbert Hoover, March 4, 1929 (Contains Transcribed Excerpts, Pg. 20 of Document) Courtesy of State Historical Society of Iowa, Hoover, Herbert, 4 March 1929 Inaugural Address of Herbert Hoover, March 4, 1929 (Contains Transcribed Excerpts, Pg. 21 of Document) Courtesy of State Historical Society of Iowa, Hoover, Herbert, 4 March 1929 Letter from Arthur Smith to President Herbert Hoover, August 17, 1930 Smith, Arthur, 17 August 1930. Courtesy of National Archives and Records Administration Letter from Herbert Hoover to Herbert S. Crocker, May 21, 1932 (Pg. 1) Hoover, Herbert, 21 May 1932. Courtesy of National Archives and Records Administration Letter from Herbert Hoover to Herbert S. Crocker, May 21, 1932 (Pg. 2) Hoover, Herbert, 21 May 1932. Courtesy of National Archives and Records Administration Letter from Herbert Hoover to Herbert S. Crocker, May 21, 1932 (Pg. 3) Hoover, Herbert, 21 May 1932. Courtesy of National Archives and Records Administration Letter from Herbert Hoover to Herbert S. -
This Essay on Benjamin Strong, the First Governor of the Federal Reserve
Benjamin Strong, the Federal Reserve, and the Limits to Interwar American Nationalism Part I: Intellectual Profile of a Central Banker Priscilla Roberts his essay on Benjamin Strong, the first governor of the Federal Reserve Bank of New York (1914–1928), evolved from the author’s research on T the development of an American internationalist tradition during and largely in consequence of the First World War. Viewing Strong’s activities in the broader context of the world view and diplomatic preferences of the edu- cated East Coast establishment, a foreign policy elite to which Strong belonged and most of whose norms he accepted, greatly illuminates his broader moti- vations and the interwar relationship between finance and overall international diplomacy. Strong’s work for international stabilization also provides revealing insight into the limits of American internationalism during the 1920s and the degree to which, in both finance and diplomacy, the interwar years represented a transitional period between the restricted pre-1914 American world role and the far more sophisticated assumptions which would guide United States policies in the aftermath of the Second World War. Strong’s career as governor encompassed 15 years of rapid domestic and international change. The outbreak of the First World War just a few weeks This article is based on a paper presented as part of the seminar series at the Federal Reserve Bank of Richmond. The author, Priscilla Roberts, is Lecturer in History and Director of the Centre of American Studies, University of Hong Kong. The article benefited greatly from the comments of Robert Hetzel, Marvin Goodfriend, and Roy H. -
Survey of Current Business October 1928
.,'••• . UNITED „'STATES;. - .. DEPARTMENT OF COMMERCE WASHINGTON SURVEY OF OdTQBER, 1928 No. 86 COMPILED BY BUREAU OF THE CENSt)$ IN COOPERATION WITH BUREAU OF FOREIGN AND DOMESTIC COMMERCE BUREAU <3F STANDARDS IMPORTANT NOTICE In addition fo figures given from Go^ernme^t sour ces^ There ape also incorporated for completeness of service figures from other sources generally accepted by the ttades} the authority and responsibility for^hicft are noted in the "Sources o/ Data" on pages 139-142 of the dugu/t, $928)semiannual issue Subscription price of the SURVEY OF CURRENT BUSINESS is 21.50 a.-ye^Q single copies, (mohthlyj, 10 cente, semiannual issues, 25 cents. Fpreign ^bscriptbns, $2.25; single copies (i^onthly; issues), including postage* 14 .cents; semiannual issues^ 36 cents. Subscription price of COI*MERCE REPORTS is 34 a^ear; with t^e SURVEY, $5.50 a year. Make remittances only to Superintendent of Document ngto^n^ D, C, by postal &bney order, express order, or New York draft. Currency at sender's risk.; Postage stamps <k JfSreiga x ! v '>''' ' ' ^ ' ' ' ' • ' money not accepted \ , -. , '\' -\ i 0 -\ \ , V. S. COVERNHENT PRtNTIHO OFFICB. l»2» INTRODUCTION The SURVEY OF CURRENT BUSINESS is designed to designed to show the trend of an entire group of present eadh month a picture of the;business situation industries or for the country as a whole, instead of for by setting forth the principal facts regarding the v^ri- the single commodity or industry which the relative ous lines ;qf "tifadd and industry. The figures reported number covers. Comparisons ^th the base year or ; are'yery.