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Sexism Across Musical Genres: a Comparison
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-24-2014 Sexism Across Musical Genres: A Comparison Sarah Neff Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social Psychology Commons Recommended Citation Neff, Sarah, "Sexism Across Musical Genres: A Comparison" (2014). Honors Theses. 2484. https://scholarworks.wmich.edu/honors_theses/2484 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Running head: SEXISM ACROSS MUSICAL GENRES 1 Sexism Across Musical Genres: A Comparison Sarah E. Neff Western Michigan University SEXISM ACROSS MUSICAL GENRES 2 Abstract Music is a part of daily life for most people, leading the messages within music to permeate people’s consciousness. This is concerning when the messages in music follow discriminatory themes such as sexism or racism. Sexism in music is becoming well documented, but some genres are scrutinized more heavily than others. Rap and hip-hop get much more attention in popular media for being sexist than do genres such as country and rock. My goal was to show whether or not genres such as country and rock are as sexist as rap and hip-hop. In this project, I analyze the top ten songs of 2013 from six genres looking for five themes of sexism. The six genres used are rap, hip-hop, country, rock, alternative, and dance. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the Women's History Commons Recommended Citation Morrow, Madeline Rachel, "Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015" (2017). Electronic Theses and Dissertations. 1258. https://digitalcommons.du.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the requirements for the Degree Master of Arts __________ by Madeline Rachel Morrow June 2017 Advisor: John J. Sheinbaum ©Copyright by Madeline Rachel Morrow 2017 All Rights Reserved Author: Madeline Rachel Morrow Title: WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 Advisor: John J. Sheinbaum Degree Date: June 2017 ABSTRACT This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. -
America and the Musical Unconscious E Music a L Unconl S Cious
G Other titles from Atropos Press Music occupies a peculiar role in the field of American Studies. It is undoubtedly (EDS.) “It is not as simple as saying that music REVE/P JULIUS GREVE & SASCHA PÖHLMANN Resonance: Philosophy for Sonic Art recognized as an important form of cultural production, yet the field continues does this or that; exploring the musical On Becoming-Music: to privilege textual and visual forms of art as its objects of examination. The es- unconscious means acknowledging the Between Boredom and Ecstasy says collected in this volume seek to adjust this imbalance by placing music cen- very fact that music always does more.” ter stage while still acknowledging its connections to the fields of literary and Philosophy of Media Sounds ÖHLMANN Hospitality in the Age of visual studies that engage with the specifically American cultural landscape. In Media Representation doing so, they proffer the concept of the ‘musical unconscious’ as an analytical tool of understanding the complexities of the musical production of meanings in various social, political, and technological contexts, in reference to country, www.atropospress.com queer punk, jazz, pop, black metal, film music, blues, carnival music, Muzak, hip-hop, experimental electronic music, protest and campaign songs, minimal ( E music, and of course the kazoo. DS. ) Contributions by Hanjo Berressem, Christian Broecking, Martin Butler, Christof Decker, Mario Dunkel, Benedikt Feiten, Paola Ferrero, Jürgen AMERIC Grandt, Julius Greve, Christian Hänggi, Jan Niklas Jansen, Thoren Opitz, Sascha Pöhlmann, Arthur Sabatini, Christian Schmidt, Björn Sonnenberg- Schrank, Gunter Süß, and Katharina Wiedlack. A A ND TH AMERICA AND THE MUSICAL UNCONSCIOUS E MUSIC A L UNCON S CIOUS ATROPOS PRESS new york • dresden 5 6 4 7 3 8 2 9 1 10 0 11 AMERICA AND THE MUSICAL UNCONSCIOUS JULIUS GREVE & SASCHA PÖHLMANN (EDS.) America and the Musical Unconscious Copyright © 2015 by Julius Greve and Sascha Pöhlmann (Eds.) The rights of the contributions remain with the respective authors. -
GRAMMY AWARDS 2013: FULL LIST of WINNERS Record of the Year
GRAMMY AWARDS 2013: FULL LIST OF WINNERS Record of the Year: "Somebody That I Used to Know," Gotye featuring Kimbra Album of the Year: Babel, Mumford & Sons Song of the Year: "We Are Young," fun. featuring Janelle Monáe Best New Artist: fun. Best Pop Solo Performance: "Set Fire to the Rain," Adele Best Pop Duo/Group Performance: "Somebody That I Used to Know," Gotye featuring Kimbra Best Pop Instrumental Album: Impressions, Chris Botti Best Pop Vocal Album: Stronger, Kelly Clarkson Best Dance Recording: Bangarang, Skrillex featuring Sirah Best Dance/Electronica Album: Bangarang, Skrillex Best Traditional Pop Vocal Album: Kisses on the Bottom, Paul McCartney Best Rock Performance: Lonely Boy, The Black Keys Grammys 2013: Arrivals Best Hard Rock/Metal Performance: "Love Bites (So Do I)," Halestrom Best Rock Song: "Lonely Boy," The Black Keys Best Rock Album: El Camino, The Black Keys Best Alternative Music Album: Making Mirrors, Gotye Best R&B Performance: "Climax," Usher Best Traditional R&B Performance: "Love on Top," Beyoncé Best R&B Song: "Adorn," Miguel Best Urban Contemporary Album: Channel Orange, Frank Ocean Taylor Swift talks opening the Grammys Best R&B Album: Black Radio, Robert Glasper Experiment Best Rap Performance: "N****s in Paris," Jay-Z and Kayne West Best Rap/Sung Collaboration: "No Church In The Wild," Jay-Z and Kanye West featuring Frank Ocean and The Dream Best Rap Song: "N****s in Paris," Jay-Z and Kayne West Best Rap Album: Take Care, Drake Best Country Solo Performance: "Blown Away," Carrie Underwood Best Country -
Establishing Female Resistance As Tradition in Country Music: Towards a More Refined Discourse
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2016 12:00 AM Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse Catherine Keron The University of Western Ontario Supervisor Dr. Norma Coates The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Catherine Keron 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Keron, Catherine, "Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse" (2016). Electronic Thesis and Dissertation Repository. 3970. https://ir.lib.uwo.ca/etd/3970 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This thesis analyzes facets of resistance in the lyrics of female country music performers and explores how their articulations of female resistance draw on and rework Appalachian folk traditions within country music. Beginning with the musical practices of Appalachian women, who used music to lament their lives restricted by domestic responsibilities, this thesis examines expressions of female resistance through lyrical analysis, with a concentration on female country performers from 1995 to the present. Despite evolving into a performance tradition, female resistance in country music continues to address the lived experiences of its female audience. As such, the female resistance tradition is an enduring component of country music that has addressed women’s issues for over a century. -
John Fullbright Pg 30 “What’S So Bad About Happy?” T He Oklahoma Tunesmith Seeks Answers to That Burning Question and Others While Crafting the Songs of His Life
LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue JOHN FULLBRIGHT pg 30 “What’s so bad about happy?” T he Oklahoma tunesmith seeks answers to that burning question and others while crafting the songs of his life. by Lynne Margolis FEATUREs 26 Q&A: Billy Joe Shaver — By Holly Gleason 38 Miranda Lambert: The true heart and real deal behind the platinum supernova — By Holly Gleason 42 The Mastersons: The duke and duchess of Americana power pop embrace their chemistry on Good Luck Charm — By Holly Gleason 43 Corb Lund: Americana’s favorite Hurtin’ Albertan goes to Memphis — By Adam Dawson 46 Kelly Willis and Bruce Robison: “This will be our year, took a long time to come ...” — By Richard Skanse 50 Robyn Ludwick: Hard woman with a heartache — By Richard Skanse John Fullbright photo by John Carrico 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Photo: John Carrico I can’t, for the life of me, remember what song it was that John Fullbright Advertising/Marketing: Kristen Townsend played the first time I saw him — but I damn sure remember the impact. Advertising: Erica Brown It was back in February 2011 at the 23rd International Folk Alliance Conference Artist & Label Relations: Kristen Townsend in Memphis, sometime well after midnight, when the private showcases overrunning the top three floors of the Marriott were in full swing. I’d wandered Contributing Contributing from room to room for what felt like (and probably was) hours, catching a song Writers Photographers here, a short set there, and foraging for drinks and late-night snacks the whole time. -
These Go to Eleven
THE YEAR IN The Year’s To p MUSIC Stories BOB TOP 100 & TOP 15S THESE LABEL OF THE YEAR PITTMAN TOP PerfORMERS GO TO ELEVEN The Interview PAGE 13 PAGE 3 PAGE 33 CapN_ACfrontcover1111_3DECEMBER 2011 11/8/11 10:16 AM Page 1 Movin’ On Up n what may stand as the radio deal of the century, Cumulus Media completed its acquisition of Citadel Sept. 16 to become the nation’s second- The Year’s Top Stories Ilargest radio company. Cumulus now owns or operates more than 570 radio stations in 120 markets, including eight of the top 10. Among them are 90 Country outlets, including both major competitors in Dallas (KPLX & KSCS), two of the three contemporary Country stations in Nashville (WSM-FM & WKDF) and several more top-rated FMs including WIVK/Knoxville, KIIM/Tucson and KATM/Modesto, CA. The deal also included Citadel Media (now Cumulus Media Networks), which has two fulltime Country formats and American Country Countdown With Kix Brooks in its portfolio. What it means, especially for Country, is largely predicated on the workings of Cumulus’ new programming structure. The July 31 appointment of McVay Media’s Mike McVay as SVP/Programming, joining incumbent SVPP Jan Jeffries, promised a new approach that was outlined with programmers on a Sept. 22. company-wide conference call. Of note: Jeffries continues to oversee Country, Top 40 and Hot AC, with former KILT/Houston APD Greg Frey continuing in his corporate Country programming role, a position he took in Oct. 2010. Of particular interest in Nashville are the company’s music policies, which McVay detailed for Country Aircheck in September: “There will be markets where programmers will not have full-on ability to play whatever they want,” he said. -
Apple Store Track List
Seite 1 von 5 Musik 150 Titel, 9,5 Std., 744,6 MB Name Dauer Album Interpret 1 Adorn 3:13 Kaleidoscope Dream Miguel 2 Africa 4:56 Toto IV Toto 3 Ain't No Rest for the Wicked 2:55 Cage the Elephant Cage the Elephant 4 Alive 3:25 Ice On the Dune Empire of the Sun 5 All In Forms (FaltyDL Remix) 7:35 Black Sands Remixed (Bonus Tr… Bonobo 6 All the Time 3:01 Comedown Machine The Strokes 7 Angel Eyes 3:07 Love and Theft Love and Theft 8 Anna Sun 5:21 Walk the Moon WALK THE MOON 9 The Arrogance of Youth 3:26 The Arrogance of Youth Riley Etheridge, Jr. 10 Baggage Claim (Radio Edit) 3:18 Four the Record Miranda Lambert 11 The Baseball Song 3:45 The Baseball Song - Single Corey Smith 12 Better Dig Two 3:14 Pioneer The Band Perry 13 Black Chandelier 4:05 Opposites (Deluxe) Biffy Clyro 14 Blow Me (One Last Kiss) 4:17 The Truth About Love P!nk 15 Bones (Acoustic) 3:14 Bones (Acoustic) - Single Young Guns 16 Brave 3:59 All That Echoes Josh Groban 17 Breakeven (Falling to Pieces) 4:21 The Script The Script 18 Brown Eyed Girl (Single Version) 3:03 Super Hits Van Morrison 19 Candy 3:21 Take the Crown Robbie Williams 20 Castle of Glass 3:25 LIVING THINGS Linkin Park 21 The Ceiling 6:18 The Ceiling / Backwoods Compa… The Wild Feathers 22 Changed 4:22 Changed (Deluxe Edition) Rascal Flatts 23 Cirrus 5:49 The North Borders Bonobo 24 Closer 3:29 Heartthrob Tegan and Sara 25 Collide (Chris Lord-Alge Mix aka… 4:08 Stop All the World Now (Special… Howie Day 26 Come & Get It 3:52 Come & Get It - Single Selena Gomez 27 Come & Get It 4:44 Selena Gomez 28 Come Unto Me 4:29 In Time The Mavericks 29 Cooler Than Me (Single Mix) 3:33 31 Minutes to Takeoff Mike Posner 30 Country Must Be Country Wide 3:35 Halfway to Heaven (Deluxe Editi… Brantley Gilbert 31 Crazy Train 4:56 Blizzard of Ozz (Expanded Edition) Ozzy Osbourne 32 Cruise 3:31 Here's to the Good Times (Delux… Florida Georgia Line 33 Death of a Married Man (feat. -
Top Albums: Billboard Top 200 Week Ending: 04/14/2013 Display: % CHG
file:///Users/rob/Library/Mail Downloads/OVERALL.HTM CHART: Top Albums: Billboard Top 200 Week Ending: 04/14/2013 Display: % CHG Weeks 2W LW TW TW % LW RTD Label Artist Title On RankRankRank Sales CHG Sales Sales 1 FUER 1 PARAMORE PARAMORE 106,308 999 114 106,422 1 ARNV 2 PAISLEY*BRAD WHEELHOUSE 100,441 999 152 100,593 4 RCA 1 1 3 TIMBERLAKE*JUSTIN 20/20 EXPERIENCE 97,696 -30 139,285 1,523,658 3 WAR 3 4 4 SHELTON*BLAKE BASED ON A TRUE STORY 61,445 -25 82,211 342,990 1 ENAS 5 CHURCH*ERIC CAUGHT IN THE ACT 61,439 999 95 61,534 2 R-RN 2 6 THE BAND PERRY PIONEER 56,413 -56 129,291 185,874 1 R-CM 7 TYGA HOTEL CALIFORNIA 53,532 999 85 53,617 3 R-CM 2 5 8 LIL' WAYNE I AM NOT A HUMAN BEING II 42,078 -38 67,821 327,207 1 R-RR 9 VOLBEAT OUTLAW GENTLEMEN & SHADY LADIE 39,166 999 250 39,416 1 ROAD 10 STONE SOUR HOUSE OF GOLD & BONES PART 2 35,276 999 224 35,500 1 WAR 11 DEVICE DEVICE 35,033 999 201 35,234 18 ATLG 9 10 12 MARS*BRUNO UNORTHODOX JUKEBOX 30,377 -15 35,598 1,207,625 19 R-RN 21 13 13 FLORIDA GEORGIA LINE HERE'S TO THE GOOD TIMES 30,224 15 26,342 513,696 30 RCA 7 9 14 P!NK TRUTH ABOUT LOVE 28,053 -24 37,080 1,373,438 6 CAPN 12 16 15 BRYAN*LUKE SPRING BREAK...HERE TO PARTY 26,420 8 24,456 336,651 27 MACK 15 12 16 MACKLEMORE & RYAN LEWIS THE HEIST 26,382 -2 27,045 579,633 32 INT 8 8 17 IMAGINE DRAGONS NIGHT VISIONS 22,685 -39 37,312 820,543 90 ENAS 37 25 18 CHURCH*ERIC CHIEF 19,332 28 15,149 1,486,142 60 FUER 19 17 19 FUN.