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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Sexism Across Musical Genres: a Comparison
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-24-2014 Sexism Across Musical Genres: A Comparison Sarah Neff Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social Psychology Commons Recommended Citation Neff, Sarah, "Sexism Across Musical Genres: A Comparison" (2014). Honors Theses. 2484. https://scholarworks.wmich.edu/honors_theses/2484 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Running head: SEXISM ACROSS MUSICAL GENRES 1 Sexism Across Musical Genres: A Comparison Sarah E. Neff Western Michigan University SEXISM ACROSS MUSICAL GENRES 2 Abstract Music is a part of daily life for most people, leading the messages within music to permeate people’s consciousness. This is concerning when the messages in music follow discriminatory themes such as sexism or racism. Sexism in music is becoming well documented, but some genres are scrutinized more heavily than others. Rap and hip-hop get much more attention in popular media for being sexist than do genres such as country and rock. My goal was to show whether or not genres such as country and rock are as sexist as rap and hip-hop. In this project, I analyze the top ten songs of 2013 from six genres looking for five themes of sexism. The six genres used are rap, hip-hop, country, rock, alternative, and dance. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
Gaylord Opryland Y Nashville, Tn
RAYMOND JAMES FINANCIAL SERVICES ELEV TE NATIONAL CONFERENCE FOR PROFESSIONAL DEVELOPMENT GAYLORD OPRYLAND Y NASHVILLE, TN 1 NATIONAL CONFERENCE FOR PROFESSIONAL DEVELOPMENT 2016 Y NASHVILLE, TENNESSEE TABLE OF CONTENTS 4 2016 Education & Marketing Partners 5 Welcome Letter 6 Highlights 8 General Information 10 Conference at a Glance 12 Map – Gaylord Opryland 13 Maps – Convention Center 14 Map – Resource Center & Exhibitors 16 Map – Technology Center & Exhibitors 17 App Info 18 Monday Events & Sessions 30 Tuesday Events & Sessions 44 Wednesday Events & Sessions 52 Thursday Events & Sessions 62 Chairman’s Council 72 Director’s Council 2 HITS ARE MADE EVERY DAY IN MUSIC CITY, USA. LET’S ELEVATE YOUR PRACTICE TO THE TOP OF THE CHARTS. They say that country music is “three chords and the truth,” and everything else is just an elevation of that simple premise. The same can be said of the financial advising business, in which you take the foundation of the advisor/client relationship and seek new ways to build tempo, increase volume and elevate harmony in an ever-growing practice. As the composer of your own success, you must take advantage of all the instruments available to you – practice management tools and resources, advisor-driven technology, expert product and service support, marketing expertise, products and support for high-net-worth clients, and succession and acquisition guidance and planning – to create a masterwork of a practice to benefit your clients, your associates and your family, today and in the future. This week at the magnificent Gaylord Opryland Resort in Nashville – Music City, USA and the birthplace of country music – you’ll enjoy access to the people dedicated to helping you elevate your practice, from product experts to home office support, industry leaders and senior managers. -
The Bulletin and Nia and Public Interest Therein
The AMERICAN PEONY SOCIETY Bulletin Spring 2021; No. 397 Photo courtesy Nick Maycher Anticipation... THE AMERICAN PEONY SOCIETY MEMBERSHIP & THE APS BULLETIN (APS) is a nonprofit horticultural orga- Dues are paid for the calendar year. nization incorporated as a member- Dues received before August 25 are re- ship corporation under the laws of the corded for the current year and mem- State of Missouri. APS is organized ex- bers will be sent all four issues of The clusively for educational and scientific Bulletin for that year (while supplies purposes, and especially to promote, last). Dues received between August encourage and foster the development 25 and November 25 will receive the and improvement of the genus Paeo- December issue of The Bulletin and nia and public interest therein. These all issues for the following year. Mem- purposes are expressly limited so that berships received after November 25 APS qualifies as an exempt organi- will be recorded for the following year. zation under section 501(c)(5) of the Online reading is available for the five Internal Revenue Code of 1954 or the most current Bulletin issues. Those corresponding provision of any future with online-only membership will not Internal Revenue law. Donors may not receive printed Bulletins. Membership deduct contributions to APS. information and an online registration Opinions expressed by contributors to form are available on the APS website. this publication are solely those of the Individual memberships are for one individual writers and do not necessar- or two persons at the same address, ily reflect the opinions of the APS Edi- receiving one copy of The Bulletin. -
9/11: Remembering Tragedy, Bringing Hope
11411 Pflumm Rd. Overland Park, KS 66215 Volume 24, Issue 1 September 15, 2011 the SHIELD www.stasaints.net The student voice at Saint Thomas Aquinas 9/11: Remembering Tragedy, Bringing Hope Golf Head Coach Ryan Junior Abby Kern spends two Inside Best wins National Girls’ weeks in Hungary as part of a Golf Coach of the Year youth leadership trip. Award Features, page 4 Sports, page 12 2 September 15, 2011 Campus News Curfew law set for KCMO StuCo sends class Teenagers now are prohibit- Ann Hilgers, however, said the Breaking the curfew could curfew is unfair. result in the parents or guardians info through texts ed from certain areas on the “The kids who make good of the offender receiving up to a reminded them to bring money.” Plaza because of curfew law. decisions shouldn’t be punished $500 fine. When caught break- The new way of com- for the few who make bad deci- ing the curfew by the police, the Overall, this system is poised munication allows Student to be extremely helpful to the BEN GARTLAND sions,” she said. offender will be arrested and Hilgers said that passing a brought to Brush Creek Com- Council to send information school. There will most likely be Reporter no more confusion about things. law in order to stop the problem munity Center, where they will quickly to students. is not the right way to go about wait for their parents to pick For those whose parents like to A new law in Kansas City, the problem. The problem lies them up. -
Issue 209 Music & Mornings Many Factors Determine the Amount of Music a Country Station Plays in Morning Drive
September 13, 2010 Issue 209 Music & Mornings Many factors determine the amount of music a Country station plays in morning drive. The competitive situation, spot load, caliber of air talent and even a change in morning shows are among them. Most recently, PPM ratings have led a number of programmers to increase the amount of music heard between 6-10am. For purposes of this week’s study, we looked at a variety of market situations to see how many songs were played in morning drive on a Wednesday for the last 12 months (excluding December 2009). As always, all airplay information comes from our friends at Mediabase 24/7. Stand Alone PPM Markets KKGO/Los Angeles has added a couple of songs per hour in the Medal Heads: “Not bad for an old radio guy!” says WGH-FM/AM/Norfolk last three months. It averaged about 12 songs between 6-9am up Dir. of Programming and Operations John Shomby. He and his niece Sara until about three months ago when it bumped to 14-15 songs in that (left) cheese for the camera after running the Virginia Beach Rock & Roll Half Marathon. At right (l-r), WWFG/Salisbury-Ocean City morning host time frame. Its 9am hour has stayed steady at 14 tunes throughout John Trout (5k), MM Jefferson Ward and Clear Channel’s Diane Walsh the last year. (both half-marathon) celebrate completing the local Hidden Treasures WUSN/Chicago has been stable in its morning airplay. It routinely runs. Each earned a podium finish in their age groups. has aired six-seven songs in the first hour of morning drive, seven- eight songs in the second hour, eight-nine songs in the third hour and McGraw’s Super In Dallas 10-11 songs in the final drive-time hour. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Soundtrack and Garnering Accolades for Their Debut Album “Remind Me in Three Days.” Check out Our Exclusive Interview on Page 7
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 3—DECEMBER 9, 2008 VOL. 46, NO. 26 “Abstract Progressive” rapping duo The Knux are giving Vincent Chase his soundtrack and garnering accolades for their debut album “Remind Me in Three Days.” Check out our exclusive interview on page 7. We saw a lot of movies over break. We weigh in on which to see and … from which to fl ee. “808s and Heartbreaks” is really good. Hey, Kanye, hey. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 4 FRIDAY, DECEMBER 5 SATURDAY, DECEMBER 6 The Regulars Harley Allen Band — Station Inn Parachute Musical and KinderCastle with Noises Carols & Cocoa — Barnes and Noble, Cool THE RUTLEDGE The go-to joint for bluegrass in the Music City features Harley Allen, 10 — The Mercy Lounge and Cannery Ballroom Springs 410 Fourth Ave. S. 37201 Part of the Mercy Lounge’s Winter of Dreamz musical showcase, a well-known song writer who’s worked with Garth Brooks, Dierks Need to get into the Christmas spirit? The Battle Ground Academy 782-6858 Bentley and Gary Allan to name a few. Make sure to see this living Friday’s event showcases Parachute Musical and KinderCastle along Middle School Chorus will lead you in some of your favorite seasonal legend in action. ($10, 9 p.m.) with opener Noises 10. Head to the Mercy Lounge to enjoy some carols as you enjoy delicious hot chocolate. (Free, 11 a.m., 1701 MERCY LOUNGE/CANNERY live local music and $2.50 pints courtesy of Winter of Dreamz co- Mallory Lane, Brentwood) presenter Sweetwater 420. -
Calabasas City Los Angeles County California, U
CALABASAS CITY LOS ANGELES COUNTY CALIFORNIA, U. S. A. Calabasas, California Calabasas, California Calabasas is a city in Los Angeles County, California, United States, Calabasas es una ciudad en el condado de Los Ángeles, California, Estados located in the hills west of the San Fernando Valley and in the northwest Santa Unidos, ubicada en las colinas al oeste del valle de San Fernando y en el noroeste Monica Mountains between Woodland Hills, Agoura Hills, West Hills, Hidden de las montañas de Santa Mónica, entre Woodland Hills, Agoura Hills, West Hills, Hills, and Malibu, California. The Leonis Adobe, an adobe structure in Old Hidden Hills y Malibu, California. El Adobe Leonis, una estructura de adobe en Town Calabasas, dates from 1844 and is one of the oldest surviving buildings Old Town Calabasas, data de 1844 y es uno de los edificios más antiguos que in greater Los Angeles. The city was formally incorporated in 1991. As of the quedan en el Gran Los Ángeles. La ciudad se incorporó formalmente en 1991. A 2010 census, the city's population was 23,058, up from 20,033 at the 2000 partir del censo de 2010, la población de la ciudad era de 23.058, en census. comparación con 20.033 en el censo de 2000. Contents Contenido 1. History 1. Historia 2. Geography 2. Geografía 2.1 Communities 2.1 Comunidades 3. Demographics 3. Demografía 3.1 2010 3.1 2010 3.2 2005 3.2 2005 4. Economy 4. economía 4.1. Top employers 4.1. Mejores empleadores 4.2. Technology center 4.2. -
THE BANJO IS BACK It’S a Clanky Little Five-String Instrument with a Bluegrass History That Thompson Square Joins Was All but Extinct in Mainstream Country Music
BILLBOARD.BIZ/NEWSLETTER/EDITED BY TOM ROLAND, [email protected] APRIL 16, 2012 | PAGE 1 OF 17 INSIDE THE BANJO IS BACK It’s a clanky little five-string instrument with a bluegrass history that Thompson Square Joins was all but extinct in mainstream country music. But as Rascal Billboard Summit Flatts’ “Banjo” enters the top five on Hot Country Songs, it’s clear >page 4 that the banjo is once again relevant to contemporary country sound. Ilya Toshinsky has the distinct privilege of playing banjo on “Banjo,” though he’s hardly the only guy working it in Nashville studios. Producer Nathan Chapman plucked one on Taylor Keith Urban, Swift’s Jonathan Yudkin Vince Gill “Hall” Grammy Award-winning “Mean,” In $465k handles it on Big & Rich’s “Save a Horse (Ride a Cowboy),” and >page 6 Keith Urban plays the banjo — or, to be precise, a six-string Deer- ing ganjo—on a bundle of songs that get heavy recurrent attention on country radio. In fact, Urban’s “Somebody Like You,” which cel- Blake Shelton ebrates its 10th anniversary this summer, was a significant factor Has Cause For in the banjo’s return to prominence. Celebration >page 6 “He has an extremely unique take on it,” says Urban’s co-producer Dann Huff, who is also one of Nashville’s most accomplished gui- Rascal Flatts performs “Banjo” with Steve Martin at tarists. “He has a way of attacking it. His is a real reckless banjo the ACM Awards. From left are group member Joe Don playing, and it stems from his style as a guitar player.