Music on the Way in Q1 While Long Island’S First Lady of Country Music Lisa Matassa Will Be Returning with Her F Music Is Water, Radio’S the Pipe
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Sexism Across Musical Genres: a Comparison
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-24-2014 Sexism Across Musical Genres: A Comparison Sarah Neff Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social Psychology Commons Recommended Citation Neff, Sarah, "Sexism Across Musical Genres: A Comparison" (2014). Honors Theses. 2484. https://scholarworks.wmich.edu/honors_theses/2484 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Running head: SEXISM ACROSS MUSICAL GENRES 1 Sexism Across Musical Genres: A Comparison Sarah E. Neff Western Michigan University SEXISM ACROSS MUSICAL GENRES 2 Abstract Music is a part of daily life for most people, leading the messages within music to permeate people’s consciousness. This is concerning when the messages in music follow discriminatory themes such as sexism or racism. Sexism in music is becoming well documented, but some genres are scrutinized more heavily than others. Rap and hip-hop get much more attention in popular media for being sexist than do genres such as country and rock. My goal was to show whether or not genres such as country and rock are as sexist as rap and hip-hop. In this project, I analyze the top ten songs of 2013 from six genres looking for five themes of sexism. The six genres used are rap, hip-hop, country, rock, alternative, and dance. -
ILLINOIS POLITICS by Rich Miller Capitolfax.Com Business Opposition Torpedoes Viable Pension Plan
2 River Cities’ Reader • Vol. 20 No. 826 • March 21 - April 3, 2013 Business • Politics • Arts • Culture • Now You Know • RiverCitiesReader.com Our COMMITMENT to the COMMUNITY is BLOSSOMING. Through the use of compressed natural gas vehicles and green building projects, we are committed to a sustainable Quad Cities. www.gogreenmetro.com Business • Politics • Arts • Culture • Now You Know • RiverCitiesReader.com River Cities’ Reader • Vol. 20 No. 826 • March 21 - April 3, 2013 3 GUEST COMMENTARY by Kevin Carson Seventeen Benefits of the War on Drugs ith American drug-use levels es- turned kids into drug informants who cool black uniforms just like the SS. hide, you have nothing to fear” rhetoric, sentially the same as – and levels monitor their parents for the authorities. 8) Between the wars on the urban drug it conditions the public to assume the Wof drug-related violence either the 5) As a result of the way DARE interacts trade and rural meth labs, it has brought surveillance state means well and that only same as or lower than – those in countries with other things such as zero-tolerance under constant harassment and surveillance evildoers object to ubiquitous surveillance. such as the Netherlands with liberal drug policies and warrantless inspections by drug- two of the demographic groups in our 13) In conjunction with endless military laws, public support for the War on Drugs sniffing dogs, the Drug War has conditioned country – inner-city blacks and rural, poor adventures overseas and “soldiers defend our appears to be faltering. This was most recent- children to believe the policeman is their whites – least socialized to accept orders freedoms” rhetoric, it conditions the public ly evidenced in the victory of major drug- friend, and to view snitching as admirable from authority either in the workplace or to worship authority figures in uniform, decriminalization initiatives in Colorado and behavior, and to instinctively look for an political system, and vital components of any and predisposes them to cheerfully accept Washington. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
View Group & Conference Planning Packet
shew hip ana S Farmstead Inn & Welcome! est. 1922 Conference Center PO Box 185 370 S Van Buren St Shipshewana, Indiana 46565 We are delighted with your interest in Shipshewana, Indiana’s Farmstead Inn & Conference Center www.farmsteadinn.com for your meeting, group conference, retreat or convention! Our beautiful facilities can accommodate groups of any size, and our seasoned staff will provide exceptional service and Amish country hospitality. We provide ample bus parking, luggage service, and assistance in coordinating local tours. Come fall under the spell of one of the most charming Inns in Indiana, enhanced by rural landscape and right across the street from the Midwest’s Largest Flea Market. The following is a summary of our services. Like what you see? Schedule a preview stay to experience the Farmstead for yourself. Our group & conference coordinator will be happy to assist you in any way. If you have any questions, call us at 260-768-4595. Thank you. We look forward to hearing from you! Keith Lambright (owner) Family & Team Group leader or conference planner? Contact us to begin planning GET A PREVIEW TOUR! $69 Classic Room ELAINE REIDENBACH Stay in a Classic Room for $69.00 when booking a Group Preview Tour! Call The Farmstead Inn at 260-768-4595 to Farmstead Group & Conference Coordinator schedule with our Group & Conference Coordinator. Phone: 260-768-4595 Based Upon Availability. Email: [email protected] Expires 12/31/2020 shew hip ana S Farmstead Inn & est. 1922 Conference Center Find your way to Amish Country Directions from the I-80/90 Tollroad: Exit 107: South (Right) on SR 13 to SR 120, East (Left) on SR 120 to SR 5, South (Right) on SR 5, 3.5 miles. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
On the Arts 641 East Forest Street Oconomowoc, WI 53066 Contents Box Office 262.560.3172
2012-13 SEASON on the arts 641 East Forest Street Oconomowoc, WI 53066 Contents Box Office 262.560.3172 OCONOMOWOC AREA SCHOOL DISTRICT www.theoac.net District Officers/Community Support ..........4 Staff Michael’s Corner ..................................................6 Arts Center Director by Michael Duncan Michael Duncan Marketing/ OAC Community Partner Public Relations Manager Initiative Program ................................................7 Robin Krakauer Box Office/Website Manager Mainstage Series ..................................................8 Cynthia Acosta Luksich Katie Armiger ..................................................... 13 Box Office Staff Sharon Milway, Connie Rizzo Country music’s young star on the rise by Rebecca Seymour Nancy Schwabe House Managers John McGivern .................................................. 15 Robert Abbott, Lynne Carlstein, Mark Carlstein, Deborah Duncan, Milwaukee’s hometown funnyman by Rebecca Seymour Lindsay Duncan, Megan Elftman, Jan Gibeau, Angie Harrison, Proud Supporter of the David Harrison, Davey Harrison, Cabaret Café ....................................................... 18 Oconomowoc Performing Arts Center Dan Holzmiller, Adrianna Nowak, Connie Rizzo Comedy Series ................................................... 21 OAC Technicians Melody Abbott, Sean Floeter, Film Series ........................................................... 22 Brandon Gariss, John Kyle, Michael Nicolai, Brooke Olson, Dustin Strobush, Joe Zack, Andrew Zietlow Visual Arts Series.............................................. -
THE BANJO IS BACK It’S a Clanky Little Five-String Instrument with a Bluegrass History That Thompson Square Joins Was All but Extinct in Mainstream Country Music
BILLBOARD.BIZ/NEWSLETTER/EDITED BY TOM ROLAND, [email protected] APRIL 16, 2012 | PAGE 1 OF 17 INSIDE THE BANJO IS BACK It’s a clanky little five-string instrument with a bluegrass history that Thompson Square Joins was all but extinct in mainstream country music. But as Rascal Billboard Summit Flatts’ “Banjo” enters the top five on Hot Country Songs, it’s clear >page 4 that the banjo is once again relevant to contemporary country sound. Ilya Toshinsky has the distinct privilege of playing banjo on “Banjo,” though he’s hardly the only guy working it in Nashville studios. Producer Nathan Chapman plucked one on Taylor Keith Urban, Swift’s Jonathan Yudkin Vince Gill “Hall” Grammy Award-winning “Mean,” In $465k handles it on Big & Rich’s “Save a Horse (Ride a Cowboy),” and >page 6 Keith Urban plays the banjo — or, to be precise, a six-string Deer- ing ganjo—on a bundle of songs that get heavy recurrent attention on country radio. In fact, Urban’s “Somebody Like You,” which cel- Blake Shelton ebrates its 10th anniversary this summer, was a significant factor Has Cause For in the banjo’s return to prominence. Celebration >page 6 “He has an extremely unique take on it,” says Urban’s co-producer Dann Huff, who is also one of Nashville’s most accomplished gui- Rascal Flatts performs “Banjo” with Steve Martin at tarists. “He has a way of attacking it. His is a real reckless banjo the ACM Awards. From left are group member Joe Don playing, and it stems from his style as a guitar player. -
1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney
TOP100 OF 2011 1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney Creek 51 BRAD PAISLEY Anything Like Me Arista 2 JASON ALDEAN & KELLY CLARKSON Don't You Wanna Stay Broken Bow 52 RONNIE DUNN Bleed Red Arista 3 TIM MCGRAW Felt Good On My Lips Curb 53 THOMPSON SQUARE I Got You Stoney Creek 4 BILLY CURRINGTON Let Me Down Easy Mercury 54 CARRIE UNDERWOOD Mama's Song 19/Arista 5 KENNY CHESNEY Somewhere With You BNA 55 SUNNY SWEENEY From A Table Away Republic Nashville 6 SARA EVANS A Little Bit Stronger RCA 56 ERIC CHURCH Homeboy EMI Nashville 7 BLAKE SHELTON Honey Bee Warner Bros./WMN 57 TAYLOR SWIFT Sparks Fly Big Machine 8 THE BAND PERRY You Lie Republic Nashville 58 BILLY CURRINGTON Love Done Gone Mercury 9 MIRANDA LAMBERT Heart Like Mine Columbia 59 DAVID NAIL Let It Rain MCA 10 CHRIS YOUNG Voices RCA 60 MIRANDA LAMBERT Baggage Claim RCA 11 DARIUS RUCKER This Capitol 61 STEVE HOLY Love Don't Run Curb 12 LUKE BRYAN Someone Else Calling... Capitol 62 GEORGE STRAIT The Breath You Take MCA 13 CHRIS YOUNG Tomorrow RCA 63 EASTON CORBIN I Can't Love You Back Mercury 14 JASON ALDEAN Dirt Road Anthem Broken Bow 64 JERROD NIEMANN One More Drinkin' Song Sea Gayle/Arista 15 JAKE OWEN Barefoot Blue Jean Night RCA 65 SUGARLAND Little Miss Mercury 16 JERROD NIEMANN What Do You Want Sea Gayle/Arista 66 JOSH TURNER I Wouldn't Be A Man MCA 17 BLAKE SHELTON Who Are You When I'm.. -
BASICS of WILL DRAFTING the Importance of Having a Will a Will
BASICS OF WILL DRAFTING PATRICIA J. SHEVY, ESQ. THE SHEVY LAW FIRM LLC [email protected] The Importance of Having a Will A Will sets forth a person’s directions with respect to the direction of his or her assets after death. Without a properly executed Will, the laws of intestacy will apply to the distribution of a person’s assets. Many clients assume that the laws of intestacy will suffice. However, what happens in the following example: Husband and Wife have 3 minor children. Husband has $700,000 in assets. Wife has $1,000 in assets. The house is owned jointly by Husband and Wife. Husband dies. Wife keeps the house as surviving joint tenant. The remaining $700,000 is divided between Wife and children according to the laws of intestacy (Wife receives $50,000 plus ½ of the remaining $650,000; the 3 children split the remaining $325,000). But remember the children are minors, so the court will be involved until the youngest child reaches majority. This is probably not the outcome Husband and Wife had in mind. Problems with Intestate Succession When a New York State resident dies leaving no Will, the assets of the decedent will be distributed under New York Estates, Powers and Trusts Law (“EPTL”) Article 4, which lists the order and amount that family members will take from the estate of the decedent. In cases where a person dies intestate, EPTL §4-1.1 provides that a decedent’s assets will be distributed as follows: . If survived by a surviving spouse and children, the spouse receives $50,000 and ½ of the balance. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
Bait a Hook Guitar
Bait a hook guitar Use code "youtube" to get your 1st 30 days free at This is a preview of our guitar lesson. Got some requests for this one. Justin Moore's. Music video by Justin Moore performing Bait A Hook. (C) The Valory Music Co., LLC. Chorus (G) It won't be that long 'til You (D) start gettin' bored I'll be (A) smilin' on the river Reelin' in one more he cant even bait a hook he cant. Bait A Hook chords, Bait A Hook tabs, Bait A Hook by Justin Moore, tablature, and lyrics in the Outlaws Like Me Album. Choose and determine which version of Bait A Hook chords and tabs by Justin Moore you can Justin Moore - Bait A Hook Chords, Tabs, Tablatures for Guitar. + Justin Moore song lyrics. ringtone. MP3. Try these easy step- by-step video lessons and learn fast! Instrument: guitar; bass · drums Bait A Hook · chords version · Bed Of My Chevy · chords version. Bait a Hook. Made Famous By: Justin Moore. Written By: Justin Moore, Rhett Akins, Jeremy Stover. Copyright Information: © Sony/EMI. Rhythm Difficulty: Lead. "Bait a Hook" is a song co-written and recorded by American country music artist Justin Moore. It was released in August as the second single from his Songwriter(s): Rhett Akins; Justin Moore; Jere. Tabs, chords and lyrics for Bait a Hook. blank Country Tabs > M > Justin Moore > Bait a Hook. Bait a Hook. Justin Moore. Like this song? -->. Tabs for this. Justin Moore Bait A Hook Free Mp3 Download ~ (MB) Free Download Justin Moore Bait A Hook Bait a Hook Guitar Lesson and Tutorial - Justin Moore.