DOCSLIB.ORG

CX247/CX347: Sexuality and Gender in Antiquity (2015/16)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CX247/CX347: Sexuality and Gender in Antiquity (2015/16) 09/24/21 CX247/CX347: Sexuality and Gender in Antiquity | University of Warwick CX247/CX347: Sexuality and Gender in View Online Antiquity (2015/16) Aeschines. n.d. Against Timarchus. http://0-www.loebclassics.com.pugwash.lib.warwick.ac.uk/view/aeschines-timarchus/1919/ pb_LCL106.1.xml. Andrea Nye. 1989. ‘The Hidden Host: Irigaray and Diotima at Plato’s Symposium.’ Hypatia 3 (3): 45–61. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3809787. Aristophanes. n.d. Assemblywomen | Loeb Classical Library. http://0-www.loebclassics.com.pugwash.lib.warwick.ac.uk/view/aristophanes-assemblywo men/2002/pb_LCL180.245.xml. ———. n.d. Clouds | Loeb Classical Library. http://0-www.loebclassics.com.pugwash.lib.warwick.ac.uk/view/LCL488/1998/volume.xml. ———. n.d. Clouds | Loeb Classical Library. http://0-www.loebclassics.com.pugwash.lib.warwick.ac.uk/view/LCL488/1998/volume.xml. Aristotle. n.d. Generation of Animals. Loeb Classical Library. http://0-www.loebclassics.com.pugwash.lib.warwick.ac.uk/view/LCL366/1942/volume.xml. ———. n.d. Politics. Loeb Classical Library. http://0-www.loebclassics.com.pugwash.lib.warwick.ac.uk/view/LCL264/1932/volume.xml. ———. n.d. Politics | Loeb Classical Library. http://0-www.loebclassics.com.pugwash.lib.warwick.ac.uk/view/aristotle-politics/1932/pb_L CL264.3.xml?result=1&rskey=BFeRhi. Ashley Cooper, Maurice, and Xenophon. 1810. The Cyropædia, Or, The Institution of Cyrus. Philadelphia: B.B. Hopkins & Co. http://0-opac.newsbank.com.pugwash.lib.warwick.ac.uk/select/shaw/22117. Barnard, Laura S., and Aristophanes. 1987. Aristophanes’ Clouds. Vol. Bryn Mawr Greek commentaries. Bryn Mawr, Pa: Thomas Library, Bryn Mawr College. Blanshard, Alastair. 2010a. Sex: Vice and Love from Antiquity to Modernity. Vol. Classical receptions. Chichester, U.K.: Wiley-Blackwell. 1/16 09/24/21 CX247/CX347: Sexuality and Gender in Antiquity | University of Warwick ———. 2010b. Sex: Vice and Love from Antiquity to Modernity. Vol. Classical receptions. Chichester, U.K.: Wiley-Blackwell. http://lib.myilibrary.com/browse/open.asp?id=248268&entityid=https://idp.warwick.ac.uk/i dp/shibboleth. Bowie, Angus M. 1993a. Aristophanes: Myth, Ritual, and Comedy. Cambridge: Cambridge University Press. ———. 1993b. Aristophanes: Myth, Ritual and Comedy. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511518362. ———. 1993c. Aristophanes: Myth, Ritual, and Comedy. Cambridge: Cambridge University Press. ———. 1993d. Aristophanes: Myth, Ritual and Comedy. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511518362. Branham, Robert Bracht, and Marie-Odile Goulet-Cazé. 1996a. The Cynics: The Cynic Movement in Antiquity and Its Legacy. Vol. Hellenistic culture and society. Berkeley: University of California Press. ———. 1996b. The Cynics: The Cynic Movement in Antiquity and Its Legacy. Vol. Hellenistic culture and society. Berkeley: University of California Press. Brisson, Luc. 2002. Sexual Ambivalence: Androgyny and Hermaphroditism in Graeco-Roman Antiquity. Berkeley, Calif: University of California Press. Burnyeat, Myles, and Plato. 1990. The Theaetetus of Plato. Indianapolis: Hackett. Butler, Judith. 2006a. Gender Trouble: Feminism and the Subversion of Identity. Vol. Routledge classics. New York: Routledge. ———. 2006b. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. Vol. Routledge classics. New York: Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.warwick.ac.uk/ idp/shibboleth&dest=http://www.dawsonera.com/abstract/9780203824979. Carey, C., Apollodorus, and Demosthenes. 1992. Greek Orators: Vol.6: Apollodoros against Neaira : [Demosthenes] 59. Vol. Classical texts. Warminster: Aris & Phillips. Cartledge, Paul. 1990. Aristophanes and His Theatre of the Absurd. Vol. Classical world series. Bristol: Bristol Classical Press. ———. 2001. Spartan Reflections. Berkeley: University of California Press. Cartledge, Paul, Paul Millett, and Sitta von Reden. 1998. Kosmos: Essays in Order, Conflict, and Community in Classical Athens. Cambridge: Cambridge University Press. Clifford Hindley. 1999. ‘Xenophon on Male Love.’ The Classical Quarterly 49 (1): 74–99. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/639490?seq=1#page_scan_tab_c ontents. 2/16 09/24/21 CX247/CX347: Sexuality and Gender in Antiquity | University of Warwick Cohen, David. 1991a. Law, Sexuality and Society: The Enforcement of Morals in Classical Athens. Cambridge: Cambridge University Press. ———. 1991b. Law, Sexuality, and Society: The Enforcement of Morals in Classical Athens. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511597381. Collins, James Henderson. 2015. Exhortations to Philosophy: The Protreptics of Plato, Isocrates, and Aristotle. New York: Oxford University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1093/acprof:oso/9780199358595.001.00 01. ‘Course Extracts (accessible to Current Students).’ n.d. http://www2.warwick.ac.uk/services/library/search/extracts/cx/cx247. Davidson, James N. 1998a. Courtesans & Fishcakes: The Consuming Passions of Classical Athens. London: Fontana. ———. 1998b. Courtesans & Fishcakes: The Consuming Passions of Classical Athens. London: Fontana. ———. 1999. Courtesans & Fishcakes: The Consuming Passions of Classical Athens. 1st HarperPerennial ed. New York: HarperPerennial. ———. 2007. The Greeks and Greek Love: A Radical Reappraisal of Homosexuality in Ancient Greece. London: Weidenfeld & Nicolson. Davie, John, R. B. Rutherford, and Euripides. 2003. Medea and Other Plays. Vol. Penguin classics. London: Penguin. Desmond, William. 2014. Cynics. Vol. Ancient philosophies. London: Routledge. http://0-www.tandfebooks.com.pugwash.lib.warwick.ac.uk/isbn/9781315711744. Desmond, William D. 2008. Cynics. Vol. Ancient philosophies. Berkeley: University of California Press. Dobrov, Gregory W. 2010a. Brill’s Companion to the Study of Greek Comedy. Leiden: Brill. ———. 2010b. Brill’s Companion to the Study of Greek Comedy. Leiden: Brill. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1163/9789004188846. ———. 2010c. Brill’s Companion to the Study of Greek Comedy. Leiden: Brill. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1163/9789004188846. ———. 2010d. Brill’s Companion to the Study of Greek Comedy. Leiden: Brill. Dover, Kenneth James. n.d. Greek Homosexuality. Updated and with a new postcript. Cambridge, Mass: Harvard University Press. http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.01438.0001.001. Dover, K. J. 1978a. Greek Homosexuality. Cambridge, Mass: Harvard University Press. 3/16 09/24/21 CX247/CX347: Sexuality and Gender in Antiquity | University of Warwick ———. 1978b. Greek Homosexuality. London: Duckworth. Eleanor H. Kuykendall. 1989. ‘Introduction to “Sorcerer Love,” by Luce Irigaray’. Hypatia 3 (3): 28–31. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/3809785?seq=1#page_scan_tab_ contents. Eva Stehle. 2002. ‘The Body and Its Representations in Aristophanes’ Thesmophoriazousai: Where Does the Costume End?’ The American Journal of Philology 123 (3): 369–406. http://0-www.jstor.org.pugwash.lib.warwick.ac.uk/stable/1561693?seq=1#page_scan_tab_ contents. Faraone, Christopher A., and Laura McClure. n.d. Prostitutes and Courtesans in the Ancient World. Vol. Wisconsin studies in classics. Madison, Wis: University of Wisconsin Press. http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.06882.0001.001. ———. n.d. Prostitutes and Courtesans in the Ancient World. Vol. Wisconsin studies in classics. Madison, Wis: University of Wisconsin Press. http://0-hdl.handle.net.pugwash.lib.warwick.ac.uk/2027/heb.06882.0001.001. ———. 2006a. Prostitutes and Courtesans in the Ancient World. Vol. Wisconsin studies in classics. London: University of Wisconsin Press. ———. 2006b. Prostitutes and Courtesans in the Ancient World. Vol. Wisconsin studies in classics. London: University of Wisconsin Press. Fisher, N. R. E., and Aeschines. 2001a. Aeschines against Timarchos. Vol. Clarendon ancient history series. Oxford: Clarendon. ———. 2001b. Aeschines against Timarchos. Vol. Clarendon ancient history series. Oxford: Clarendon. ———. 2001c. Aeschines against Timarchos. Vol. Clarendon ancient history series. Oxford: Clarendon. Foucault, Michel. n.d. The History of Sexuality. London: Penguin. Foucault, Michel, and Robert Hurley. 1990. The History of Sexuality. Harmondsworth: Penguin. Foxhall, Lin. 2013a. Studying Gender in Classical Antiquity. Vol. Key Themes in Ancient History. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511980084. ———. 2013b. Studying Gender in Classical Antiquity. Vol. Key themes in ancient history. Cambridge: Cambridge University Press. Freeland, Cynthia A. 1998. Feminist Interpretations of Aristotle. Vol. Re-reading the canon. University Park, Pa: Pennsylvania State University Press. Gilhuly, Kate. 2008a. The Feminine Matrix of Sex and Gender in Classical Athens. Cambridge: Cambridge University Press. 4/16 09/24/21 CX247/CX347: Sexuality and Gender in Antiquity | University of Warwick http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511552052. ———. 2008b. The Feminine Matrix of Sex and Gender in Classical Athens. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511552052. ———. 2008c. The Feminine Matrix of Sex and Gender in Classical Athens. Cambridge: Cambridge University Press. http://0-dx.doi.org.pugwash.lib.warwick.ac.uk/10.1017/CBO9780511552052.
Load more

Recommended publications
  • 9/15 JEFFREY JAMES HENDERSON William Goodwin Aurelio Professor
    9/15 JEFFREY JAMES HENDERSON William Goodwin Aurelio Professor of Greek Language and Literature General Editor, Loeb Classical Library Fellow, American Academy of Arts and Sciences Department of Classical Studies 460 Park Drive Boston University Boston, MA 02215 745 Commonwealth Avenue, Rm. 435 (857) 250-4216 Boston, MA 02215 (617) 358-5072 or 2427 email: [email protected] EDUCATION PhD 1972 Harvard University MA 1970 Harvard University BA 1968 Kenyon College (summa cum laude) POSITIONS HELD Visiting Professor Spring 2010 Brown University Aurelio Professor of Greek 2002-- Boston University Dean of Arts and Sciences 2002-07 Boston University Professor and Chair 1991-2002 Boston University Visiting Professor 1986 Univ. California at Los Angeles Professor 1986-91 Univ. Southern California Associate Professor 1983-86 Univ. Southern California Visiting Professor 1982-83 Univ. Southern California Associate Professor 1978-82 Univ. of Michigan (Ann Arbor) Assistant Professor 1972-78 Yale University ACADEMIC HONORS Kenyon College Highest Honors in Classics Brain Prize in Classics Essay Prize in English Phi Beta Kappa Harvard Univ. Bowdoin Prize in Latin Prose Composition PRIZES AND HONORS Raubenheimer Distinguished Faculty Award (1991) University of Southern California Doctor of Humane Letters (1994) Kenyon College Charles J. Goodwin Award of Merit (2002) American Philological Association Fellow, American Academy of Arts and Sciences elected 2011 eProduct/Best in Humanities (2015) for digital LCL American Publishers Awards for Professional and Scholarly
    [Show full text]
  • Rethinking Athenian Democracy.Pdf
    Rethinking Athenian Democracy A dissertation presented by Daniela Louise Cammack to The Department of Government in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Political Science Harvard University Cambridge, Massachusetts January 2013 © 2013 Daniela Cammack All rights reserved. Professor Richard Tuck Daniela Cammack Abstract Conventional accounts of classical Athenian democracy represent the assembly as the primary democratic institution in the Athenian political system. This looks reasonable in the light of modern democracy, which has typically developed through the democratization of legislative assemblies. Yet it conflicts with the evidence at our disposal. Our ancient sources suggest that the most significant and distinctively democratic institution in Athens was the courts, where decisions were made by large panels of randomly selected ordinary citizens with no possibility of appeal. This dissertation reinterprets Athenian democracy as “dikastic democracy” (from the Greek dikastēs, “judge”), defined as a mode of government in which ordinary citizens rule principally through their control of the administration of justice. It begins by casting doubt on two major planks in the modern interpretation of Athenian democracy: first, that it rested on a conception of the “wisdom of the multitude” akin to that advanced by epistemic democrats today, and second that it was “deliberative,” meaning that mass discussion of political matters played a defining role. The first plank rests largely on an argument made by Aristotle in support of mass political participation, which I show has been comprehensively misunderstood. The second rests on the interpretation of the verb “bouleuomai” as indicating speech, but I suggest that it meant internal reflection in both the courts and the assembly.
    [Show full text]
  • Slaves, Sex, and Transgression in Greek Old Comedy
    Slaves, Sex, and Transgression in Greek Old Comedy By Daniel Christopher Walin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Griffith, Chair Professor Donald J. Mastronarde Professor Kathleen McCarthy Professor Emily Mackil Spring 2012 1 Abstract Slaves, Sex, and Transgression in Greek Old Comedy by Daniel Christopher Walin Doctor of Philosophy in Classics University of California, Berkeley Professor Mark Griffith, Chair This dissertation examines the often surprising role of the slave characters of Greek Old Comedy in sexual humor, building on work I began in my 2009 Classical Quarterly article ("An Aristophanic Slave: Peace 819–1126"). The slave characters of New and Roman comedy have long been the subject of productive scholarly interest; slave characters in Old Comedy, by contrast, have received relatively little attention (the sole extensive study being Stefanis 1980). Yet a closer look at the ancestors of the later, more familiar comic slaves offers new perspectives on Greek attitudes toward sex and social status, as well as what an Athenian audience expected from and enjoyed in Old Comedy. Moreover, my arguments about how to read several passages involving slave characters, if accepted, will have larger implications for our interpretation of individual plays. The first chapter sets the stage for the discussion of "sexually presumptive" slave characters by treating the idea of sexual relations between slaves and free women in Greek literature generally and Old Comedy in particular. I first examine the various (non-comic) treatments of this theme in Greek historiography, then its exploitation for comic effect in the fifth mimiamb of Herodas and in Machon's Chreiai.
    [Show full text]
  • Greek Drama As Feminist Window on American Identity 1900-1925
    Pre-print version of article forthcoming in K. Bosher, F. Macintosh, J. McConnell and Patrice Rankine (eds. 2014) The Oxford Handbook to Greek Drama in the Americas The Migrant Muse: Greek Drama as Feminist Window on American Identity 1900-1925 Edith Hall (KCL) The Quest for a New Muse Just before the academic rediscovery of ancient Greek drama in performance in the 1880s, Walt Whitman appealed for a new form of poetry to replace worn-out classicism, in ‘Song of the exposition’ (1871): Come, Muse, migrate from Greece and Ionia; Cross out, please, those immensely overpaid accounts. That matter of Troy, and Achilles’ wrath, and Eneas’, Odysseus’ wanderings; Place ‘Removed’ and ‘To Let’ on the rocks of your snowy Parnassus... For know a better, fresher, busier sphere – a wide, untried domain, awaits, demands you. But what, precisely, would be the nature of the Muse’s fresher, busier, untried North American domain? If she was to migrate from Greece and Ionia, how was she to adapt herself to a new destination far from her original home? This chapter looks at some ways in which American Modernist feminists used the Muse of Greek drama in the reconfiguration of American identity. Fifty years later, on July 7th 1921, Calvin Coolidge, Vice-President of the USA, addressed the American Classical League at UP in Philadelphia. Despite the tumultuous history 1 Pre-print version of article forthcoming in K. Bosher, F. Macintosh, J. McConnell and Patrice Rankine (eds. 2014) The Oxford Handbook to Greek Drama in the Americas of the intervening decades, he still defended the American tradition of classical education, even while confessing his desire for a distinctively American identity: We do not wish to be Greek.
    [Show full text]
  • Aristophanes in Performance 421 BC–AD 2007
    an offprint from Aristophanes in Performance 421 BC–AD 2007 Peace, Birds and Frogs ❖ EDITED BY EDITH HALL AND AMANDA WRIGLEY Modern Humanities Research Association and Maney Publishing Legenda: Oxford, 2007 C H A P T E R 16 ❖ A Poet without ‘Gravity’: Aristophanes on the Italian Stage Francesca Schironi Since the beginning of the twentieth century, Aristophanes has enjoyed a certain public profile: I have counted at least seventy-four official productions that have taken place in Italy since 1911. The most popular play by far seems to be Birds, which has taken the stage in sixteen different productions. Clouds is also reasonably popular, having been staged in twelve different productions. There have also been some interesting rewritings and pastiches of more than one play. But particularly striking is the relative infrequency with which Frogs — in my view one of Aristophanes’ most engaging comedies — has been produced: it has only seen public performance twice, in 1976 and in 2002.1 Indeed, it is one of those two productions of Frogs that attracted my attention: the most recent one, directed by Luca Ronconi at Syracuse in May 2002. As most people know by now, this performance excited many discussions, in Italy,2 as well as abroad,3 because of widespread suspicion that it had incurred censorship at the hands of Berlusconi’s government. I would like to reconsider this episode, not only because it is both striking and ambiguous, but above all because on closer inspection it seems to me a particularly good illustration of how theatre, and in particular ancient Greek and Roman theatre, ‘works’ in Italy.
    [Show full text]
  • The Rise of Authoritarianism in a Democratic Regime in Aristophanes’ Assemblywomen1
    The rise of authoritarianism in a democratic regime in Aristophanes’ Assemblywomen1 Greice Drumond2 Abstract: The plot of Assemblywomen tells the story of a coup organized by a group of women to conquer power and administrate the city of Athens. By examining the historical and dramatic elements in this comedy, we seek to comprehend the use of the notions of liberty and democracy, taking into consideration that through the drama we glimpse on what can happen when democracy is undermined. Aristophanes made use of artistic liberty to re- define the parameters of his art, showing a new form of comedy and how liberty can contribute to the development of art and society. Keywords: Athenian democracy; Aristophanic comedy; Assemblywomen; liberty; coup. Resumo: A trama de Assembleia de Mulheres conta a história de um golpe organizado por um grupo de mulheres para conquistar o poder e adminis- trar a cidade de Atenas. Ao examinar os elementos históricos e dramáticos desta comédia, buscamos compreender o uso das noções de liberdade e democracia, levando em consideração que, nesse drama cômico, entrev- emos o que pode acontecer, quando a democracia se encontra enfraquecida. Além desse aspecto narrativo, Aristófanes fez uso da liberdade artística para redefinir os parâmetros de sua arte, apontando um novo formato de comédia e mostrando como a liberdade pode contribuir para o desenvolvi- mento da arte e da sociedade. Palavras-chave: democracia ateniense; comédia aristofânica; Assembleia de Mulheres; liberdade; golpe. Introduction The play Assemblywomen (Ecclesiazousai)3 presents us with an opening scene of wom- en preparing themselves to attend the essential democratic institution of Athens’s governing body, the ἐκκλεσία [“Assembly”].
    [Show full text]
  • Acropolis in Lysistrata, 149, 152, 157 81; 430: 79; 438: 78; 440–44: 79; Addison, J., 175N. 14 422–24: 73; 496–556: 176; 4
    Index Acropolis in Lysistrata, 149, 152, 157 81; 430: 79; 438: 78; 440–44: 79; Addison, J., 175n. 14 422–24: 73; 496–556: 176; 497– Aelian, Varia Historia 2.13: 63 501: 81; 516–18: 82; 517–38: Aeschines 1.75: 19 51n. 53; 566–68: 69; 576–77: 69; Aeschylus, 107n. 51 578: 70; 594–97: 70; 595: 71; Agamemnon 1560–61: 104n. 41 597–625: 176; 598: 72; 608–17: Eumenides 321, 428: 178n. 22 72, 618: 72; 619: 73; 626: 73; Agariste, 120n. 18, 121 626–718: 201n. 70; 633–40: 82; Agathon (in Plato’s Symposium), 1 636–40: 92n. 18; 641–51: 109n. Agoracritus, 105, 106, 107 55; 836: 77; 929: 77; 971: 77; aid¯os (shame), 128–30 988: 77; 1037–39: 77; 1041: 77; Alcibiades, 41, 119–25, 132 1069: 77; 1228: 77 Ameling, W., 46n. 28 Assemblywomen, 148n. 11, 149, 173, Amphitheus, 59 192–211, 216–17 Andocides, 114, 117, 121, 123n. 30 635: 199; 638–40: 198; 725–28: 1.14: 118n. 11; 1.15: 121, 136n. 62; 202; 767: 204; 1038–42: 206; 1.16: 121; 1.36: 115n. 3, 116n. 7, 1043–44: 206; 1057: 178n. 21; 118n. 11; 1.38: 135n. 60; 1.62: 1112–83: 198; 1138: 198; 134; 1.75: 92n. 19 1147–48: 208; 1155–56: 208; Antiphon, 136n. 63 1158–62: 208n. 84; 1181–82: aret¯e (public virtue), 8, 30, 31, 33n. 10, 208n. 84 36, 38, 39–40, 41, 42, 80, 90, 92, Babylonians, 17n. 42, 88n. 5, 98n. 33 128n.
    [Show full text]
  • Aristophanes' Assemblywomen on Bulgarian Stage
    Aristophanes’ Assemblywomen on Bulgarian Stage: Modern Production and Hypothetical Original Simona Stoyanova Staging a play, which is too distant from our time, is always filled with difficulties and risks. They could be of different extent, depending on the play’s genre, nature and age. But when a number of such difficulties is present, the director’s job proves practically impossible, and it is necessary to introduce certain changes. The final result might be an adaptation (a kind of simplification) of the play towards the modern audience, or it could be a shift of the centre – the sense of the play. When we talk about a classical playwright, another problem is added to the above-mentioned, which unlike them remains chiefly unnoticed – by the director, as well as audience. This is the overly respectful approach to the authors of classical Antiquity, which frequently misleads modern people and makes them misinterpret these texts. In the case of Marius Kurkinsky’s production of The Assemblywomen from December 2009 this unconscious over- respect greatly influenced the audience’s expectations, and people were inclined to ascribe the indecent parts of the play to the director. We encounter yet another problem, particularly with Aristophanes. Comedy is to a great extent based on topical jokes. If tragedy in general is perceived and staged with a stress on its universal and intransient meaning, we couldn’t possibly say the same about comedy. The comical element is in a way historical, it couldn’t be automatically transferred from one culture to another because it contains actuals, relevant to the culture, for which it was intended.
    [Show full text]
  • Food, Nostalgia, and the Power of Dreaming in Old Comedy and the New Southern Food Movement
    UNIVERSITY OF CALIFORNIA, SAN DIEGO UNIVERSITY OF CALIFORNIA, IRVINE Agrarian Pasts, Utopian Futures: Food, Nostalgia, and the Power of Dreaming in Old Comedy and the New Southern Food Movement A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Drama and Theatre by Lily Kelting Committee in charge: University of California, San Diego Professor Nadine George-Graves, Chair Professor Page duBois, Co-chair Professor Patrick Anderson Professor Anthony Edwards Professor Marianne McDonald University of California, Irvine Professor Daphne Lei 2014 Copyright Lily Kelting, 2014 All rights reserved. Signature Page The Dissertation of Lily Kelting is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-chair Chair University of California, San Diego University of California, Irvine 2014 iii Table of Contents Signature Page ............................................................................................................... iii Table of Contents .......................................................................................................... iv List of Tables ................................................................................................................. vi Acknowledgements ...................................................................................................... vii Vita……… ..................................................................................................................... x
    [Show full text]
  • (Microsoft Powerpoint
    Codification of laws by 621 BCE Draco Athenian democracy 594 BCE established by Solon Panathenaic Festival 566 BCE established 546-510 BCE Rule of tyrants in Athens Frist tragedy performed 534 BCE at Dionysian Festival Cleisthenes introduces 508 BCE further democratic reforms 490-479 BCE Persian Wars Athens Monarchy Democracy Conglomeration of villages Polis with surrounding with dual kings urban center Progressive society Conservative society Militaristic (hoplites) Inclusivity of Independent women citizenship Slaves / helots (majority) Naval power Trading power Confederation Delian League Sparta attempts to prevent rebuilding Athens’ walls Spartan helot revolt Athens dominates/ abuses Delian League Spartan allies: disadvantaged in trade Athens v. Sparta, Corinth, Aegina Fortification of Athens Transfer of Delian treasury to Athens Respect for alliance system Athens abandons any land in Peloponnesia Proposed 15 years of peace 447 BCE: Construction of Parthenon begins 445-426 BCE: Herodotus writes his Histories Public works programs to feed the poor Athenians to live without paying taxes Delian League funds? Profits of Athenian merchants? Avoid conflict with superior Spartan hoplites on land Defense Retreat within Athens’ walls Harrass by sea Enemy trade routes and coastal cities Prolong war beyond Spartan ability to continue Dependence on grain from Egypt & the Crimea Olive farms and vineyards destroyed Property values decline Population decline 431 BCE- 172,000 citizens 425 BCE-
    [Show full text]
  • Aristophanes in Performance 421 BC–AD 2007
    an offprint from Aristophanes in Performance 421 BC–AD 2007 Peace, Birds and Frogs ❖ EDITED BY EDITH HALL AND AMANDA WRIGLEY Modern Humanities Research Association and Maney Publishing Legenda: Oxford, 2007 C H A P T E R 4 ❖ The English-Speaking Aristophanes 1650–1914 Edith Hall Introduction In Chs. 5 and 6 it will be seen that as early as the 1650s an Irishman could use Aristophanes to criticize English imperialism, while by the early nineteenth century the possibility was being explored in France of staging a topical adaptation of Aristophanes. In 1817, moreover, Eugène Scribe could base his vaudeville show Les Comices d’Athènes on Ecclesiazusae.1 Aristophanes became an important figure for German Romantics, including Hegel, after Friedrich Schlegel had in 1794 published his fine essay on the aesthetic value of Greek comedy.2 There Schlegel proposed that the Romantic ideals of Freedom and Joy (Freiheit, Freude) are integral to all art; since Schlegel regarded comedy as containing them to the highest degree, for him it was the most democratic of all art forms. Aristophanic comedy made a fundamental contribution to his theory of a popular genre with emancipatory potential.3 One result of the philosophical interest in Aristophanes was that in the early decades of the nineteenth century, until the 1848 revolution, the German theatre itself felt the impact of the ancient comic writer: topical Lustspiele displayed interest in his plays, which provided a model for German poets longing for a political comedy, for example the remarkable satirical trilogy Napoleon by Friedrich Rückert (1815–18).4 This international context illuminates the experiences undergone by Aristophanic comedy in England, and what became known as Britain consequent upon the 1707 Act of Union.
    [Show full text]
  • Women's Social Bonds in Greek and Roman Comedy
    Women’s Social Bonds in Greek and Roman Comedy A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Ph.D.) in the Department of Classics of the College of Arts and Sciences 2011 by Anne C. Feltovich B.A. Grinnell College – Grinnell, IA 2003 Committee Chair: Kathryn Gutzwiller, Ph.D. Committee Members: Holt Parker, Ph.D. Susan Prince, Ph.D. Abstract This project evaluates a range of social relationships between women in Greek and Roman comedy, focusing on the four authors from whom we have the most extant material: Aristophanes, Menander, Plautus, and Terence. I examine how social and familial bonds between women affect the risks they are willing to take on behalf of other women in their social circles. Scholarship on women in comedy has focused on their relationships to men, but my research takes the study of women in a new direction by evaluating their relationships with each other. Although comedy itself focuses on the social world of men, I am able to uncover significant information about women’s subculture in comedy by reading the plays from an alternative perspective. References to relationships between women are scattered and often indirect, but by compiling the evidence I demonstrate in Chapter 2 that the depiction of women’s social networks is consistent across all four authors. With this background, I examine the bonds between women more closely in the remaining chapters. Chapter 3 looks at three plays of Aristophanes, in which large communities of women cooperate to improve the lives of all women, often requiring individuals to take personal risks for the betterment of the group.
    [Show full text]